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SONNET 76

Why is my verse so barren of new pride?


So far from variation or quick change?
Why with the time do I not glance aside
To new-found methods and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth and where they did proceed?
O, know, sweet love, I always write of you,
And you and love are still my argument;
So all my best is dressing old words new,
Spending again what is already spent:
For as the sun is daily new and old,
So is my love still telling what is told.
SONNET 17

Who will believe my verse in time to come,


If it were fill'd with your most high deserts?
Though yet, heaven knows, it is but as a tomb
Which hides your life and shows not half your parts.
If I could write the beauty of your eyes
And in fresh numbers number all your graces,
The age to come would say 'This poet lies:
Such heavenly touches ne'er touch'd earthly faces.'
So should my papers yellow'd with their age
Be scorn'd like old men of less truth than tongue,
And your true rights be term'd a poet's rage
And stretched metre of an antique song:
But were some child of yours alive that time,
You should live twice; in it and in my rhyme.
SONNET 15

When I consider every thing that grows


Holds in perfection but a little moment,
That this huge stage presenteth nought but shows
Whereon the stars in secret influence comment;
When I perceive that men as plants increase,
Cheered and cheque'd even by the self-same sky,
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory;
Then the conceit of this inconstant stay
Sets you most rich in youth before my sight,
Where wasteful Time debateth with Decay,
To change your day of youth to sullied night;
And all in war with Time for love of you,
As he takes from you, I engraft you new.
SONNET 35

No more be grieved at that which thou hast done:


Roses have thorns, and silver fountains mud;
Clouds and eclipses stain both moon and sun,
And loathsome canker lives in sweetest bud.
All men make faults, and even I in this,
Authorizing thy trespass with compare,
Myself corrupting, salving thy amiss,
Excusing thy sins more than thy sins are;
For to thy sensual fault I bring in sense--
Thy adverse party is thy advocate--
And 'gainst myself a lawful plea commence:
Such civil war is in my love and hate
That I an accessary needs must be
To that sweet thief which sourly robs from me.
Sonnet 76

barren: incapable of producing it’s own kind; Old French baraigne, baraing
"sterile, barren"
variation: difference, divergence; Old French variacion "variety, diversity"

glance: a sudden movement producing a flash; brief or hurried look; strike


obliquely without giving full impact

compounds: having wits; having grains

noted: observe, take mental note of, mark carefully; indicate, designate; take
note of, write down; to set in writing

weed: To clear the ground of weeds; plant not valued for use or beauty; robe,
dress, apparel, garment

Sonnet 16

deserts: desert, wilderness, wasteland; destruction, ruin; abandoned thing

tomb: perhaps from PIE root *teue- "to swell,"; mound, burial mound

graces: God's unmerited favor, love, or help; pardon, divine grace, mercy;
favor, thanks; elegance, virtue; from gratus "pleasing, agreeable,"

scorned: mockery, derision, contempt; affront, disgrace

rage: madness, insanity; fit of frenzy; anger, wrath; fierceness in battle;


violence of storm, fire; passion, rage, fury; from Medieval Latin rabia, from
Latin rabies "madness, rage, fury

metre: meter, versification; meter, a verse; that by which anything is


measured; measure, length, size, limit, proportion; metrical scheme in verse;
to measure
Sonnet 15
nought: nothing; in vain

chequed: a technical term in falconry; when a falcon flies at a bird which is not
her proper game she is said to cheque at it

cheered: fortune; salute with shouts of applause

vaunt: boasting utterance; to praise, speak highly of; speak vainly or proudly

conceit: something formed in the mind, thought, notion; something formed in


the mind; vanity

Sonnet 35

eclipses: darkness; from Latin eclipsis, from Greek ekleipsis "an eclipse; an
abandonment," literally "a failing, forsaking," from ekleipein "to forsake a
usual place, fail to appear, be eclipsed

canker: canker (n.); late Old English cancer "spreading ulcer, cancerous
tumor," from Latin cancer "malignant tumor," literally "crab" (see cancer,
which is its doublet). The form was influenced in Middle English by Old North
French cancre "canker, sore, abscess

salving: Old English sealfian "anoint (a wound) with salve; Old English sealf
"healing ointment," from West Germanic *salbo- "oily substance"; to save from
loss at sea

amiss: mid-13c., amis "off the mark," also "out of order," literally "on the
miss,"; "improper, wrong, faulty;" to take (something) amiss originally (late
14c.) was "to miss the meaning of" (see mistake). Now it means "to
misinterpret in a bad sense."

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