AMC-BR-014

Prince Carlo Gesualdo

Io parto e non più dissi

arranged for Brass Quintet

by

Kenneth Amis (A.S.C.A.P.)

score

? bb b b c ˙ ˙.
bb ˙ nœ

Amis Musical Circle

282 Pleasant Street
Norwood, MA 02062-4229
USA

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.
 Duration: ca. 3 minutes

? bb b b c ˙.
bb ˙ ˙ nœ

Amis Musical Circle

282 Pleasant Street
Norwood, MA 02062-4229
USA
Fax: 1 (781) 440-9444 E-mail: Info@AmisMusicalCircle.com

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.
 „Io parto“ e non più dissi ^
Madrigal for Five Voices (1611)
Score Carlo Gesualdo
arr. Kenneth Amis
“I go”, and no more, I said, for the pain
deprived my heart of life.
Then she broke into tears, my Chloris
and with interrupted “Ohimè’s” said,
“So I remain alone with my woe! Ah!
And I shall forever languish in painful laments”.
I was dead; I am alive; my spent life’s breath
returned to life at such pitiful words.

Ṗ P
24 w
Freely
1st C Trumpet & „ „ ∑ Ó ˙ ˙ w w
π P P
che il do - lo - re, che il

2nd C Trumpet & 24 ˙ w ˙

Ó ˙. œ #˙ w. #˙ w ˙ n˙ ˙ ˙
∑

# π P Ṗ
„Io par - to“ e non più dis - - si, che il do - lo - - re

Horn in F & 24 ˙ w ˙ Ó ˙. œ #˙ w. #˙ Ó ˙ n˙ w ∑

π P. Pw
„Io par - to“ e non più dis - - si, che il do - lo - re,

? 24 # ˙ w ˙ Ó ˙ œ ˙ ˙ w ˙
„ ∑
Trombone

? 24 π˙ w P P˙
„Io par - to“ e non più dis - si, che il

˙ ˙
Tuba Ó ˙. œ ˙ w w „ ∑
„Io par - to“ e non più dis - si, che il do -

f œ. œ nœ œ
˙ w Œ œ ˙ #œ œ œ Ó Ó Œ œ
6

& #˙
f
do - lo - re Pri - vò di - vi - - - - - ta il

& „ Œ #œ ˙ Œ #œ œ. nœ œ œ nœ œ œ œ œ ˙
œ #œ
# ˙ f
Pri - vò di vi - - - - ta il co - - - - - - -

˙ ˙ #˙ Œ œ ˙ Ó Œ #œ œ. nœ œ œ ˙.
& œ œ œ
˙ ˙ #w fœ ˙ ˙
che il do - lo - re Pri - vò di vi - - - - ta il co - - -

? #œ œ. œ nœ #œ œ œ
Œ ∑
f
do - lo - re Pri - vò di vi - - - - - ta il co -

? w #w Œ œ ˙ ∑ Œ œ. œ œ ˙.
œ œ
lo - re Pri - vò di vi - - - - ta il

Copyright © 1997 by Kenneth Amis ALL RIGHTS RESERVED

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.
^
w Œ œ ˙ Œ œ ˙ ˙decresc. ˙ . ∑
11

& w œ ˙ ˙ #˙
co - - re. Al - lor, al - lor pro - rup - pein pian - - to,

& ˙ w ˙ Œ œ ˙ „ ˙
decresc.

#˙ ˙ #˙ ˙ b˙
#
- - re. Al - lor, al - lor pro - rup - pe in pian -

& Œ Œ œ ˙ Ó ˙ ˙. Ó ˙
decresc.

w w œ ˙ œ n˙ #˙
w w œ ˙ œ ˙
- - - re. Al - lor, al - lor pro - rup - pe in pian - to, pro -

? ˙ ˙
decresc.

