Jazz Influence FULL SET

Alto 1
INFLUENCIA DO JAZZ
arr. by KIRK SCHMIDT (jazz influence) Carlos Lyra
  
Samba h = 104
 
A
 
2nd X Only
         


mf f
    
2nd X Only
11     
          
  
mf f mf
           
16 1.
  
PLAY 1st ENDING
   

21        
B 

2.
       
f
31 C     

           

mf f f
          
          
38
          
   
ff
42
       
  
    
 
                 
 
f
47 D  1.   2.




Copyright © 2020
2 Alto 1

                   
65
        
mf
 
69
                    
        
mf f
73 E          

      
  
   
mf sfz mf
81
                      
F-6
           
f
      
85
          
       
f
89 F  1.   2.

  


 

107

        
         
         
mf
             

 
111
           
f
115 G 

Alto 1 3
122  
                  
 
            
mf
126
       
  
    
 
                 
 
f
131 H            


                
 
f
142
      
    
 
                   
     
147 I  J    
   
          
f ff
161      
     
              
 
f ff
                
164
             

  
   
168
           
 
mf cresc. poco a poco
      
172
  
          
f fp f ff
Alto 2
INFLUENCIA DO JAZZ
arr. by KIRK SCHMIDT
(jazz influence) Carlos Lyra
Samba h = 104
 A  
          
2nd X Only



mf f
  
2nd X Only


11
    
              

mf f mf
16    1. PLAY 1st ENDING


                

21
  
B 
     
2.
       
f
31 C   
             
mf f f
38     

                   
      
ff
42
        

                            
f
47 D  1.   2.




Copyright © 2020
2 Alto 2

                   
65
        
mf

69
                  
       
   
mf f
73 E       

           
   
 
mf sfz mf
81   
    
                            
f
                
85
      

f
89 F  1.   2.

  


                       

107
     
mf
111
            
   
  
         


f
115 G 

Alto 2 3
122  
     
                
          
mf
126
        

                          
f
131 H     

                         


f
142
          
                          

147 I  J  
             
f ff
161       

                 
   
f ff
165
          
                
  
168   
               
  
    
172
            
f fp f ff
Tenor 1
INFLUENCIA DO JAZZ
Samba h = 104
 A    

 
     
2nd X Only
  


mf f
 
2nd X Only
11
        
                   
mf f mf
  
16 1.
         
PLAY 1st ENDING
      

21
          
2. B 
    
 
f
31 C       

      
 
 
mf f f
 

                   
38
   
       
ff
42
      

  
      
                  
 
f
47 D  1.   2.


 


Copyright © 2020
2 Tenor 1
          
65
               
mf
   E 
71
          
          
 
mf f mf sfz
78                 
      

         
mf f

                  
84
            
f
89 F  1.   2.


 


107
            
     
 
           
mf
    
       
111
    
     
    
f
115 G 

     
Tenor 1 3
122

                
           
mf
126
      

  
      
                  
 
f
  
     
131 H
          
      
f
141
             
       
            
 
I 
    
145
     

155 J     
     
         

f ff f
 
    
162
 
    
         
     
ff
165
             
     
            
168
   

               

    
     
172
           
f fp f ff
Tenor 2
INFLUENCIA DO JAZZ
Samba h = 104
 A  
     
2nd X Only
  

      
mf f
11     
  
2nd X Only
             
      

 
mf f mf
16
      1. PLAY 1st ENDING
 

                

21  
2.   
B 
              
f
31 C  
           
  
      
mf f f
38
                
         

          
ff
42
          
                              
f
47 D  1.   2.


 


Copyright © 2020
2 Tenor 2
65
      

                  
 
mf
 E   
 
71
              
            
mf f mf sfz
78                
       
    
mf f

         
84
    
                       
f
89 F  1.   2.
    
