T-Concours Contrebasse Soliste.25.05.2023

L’Opéra Royal de Wallonie – Liège
organise un concours de recrutement en vue

d’engager :
1 Contrebasse – soliste .
LE JEUDI 25 MAI 2023 à 10H00 au Théâtre royal de Liège
Rue des Dominicains, 1 - 4000 Liège
Inscription : https://www.operaliege.be/a-propos/jobs/
Date limite d’inscription : le 10/05/23 – Prise de fonction : 16/08/23.
Le programme à présenter est le suivant :
1er tour : Deux traits d’orchestre ( voir liste ci-dessous ) .
2ème tour : 1er mvt du concerto de Koussewitsky
Les deux premiers tours se déroulent derrière un paravent et sont éliminatoires .
3ème tour : Duetto Rossini, 1er mouvement jusqu’à la barre de reprise + traits d’orchestre
Traits d’orchestre :
Soliste : Tuttiste :
Verdi – Rigoletto Mozart – Die Zauberflöte
Stravinsky – Pulcinella Mozart – Nozze di Figaro
Prokofiev – Lieutenant Kijé Wagner – Die Walküre
Strauss – Der Rosenkavalier
Verdi – La Traviata
Strauss – Salomé
Verdi - Otello
Le Jury se réserve le droit de modifier l’ordre du programme du concours.Tous renseignements

pratiques peuvent être demandés à l’adresse concours@operaliege.be
L’Opéra Royal de Wallonie – Liège
organise un concours de recrutement en vue
d’engager :
1 Double bass – Soloist.

THURSDAY 25th MAY 2023 at 10.00 at Théâtre royal de Liège
Rue des Dominicains, 1 - 4000 Liège
Details and application : https://www.operaliege.be/a-propos/jobs/
Closing date for application : 10/05/23 – Start of contract : 16/08/23.
The audition requirements are as follows:
1rst round : Two orchestral excerpts ( see list belows ) .
2nd round : 1rst movement of Koussewitsky’s concerto
The first two rounds are eliminatory and will take place behind a screen
3rd round: Rossini’Duet, 1rst movement until repeat bars + orchestral excerpts d’orchestre
Orchestral excerpts :
Soloist: Tutti :
Verdi – Rigoletto Mozart – Die Zauberflöte
Stravinsky – Pulcinella Mozart – Nozze di Figaro
Prokofiev – Lieutenant Kijé Wagner – Die Walküre
Strauss – Der Rosenkavalier
Verdi – La Traviata
Strauss – Salomé
Verdi - Otello
The Jury reserves the right to modify the order of the audition programme.
For any further enquires, please contact : concours@operaliege.be
RIGOLETTO
G. VERDI
Acte 3, Duetto
con sord.

Andante mosso

Contrebasse

ppp

6

p

11

16

22
2

29

pp p

35

ppp

40

f ppp

46
2 2

53
allargando

morendo
Pulcinella-Suite
I. Stravinsky
7. Satz
85

Vivo

2

Contrebasse
4
sff sff
86

6

fff sim.
87

au talon

14

88
f

gliss. .
.

20

ff

25

89

31

37
90

très fort (détaché)
91

45

dolce
92
53

62 93

mf ff risoluto, energico
Lieutenant Kije
S. Prokofiev
II. Romance
Andante

con sord.

mp
Solo

div.

Altri div.
pp

5

mf

8

mf

La Flute Enchantée
Ouverture
W.A. Mozart
Adagio

Contrebasse
sf p sfp p sfp

allegro

p sf p sf p f p f

p f sf

sf sf sf
simile

sf sf

f sf sf sf p

p

f

p sf p sf p sf f

Le nozze di Figaro
Opera buffa in vier Akten
KV492
W.A. Mozart
Sinfonia
Presto

Contrebasse
pp

f

pp

pp

f
Die Walküre
R. Wagner
Acte I.
16
Lento
3
Contrebasse

4 p
espr. p

9

p più p arco pp
dol. con espr.
17
15
pizz.

f f p
18

22

p dolce

lento
29
4
4
perdendosi pp pp
Acte IV.
con sordini.
Contrebasse

pp pp pp
pp pp

8

più p
p
Poco animato
14
senza

sord.

ff p ff
19
3 3
3 ten.

