Introduction à l'étude de la guitare, Op.

60
Mostly a study but a cheeky performance piece
25 Etudes too. No two pieces from this group
to be played in the same performance.

Les six premières leçons ne sont que pour s'exercer à trouver où chaque note doit être produite.
Néantmoins, en suivant le doigté indiqué, et en ayant soin de ne ne pas lever le doigt placé jusqu'à
ce qu'il doive être employé ailleurs, ou que la corde qu'il presse doive produire une note plus basse
ou à vide, on parviendra, sans s'en apercevoire, à contracter l'habitude de bien place la main
gauche.
Les leçons dont le mouvement n'est point marqué doivent être étudiées lentement, et elles doivent
augmenter de vitesse en raison du degré d'assurance auquel l'élève sera parvenu.
Fernando Sor (1778 - 1839)
= 132 4
1 1 1 4 1 4 1 1 4 2 1 3
1.

9 4 4 1 4 1 1 4 3 2 1 3 2 2 3 2
1

= 160 4
1 1 4 4 1 4 1 4 1 2 4 1 2 1
2.

10 4
1 4 4 1 4 1 1 4 4 1 3 4 1 2 2 1

20 4 2 1 1 2 4 1 2 4 1 4 2 4 1 4

30 4
1 4 4 1 1 4 4 1 1 2 1 4 1 1 4
1 1
2

2 3
3 3

2 Sor Op.60 - Marieh 2019 Copyleft


one could easily see this study as prime pickings
for solo material 4 note permutations of chord
tones
Mostly a study but a cheeky performance piece too. No two pieces
from this group
to be played in the same performance.

1315
5315 3517
Mostly a study but a cheeky performance
piece too. No two pieces from this group
to be played in the same performance.
 Mostly a study but a cheeky performance piece too. No two pieces
from this group
to be played in the same performance.

Fernando Sor Op.44

No. 2 Allegretto 3

0 1 0
1 4 1 4
2
0 3 0
2
3 2
4

4 1
0 0
3 0 0 0
2 0
3

18

4 0
1 1 1
2 2 2 0
4
3 0
2 0 2
3

26

3 0
0 1 0
0

35
 Mostly a study but a cheeky
performance piece too. No two pieces
from this group
to be played in the same performance.

= 84 1 4
2 4 1 4 2 1 4 1 4 1
5.

5 4 3 2 1
2 1 4 1 4 2 1

2 1
9 1 3 1 1
2 1 4 1 4

13 Fine
1 2 1 3 2

4 2
3

17 2 1 1 2 1
2 1 1 4 2

21 3
1 2 2 1 2 4 0 1 2

25 4 3
1 4 2 1 2 1 2 3 0 3 2

0 4
29 0 2 0 0
1 4 1 1 3 4 1

33 0
3 2 3 0 2 1
4 3 4 2
0

37 1 2
1
4 3 2 4 D.S. al Fine
2 2 4

4 Sor Op.60 - Marieh 2019 Copyleft

 Mostly a study but a cheeky performance piece too.
to be played in the same performance.

1
= 80 4 1 1 1
2 4
4 4
6.
3 3 0
3 3

4 1 1 0
9 4 4 1 4 2 Fine
4 1
4 0 4 1

3 2
4
3

17 4 1
1 1 1 1
4 4 1
3 3

2 2 3 2 2
1

1
25 4 1 1 D.S. al Fine
1 1 2
1 4 0
1 3
2
3 2
3
3 2

1 4 1 2
= 60 1
4
2 1 2 1
7.
3 3

1 2 4 4
9 1
1
1 2 4 Fine
4

3 2 2 3
2 3
3

17 2 1 4 1 1 2 1 1 2 1
3
1

3
3 2 3 2
2

4 1
22 2
2

4
4 0 3
2 2

3 4 4 1
28 2
3

2
3
1
2 3 2 4 0 2

4 1 D.S. al Fine
35 3 1

3 3
3 3

Sor Op.60 - Marieh 2019 Copyleft 5

 Mostly a study but a good interpretation of it and its
an impactful high intensity performance piece
3 (3 note) sequences of thirds
1. from sol (A) 2 (3 note) Sequences of 6ths
2. from si (C) 1. from mi (B)
3. from do (D) 2. from re (C)

Etude 5 op.51
"18 études progressives pour la guitare"
Interval study

Mi pedal
Mauro Giuliani (1781 - 1829)
A A B
Andantino. B

42

A A C C
5

D D E E
9

13

17

Etude 5 op.51 (Giuliani) - Marieh 2016 Copyleft

 10ths
6ths

all 3rds

6th
4th switch to 4ths and pedal changes to D
same chord
 F#dim
G Am G G
F#dim Am
B

Em Em B Em Em Em B
C

D#dim Em B Em D#dim Em B
 Performance Piece
F e r n a n d o Ca r u l l i S t ud y
 Performance piece

= 92 4 4 4
1 2 1 1 4

13.
2
3 2 3
3 3 2 3 3
2

6 2 4
4 1
1

2 3
4 3 2

11
4 4 1 1 3
4

3
3 2 2

16 4

4 1
21 4 0
4

3
2

Andante
= 108
4 1 4
14. 2
3

2 1 2

7 0 1. 2. 1
1 2 1
1
1
3
1 4 3 3 2
2 2
2
3 2

13
4 1 1 4 0
1 2
2 2
3
3
3 2 1
4 2 1
1
3 0

19 4 4
1 4

3
3 3
1
2

10 Sor Op.60 - Marieh 2019 Copyleft

charming performance piece

Ca n p u t t h i s f i n g e r d own e a r l y
 performance piece

Etude n°2 op.35

Fernando Sor (1778 - 1839)