  
 
          


mf
109               
  
                     
       
f
114
    
G   
               
mf
124   
                     
    


127
        
 
                       
f
Tenor 2 3
131 H                  
      

         
f
142
         
                                
147 I  J  
           
     
f ff
                 
161
   
          
f ff
       
165
              
          
168   
       
        
   
   
172
               

f fp f ff
Bari. Sax.
INFLUENCIA DO JAZZ

Samba h = 104 A     
       
2nd X Only
 

 
mf f
              
11 2nd X Only
     
    
      
       
mf f mf
17
    1. PLAY 1st ENDING 2.
     
         
       
      
f
23 B  C     
            
 mf f
37        
      
        
      
f ff
             
40
  
        
43
       
                    
 
Copyright © 2020 f
2 D Bari. Sax.
47 D-7 G7(b9) C^7 A7(b9) D-7 G7(b9)

                       
SOLO 2nd X Only
53 C^7 C6(„ˆˆ9) G-7 C7(b9) F©-7(b5) F-6

                        
59 C6/E D©º7 D-7 G7(„ˆˆ13) 1.

 2. C6(„ˆˆ9) F©-7(„ˆˆ11) B7(b9)
                  

65 E- E-(Œ„Š7) E-7 C©-7(b5) F©-7 B7(b9)

                        
71 E-7 E¨-7 D-7 G7(b9) E     


                   

end solo mf f
                      
82
   
85
        
   
                 
 
f
Bari. Sax. 3
89

F  1.   2.

 

107
  
              
          
mf
110
      
  

            
   
f
113
     G 
       
 
122 
     
G-7        
       
    
mf
                
125
  
         
128

H 
    
           
 
f
4 Bari. Sax.
138 
             
       
    
f
                
141
  
         
144
      
I 

           
  
155 J     
          
f ff
161       
      
         
      
f ff
164
              
    
      
167
     
    
                  
172
      

           
   
f fp f ff
Trumpet 1
INFLUENCIA DO JAZZ
Samba h = 104
 A  1.   2.



 
 
 
B
     
23
  
             
  
f mf

31 C                
              
f
        
 
36
        
47 D
TO HARMON MUTE
 2nd X Only     1.
       
   
         

mf
     

  
63 2. OPEN
          
mp mf mf f
73 E      
           



f p mp
83
  
B¨-6
            
      
mf fp mp mf f
Copyright © 2020
2 Trumpet 1
F    
 
89 1.
 2.

  


f
115 G    
H         


      
f f
             
 
135
          
 
147 I
          
             
  
f mf
   
155 J
    
        
ff
            
 
159
            
163          
      
(bones) f
      
172  

            
fp f ff
Trumpet 2
INFLUENCIA DO JAZZ
Samba h = 104
 A  1.  2. 

  
 
23 B     
                   
 
f

C          
   
30
 
     
   
mf f
35           
       
        
39  D  2nd X Only     
        


TO HARMON MUTE mf
         
60
       
1. 2. OPEN
        
mp mf
 E 
  
66
 
mf f
Copyright © 2020
2 Trumpet 2
79   
                

 
f p mp mf

  
84
  
          
     
 
fp mp mf f
89 F G-7 C7(b9) F^7 D7(b9) G-7



                    
SOLO 2nd X Only
94 C7(b9) F^7 F6(„ˆˆ9) C-7 F7(b9)

                    
99 B-7(b5) B¨-6 F6/A G©º7 G-7 C7(„ˆˆ13) 1. 

                  

105 2. F6(„ˆˆ9) B-7 E7(b9) A- A-(Œ„Š7) A-7

                    
110 F©-7(b5) B-7 E7(b9) A-7 A¨9(#11) G-7 C7(b9„ˆˆ13)

                    
end solo
Trumpet 2 3
115 G  H       
    
         
f f
135           
     
          
147 I     
                   
 
f

J    
   
154
 
    
mf ff
158
              
               
161  
         
   
(bones) f
        
171
  
   
 
               
fp f ff
Trumpet 3
INFLUENCIA DO JAZZ
Samba h = 104
 A  1.   2.



