The Man Who Sold The World Session Style

David Bowie
c119 Psychedelic Rock Arranged by Nat Martin

≥ ≤ ≥ ≤ ≤ ≥ ≤ ≥ ≤ ≥ ≤
A7

j ≤
œ œœ œœ œœ œœ œœ œœ œœ # œœœ œœ œœ œœ œœ œœ ..
& b 44 # œœœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ ..
œ œ œ œ œ œ œ œ œ œ œ œ œ.
F
0 0 0 0 0 0 0 0 0 0 0 0
T 2 2 2 2 2 2 2 2 2 2 2 2
A 0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
B 0 0 0 0 0 0 0 0 0 0 0 0

j
Dm

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ ..
& b œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ .
.
1 1 1 1 1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0

[3]

6 4
F Dm
& b ∑ ∑ 4 Œ œ œ œ œ œ œ 4

j
We passed up - on the stairs,

œ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ .. ww ..
& b œœœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ .. 46 w.
w.
44
œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ ..
1 1 1 1 1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 3
2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 0
3 3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1
[5]

A
Verse

4
A7
& b 4 œ
Œ Œ
œ œ œ œ œ œ œ œ

j
we spoke in walls and web.

& b 44 # œœœ œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ # œœœ œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ ..
œœ ..
œœ œœ
Acoustic Guitar Grade 3

œ œ
0 0 0 0
2 2 2 2
0 0 0 0
2 2 2 2
0 0 0 0
œ œ œ œ
0 0
2 2
0 0
2 2
0 0
œ œ œ œ œ œ.
0 0 0 0 0 0
2 2 2 2 2 2
0 0 0 0 0 0
2 2 2 2 2 2
0 0 0 0 0 0

[8]
Copyright © 1971 EMI Music Publishing Ltd., Tintoretto Music and Chrysalis Music Ltd.
Copyright Renewed
14 All Rights on behalf of EMI Music Publishing Ltd. Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219
All Rights on behalf of Tintoretto Music Administered by RZO Music
All Rights on behalf of Chrysalis Music Ltd. Administered by BMG Rights Management (US) LLC
International Copyright Secured All Rights Reserved
 High Horse Session Style

Kacey Musgraves
Arranged by Tristan Sueme

c 120 Pop

# 4
Intro

& # 4 ∑ ∑ ∑ Ó Œ
œ œ
Oh, I

## 4
& 4 ∑ ∑ ∑ ∑

T
A
B

Verse
## G
Œ
A
Œ
Bm A
& œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ
bet you think you’re John Wayne, show - in’ up and shoot - in’ down ev - ’ry - bod -

#
& # Œ Œ j ‰ Œ Œ Œ
œ œ œ œ œ œ œ œ œ œœœœ œ œ
PM PM
PM

2 3 3 3 2 3 5 5 5 7 7 7 7 5
[5]

## Œ Œ ‰ j
G
Œ
A
Œ ‰ j
& œ œ œ œ œ œ œ œ œ œ
- - y. You’re class - ic in the
œ
wrong way. And

#
& # j ‰ ‰ Œ Œ j ‰ Œ
œ ¿ ¿ œ œ œ œ œ œ œ œ œ œ œ
PM PM PM

¿ ¿ 5 5 2 3 3 3 2 3 5 5
[8]

##
Bm A Em7 Bm

& œ j Œ ‰ j œ œ œ œ œ
œ œ œ œ œ œ œ œ œ. œ œ œ

j j
we all know the end of the sto - ry. ’Cause ev - ’ry - one knows some - one who

