Arreglo para el

Cuarteto de Guitarras de Bogotá por: ASI DE SENCILLO

Edwin Guevara Gutiérrez.
Vals - Pasillo LEÓN CARDONA GARCÍA

   Lento
 
     
 

    
 

Guitarra 1
en D

            
   

Guitarra 2
en D


     

      

Guitarra 3
     
en D  
        
    
   
 
Guitarra 4
en D  

     
       
           Allegro
accel.
 
4

Gtr. 1     

                  
Gtr. 2

         
   

       
                    
Gtr. 3
  

     
            
             

Gtr. 4

 

          
rit.
   
9 Lento

         

Gtr. 1
   
 
              
   



Gtr. 2

           
Gtr. 3              

  
     
               
Gtr. 4   
 
Copyright © www.seiscuerdas.com/edwinguevara
  
2

            
      
14

  
Gtr. 1

                     
Gtr. 2     
    
                    
              

Gtr. 3

 
               
    
 
       
Gtr. 4
     

              
19

Gtr. 1         

     
Gtr. 2       
     
 
 
               
     
Gtr. 3
  
 
   
      
        
  
  
Gtr. 4

  

 
      
   
accel.
       
23

Gtr. 1   

      
          
 
 
Gtr. 2

    
               
Gtr. 3

  
               

   
Gtr. 4

 3

           
  
rit. Lento Allegro

 
28

Gtr. 1     

              
      
   
  
  
Gtr. 2

            
        

     
Gtr. 3

 
      
            
  
   
          
      
Gtr. 4
  

          
             
34



  
    
Gtr. 1

                       
  

      

Gtr. 2
      

   

  
            
Gtr. 3    

                  

Gtr. 4          
        

    
    
  
       
40

Gtr. 1      
    
                  


Gtr. 2
 
                   
           
 

Gtr. 3

                
     
 

 
    
   
Gtr. 4
   
4

           




rit.
    
46 Lento

      

     
 
Gtr. 1
  
         
 
       
            

Gtr. 2

   
                     
        
 
Gtr. 3
 
        

          
       

 
Gtr. 4
 

       
       
accel.

52 Allegro
  
    

  
 
Gtr. 1


   

 
       
      
       
Gtr. 2
  
                  
   
 
        
 
Gtr. 3

      
 
  
                
     
Gtr. 4
    

  
         
58

Lento
Gtr. 1               
 



  
     

             
Gtr. 2
          

   
               
  
 
Gtr. 3    


 
 
        


      
 
Gtr. 4
          
  
  
 5

    
 
      
64

Gtr. 1           
     
    
      


              
Gtr. 2
 
      
   
       
                 
Gtr. 3
          
   

      
   

      

  
            
Gtr. 4
 

         
1.

accel.
        
70


rit.
Gtr. 1       

    
 
Gtr. 2                
      

         
  


  
 
   
   

Gtr. 3


3
                
  
             

 
    
Gtr. 4
3 3

     

  
2.
 
75
   
rit.
     
Lento
Gtr. 1  


           


Gtr. 2
      

       
      
  
 
 

Gtr. 3
 

       
      
 
  
 
 

Gtr. 4
 
6

 
   
      Lento
 
      
78 Lento

   
 
Gtr. 1

     
   
           
   
Gtr. 2

 
   
Al

          
        
y      
      
Gtr. 3


       
         
  
         
      
Gtr. 4



Arreglo para el Cuarteto de Guitarras de Bogotá,

integrado por Roderic Rodriguez, Diego Ortiz,
Camilo Acevedo y Juan Pablo Orozco.
25 de Enero de 2012.