 
23 B
   
                        
     
mf fp f

  
C
29
             
           
        

 
mf f
35
            
           

D
47 
TO HARMON MUTE
2nd X Only
         1. 
          
  
 
mf
63 2.
     OPEN   
         
     

mp mf mf f
73 E     

              

f p mp mf
84      

                  
fp mp mf f
Copyright © 2020
2 Trumpet 3
89 F  1.   2.
 

 


114
 
G    H
      
          

f f f
134
           
                    
 
139  I
   
               
  
mf fp f

151
               
        
  
mf
    
155 J
         
               
ff
160
     
     
         
  
(bones) f
171              

                 
f ppp ff ff fff
Trumpet 4
INFLUENCIA DO JAZZ

Samba h = 104 A  1.   2.



 
23 B
     
                   
     
mf fp f
27
     
                  
 
mf
31 C       
 
                    

f
      
36


                   
mp
41           
                 
f
47 D
TO HARMON MUTE
 2nd X Only
     1. 

                
  
    
mf
63 2. 

 OPEN   
              
 
mp mf mf f
Copyright © 2020
2 Trumpet 4
73 E   
        
 
         
f p mp mf
       
84
         
      
fp mp mf f
89 F  1.   2.    

    


f
115 G   
H   
  
        
f f
134          
      
                   
     

139
                  

mp cresc. poco a poco mf
143       
 
                   
f v.s.
Trumpet 4 3
147 I       
                       
mf fp f
151
     

                    
mf
155 J       
 
                    

ff
      
160


                   
mp
165        
                

f
              
169

             
    
    
172
 
              
fp f ff
Trombone 1
INFLUENCIA DO JAZZ
Samba h = 104 A
 
 1.   2.

 
  
23 B   
       
    
 
    
 

mf fp
26            
    
          

f

30   C      
            
   
      
mf f
 
35             
            

39           
             

mp
43      D 
    
  
 TO BUCKET MUTE
f
Copyright © 2020
2 Trombone 1
54

          
        
2nd X Only
           

fp fp fp fp mf
   1. 2. 
60         OPEN

              

mp mf
66    E       
      
   
       
mf f mp fp
77  
 
        
         
mf p mp
83    
            
      
mf fp mp mf f
89 F  1.  2.    
      
 
f
115 G  H       
    

   
f f
134            
      
             
  
Trombone 1 3
139             
            

144
          I    
 
            
f mf
149                    

            

fp f

   
154
     J             
        

mf ff
  
159             
             

163           
             

mp

167        
          
  
     
f
171
      
    
          
 
fp f ff
Trombone 2
INFLUENCIA DO JAZZ
Samba h = 104 A
 
 1.   2.

 
  
23 B           
  
                  

mf fp f

29
       C              

 
            
  
mf f
35 
                
                

mp
40                  
   
     
    

f
47 D  2nd X Only         
           

TO BUCKET MUTE fp fp fp
57  
           
            

fp mf
61 1.  2.      OPEN 

  
         
mp mf
Copyright © 2020
2 Trombone 2
72 E 
         
      
     
   

mf f mp fp mf
78  
   
   
    

89 F F-7 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)

   
                        
SOLO 1st X Only
95 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5) A¨-6

 
                       
101 E¨6/G F©º7 F-7 B¨7 1. E¨6(„ˆˆ9) C7(b9„ˆˆ13) 2.


 
 

                
115 G F-7 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)


                       
SOLO AD LIB
121 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)


                   
126 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) E¨6(„ˆˆ9) C7(b9„ˆˆ13)


                  
end solo
Trombone 2 3
131 H          
            

mp cresc. poco a poco
142
                
        

mf f
147 I           
    
               

mf fp f

153    J         
         
   
                
 
mf ff

159
            
    
               

mp
164    
              
      
168             
         
 

f
171     
      
           

fp f ff
Trombone 3
INFLUENCIA DO JAZZ
Samba h = 104 A
 
 1.   2.

