Bass Clarinet (B Flat) Cosimo Bombardieri

L’AMANTE GUERRIERO
1. ♀
Ad libitum

Lento e uttuante
  = 60
 

Bsn 1

                 

10

                                

14
rit.

                            

   
18
A Arioso e appassionato  = c. 55

            
         
 sottovoce
24

            
      

30
B accel.

  
      
      
37
C Con rigore ritmico  = c. 60
 
              
    
   
 
42
rit. D Poco meno  = 55

           


 
rall.
47

               
dim.
 Bass Clarinet (B Flat)

2. ♂
Marziale
  = 126  
        

     

12
A

              
          

22  B
 C

   
   

  



D

      
45

     
            
  
55
 
              
     
 
66
E

          
    
     

77
F

        
      
  
 G 
92
rall.

   


    
  
     

Meno  = 110
105  H rall.
  

     
  
                
 
 Bass Clarinet (B Flat) 3

119 
I Miserere  = 60 J Leggero e intimo  = 72
 
Tpt 1 8va

         
    
  

129

          
      
  
K
134

          
      
    

139

      
   
            

144
L Allegro Energico  = 126

    
    
                 

149     M

     

    
158   
   

   
165  N

  
           
   


171 
  
              

4 Bass Clarinet (B Flat)

O
177  P

   
           
         

184   
  
     
             
   
 
189

  
      
        
      
193
Q

     
                   

198

   
   
             
Double Bass Cosimo Bombardieri

L’AMANTE GUERRIERO
1. ♀
Ad libitum Lento e uttuante  = 60 rit.
  Euph. 8va 
 
   

A Arioso e appassionato  = c. 55
18

  
pizz.
              
 sottovoce
23
                    

B
29 arco
                

accel. C Con rigore ritmico  = c. 60 rit. D Poco meno  = 55
36   
         
  
rall.
  
46



    
             

dim.

2. ♂

  = 126  

Marziale
     
             

 
A
  
    
12

               


2 Double Bass

B
 
      
21
   
    
  

C Euph. 8va D
41

   
                
        
 
56
               
  
 
E
66
               
     
 
F
76
      
             

85
                  

rall. G

          
95
          
   
 
Meno  = 110 H rall.
104      
          

I Miserere  = 60
113
 
          
 

 Double Bass 3

J Leggero e intimo  = 72
124
        
pizz.
       
   
Tpt 1 8va 
129
        
       

K
133
      
         
 
137
        
       

141
                 

L Allegro Energico  = 126
arco
 
145 
                       
             
  

  
150                    
                
 
M
  
155                    
                  
  

  
160                    
                
 
N
 
165                
                   
 

4 Double Bass

 
171             
                        
 
O
                     
177
                
 

P
                    
183
              
  

188                    
              
 
193
Q
       
            
    

198
        
  


 

 
 

   


  