ΠΠ㠷
- - - re. Al - lor, al - lor pro - rup -

? w Œ œ ˙ Œ œ ˙ „ ∑ Ó Œ œ
decresc.

w
co - - re. Al - lor, al - lor pro -

P P
œ ˙ ∑ œ ˙ œ œ Œ œ Œ œ ˙ Œ œ
15

& #œ ˙ #˙ œ ˙ ˙ ˙
P P
pro - rup - pe in pian - to e dis - se Clo - ri Con in - - ter - rot - - ti o - mèi, con

& Ó ∑ ∑ ∑ ∑ Œ œ # œ ‰ œj
n˙ œ ˙ œ #˙ ˙
# P ˙ P œ œ œ œ
to e dis - se Clo - ri Con in - - ter -

& ∑ œ ˙ ˙ Ó œ œ Œ œ œ Œ
œ œ w ˙ œ
Pœ ˙ œ œ œ ˙
rup - pe in pian - to e dis - se Clo - ri Con in - - ter - rot - - ti o - mèi, con in -

? ˙ P œ #œ ˙ ˙
˙ b˙ n˙ ∑ ˙ Œ Œ ‰ J Ó
P P
- pe in pian - to e dis - se Clo - ri Con in - - ter - rot - - ti o - mèi,

Œ œ
˙
? ˙
˙ Ó #˙ ˙. œ ˙ ˙ ∑ Ó Œ œ
˙ ˙
rup - pe in pian - to e dis - se Clo - ri Con in - - ter -

p P ˙ bœ œ n˙
˙ Œ #œ Ó œ #œ #˙
19

& #œ œ ˙ ˙ #˙ . J J
P
in - ter - rot - - ti o - mèi: „Dun - que a i do - lo - ri Io re - sto.

Œ Œ #œ Ó j j ˙ œ œ ˙ ˙
& ˙ œ ˙ #˙ #˙ . œ œ
# ΠP j j
rot - - ti o - mèi, o - mèi: „Dun - que a i do - lo - ri Io re - sto,

‰ j Œ Œ #œ Ó œ œ ˙ ˙ œ ˙ #œ
& œ œ #˙ ˙.
#œ œ
œ œ œ ˙
- ter - rot - - ti o - mèi, o - mèi: „Dun - que a i do - lo - ri Io re - sto,

? Œ Œ #œ #˙ Ó ∑ „
P
con in - - ter - rot - - ti o - mèi:

? ˙ Œ Œ #œ Ó #˙ œ œ n˙ bœ œ ˙
œ ˙ #˙ ˙
rot - - ti o - mèi, o - mèi: „Dun - que a i do - lo - ri Io re - sto,

-2-

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.
 ^
Ḟ j j
„ Ó œ œ ˙ œ „
22

&
P F
Ah, non fia ma - - - i

j j j
& Ó #œ œ ˙ bœ œ n˙ #˙ Œ œ œ œ #œ #œ ˙ œ œj ˙ ˙
# Ó P Fj j j
ai do - lo - ri Io re - sto. Ah, non fia ma - i Ch’io non lan - guis - ca,

& œ œ ˙ œ œ ˙ ˙. œ œ ˙ ˙ ˙. œ # œj
#˙
P œ ˙ ˙ œ ˙ #˙ F
#œ œ œ #˙ œ œ
ai do - lo - ri Io re - sto. Ah, non fia mai Ch’io non lan - guis -

? Ó œ J J
œ ∑ Œ J J
P F
ai do - lo - ri Io re - sto. non fia ma - i Ch’io non lan -

? ˙ œ #œ
Ó œ œ ˙ bœ œ ˙
Ó Œ #œ œ # œj œj # œ œ Œ J J
˙
ai do - lo - ri Io re - sto. Ah, non fia ma - i Ch’io non lan -

˙ p
Œ #œ œ #˙ Ó œ œ b˙ ˙ ∑
25

& J J ˙ ˙ ˙ bw w
j p P
œ # œj # ˙
Ch’io non lan - guis - ca in do - lo - ro - - si la - - - i.“

& Œ ˙ Ó ˙ Ó ˙
˙ ˙. œ w ˙ b˙ ˙ ˙
# p
œ œj ˙
ch’io non lan - guis - ca in do - lo - ro - - si la - - i.“ Mor

& œ #˙ J ˙ Ó #˙ œ œ ˙ ˙ n˙ w nw ∑
ca, ch’io non lan - guis - ca in do - lo - ro - - si la - - - i.“
P
? #˙ ˙ p bw
∑ Ó ˙ ˙. œ ˙. œ w w

p P
guis - ca in do - lo - ro - si la - - - i.“ Mor -

? w. ˙ Ó bw Ó b˙
w œ œ ˙ ˙ w
guis - - - - - ca in do - lo - ro - si la - - - i.“ Mor -

Fœ j œ œ œ
∑ Ó œ œ ‰ œ œ œ Ó ‰ œJ œ œ
29

&
p π F
vi - vo son, vi - vo son, vi - vo son, che i spir - ti

& ˙ ˙ #˙ Œ nœ œ ‰ j œ ˙ œ œ œ œ œ œ- œ œ œ
œ œ œ
# P p π Fœ
œ œ œ œ œ œ œ
- to fui, vi - vo son, vi - vo son, vi - vo son, che i spir - ti spen - - - -

