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mG coy it & ay & amines “The gure at the cone ina deta om he Eagle Sif Oden, pro {hy Bhanine wore fom the 8h century. The oman of he Danish ‘eye sim Kang Cate IV (ela nt bars Chur enon, 1038) true wrapped iar alk when they were placed te le sas of The Cathedtal of Odanre on Apa 8, 10h Th sleeara gi em St Cana wide, Bal, hon mgm Souter Ry “The pblton of th Maje Papers wae made pose by grant rom Copyright © ty Events Pubisess by Events ben, atonal Commits fr Byzantine Stes steingude 9, DE 2100 Copensagen 3 Book and cover sg: Kaa Bina, Jakob Fleas, Anne Mette ‘The papers of nay Sesion V (pp 31-49) wee eit a the Init ‘ardent der Univostat Rin Peter Schesne tht ae nce Udotloimann, Nise nmi. Corda Shel nd Kamion Final preparation of texts Filippa Louie Fades, Svend Hvar, ‘ane ong, Nanna Sch, Bon Shite Klssoe Scanning of pres: Kare Beene, Nanna Scat iting JH Schule Graiok AVS Macular in Demat BYZANTIUM Identity, Image, Influence bc ternational Congres of zante Stain ‘Uniery of Copenhagen 124 August 1956 Major Papers Edited by Karsten Fledelius Iincooperation with Peter Schciner Danish Nationa Comite or Byzantine States rent Publisher, Copenhagen 186 CONTENTS Prefs Plenary Session I: The Identity of Byzantium ”*okannes Kode, Wen) [A TheRoman oli donty in ate Ang nt any Byzantium (Evangel Cys Ja) 1. byzantine Reaiscace und das kaise ‘erm Pal Spec Best) C. Byzantie Hert and LabelingTcory (Bin Sythe, toon) D. Lacvsaton byzantine compare 8 1Ocident du Moyen Age (KV. Cvostova, Moscu) 1, Thelae Braine entity (auhony Bojer, Brn) Anand Byzantine identity ints porta an the {incon Cage pion (eae Belt, Btingham) Plenary Session I: The Image and Influence of Byzantium in the Fyes of its Contemporaries ‘A. Contemporary lewge and Inluen of Bynum (Gis Dagon, Par) The tnageof Banu in Early Madivl Spin (iin Sh Cente) (la A ala Mae ‘Ni de Hens) (C tnago of Byzantium nthe Anmenisn Wold in the XX ents (Vin Artisan Findanan Manco, nt ” tpeutennn (Byzantium an the Saves befor nd ae ‘Geraneaton (Gena ©: Lawin Moscow) image des Sees dans a bosque byzantine felnsxcnde edu Mle at hase Slinger alunut & Shel Cacouroe Par) F, Avationoires (av sn oft evecare) ‘geovnica sept H xeprnomn ran AND (ot widly known recreate of Albena) Kondaninos@ Ctouri,Binghar) Plenary Session Il: Byzantium and the North A. ACitel Suey of Theories Bytntne nfence in Sandinave Gigne Hors Fupkeang Oa) B._Byzansine At and thNorth: Mediation on the Notion of infene (Anthony Caer, University Park) C. Byzantine inspired Noel nage from the 1h cry (Sone Kromann’ and Jorgen Sees Jensen, Copenhugen) D. Byzantine sai Viking hands (Xena Mathes, Comte Viking Sweden and Byantum i Ahatli Verson (Wad buat Uppy = F, Byzanoscndin (coo bin, Moscow) G. Royal Sandnavan Travels Byzantium. The Vion of ‘yzatm in Danish and Nervegtan Hooray o the [EL Cetary = and nf Buc Histol Dre of ‘ho aly 19h Cetury (Karten Feds, Copetagen) ma we m Plenary Session IV: The Image and Influence of Byzantium after 1453 Byzance aps Byzance Revised ~ Ponpasites or Europe's Byzarine (Pasta Kiros, Athens) Terie image tient de Byzance apres 1489 ‘cle