 
  
23 B
      
   
                  
  
mf fp f
C

29
     
                       
     
mf f
35         
                    
   
mp
41
   
    
              

f
47 D  2nd X Only      
   
              
TO BUCKET MUTE fp fp fp fp
58 
         1.
  
            

mf
Copyright © 2020
2 Trombone 3
63 2. OPEN 
     
  
          
mp mf mf f
73 E            
 
          

mp fp mf
79
                      
     
m mp mf fp mp
86 F 
   
   
   
 
 
mp mf f
103 1.   
  2.
 
114   G     H     

 
 
      

f f f
134            
                     
   
V.S.
Trombone 3 3
139
        
               

mp cresc. poco a poco mf f
145 I
 
                           
      
mf fp

150
          
             
     
    
f mf
155 J       

               
            
 
     
ff
161
              
               
mp
167 
     
 
               
  
f
171
             
        

fp f ff
Bass Trombone INFLUENCIA DO JAZZ
Samba h = 104 A
 
 1.   2.

 
  
23 B
       
 
                
      
mf fp f
29  C 
     
      
              
 
mf f

34
           
 
                 
    
  
39
         
  
                    
  
   
mp
45 D  2nd X Only
  
         
        
  TO BUCKET MUTE
f fp fp fp
57 1. 
    
              
             
fp mf Copyright © 2020
2 Bass Trombone
63 
2.     OPEN  

              
   mf f
mp mf
73 E   
                      

      
mp   
fp mf
79
    
      
       
p mp mf fp
85


             
       
mp mf f
89 F  1.  
     2.
 
107    G   
   
  
f f f
131 H    
       
          
f
135
          

 
             

Bass Trombone 3
139
         
      
         
      
144 I
  
  
                  
         
f mf
149
   
        
 
      
fp f
153  J 
     
      
              
 
mf ff

158
          
  
              
      
  
162
      
     
                
  
mp
167
       
     
           
   
f
171
   
             
       
fp f ff
Guitar
INFLUENCIA DO JAZZ

Samba h = 104 A F-7 B¨7(b9) E¨^7 C7(b9) F-7
 
                     
DRUMS ONLY mp SYNCOPATED COMPING
10 B¨7(b9) E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)


                         
16 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) 1. E¨6(„ˆˆ9) C7(b9„ˆˆ13) 2. E¨6(„ˆˆ9)
          

                  
22 A-7(„ˆˆ11) D7(b9)   B                  
      
     
mf
26                         
      
 
C
31              
         
    
f
36        
B¨-7 E¨7(b9) A-7(b5)
                   
 
SYNCOPATED COMPING
42 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) E¨6(„ˆˆ9) C7(b9„ˆˆ13) 

  
                   
Copyright © 2020
2 D Guitar
47 F-7 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)
  
                         
SOLO 1st X Only
53 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5) A¨-6


                         
59 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) 1. E¨6(„ˆˆ9) C7(b9„ˆˆ13) 2. E¨6(„ˆˆ9)

 
           

           
mp
64 A-7(„ˆˆ11) D7(b9) G- G-(Œ„Š7) G-7 E-7(b5) A-7 D7(b9)


                             
71 G-7 G¨-7 F-7 B¨7(b9) E F-7 B¨7(b9) E¨^7 C7(b9)


                        
SOLO AD LIB
77 F-7 B¨7(b9) E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9)


                         
83 A-7(b5) A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) E¨6(„ˆˆ9) C7(b9„ˆˆ13)


                         
END SOLO
TACET 1st X Guitar 3
F
89 F-7 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)
  
                         
mp
95 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5) A¨-6


                         
101 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) 1. E¨6(„ˆˆ9) C7(b9„ˆˆ13) 2. E¨6(„ˆˆ9) A-7(„ˆˆ11) D7(b9)
          
                 
mp
107 G- G-(Œ„Š7) G-7 E-7(b5)