˙
& b˙ ˙ n˙ Ó ˙ Ó

ṗ π Fœ œ œ œ ˙
Mor - to fui, vi - vo son, vi - - vo son, vi - vo son,

? ˙ n˙ œ
Ó Œ ∑
p π F
- to fui, vi - vo son, vi - vo son,

? ˙ b˙ n˙ Ó Ó œ œ œ œ ∑
œ œ
- to fui, vi - vo son, vi - vo son,

-3-

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.
^
‰ œ œ œ œ œ- œ œ œ Ó
33

& œ œ œ œ œ J œ
- ˙
spen - - - - - - - ti, che i spir - ti spen - - - - - ti,

j j
& œ
‰ j
œ œ œ œJ œ œ œ œ- œ œ
œ œ
Œ ‰ œ
œ
# œ -œ œ
- ti, che i spir - - ti, che i spir - ti spen - - - - - ti, che i

œ œ ‰ œJ œ
& ‰ J œ œ œ œ Ó œ œ- œ œ œ

œ- œ œ œ ˙ œ œ
che i spir - ti spen - - - - - ti che i spir - ti spen - - - -

? Œ ‰ œJ œ œ Œ ‰ J œ œ

œ- œ œ œ œ
che i spir - ti spen - - - - - - - ti, che i spir - ti

œ
? Ó ‰ J œ œ œ ∑
che i spir - - ti spen - - - - - ti

Ó Œ œ œ- œ œ œ p F
Œ œ œ œ ˙ œ œ œ ˙ ˙ P
Œ œ œ œ
36

& œ œ
p F P
spen - - - - - ti Tor - naro in vi - ta, tor - naro in vi - ta a sì pie -

& b œ- œ œ œ œ Œ Œ œ œ œ œ ˙ ˙ Œ #œ œ œ
œ œ œ œ œ ˙ œ
# j j œ- œ œ œ F P
spir - ti spen - - - - - ti Tor - naro in vi - ta, tor - naro in vi - ta a sì pie -

Ó Œ œ œ œ œ ˙ ˙ Œ #œ œ œ
& œ œ œ œ œ œ ˙ œ
œ- œ œ œ ˙ Fœ œ ˙ ˙ Pœ œ œ
- ti, spen - - - - - ti Tor - naro in vi - ta, tor - naro in vi - ta a sì pie -

? œ ∑ ∑ ‰ J œ Œ

œ- œ œ œ ˙ F
spen - - - - - - - ti Tor-naro in vi - ta a sì pie -

Œ œ
? œ œ ˙ œ œ œ œ ˙ ˙
œ Ó ∑
spen - - - - - - - ti Tor - naro in vi - ta, tor - naro in vi - ta

P P
˙ ˙ œ˙ œ œ œ ˙
˙ #˙ Ó w œ œ #œ œ œ œ ›
41

& ˙ ˙
P P
to - si ac - cen - ti, a sì pie - to - siac - cen - - - - - - - - - - - - ti.

& #˙ ˙ ˙ ˙ Ó
w ˙. œ œ œ œ œ œ œ #˙ ›
œ œ ˙ ˙
# P P
to - si ac - cen - ti, a sì pie - to - si ac - cen - - - - - - - - - - - ti.

& ˙ ˙ #˙ ˙ Ó w œ œ ˙ ˙ œ œœœœ
˙ w ›

˙
#œ œ œ œ œ
to - si ac - cen - ti, a sì pie - to - si ac - cen - - - - - - - - ti.

? ˙ ˙ #˙ ˙ P˙ œ œ P œ œ ›
∑ ˙ ˙ ˙

P P
to - si ac - cen - ti, a sì pie - to - si ac - cen - ti, ac - cen - - - - - - ti.

? „ Ó
w œ œ ˙ ˙ w w ›
a sì pie - to - si ac - cen - - - - - ti.

