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? b 4 ∑ w ASIIF 2020 - Dr. Kingsland - Exam 1


b 2Exercise - Rewrite the music on the lower staff with correct beaming and rests. 3 mins.
jœ œ r jœ œ r j
I. Beaming
98 œ ˙ . œ ‰ Ó œ œ œ œ œ Jœ œ œ œ‰ œ œ‰ œ wœ œ œ
? 12 œ œ œ œ b œ œ ‰ J J ‰
b 58 J J J J J J ‰
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II. Melodic Dictation - write the pitches and rhythms on the staff. You will hear this melody 7 times.
? ## 4 œ. J j r j Jœr j˙ . Jœ œ œ
This melody is in either F Lydian or F Mixolydian; you will need to write one or more accidentals for
9 œ ˙. 2 J ‰ Ó œ œ œ œ œ ‰ ‰ w
8
chromatic pitches. The shortest duration used is the eighth note. MMD7-Anonymous

9 4 œ œj œ . œ œ ‰˙ Œœ. œ‰ œ œ œ œ œœ œ ˙ œ œ œ‰ ‰ œ ˙ .
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III. Contextual Rhythmic Dictation - using the guide, write the pitches and rhythms on the staff.
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You will hear this melody 7 times. The shortest duration used is the eighth note.
You will need some ties. No triplets are used. RRD7-Tallis

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GUIDE:

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2 J

˙ ˙˙ ˙
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4
4
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DICTATION:

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ASIIF 2020 - Exam 1 - Name: _________________________________
IV. Error Detection - Circle and label the four wrong pitches. You will hear this melody 4x. RED5-Byrd
Bar 7 is a(n) ___________________ of bar 5, with a(n) ___________________ alteration on the final note.
œ œ œ œ œ œ œ œ œ ˙
(technique of motivic development)
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? # # œ . œj # œ . œ œ œ œ . œ œ œ ˙ œ œ œ œ
œ . œ œ . œJ œ œ œ ˙
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V. Medieval Listening Exercise - ML3-Ciconia Johannes Ciconia, Una panthera (a madrigal)
# 4Excerpt
Lyrics: “Una,
œ œ œ
Correct una panthera in conpagnia de Marte”
œ
Performed by Ensemble PAN (1992)
& 4œ 1 Œ the correct
œ œanswers. "ThreeŒ or Four" is a choice,
. œ œ| Five œ orœ Six"
œ andœ "Five œ is a choice.)
1) How many voices are there? Two Voices | Three or FourœVoices
(Circle
or Six Voices
2) What is the texture? Monophony | Organum | Polyphony
#
4) and œends
3) This
œ . triad
excerpt begins with a(n) unison | open fifth* | Major triad | minor triad
4

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œ a(n) j œ .fifth*
œ # œunison‰ | œopen œ œ| Major
œ # œ œ| minor
œ œ triad
œ .œ œ œ Œ
open fifth has just Root and Perfect 5th, and one or both notes may be doubled at the octave.)
Excerpt 2

# 4excerpt œ œ
5) Which voice sings quicker rhythms than the others?
œ œ
D B

œ Œ œ œ Œ
œ. œ œ œ œ œ œ œ
7)&This 4excerpt ends with a Medieval cadence called the ________________________________________
6) This has more | less imitation (and motivic development) than the first excerpt.
.
Excerpt 3

#
8) How is the use of lyrics different in this excerpt?
œ # œfewœseconds œ .
4

j œ. œ œ œ œ œ which œis rare


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&This excerpt ends œ a ‰Medieval


œ with œ œ œ œ œ Œ
9) The first use a ___________________ texture, in the Medieval era.
10) œ cadence called the _______________________________________ .

VI. Renaissance Listening Exercise - RL6-Josquin Josquin, Ave Maria…Virgo serena (four-voice motet)
# 4 œ1 — “Ave
œ Maria”
œ Œ(“HailœMary”) œ œ Performed
œ Œ by the Tallis Scholars, conducted
& 40:00 œ œ œ œ
Excerpt by Peter Phillips
œ entrance.œ 0:12
- Soprano entrance. 0:04 - Alto entrance. 0:08 œ- .Tenor œ - Bass entrance.
[At 0:14, the Soprano enters a second time, but please don't consider that when answering these questions.]
1) Each voice enters with the same interval, which is a _______ _________ . (Quality and Size, such as M2).
# œEach .
œ œsings œa different
4

# œ voice j œ . | Each œ œ œ œ œ Œ
2) Circle the one true statement out of these four choices.
& œ sings ‰ motive.
œ œthe same œ œ voice
œ œ œ motive.
S & A sing one motive while T & B sing another motive. | S & T sing one motive while A & B sing another motive.
3) The texture is ______________________ . (If Polyphony or Organum, specify which type, using two words.)
Excerpt 2 — “grazia plena” (“full of grace”)
0:00 - Soprano entrance. 0:04 - Alto entrance. 0:07 - Tenor entrance. 0:11 - Bass entrance.
[At 0:00, the Bass is ending its first phrase, and at 0:16, the Soprano enters for its third time, but please don't consider those when answering.)
4) Each voice enters with the same interval, which is a _______ _________ . (Quality and Size, such as M2).
5) Circle the one true statement out of these four choices.
Each voice sings the same motive (within excerpt 2). | Each voice sings a different motive (within excerpt 2).
S & A sing one motive while T & B sing another motive. | S & T sing one motive while A & B sing another motive.
3) The texture is ______________________ . (If Polyphony or Organum, specify which type, using two words.)
Excerpt 3 — “memento mei, Amen.” (“remember me, Amen.”)
7) The texture is ______________________ . (If Polyphony or Organum, specify which type, using two words.)
8) The cadence is one of our standard cadence types: _______ .
9) However, the last chord has no _______ .

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