triage espn sipee Gina Vena, Pas) H yeraboGarnva Kerpaduen wan Beara sapa8oon (tow: Byrarine Pains and the Byranine Tresten) (heal AchelmasouPotamioy, Athens} {Frm Byratine to Ruan lnograper ans — Stra cangeny (ely Lindgren Src) Aspects of Poa Byzantine Architecture (tavoe Mlaloukos, takisalsPolyio, Putrchos Thesdards, Vans Ks) Nebyaatine Architect in Thessalni: An Ate 9 Redelinethe Cys image inthe and 20h Conan {Thal Mantapoulo Panagletopouow Thelen) Nileaice So Awafabas athe) Larshaitation de Byzance pares ibe Gre (860912 (onan D Argyroponing Nhe) ‘Athoite Monasisam a Ship of Byzantim, (Bene Coens Hel) Byzantium and the West 201-196 a European Porpesve (Kamten Fede, Copensopen) Plenary Session V: Instruments of Scholarship and Spread of Knowledge: The Present and Future of Byzantine Studies "ahr in die Proleatit(Pate Seheney, Ken) ‘A. NEUE TECHNIKEN UND ALTE INSIRUMENTA STUDIORUM. II Deeamputratentte Mlngsape der Bz (Cords Scots Kany 2. “Thecompuerisd edon and publication of Byzantine tes {échn! etre, Sidney) 7 ‘3 Tnlamation Technology Appiaions in Byzantine Susie, {ieee ova Mant 4. The Damion Oaks Haplopraphy Database Projet (lee Mary Tao, Duin ks) ‘IRLIOGRAPHIE ‘ie Bographie de BZ (eer Scheie, Kat) (¢-Lbark UND SPRACHE 6 Fonchngstet Esch Tapp Baan) & (GRUNDWISSENSCHAFTEN Paloyraphie Codinlogl @- Mona, Pas) ‘Berit ur Dipleatie (AE Male, Manchen} Lefont Pai) Nimisrtiqe byzantine (Cece Morn Pars) 10. Siitozepe (Wemr Seb Win) E, GESCIRCHTE UND LITERATUR 12 Hamp Geprpt D Fbes K Byants 13, ThePapepephy often 14, Frsopoerpie ee yeni Ze CL Bt 15. Pompopaphie der Palslgen (Ed py, Ba) KUNSTOFSCHICHTE, ARCHAOLOGTE, Musik 1s. Untrioga pei mndo brant Protea c prsptive {eo at Roma) 1, Gotan Chane in heLirture on Ban At ei nen ary en 28, Te Satu of Byatt Msc Toh he Twenty Fit Cosy (Bane Totton St Loa) 7 on RES Ss 05 nM ao 2s ‘SUPPLEMENTUM: Colloquium 9.3, Methodology [NEW RESEARCH METHODS, 9341 The Wold Wide We Achive of Wtermack and Papers ‘in Grek Manus (Raber Alison wisn USA) 93342. The Bectore Documenttion of The Benak Museu, ravine Calleton(Avastasa Dendraht, Dartis arapacs, {gna ionysndon, Athos) 9913 Reting Prepon o Brin: he Dept the rompogpiy othe Byrantine Epa’ Compe Relational Borabene (Dion Sth, United King ROUND TABLES ~ Moderators’ Introductions Byun und Ostnitelerops 950.1489, (Canter Proving Bein, Hci Sslomon, Warszawa) Histariogepy and Hizory (Cerna Bc, Uppal) (Berita stants und frahtyzantincher Texte ‘yor dom Arty Poul Speck Bein). Round Tablet: [el Schools in Middle an Late Byzantine Architecture (Panay Voctopouion Ans) Round Table The Bie Shows al he Byeantine Cou History or iin? (udith erin Tondo, Lana yen, Uppsala) Index of Authors 46 erm omnes or wenepeep » oem amen tere, Fone ‘yar cmc ra me Cos Pyne Raa, inns Ener seacroneriin conan mi Noreen roan as canusprec eamonep pa Po px = MONTES 20 Chune veotinans, sae 90 Bee, nd “EEE HORTA, cocnomri itaeps. Haves apommse MEMEO cat Su, ‘oom + Kowrmeom rope Mans sone MI oP rapa ew mammnecine rein ~ acne EMR A nom © oou" munparion stan pa cabins © Bem CGnouncmn Zeyey, uotmaniner He MeepEB SOOM. 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