-4-

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.
 ®
Kenneth Amis was born and raised in Bermuda. He began playing the piano at a young age and upon entering high school took up the
tuba and developed a interest in performing and writing music. A Suite for Bass Tuba, composed when he was 15, marked his first
published work. A year later he enrolled in Boston University where he majored in composition. After graduating from Boston
University, he attended the New England Conservatory where he earned a Masters Degree in composition. Mr. Amis has been
commissioned to write for the annual opening of the Cohen Wing at Symphony Hall in Boston, the Belmont High School Band, the
Massachusetts Instrumental Conductors Association, Gardener High School, the New England Conservatory Wind Ensemble and the
College Band Directors National Association. As a tuba player Mr. Amis has soloed with the English Chamber Orchestra and has been
a member of the Tanglewood Festival Orchestra and the New World Symphony Orchestra. He has served on the faculties of Boston
University, Boston University Tanglewood Institute and the Pacific Music Festival in Japan. Mr. Amis is presently the tuba player of the
Empire Brass and holds the International Brass Chair at the Royal Academy of Music in London.

AMIS MUSICAL CIRCLE

Amis, Kenneth
AMC-BR-006 Quintet No. 2 for Brass
Brass Quintet

Dvorak/Amis, Kenneth
AMC-BR-030 Slavonic Dance No.7, Op.46
Brass Quintet (optional percussion)

Gesualdo/Amis, Kenneth
AMC-BR-013 Resta di darmi noia
Brass Quintet

Lasso/Amis, Kenneth
AMC-BR-040 Tristis est anima mea
Brass Quintet

Amis, Kenneth
AMC-BR-003 Variations
Trombone Quartet

Amis, Kenneth
AMC-BR-007 Mid-Atlantic Fanfare
Double Brass Quintet

… and many more

For more information contact :

AMIS MUSICAL CIRCLE
282 Pleasant Street, Norwood, MA 02062-4229 USA
Fax : 1-781-440-9444 http://www.AmisMusicalCircle.com

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.
 „Io parto“ e non più dissi ^
Madrigal for Five Voices (1611)
1st BÓ Trumpet Carlo Gesualdo
“I go”, and no more, I said, for the pain arr. Kenneth Amis
deprived my heart of life.
Then she broke into tears, my Chloris
and with interrupted “Ohimè’s” said,
“So I remain alone with my woe! Ah!
And I shall forever languish in painful laments”.
I was dead; I am alive; my spent life’s breath

Ṗ Pw
returned to life at such pitiful words.

# # 4Freely ˙ ˙ w ˙ w #˙
& 2 „ „ ∑ Ó w
che il do - lo - re, che il do - lo - re

# # Œ fœ ˙ #œ œ . œ nœ œ œ œ Ó ˙
Ó Œ œ w w Œ œ ˙ Œ œ
7

&
Pri - vò di - vi - - - - - ta il co - re. Al - lor, al - lor

# # ˙decresc.
˙. œ P ˙ P
œ ˙ #œ ˙ #˙ ˙ ˙ œ œ Œ œ
˙ #˙ ∑ ∑ œ œ
13

& ˙
pro - rup - pein pian - - to, pro - rup - pe in pian - to e dis - se Clo - ri Con in - - ter -

## ˙ Œ œ ˙ Œ œ p P
˙ #œ œ Œ #œ ˙ Ó #˙ . œ # œJ ˙ n œ œ # ˙ # ˙
18

& ˙ J
rot - - ti o - mèi, con in - ter - rot - - ti o - mèi: „Dun - que a i do - lo - ri Io re - sto.

## F˙ p
„ Ó œ œ ˙ œ „ Œ ˙ # œJ Jœ # ˙ ˙ Ó ˙ œ œ n˙
22

& J J
Ah, non fia ma - i Ch’io non lan - guis - ca in do - lo - ro -

## ˙ Fœ œ œ
˙ bw ∑ ∑ Ó œ œ ‰ œ œ œ Ó
27

& w J
- si la - i.“ vi - vo son, vi - vo son, vi - vo

## œ ‰ œ œ œ - -
œ œ- œ œ ‰ œJ œ œ œ œ œ œ œ œ Ó Ó Œ œ œœœ
32

& J ˙ œ
son, che i spir - ti spen - - - - - ti, che i spir - ti spen - - - - - ti, spen - - - -

# # œ p Œ Fœ œ œ ˙ œ œ œ ˙ ˙ P ˙
Œ œ œ œ ˙ #˙ ˙
37

& œ œ
- ti Tor - naro in vi - ta, tor - naro in vi - ta a sì pie - to - si ac - cen - ti,

# # Ó Pw P
œœœœ˙
œ œ ˙ œ œ œ ˙ ›
˙
42

& #œ
a sì pie - to - siac - cen - - - - - - - - - - ti.