3

ff dim. p
a tempo
Con Sord.
23 3

ten.

p 3 3
f 3 p
II

27 3

3
3

mf p p 3
mf pII
2

78
32

3

3 3
mf p 3 mf
37

3
3
3
3

p p

p

p
p
79

43
ten.
3

p 3 3
f dim. 3 p
47

p p cresc. più f
53
Senza Sord.
3

3

3
f ff p3 f p
3 3 3
59 3 3

p 3
p 3 p 3
p 3 fp 3 3
f
3
80
ten.

62

p dim.
p p3 I 3
3 3
f
Animato
Molto
70

mf f 3
sempre ff

75

3 3 3 3
ff
79 3
3

f ff 3 3

84

3 3 3
3
ff
102
Allegro assai
6
Contrebasse
8
f
103

5

mf f p
104

11

p cresc. f
105
2

16

p cresc. f
106
2

22

ff ff ff
107

30

3
37
4
sfz ff dim. p
154

Allegro molto ( = 72)

42
3
4
p pp p
155

49

mf p

57

cresc. mf dim. p dim.
2
156
63

pp p
166
167

71
= 76

f p cresc. mf
169 170

2
79

f f fp f
171

91

p f p cresc.
172
173

100
2

f f mf 3
3
f
174

4
109 3

mf 3
f mf cresc. f
175
122

mf
Music engraving by LilyPond 2.24.0—www.lilypond.org

Salome
R. Strauss
4. szene
4
Contrebasse
4
pp
3 216

cresc. ff
6

pp p p

10

sfz
p

218

15 breit

6
6
p fpp
19

ppp
Traviata
Contrebasse G. Verdi

3 3 3 3

pp
3 3 3 3
p
4

3 3 3
pp 3 3 3 3
8

3
p f
12

3
3
3
3
Coro di mattadori
All. Assai Mosso

3 3
ff 3 3
f

6

3
3 f
3
3

10

3
3 3
3
14

p3 3
3 3 3 3
18

mf 3 3
ff
Othello
acte 4
Giuseppe VERDI
20
Poco più mosso

legato con sord.
Contrebasse

pp più marc.

7

tutti un poco marcato f ppp
21
12

p
23
18

dim. p

23

f un poco più marc. e cresc.
f cresc. ff
Bass Solo
Concerto for Double Bass and Orchestra
Ed. Isaac Trapkus Serge Koussevitzky
(b.1984) (1874-1951)

version: 2022/9/21 I
      
      
         
         

 
     

Allegro
 


 
    

   
      
    

      
 
 
9
   
 


                             
 
18 Alla breve
         
 3
              
 
25
  
 3


  
 
               
32
         



    
                
rit. a tempo

44


  3 
                        
       
50
 
                        
    
rit.

54
•Please report errors to: icactusmusic@gmail.com

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 License. Isaac Trapkus - 2021.
 
                        
a tempo
     
61
3

 *)     
                     
poco rit.

63
          
        
       
65 a tempo
                  
        
67


   
              
                  
 
69
   
 
    
       


                 
**)
 
        

71

 cresc.
                                
     
73
 
                                

75

 cresc.
       

77
*Alternate slurring shown by dashed lines.

** Another option is to play mm.71-72 all separate starting down bow.
2 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 License. Isaac Trapkus - 2021.
   
                
Alla breve a tempo
82 rit.


          
            
88
                   
 
94


 
             
     
   
100
  

                  
   
106


 
             
     
111
   
            

116


  
           
122
This edition may be freely used and distributed under a Creative Commons Attribution 4.0 License. Isaac Trapkus - 2021. 3

                                  
128
                   *)                   
              
130
               
                 
132
                                  
                    
134
    
                                  
137
 *)                          
                          
139
      
          
     
**)
  
141
    
 
   
   
143
*Alternatively, the G's in m.131 and 139 can be changed to G♯ (accompaniment instructions are provided in their part).
** This passage can be played slurred or all separate.
4 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 License. Isaac Trapkus - 2021.
Concerto for Double Bass and Orchestra
Ed. Isaac Trapkus In E minor For Double Bass in orchestra tuning (E-A-d-g) Serge Koussevitzky, Op.3
(1874-1951)
I
          
 
Allegro
 
          
Contrabass
 
      
           
                
Allegro
      
          
                          


Piano 
       
    
              
 
            

 
5
            
Cb.
            


