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In#Gethsemane#

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For!Solo!Violin!

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January'2016'
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Ivan!Tangkulung!
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Programme!Notes!
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In'Gethsemane!is!inspired!by!the!emotional!and!psychological!agony!of!the!

Messiah!one!night!before!His!Crucifixion!written!in!the!Gospel!of!Mark!and!Gospel!of!
Luke.!
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Mark!14:!34!My!soul!is!overwhelmed!with!sorrow!to!the!point!of!death!
Luke!22:!39!!46!and!being!in!agony!He!was!praying!very!fervently;!and!his!sweat!
became!like!drops!of!blood,!falling!down!upon!the!ground!
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Divided!into!three!part,!the!composition!starts!sorrowfully,!exploring!lower!
register!of!the!violin.!The!piece!grows!more!virtuosic!and!climaxed!at!the!second!part,!
which!explore!higher!register!of!the!violin,!showing!the!increasingly!overwhelming!
agony!and!struggle.!The!composition!closes!with!calm!and!ethereal!character!by!using!
violin!harmonics,!showing!complete!acceptance!of!the!Messiah!of!what!he!was!going!to!
face.!
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In Gethsemane
for Solo Violin
Ivan Tangkulung

A q = 60 Tempo Rubato, Quasi Cadenza, Sorrowfully


U
4U
3
b
j
& 4w

j 4

o
mf
p
mf

Violin

2
4
4
4

Vln.

4
& b4

U
w
o

U
w
o

13

U
j
7

Vln.

&b

mf

mp

mf

18

Vln.

&b

5
4 j j j
43
4
4

mp

23
6

Vln.

&b

U
w

3
3
3

mp

fp

mf

5
4

27
6

Vln.

5
& b 4

4U
4

43
p

U
w

mf

mf

w w
p

(like an echo)
3

&b #
>
> > >

33

Vln.

n
4 R 4

accel.

B
36

Vln.

4
b
& 4 w

w w

# b
# # b

# >
# >
>
>>
>> >
f

fp

fp

q = 85

>
>
>

& b ## b # ## n # # >j J >j J


>
>

> > >


> > >
>

42

Vln.

fp

sfz

sffz

sfffz

accel.
46

a tempo
6

Vln.

-----&b

- - -6 - - 3

U
-----3 # #

4
#
6
p
- - -6 - - 6

ff

q = 108

Ethereal
a tempo

Vln.

sempre legato
o o o # o o o o

o
o
U

50

n
n

5
3
4
4

4
4
4
& b #
6

fp

ff

pp

o
o # o n o o # o o o n o o # o

55

Vln.

4
& b4

# #

accel.
quasi-cadenza

58

Vln.

# #

&b

# #

# # n 5
4
f

Agitato
a tempo
61

Vln.

#n

# #n #n
# # n # n

5
& b4

ss.
gli

6
4

4
4

# n> > #> >


fff

mp

accel.
63

Vln.

.
.
.
.
.
.
.
.
.
.
.
# .detached

.
.
.
.
# . n .
.
.
.
.
.
.

4
& b4
6

q = 108
6
6
# . n . . . . . . .

. .
. .
& b # n #. . . . . . # #. n n. n. b. . b
. n . . . . . . . n . b . . b
6
6

64

Vln.

a tempo
3

66

Vln.

b
&

43 44 44
R
p3

accel.
70

Vln.

4
& b4 w


. . . . . . . . . . . . . . . .

73

Vln.

& b # . . . . . . . .
. . . . . . . . . . . . . . . . . .
. .
. .
. .

75

Vln.

& b . . . . . . . . #. . . . . . . .
. .
. .
. .
. .
. .
. .
. .
. .

77

Vln.

& b #. . . . . . . . #. . . . . . . .
. .
. .
. .
. .
. .
. .
. .
. .
q = 108
6

79

#
#
Vln.

&b

fff

80

#
Vln.

#
&b

ff

46

5
6

#> U

C aEthereal
tempo

81

Vln.

Pizz.

6
& b 4 #

> U 4 Arco
J 4 O O j O

fp

sfffz

mf

84

Vln.

& b O O w w~

mf

U
O

&b
J

mp

89

Vln.

o # o o o

3
4

pp

ppp

pp

rit.
93

Vln.

&b

o # o # o o #o o #U
wo

o
o # o # o o # o

o # o # o o o

4
4