Copyright © 1997 by Kenneth Amis ALL RIGHTS RESERVED

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.
 „Io parto“ e non più dissi ^
Madrigal for Five Voices (1611)
1st C Trumpet Carlo Gesualdo
“I go”, and no more, I said, for the pain arr. Kenneth Amis
deprived my heart of life.
Then she broke into tears, my Chloris
and with interrupted “Ohimè’s” said,
“So I remain alone with my woe! Ah!
And I shall forever languish in painful laments”.
I was dead; I am alive; my spent life’s breath

Ṗ P
returned to life at such pitiful words.

4
w w ˙ w
Freely
&2 „ „ ∑ Ó ˙ ˙ w #˙
che il do - lo - re, che il do - lo - re

f
& œ ˙
Œ #œ œ . œ nœ œ œ œ Ó Ó Œ œ w Œ œ ˙ Œ œ ˙
7

w
Pri - vò di - vi - - - - - ta il co - re. Al - lor, al - lor

˙decresc. P P
˙. ∑ œ ˙ œ
˙ #˙ ∑ œ ˙ #œ ˙ #˙ ˙ ˙ œ œ Œ œ
13

& œ ˙
pro - rup - pein pian - - to, pro - rup - pe in pian - to e dis - se Clo - ri Con in - - ter -

p P
Œ œ ˙ Œ œ ˙ #œ œ Œ #œ ˙ Ó #˙ . œ # œJ ˙ b œ œ n ˙ # ˙
18

& ˙ ˙ J
rot - - ti o - mèi, con in - ter - rot - - ti o - mèi: „Dun - que a i do - lo - ri Io re - sto.

Ḟ j j p
„ Ó œ œ ˙ œ „ Œ ˙ # œJ œ # ˙ Ó ˙ œ œ b˙
22

& J ˙
Ah, non fia ma - i Ch’io non lan - guis - ca in do - lo - ro -

Fœ
& ˙ ˙ bw ∑ ∑ Ó œ œ ‰ œ œj œ Ó œ œ
27

w
- si la - i.“ vi - vo son, vi - vo son, vi - vo

œ ‰ œ œ œ - -
‰ œJ œ œ œ œ œ œ œ œ Ó Ó Œ œ œœœ
32

& J œ œ- œ œ ˙ œ
son, che i spir - ti spen - - - - - ti, che i spir - ti spen - - - - - ti, spen - - - -

p F P
&œ œ Œ œ
œ œ œ œ ˙ ˙ Œ œ œ œ ˙ ˙ #˙
37

œ ˙ œ ˙
- ti Tor - naro in vi - ta, tor - naro in vi - ta a sì pie - to - si ac - cen - ti,

P P
œœœœ˙
˙ œ œ œ ˙
& Ó w œ œ ›
42

˙ #œ
a sì pie - to - siac - cen - - - - - - - - - - ti.

Copyright © 1997 by Kenneth Amis ALL RIGHTS RESERVED

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.
 „Io parto“ e non più dissi ^
Madrigal for Five Voices (1611)
2nd BÓ Trumpet Carlo Gesualdo
“I go”, and no more, I said, for the pain arr. Kenneth Amis
deprived my heart of life.
Then she broke into tears, my Chloris
and with interrupted “Ohimè’s” said,
“So I remain alone with my woe! Ah!
And I shall forever languish in painful laments”.
I was dead; I am alive; my spent life’s breath

## 4 π P P
returned to life at such pitiful words.
Freely
& 2 ˙ w Ó ˙ . œ #˙ w . #˙ w ˙ n˙ ˙ ˙ ∑ „
˙
„Io par - to“ e non più dis - si, che il do - lo - - re

## Πf
Œ #œ œ . nœ œ œ #œ œ nœ œ œ œ
7

& #œ ˙ œ ˙ ˙ #˙ w
Pri - vò di vi - - - - ta il co - - - - - - - - - re.

## ˙ P
„
˙ ˙ Œ œ #˙ Ó ∑ ∑ ∑
12

˙ #˙ ˙ n˙
decresc.