                 
A-7 D7(b9) G-7 G¨9(#11) F-7 B¨7(b9„ˆˆ13) B¨7(b9)

 
111

                 
G
115 F-7 B¨7(b9) E¨^7 C7(b9)
                 
mp PNO. PRIMARY COMP.
119 F-7 B¨7(b9) E¨^7 E¨6(„ˆˆ9) B¨-7


                     
124 E¨7(b9) A-7(b5) A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13)

                     
129 E¨6(„ˆˆ9) C7(b9„ˆˆ13) H       


    
 
    
f V.S.
           
4 Guitar
134  
 
              
  
138 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5) A¨-6 E¨6/G F©º7


                         
144 F-7 B¨7(„ˆˆ13) E¨6(„ˆˆ9) A-7(b5) D7(b9) I       

  
             
f
148                             
       
 
153          J  
      
   
    
ff

158               
          
         
163 B¨-7 E¨7(b9) A-7(b5) A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13)


                         
169 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) E¨6/G F©º7 F-7   
 
                   
ff
Piano
INFLUENCIA DO JAZZ
Samba h = 104
    
 solo  r.h.
A       


       
        
     
 l.h.
   
DRUMS ONLY f
 
     
9          
  

 
 
      
  


 
     
   
 
   
12
                  
                       
      
  
    
15
        
              
                        
    
    
  1. 2.
18
       

         
        
     
  Copyright © 2020
2 B Piano
23 G- G-(Œ„Š7) G-7 E-7(b5) A-7

                     
mp PRIMARY COMPING (SYNCOPATED)
D7(b9) G-7 G¨-7 F-7 B¨7(b9) C F-7

 
28

                 
mp LIGHT COMPING
32 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)


                     
37 E¨^7  C7(b9„ˆˆ13) D F-7

  
         

     
p
B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)

 
48

                     
53 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)


                     
58 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) 1. E¨6(„ˆˆ9) C7(b9„ˆˆ13)

  
                     

63 2. E¨6(„ˆˆ9) A-7(„ˆˆ11) D7(b9) G- G-(Œ„Š7) G-7


                    
mp
68 E-7(b5) A-7 D7(b9) G-7 G¨-7 F-7 B¨7(b9)


                    
E Piano 3
73 F-7 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)

                         
p
79 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)


                     
84 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) E¨6(„ˆˆ9) C7(b9„ˆˆ13)

  
                   
89 F F-7 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)

   
                         
mp TACET 2nd X
95 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)


                     
100 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) 1. E¨6(„ˆˆ9) C7(b9„ˆˆ13)


                     

105 2. E¨6(„ˆˆ9) A-7(„ˆˆ11) D7(b9) G- G-(Œ„Š7) G-7


                    
mp GTR. PRIMARY COMP.
E-7(b5) A-7 D7(b9) G-7 G¨9(#11) F-7 B¨7(b9„ˆˆ13)

110
  
                     
f
4 Piano
115 G F-7 B¨7(b9) E¨^7 C7(b9) F-7

                     
mp PNO. PRIMARY COMP.
120 B¨7(b9) E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9)

                    
125 A-7(b5) A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13)


                 
129 E¨6(„ˆˆ9) C7(b9„ˆˆ13) H F-7 B¨7(b9) E¨^7

  
                   
mp
134 C7(#9) F-7 B¨7(„ˆˆ13) E¨^7 E¨6(„ˆˆ9)
                    
139  I G- G-(Œ„Š7) G-7


             
mp
150 E-7(b5) A-7 D7(b9) G-7 G¨-7

                 
154 F-7 B¨7(b9) J F-7 B¨7(b9) E¨^7

                 
mp
158 C7(b9) F-7 B¨7(b9) E¨^7 E¨6(„ˆˆ9)

                     
163    
  
   

ff
Bass Guitar
INFLUENCIA DO JAZZ
Samba h = 104  A
           
      
              
  
DRUMS ONLY mf
9 F-7 B¨7(b9) E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9)

 
                       
Cont. Similar Bass Figures
15 A-7(b5) A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13)

     1.