  

               
       
  
Pno.



      
   
    
     

9
  
                                
Cb.
    
                        
      
     
              

Pno.
      
             
     

14
         

                     
   
Cb.
     
    

 

 
   
         
         
          
Pno.


This edition may be freely used and distributed with attribution to the editor under a Creative Commons Attribution 4.0 License.
          Alla breve

   
       
19
            
Cb.


                   
           
Alla breve
 
       
   
 
 
Pno.
   
  
              
23

               
Cb.
                       

                 
   
          
      
Pno.
   
 
     
          
27
             
Cb.
                     

                
      
          
   

 
Pno.
      
     
           
31
         
Cb.
                        
                  
 
     
      
      

Pno. 
  
  
2 This edition may be freely used and distributed with attribution to the editor under a Creative Commons Attribution 4.0 License.
           
  
35
             
Cb.
           
       
 
       
      
                 
   
Pno.
  

 
     
39
 
            
Cb.
   
                   
  
      3            
            
Pno. 
  
   

42
 
Cb.
                   
 
                 
     
rit.
           
      
Pno.

3
                

 
  
        
45 a tempo
 
Cb.
  
      

  
        
                 
a tempo
                    
3
           
3 3
Pno. 3

   
This edition may be freely used and distributed with attribution to the editor under a Creative Commons Attribution 4.0 License. 3
           
         
48
     
Cb.
                   
        

  
 
                     
           
Pno. 
  

           
         
51
    
Cb.
     
               
           


   
           
                 
 

    
Pno.
 
 
          
  
54
     
       
 
Cb.
               
  
 

  
     
          
Pno.
  
     
      


 
57 rit.

Cb.
    
               

  
  
rit.

               


  
   
Pno.

    
  
                 
             
      
a tempo

61
  a tempo   
Cb.
         


 
   
     

Pno.


     
 
                       
       
poco rit.
64 a tempo

   a tempo
Cb.
    
  

  
     
      
poco rit. 

Pno.
            
                                


67
piu vivo
 
Cb.
              
    
 
      
piu vivo
   
       
 

       
Pno.

                                           
                      
70
           
Cb.
            
       
 cresc.
    

     
      
           
              
   
Pno.
   
               
                      
 
73
    
Cb.
                  
 
             
          
  
Pno. 
   
                                      

75
     
        
Cb.
           
    
 cresc.
 

       
             

           
  3
 
Pno.
    
     
 
   

78
     
Cb.
                         
       
            
                    
3
       
Pno.
        
     

   
81 Alla breve
              
Cb.
 


 
Alla breve
     
                    

      
Pno.
       
    
    
        

84 rit. a tempo

Cb.
 


     
rit. a tempo
           
      
                       

 
Pno.
       

  
            
88

Cb.
     
 
     
                                               
   
Pno.
    

      
 

92

Cb.


                                      

   
 
Pno.

     


95

Cb.


            
           
  
 
Pno.

 
            
 
97

Cb.

                      
  

    
  
Pno.

   
  
             
101
   
Cb.
       
        
 
                           3     
   
 
   
Pno.
    
      
      
      
104
          
Cb.
   
       

     

                

   
        

   

 
Pno.
  
      

 
      
   
109
    
               
Cb.
  
                 



  
    
    
Pno. 

         
 
 

112

       
Cb.
           
   
      
  

       
  
Pno.
   
      
 
115

Cb.
            




 
 
          
    

  

 
Pno.
 

      

118

Cb.
  
  
 
      
            
Pno.
  

   
   
           
121

Cb.
             
      
     
               
      
Pno.
 

   

                  
126

Cb.
     
      

       
          
              

  
Pno.
     

 
                 
                                     
129
*)
Cb.

            
                        
*)
     
                         
                 
Pno.
                  
                 
 
132
     
  
Cb.
                 
    

     
               


  
Pno.


                             
           
135
      
Cb.
    