& œ ˙ œ #˙ ˙
Al - lor, al - lor pro - rup - pe in pian - to e dis - se Clo - ri

# P P
& # ∑ Œ œ # œ ‰ œj ˙ Œ œ ˙ Œ ‹œ ‹˙ Ó #˙ . j j
œ œ ˙
œ œ ˙ ˙
18

Con in - - ter - rot - - ti o - mèi, o - mèi: „Dun - que a i do - lo - ri Io re - sto,

## Ó P F
#œ œ ˙ nœ œ #˙ Œ œ œ œ #œ ˙ œ œj ˙
22

& #˙ #œ ˙
J J J
ai do - lo - ri Io re - sto. Ah, non fia ma - i Ch’io non lan - guis - ca,

# p P p π F
& # Œ ˙ œ # œj # ˙ ˙ Ó ˙ ˙. œ w ˙ ˙ Ó ˙ ˙ ˙ #˙ Œ nœ
25

J ˙ n˙
ch’io non lan - guis - ca in do - lo - ro - si la - - i.“ Mor - to fui, vi -

# jœ œ j
& # œ œ ‰œ j œ ˙ œ œ œ œ œ œ- œ œ ‰ j Œ ‰
30

œ J œ œ œ œ
œ œ œ œ œ œ -œœ œ œ
vo son, vi - vo son, vi - vo son, che i spir - ti spen - - - - - ti, che i spir - ti, che i spir - ti spen - - - - - ti, che i

## p F P
œ œ n œ- œ œ œ œ Œ Œ œ œ œ œ ˙ ˙ Œ #œ œ œ
36

& œ œ œ ˙ œ
spir - ti spen - - - - - ti Tor - naro in vi - ta, tor - naro in vi - ta a sì pie -

## P P
Ó œ œ œ œ œ œ œ #˙
41

& #˙ ˙ ˙ ˙ w ˙. ›
œ œ ˙ ˙
to - si ac - cen - ti, a sì pie - to - si ac - cen - - - - - - - - - ti.

Copyright © 1997 by Kenneth Amis ALL RIGHTS RESERVED

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.
 „Io parto“ e non più dissi ^
Madrigal for Five Voices (1611)
2nd C Trumpet Carlo Gesualdo
“I go”, and no more, I said, for the pain arr. Kenneth Amis
deprived my heart of life.
Then she broke into tears, my Chloris
and with interrupted “Ohimè’s” said,
“So I remain alone with my woe! Ah!
And I shall forever languish in painful laments”.
I was dead; I am alive; my spent life’s breath

π P P
returned to life at such pitiful words.
Freely
4 Ó ˙ . œ #˙
&2 ˙ w ˙ w . #˙ w ˙ n˙ ˙ ˙ ∑ „
„Io par - to“ e non più dis - si, che il do - lo - - re

f
Œ Œ #œ œ . nœ œ œ #œ
7

& #œ ˙ œ nœ œ œ œ œ ˙ ˙ #˙ w
Pri - vò di vi - - - - ta il co - - - - - - - - - re.

P
& ˙ ˙ Œ œ ˙ „
n˙ Ó
∑ ∑ ∑
12

˙ #˙ ˙ b˙
decresc.

œ ˙ œ #˙ ˙
Al - lor, al - lor pro - rup - pe in pian - to e dis - se Clo - ri

P P
& ∑ Œ œ # œ ‰ œj ˙ Œ Œ #œ Ó #˙ . j œj ˙ œ œ ˙
18

#˙ œ ˙
œ ˙
Con in - - ter - rot - - ti o - mèi, o - mèi: „Dun - que a i do - lo - ri Io re - sto,

P F j j j
& Ó #œ œ ˙ bœ œ n˙ Œ œ œ œ #œ ˙ œ œj ˙
22

#˙ #œ ˙
ai do - lo - ri Io re - sto. Ah, non fia ma - i Ch’io non lan - guis - ca,

j p P p π F
&Œ ˙ œ # œj # ˙ Ó ˙ ˙. œ Ó ˙ ˙ #˙ Œ nœ
25

˙ w ˙ b˙ ˙ ˙ ˙
ch’io non lan - guis - ca in do - lo - ro - si la - - i.“ Mor - to fui, vi -

j Œ ‰ œj
& œ œ ‰ j œ ˙ œ œ œ œ œ œ œ ‰ j œ Jœ œ œ œ œ- œ œ
30

œ œ - œœ œ œ œ œ œ œ
vo son, vi - vo son, vi - vo son, che i spir - ti spen - - - - - ti, che i spir - ti, che i spir - ti spen - - - - - ti, che i

p F P
& œ œ b œ- œ œ œ œ Œ Œ œ œ œ ˙ ˙ Œ #œ œ œ
36

œ œ ˙ œ œ
œ
spir - ti spen - - - - - ti Tor - naro in vi - ta, tor - naro in vi - ta a sì pie -

P P
Ó œ œ œ œ œ œ œ #˙
41

& #˙ ˙ ˙ ˙ w ˙. ›
œ œ ˙ ˙
to - si ac - cen - ti, a sì pie - to - si ac - cen - - - - - - - - - ti.