                      

f ff
21 2.   B

                        
     
26
                               
      
31 C F-7 B¨7(b9) E¨^7 C7(#9) C7(b9) F-7 B¨7(b9)

 
                       
37 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)


                   
42 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13)

     
                 
f ff
Copyright © 2020
2 Bass Guitar
47 D F-7 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)
   
                        
53 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5) A¨-6

 
                       
59 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) 1.       2.   

            
       
f ff
64   
                         
     
69
                          
      
73 E F-7 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)


                       
79 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)


                   
84 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) E¨6(„ˆˆ9)  

  
               
f ff
Bass Guitar 3
89 F F-7 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)
   
                        
95 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5) A¨-6

 
                       
101 E¨6/G F©º7 F-7 B¨7(„ˆˆ13)


1.       2.   
                  
f ff
106 G- G-(Œ„Š7) G-7 E-7(b5)

        
                 
111 A-7 D7(b9) G-7 G¨9(#11) F-7 B¨7(b9)



               
115 G F-7 B¨7(b9) E¨^7 C7(#9) C7(b9) F-7 B¨7(b9)

 
                       
121 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)


                   
126 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) E¨6(„ˆˆ9) C7(#9)



                 
f
4 Bass Guitar
131 H F-7 B¨7(b9) E¨^7 C7(#9) C7(b9) F-7 B¨7(b9)
 
                       
137 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)

 
                   
142 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) E¨6(„ˆˆ9) A-7(b5) D7(b9)

 
                   
147 I G- G-(Œ„Š7) G-7 E-7(b5) A-7

 
                   
152 D7(b9) G-7 G¨-7 F-7 B¨7(b9) J F-7 B¨7(b9)


                   
157 E¨^7 C7(#9) C7(b9) F-7 B¨7(b9) E¨^7


                   
162 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5) A¨-6


                   
167 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) E¨6/G F©º7 F-7 B¨7(„ˆˆ13)


               
171   
    
      
                     
 
fp f ff
Drums INFLUENCIA DO JAZZ
arr. by KIRK SCHMIDT (jazz influence)
Carlos Lyra
Samba h = 104
          
              
   
mf
SOLO 4 BARS
3           
     
  



 



 
 
 
5 A
 PLAY  1.
PLAY   2. PLAY 
   
(piano)
23 B C
PLAY  PLAY 

(bones) (brass)
47 D
 PLAY  1.
PLAY   2. PLAY

  
(gtr. solo/bari solo) Copyright © 2020
2 Drums
65 E

(bari solo) (guitar solo)
89 F
 PLAY  1.
PLAY   2. PLAY 
  
(bone solo/trpt solo)
107 G

(trumpet solo) (bone solo)
131 H I
PLAY  PLAY 

(brass section) (brass cont.)
155 J
PLAY  PLAY 

(tutti) (build intensity)
 
173         3
 

                  
              
f  

Jazz Influence FULL SET

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Jazz Influence FULL SET

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Alto 1

16    1. PLAY 1st ENDING

                       

53 C^7 C6(„ˆˆ9) G-7 C7(b9) F©-7(b5) F-6

59 C6/E D©º7 D-7 G7(„ˆˆ13) 1.

65 E- E-(Œ„Š7) E-7 C©-7(b5) F©-7 B7(b9)

71 E-7 E¨-7 D-7 G7(b9) E     

     

89 F G-7 C7(b9) F^7 D7(b9) G-7

94 C7(b9) F^7 F6(„ˆˆ9) C-7 F7(b9)

99 B-7(b5) B¨-6 F6/A G©º7 G-7 C7(„ˆˆ13) 1. 

105 2. F6(„ˆˆ9) B-7 E7(b9) A- A-(Œ„Š7) A-7

110 F©-7(b5) B-7 E7(b9) A-7 A¨9(#11) G-7 C7(b9„ˆˆ13)

171              

                  