# ˙˙ œœ œœœ
& # Œ Œ j ‰ ‰ ˙˙ ‰ œœ ‰ œ
Acoustic Guitar Grade 3

œœœœ œ œ œ ¿ ¿ œ œ ˙
˙
œ
œ
œ
PM PM
3 3 2
3 3 3

¿ ¿
0 0 4
2 2 4
2 2 2
5 7 7 7 7 5 5 5 0 0
[11]
Words and Music by Kacey Musgraves, Tommy Schleiter and Trent Dabbs
© 2018 WARNER-TAMERLANE PUBLISHING CORP., 351 MUSIC, POWERTEAM TOM SONGS, THESE ARE PULSE SONGS and READY SET PUBLISHING
42 All Rights for 351 MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights for POWERTEAM TOM SONGS Administered by THESE ARE PULSE SONGS
All Rights for READY SET PUBLISHING Administered Worldwide by SONGS OF KOBALT MUSIC PUBLISHING
All Rights Reserved Used by Permission
Technical Exercises

In this section the examiner will ask you to play a selection of exercises drawn from each of the four groups shown below.

Groups A, B and C contain examples of the scales, arpeggios and chords you can use when playing the pieces.

In Group D you will be asked to prepare the riff exercise and play it to the backing track in the exam. You do not need to
memorise the exercises (and can use the book in the exam) but the examiner will be looking for the speed of your response.
The examiner will also give credit for the level of your musicality.

Groups A and B should be prepared from the starting notes of G, A and B. Groups A and B are played to a click, Group C is
played as directed by the examiner and Group D is played to the backing track.

Group A: Scales
The tempo for this group is q = 90 bpm.

1. Major scale (G major shown)

# œ œ œ œ
& œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ
œ œ œ
2 3 2
T 2 4 5
3 5 5 3
5 4 2
A 2 4 5 5 4 2
B 3 5
2 3 5 5 3 2
5 3

2. Natural minor scale (A natural minor shown)

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
& œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
5
T 4 5 7
5 6 8 8 6 5
7 5 4
A 5 7 7 5
B 5 7 8
5 7 8 8 7 5
8 7 5

3. Minor pentatonic scale (B minor pentatonic shown)

## œ œ œ œ œ œ œ
& œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
7
T 7 9
7 10 10 7
9 7
A 7 9 9 7
B 7 10
7 9 9 7
10 7

4. Major pentatonic (A major pentatonic shown)

### œ œ œ œ œ
& œ œ œ œ œ œ
œ œ œ œ œ œ
œ œ œ œ
Acoustic Guitar Grade 3

5
T 4 6
5 7 7 5
6 4
A 4 7 7 4
B 5 7
4 7 7 4
7 5

47
 Ear Tests

There are two Ear Tests in this grade. The examiner will play each test to you twice. You will find one example of each type
of test printed below.

Test 1: Melodic Recall

The examiner will play you a two bar melody with a drum backing using the G minor pentatonic scale. The first note of the
melody will be the root note and the first interval will be ascending. You will play the melody back on your instrument. You
will hear the test twice.

Each time the test is played it is preceded by a one bar count-in. There will be a short gap for you to practise after you
have heard the test for the second time. Next you will hear a vocal count-in and you will then play the melody to the drum
backing. The tempo is q = 85.

q = 85

b
& b 44 .. œ œ œ ˙ ..
˙ œ œ
. .
. .
T
A 3 3 5
B 3 6
3 5

Test 2: Rhythmic Recall

The examiner will play you a two bar rhythm played to a drum backing on the lowest-sounding E string. You will hear
the test twice. You will be asked to play the rhythm back. You will then be asked to identify the rhythm from two printed
examples shown to you.

Each time the test is played it is preceded by a one bar count-in. There will be a short gap for you to practise. Next you will
hear a vocal count-in and you will then play the rhythm to the drum backing. The tempo is q = 90.

q = 90

& 44 .. ‰ j ..
œ œ œ œ œ œ œ œ œ œ œ
. .
. .
T
A
B 0 0 0 0 0 0 0 0 0 0 0

q = 90

& 44 .. ..
œ œ œ œ œ œ œ œ œ œ œ œ
. .
. .
T
A
B 0 0 0 0 0 0 0 0 0 0 0 0
Acoustic Guitar Grade 3

52