Copyright © 1997 by Kenneth Amis ALL RIGHTS RESERVED

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.
 „Io parto“ e non più dissi
Madrigal for Five Voices (1611)
^
Horn in F Carlo Gesualdo
“I go”, and no more, I said, for the pain
arr. Kenneth Amis
deprived my heart of life.
Then she broke into tears, my Chloris
and with interrupted “Ohimè’s” said,
“So I remain alone with my woe! Ah!
And I shall forever languish in painful laments”.
I was dead; I am alive; my spent life’s breath
returned to life at such pitiful words.

# 4π
Freely P Ṗ
Ó ˙ . œ #˙ w . #˙ Ó ˙ n˙ ∑ ˙ ˙ ˙
& 2 ˙ w ˙ w #˙
„Io par - to“ e non più dis - si, che il do - lo - re, che il do - lo - re

# Œ fœ
Ó Œ #œ œ . nœ œ œ œ ˙ . Œ Œœ ˙ Ó ˙ ˙.
7

& œœ w w
decresc.

˙ œ ˙ œ
Pri - vò di vi - - - - ta il co - - - - re. Al - lor, al - lor pro - rup - pe in

# P˙ P
n˙ #˙ Ó ˙ ∑ œ œ ˙ ˙ Ó œ œ Œ œ œ Œ œ œ œ œ
14

& œ œ w ˙
pian - to, pro - rup - pe in pian - to e dis - se Clo - ri Con in - - ter - rot - - ti o - mèi, con in -

# P j œj ˙ ˙ œ ˙ # œ Ó P ˙ œ œ
& Œ œ œ ‰ # œj œ Œ Œ # œ #˙ Ó ˙ .
19

œ œ œ
- ter - rot - - ti o - mèi, o - mèi: „Dun - que a i do - lo - ri Io re - sto, a i do - lo - ri Io

23
# ˙ ˙ . Fj j ˙ ˙ ˙ . œj # œj # ˙ œ
j p
Ó #˙ œ œ ˙
& œ œ œ œ ˙ n˙ w
#˙ J ˙ ˙
re - sto. Ah, non fia mai Ch’io non lan - guis - ca, ch’io non lan - guis - ca in do - lo - ro - - si la -

# P p π Fœ -
nw ∑ b˙ ˙ n˙ Ó ˙ œ œ œœ œ œ œ ˙ Ó ‰ œJ œ œ œ œ œ œ œ œ Ó
28

&
i.“ Mor - to fui, vi - vo son, vi - - vo son, vi - vo son, che i spir-ti spen - - - - - ti

# ‰ œ œ j j œ- œ œ œ F
œ Ó Œ œ œ œ œ
35

& J œ - œœœ œ œ œ œ œ œ ˙ œ
che i spir - ti spen - - - - - ti, spen - - - - - ti Tor - naro in vi - ta, tor - naro in

# ˙ ˙ ŒP P
Ó w
P ˙
œ œ ˙ œ œœœœ w ›
40

& #œ œ œ ˙ ˙ #˙ ˙ ˙
vi - ta a sì pie - to - si ac - cen - ti, a sì pie - to - si ac - cen - - - - - - ti.

Copyright © 1997 by Kenneth Amis ALL RIGHTS RESERVED

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.
 „Io parto“ e non più dissi
Madrigal for Five Voices (1611)
^
Trombone Carlo Gesualdo
arr. Kenneth Amis
“I go”, and no more, I said, for the pain
deprived my heart of life.
Then she broke into tears, my Chloris
and with interrupted “Ohimè’s” said,
“So I remain alone with my woe! Ah!
And I shall forever languish in painful laments”.
I was dead; I am alive; my spent life’s breath

Pw ˙ ˙ #w
returned to life at such pitiful words.
π
Freely
P. ˙ ˙ w ˙
? 4 #˙ w
2
˙ Ó ˙ œ „ ∑
„Io par - to“ e non più dis - si, che il do - lo - re

fœ ˙ #œ œ . œ nœ #œ ˙ w w œ ˙ œ ˙
?Œ
7
∑ œ œ Œ Œ „
Pri - vò di vi - - - - - ta il co - - re. Al - lor, al - lor