149                    

61 1.  2.      OPEN 

89 F F-7 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)

95 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5) A¨-6

101 E¨6/G F©º7 F-7 B¨7 1. E¨6(„ˆˆ9) C7(b9„ˆˆ13) 2.

115 G F-7 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)

121 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)

126 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) E¨6(„ˆˆ9) C7(b9„ˆˆ13)

114   G     H     

10 B¨7(b9) E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)

16 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) 1. E¨6(„ˆˆ9) C7(b9„ˆˆ13) 2. E¨6(„ˆˆ9)

42 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) E¨6(„ˆˆ9) C7(b9„ˆˆ13) 

53 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5) A¨-6

59 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) 1. E¨6(„ˆˆ9) C7(b9„ˆˆ13) 2. E¨6(„ˆˆ9)

64 A-7(„ˆˆ11) D7(b9) G- G-(Œ„Š7) G-7 E-7(b5) A-7 D7(b9)

71 G-7 G¨-7 F-7 B¨7(b9) E F-7 B¨7(b9) E¨^7 C7(b9)

77 F-7 B¨7(b9) E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9)

83 A-7(b5) A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) E¨6(„ˆˆ9) C7(b9„ˆˆ13)

95 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5) A¨-6

107 G- G-(Œ„Š7) G-7 E-7(b5)

A-7 D7(b9) G-7 G¨9(#11) F-7 B¨7(b9„ˆˆ13) B¨7(b9)

119 F-7 B¨7(b9) E¨^7 E¨6(„ˆˆ9) B¨-7

124 E¨7(b9) A-7(b5) A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13)

129 E¨6(„ˆˆ9) C7(b9„ˆˆ13) H       

138 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5) A¨-6 E¨6/G F©º7

144 F-7 B¨7(„ˆˆ13) E¨6(„ˆˆ9) A-7(b5) D7(b9) I       

163 B¨-7 E¨7(b9) A-7(b5) A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13)

D7(b9) G-7 G¨-7 F-7 B¨7(b9) C F-7

32 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)

37 E¨^7  C7(b9„ˆˆ13) D F-7

B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)

53 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)

58 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) 1. E¨6(„ˆˆ9) C7(b9„ˆˆ13)

63 2. E¨6(„ˆˆ9) A-7(„ˆˆ11) D7(b9) G- G-(Œ„Š7) G-7

68 E-7(b5) A-7 D7(b9) G-7 G¨-7 F-7 B¨7(b9)

79 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)

84 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) E¨6(„ˆˆ9) C7(b9„ˆˆ13)

89 F F-7 B¨7(b9) E¨^7 C7(b9) F-7 B¨7(b9)

95 E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9) A-7(b5)

100 A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13) 1. E¨6(„ˆˆ9) C7(b9„ˆˆ13)

105 2. E¨6(„ˆˆ9) A-7(„ˆˆ11) D7(b9) G- G-(Œ„Š7) G-7

E-7(b5) A-7 D7(b9) G-7 G¨9(#11) F-7 B¨7(b9„ˆˆ13)

125 A-7(b5) A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13)

129 E¨6(„ˆˆ9) C7(b9„ˆˆ13) H F-7 B¨7(b9) E¨^7

139  I G- G-(Œ„Š7) G-7

154 F-7 B¨7(b9) J F-7 B¨7(b9) E¨^7

9 F-7 B¨7(b9) E¨^7 E¨6(„ˆˆ9) B¨-7 E¨7(b9)

15 A-7(b5) A¨-6 E¨6/G F©º7 F-7 B¨7(„ˆˆ13)

31 C F-7 B¨7(b9) E¨^7 C7(#9) C7(b9) F-7 B¨7(b9)