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SONYA
Sonya
bb 4
& b 4
mf How was it
E
b4
& b b 4
mf
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b
n n
j j
bb
& b
How could it
E
go
so
G7/B
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& b b
n
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j
j
far?
It
j
j
it can't be
Na -
A7
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9
NATASHA
2
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& b
12
8
mf
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b
&
and
with the
ta - sha
A
12
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comes at the
h = q.
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b
12
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12
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12
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bb
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mo-ment of
a - wak - en-ing
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em-braced
6
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my
B7(b9)
b
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friend
but
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9
B7
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j
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j
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15
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bb 9
& b 8 n
look of em - bar-ass-ment
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my
face
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& b b8
n
? b 98
b b
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j
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E7
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Oh Son - ya
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Yes
C7
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68
I'm
glad
I can't hide it
6
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b n 8 j
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b
b
n
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an - y
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e. = q
21
bb
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long-er
Now you
A7
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j
n
know, we love
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& b b
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j # n
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4
b4
26
B
N
b4
& 4
3
3
2
j #
4
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mf
Oh Son-ya if you on-ly knew how hap-py I am you don't know what
2
j
writes
4
S & b 4
mf
A7
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& b4 #
mf
? b 44
A7
2
4
2
4
30
b2
& 4
4
4
love is
I donot grasp
the quest-ion
3
3
3
2
S & b 4
4
4
But Na - tash - a can that all
D/A
2
4
& b4 # 4
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j 4
be
o - ver?
A7
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j
w
Are you re - fu - sing Prince
34
C
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b
&
3
3
3
bbb
Oh
& b
An- drey?
D
&b
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bbb
lis - ten
bbb
G7
But I
C/B
j
bbb
n
n
b
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37
3
3
3
j 3 j 3 j 3 j
bb 3 3
& b J
3
can't be lieve it I don't un der stand how you loved one man a whole year and
A
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n
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bn
Slower
40
D
3
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& b
3
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j
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n 4
2
4 n n4
Three
days?
mp
3
3
j
b
2
b
b
n 4
&
nnn 44
4
4
G/G
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3
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45
e = q
N
3
4 3 j 3
2
4
& 4 4 4 j
4
& 4
#
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#
49
2
4
Son-ya
F
2
4
4
4
3
4
# b
4
b
4
#
I had
Up
e =
3
4
3
4
E Slightly slower
3
& 4
b
#
heard that
it
G/D
G7/D
3
&4
? 43
have heard
it
G7(b9)/D
too
But it's
C/G
57
&
on - ly
F6
love
C/G
It's
not
F7
mf
He's my
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&
b
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#
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65
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&
accel...
mas-ter and
B7
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& #
accel...
mf
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I am his
slave
E
j
j
What can I
A6
do
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I'm
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Fast, in 1
73
F
N
#
&
so
hap-py
and
so
B7
#
&
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82
#
&
fright-ened
love him
#
S
&
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& #
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Then
F/A
G/B
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n
n
91
G
S
#
& b
won't
let it
come to
that
shall
tell
Burst - ing
in - to
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&
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99
3
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&
n ##
ff What do you
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tears
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G7/F
G7/E
G7/D
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n n n n
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107
##
n n b b
n n b b
H A little fiercer
4
4
3
## j
j
j
&
mean?For God'ssake if you tell you are my en - e-my You want me to be mis-'ra -ble you want to tear us a - part
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For
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115
##
&
God's sake
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Son-ya don't tell an - y-one don't tor-ture me
F7
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& #
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you
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123
I
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&
f What
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& #
to
you?
Why does-n't he
mf
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C7
come to the
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131
##
&
house and
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Why
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this
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140
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thought
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rea sons may
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are but there
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must
be
be?
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147
##
&
rea-sons
Son - ya
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one can't
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can't one
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can't don't you
un - der - stand
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K Sweetly, in time
155
##
&
mp
Does
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he love me?
his
mp
Does
he love you?
C7
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&
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F7/A
n
mp
n
164
##
&
can't
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&
An - drey
n n n #
mf
F7/A
#
& #
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Na - tash - a,
A
mf
10
173
##
j
& n n n
said I was free to re - fuse him
##
&
But
you
E7/G
A
##
& n
#
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#
nn
Per - haps
nn
have you?
G7
E7
nn
n#
n#
#
n
#
nn
181
L
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&
have
so
bad
&
mp
?
&
ly
q = e
M With gusto
190
&
of
bbb 44
me?
3
3
b
4
b b4 j
I won't suc-cumb to your ten-der tone Na-tash-a I don'ttrust him Na-tash-a I'm aC/E
& b
3
3
bbb 44 j
n
f
4
bbb 4
11
195
bb
& b
2
4
Then I'll go to my
bbb
&
J
fraid for you Na-tash a
2
4
G7
b
& b b J
n
ff
>
? bb
b
>-
>
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n
>- >
- >>
G7
2
4
2
4
199
3
3
bb 2
4
4 n
& b 4
pos - si - ble
C
b2
& b b 4
>? bb 42
b >-
But it's
C/E
E/B
C7
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b >
>
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n
>
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4
4
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4
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>
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B7
>--..
>--..
202
3
bb b j j b
& b
J
J
3
hate
you Son - ya
hate
you Son-ya
C7(b9)
b
& b b nbb
? bb
b
nb
b
nb
12
205
bb
& b
hate
you
you
ff hate
b
& b b
You're my
en - e - my
for - ev - er
ff
G7[]
b
& b b n
n
ff
? bb
b
#
207
bb
& b
burst
in
to
bbbb
sobs
molto rall.
C7
C7/E
b
&b b
>
rit....
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b
>
>
>
b
>
b
b >
>
>
n
>
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bbbb
bbbb
n
n>
>
209
13
N Slowly
3
3
3
3
bb b
& b
3
And with-out a mo-ment's re - flec-tion I wrote the an-swer toPrin-cess Ma - ry I'd been un - a - ble to writeall
F11
b
& b bb w
w
w
>
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bb w
w
>
w
w
w
w
w
w
w
w
w
w
w
w
212
bb b
& b
morn-ing
b
& b bb
an
n n
end;
G7
w
w
w
w
nn
mf colla voce
? bb b
b
w
w
n
n
attacca
215
bb b
& b n
molto rit....
give me
C
n
but
I can't
C7/B
b
& b bb
be
An - drey's
wife
F/A
w
w
w
w
F/G
U
w
w
w
w
U
w
w
molto rit....
? bb b
b