                
     

              
                   


     
Pno.
 
*Alternatively, the G's in m.131 and 139 can be changed to G♯ in both parts.
                                               
       
138
*)
                    

Cb.
               

*)
     
                    
             
  
Pno.
       
                  
  
141
      
Cb.
     
          
  

            

     


Pno. 

    
  
 
 
144
             
     
Cb.
     

           
















     
Pno.
  

 
 
146
             
Cb.
    
 
        
            
   
Pno.  attacca

  
*Alternatively, the G's in m.131 and 139 can be changed to G♯ in both parts.
Bass Duet for Cello and Bass G. Rossini
Allegro
                      
  4           
4 p cresc. 3 3
   

     
      

8
                    

mp 3
 
19
                                             
  
p
3
                                   
 
31
         
   
3 3
 
3
              
40
                               
 3 3 3
47
            3        
                          
        
              
58
                 
 3 3 3 3
3
3
3
3 3
3 3 3
  
 
63
     
 
      
                               
    

   
68
                                 
 
          
   
72
               
  
79
pizz.
         
   arco
 
          
   
  
3 3

86
              
 3
        3 3
  
3 3
3
2
91
                        
      
3
96
                              

       
 
102            
     
  
108                     
 
3 3
     
  
113
    
           
3 3
   
 
         
 
      
   
 
       

3 3
      
118
         
                     
121
               

         

 
128 3       
      3
3
3 3 3 3
3 3
      

 
135  
 3        
3
 
3
3
                   
 
140
        
    
                            
143              
 
  
146
     
    
pizz.
     arco   
151
                
  
   
   
  
159
            
 3
3
 3 3
3
3 3 3
   
    
164
            
3
3 II
Andante Molto    
   3                                  
4 
p 3
       pizz.                
13
           
  3
  
3 p
f
  
21
                                       

28
                                           
    
35
                    arco
       
  
          
                     
41
             
     

            
43                         
                             
      

             
     
46
    
               
               2   
  3

3
3
    
3 3
54 
                              
       
   
   
3  3
 
3 3 3 3
3
               
62
  
    
 pizz.

     
     
66
 
 
4 Allegro
III
  3                                    
4                         
p

9

                                               
     
f
17
                                                    
              
dim. p
  
26
                                                
  
          
34
                                           
       3
3 3
          
ff 3 f 3
3
     3
  
39
       
                    
 
ff 3
  3
  
                                        
3
44

   3
f  3 
              
48
    
      
   
 
mf
           
53
              
             
58
         
                 

  
61
                                      
        
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T-Concours Contrebasse Soliste.25.05.2023

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T-Concours Contrebasse Soliste.25.05.2023

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L’Opéra Royal de Wallonie – Liège

organise un concours de recrutement en vue

Date limite d’inscription : le 10/05/23 – Prise de fonction : 16/08/23.

Le programme à présenter est le suivant :

1er tour : Deux traits d’orchestre ( voir liste ci-dessous ) .

2ème tour : 1er mvt du concerto de Koussewitsky

Les deux premiers tours se déroulent derrière un paravent et sont éliminatoires .

Verdi – Rigoletto Mozart – Die Zauberflöte

Stravinsky – Pulcinella Mozart – Nozze di Figaro

Prokofiev – Lieutenant Kijé Wagner – Die Walküre

Strauss – Der Rosenkavalier

Le Jury se réserve le droit de modifier l’ordre du programme du concours.Tous renseignements

1 Double bass – Soloist.

Details and application : https://www.operaliege.be/a-propos/jobs/

Closing date for application : 10/05/23 – Start of contract : 16/08/23.

The audition requirements are as follows:

1rst round : Two orchestral excerpts ( see list belows ) .

2nd round : 1rst movement of Koussewitsky’s concerto

Verdi – Rigoletto Mozart – Die Zauberflöte

Stravinsky – Pulcinella Mozart – Nozze di Figaro

Prokofiev – Lieutenant Kijé Wagner – Die Walküre

Strauss – Der Rosenkavalier

Music engraving by LilyPond 2.24.0—www.lilypond.org

•Please report errors to: icactusmusic@gmail.com

*Alternate slurring shown by dashed lines.

            

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               

      

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