Andantino. 4 1 4
= 56 1 4 0
0 1

83 4
2
3 2 3
3 3 2 3 0

6 4 4 1
1
2

2 3
2 3
3

4 2 3 1 4
12 1 4 4 0
4

3
2 3 3
3 2
ralentando
4 1 4 4
0 1 4 2
18 1
1
2
4
3 3
2 3 2 3 0 2 3

Etude n°2 op.35 (Sor) - Marieh 2015 Copyleft

 Etude n°13 op.35
Fernando Sor (1778 - 1839)

= 80 Andante.
4
1 4 4

42
2 2 3 2
3 3

5 4
4

2 3
3 2
3

9 4
1 4 4

2 2 3 2
3 3

13 4

2 3
3

17 4
4 1 1 1
4 4 4 1

3 2 2
2 3 2 3

21 2 3 4
1 2
4 1
1

2 3
3

CIII
25 4 4 3
4 1
3

3 2 2

2
CII CI
29
1
4 4
3 1 1

4 2
2 3
2 3 3 2
1

Etude n°13 op.35 (Sor) - Marieh 2015 Copyleft

D E F# G A B C# D B D# F#
I ii iii IV V vi vii I

This is two voices bass and melody.

Etude n°17 op.35 Bass notes have a repeated rhythmic
Fernando Sor (1778 - 1839) figure. 8th note then quarter.

IV II7
I V
Moderato. D I CII
A7 D G E7
= 108
2 1
2 2
1 1

4 3 1
2
ii
3
I V vi V of ii
V D A7 Bm B7 V
A7 Em A7
4
2
3 2 2 4 2
1
1
1 3
1
1
2

CII
I A 6/3
8 A Bm Em
D
4 2 2
3
2
1 1 1 1 3 1
3 2
4 3 1
2

Em A A
12
1 1
4 4 2
4 2
3 3
2 2 3 1
1 2 2 1
2 4
1

CII
16 4 4
4
1 1

2 1 3 3 4
2 2 3
1
4

20
0 1
4 2 4 4
1 2

4 3 1 2 2
3 0 3
1

CII CII
24

2
CII
29 4 3 0
4 2 2
2
1
0 3 1 3 1
3 3
4 4
1 3

Etude n°17 op.35 (Sor) - Marieh 2015 Copyleft

 Etude n°22 op.35
Fernando Sor (1778 - 1839)

Allegretto. F#7
Bm 6/4
CII Bm 6/4
= 108
0
34 2 4
1 2
4

3 3 3
open Em 6/3
Bm 6/4
CII F#
5 F#
2 0 1
1 0
4 0 0
2
3 2 3

CII F#7 G C#dim

9 Bm 6/4
2 1 2
4 2

3 3 1

Bm 6/4 F#7 Bm 6/4 Bm rootless

14
2 2
1
4
4 2
3 3 3

19 Bm 6/4 F#7 Bm 6/4 F#7 Bm 6/4

24 F#7 B7
CII open Em 6/3
A7 C#dim 6/3 D 5/3

4 2
1 2
0
3 1
2 3 1 1 0 3

C 6/3 CII
29 4
2
2
2

3 4
2
3

34 Bm 6/4
1 Bm 6/4

CII CIV
39 4
1 4 2
2 3
2
3
3 1
0

44 4
CII
2
3 2
0
4
1 3 4
3 2 0
1

Etude n°22 op.35 (Sor) - Marieh 2015 Copyleft

 Performance Piece

Fernando Sor Op.44

No. 3 Andantino
4 1
4 0 4 0 4 4
1 1 0 1 1 0 0
0 0 0 2 0 0 0
2 3 2 3 2 3 3
3 0 3 2
3

7
0 0 0 1
4 4 1 3 4 1 4
0 2 2 0
0 3 0 0 3 0
2 0 2 2 0
3 3 1 3

13
4 2
3 0 0 3 3 0 3
1 0 1 0 1
0 0 2 0 0 2 0
2 0 3 0
1 1 0 1
2 1 3

18

2 0
4 4 2
3
3

24

3 4
2 0
0 3
1

29
4 1
4 0
1 2
2
0
 Unless stated otherwise all are performance
pieces.

3 3

3 1 2

1
3 3 4
1
3
2 3
4 1 2

1
 4

1 4 4
2
3 1 3
1

4 1 4
4 4
4 1
3 3
2 2

4
2 3
0
1 2
0
 Etude 4 op.51
"18 études progressives pour la guitare"
Mauro Giuliani (1781 - 1829)
From Op.35 no.13 parts A,B
Contrary motion
Alberti bass
Maestoso.

2
3
2
1 2

2
1

dominant scale

G 6/5
5
4
1
3
3
2 4 2
3 2
2

Dominant scale

new material
13
1
4 4
3

2 2 3 2

17
3 3
4
2
3
3 4
2

Etude 4 op.51 (Giuliani) - Marieh 2016 Copyleft

 Etude 6 op.51
"18 études progressives pour la guitare"
Mauro Giuliani (1781 - 1829)
Grazioso.

86

ok

12

16

20

24

28

Etude 6 op.51 (Giuliani) - Marieh 2016 Copyleft