P œ ˙
? ∑ ˙decresc.
˙ ˙ ˙ b˙ n˙ P
∑ ˙ œ #œ ˙ ˙ Œ œ ˙ œ œ
‰ J
Œ Ó
14

pro - rup - - pe in pian - to e dis - se Clo - ri Con in - - ter - rot - - ti o - mèi,

œ œ œ ˙ Pœ œ ˙ ˙ œ ˙ #˙ F
#œ œ œ œ
? Œ Œ #œ #˙ Ó ∑ „ Ó J J
19

con in - - ter - rot - - ti o - mèi: a i do - lo - ri Io re - sto. non fia ma - i

P
? ∑
#˙ œ œ #˙ ˙ p w bw ˙ ṗ π
n˙
Œ J J ∑ Ó ˙ ˙. œ ˙. œ w Ó
24

Ch’io non lan - guis - ca in do - lo - ro - si la - i.“ Mor - - to fui,

F
?Œ œ œ œ œ œ ˙ œ- œ œ œ ˙ œ œ œ œ
∑ Œ ‰ œJ œ œ Œ ‰ J
30

vi - vo son, vi - vo son, che i spir - ti spen - - - - - ti, che i spir - ti

- Fœ œ œ ˙ ˙ Pœ œ œ
? œ œœœ˙
36 œ ∑ ∑ ‰ J Œ
spen - - - - - ti Tor - naro in vi - ta a sì pie -

˙
?˙
41
˙ #˙ ˙ ∑
P˙ œ œ ˙ ˙
Ṗ œ œ #œ œ œ œ œ ›
to - si ac - cen - ti, a sì pie - to - si ac - cen - ti, ac - cen - - - - - - ti.

Copyright © 1997 by Kenneth Amis ALL RIGHTS RESERVED

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.
 „Io parto“ e non più dissi
Madrigal for Five Voices (1611)
^
Tuba Carlo Gesualdo
arr. Kenneth Amis
“I go”, and no more, I said, for the pain
deprived my heart of life.
Then she broke into tears, my Chloris
and with interrupted “Ohimè’s” said,
“So I remain alone with my woe! Ah!
And I shall forever languish in painful laments”.
I was dead; I am alive; my spent life’s breath
returned to life at such pitiful words.

π
Freely P P˙ ˙ w #w
?4 ˙ w ˙ Ó ˙. œ ˙ w „ ∑
2 w
„Io par - to“ e non più dis - si, che il do - lo - re

? Œ fœ ˙
7
∑ Œ œ œ. œœ ˙. w Œ œ ˙ Œ œ ˙ „
œ w
Pri - vò di vi - - - - ta il co - re. Al - lor, al - lor

P P
? ∑ Ó Œ œ ˙ ˙ ˙ Ó ˙ ˙ ∑ Ó Œ œ ˙ Œ œ
14 decresc.

˙ #˙ ˙ . œ
pro - rup - pe in pian - to e dis - se Clo - ri Con in - - ter -

P P
? ˙
19
Œ œ ˙ Œ #œ #˙ Ó #˙ œ œ n˙ bœ œ ˙ Ó œ œ ˙ bœ œ
˙
rot - - ti o - mèi, o - mèi: „Dun - que a i do - lo - ri Io re - sto, ai do - lo - ri Io

F ˙ œ p
?
23
Ó Œ #œ œ # œj œj # œ œ Œ J # œJ w. ˙ Ó
˙ ˙ w œ œ
re - sto. Ah, non fia ma - i Ch’io non lan - guis - ca in do - lo -

? P p π F œ œ œ œ
bw Ó b˙ ˙ b˙ n˙ Ó Ó œ ∑
27

˙ ˙ w œ
ro - si la - i.“ Mor - - to fui, vi - vo son, vi - vo son,

- œ- œ œ œ ˙ F
? Ó ‰ Jœ œ
33
œ œ œœœœ œ ∑ Ó Œ œ œ œ ˙ œ
œ
che i spir - ti spen - - - - - ti spen - - - - - ti Tor - naro in vi - ta,

? œ œ œ ˙ ˙ ∑ P P
„ Ó
39

w œ œ ˙ ˙ w w ›
tor - naro in vi - ta a sì pie - to - si ac - cen - ti.

Copyright © 1997 by Kenneth Amis ALL RIGHTS RESERVED

Sheet Music Plus Order 7353972881. 1 copy purchased by Kristian Haglund on Feb 21, 2023.