Le Deuil

Le Deuil
Sebastian Androne
Piccolo Flute
Flute
Clarinet in B b
Alto Saxophone
Baritone Saxophone
Horn in F
Trumpet in B b
Trombones
Tuba
2 Sopranos
Mezzo-Soprano
Tenor
Bass
Electric Guitar
Bass Guitar
Piano
Percussion: Vibraphone, Tam-Tam, Susp. Cymbal,
Thai (nipple) Gong in F, 4 large Tom-Toms
Score
Le Deuil
Sebastian Androne
Andante {q = c 80}
Piccolo
Flute
Clarinet in B b
Alto Sax
Baritone Sax
Horn in F
Trumpet in B b
Trombone 1
Trombone 2
& 44
& 44
& 44
& 44
& 44
& 44
& 44
?4
4
?4
4
Tuba
?4
4
Soprano 1
& 44
Soprano 2
Mezzo-Soprano
Tenor
Bass
Electric Guitar
Bass Guitar
# j
mm
& 44
Percussion
4
V4
mm
j
b
4
& 4 J
4
&4
4
&4
mm
start with a non-metallic timbre

gradually changing to a more metallic plucking
(use fingernail then coin)
mm
r .
y- y
?4
4
mm
j
#
3
mm
j
b
3
mm
mm
j
y
j
y
m(o)
mm
m(o)
mm
mm
j j3

mm
m(o)
j
b
mm
m(o)
mm
mm
b
J
3
mm
mm
j
#
mm
j
b
mm
mm
j j
# .
y-
P misterioso
mm
mm
mm
b
J
mm3
mm
mm
3
3
# j
mm
j j
j
#
mm
?4
4
pluck the strings with fingertip
Piano
mm
mm
& 44
?4
4
j
j j
#
Le Deuil
4
Picc.
&
Fl.
&
&
A. Sx.
&
B. Sx.
&
&
&
B b Cl.
Hn.
B b Tpt.
Tbn. 1
Tbn. 2
Tuba
S1
& j b
j b
m(o)
m(o)
&
Mezzo
m(o)
misterioso
mm
3
j
j
.
#
.
j .
m(o)
m(o)
m(o)
m(o)
mm
#
mon
E.Gtr.
Bass
7
Pno.
&
?
Perc.
&
&
y-
#
3
mm
b
J
3
mm
m(o)
mm
b
J
3
mon
L.V.
mon
# y J
mm
with fingernail
j 3

mm3
j
#
j
#
m(o)
Mon
mm
j
. b
m(o)
F p
mm
misterioso
mm
m(o)
mm
3
? b . b.
J
mm
j. b .
m(o)
mm
m(o)
m(o)
misterioso
3
j3
# .
p
b -
misterioso
mm
V #
mm
S2
j3
& # .
eol son
mon
Le Deuil
&
&
&
& y.
j
y
12
Picc.
Fl.
12
B b Cl.
A. Sx.
B. Sx.
B b Tpt.
Tbn. 1
Tbn. 2
Tuba
Mezzo
y yj
y. y y
@j @j b @

3
j j
b
y y. y
y y
j
j
@ b @ @ # @.
3
j
. b b
3
yy
by
&
3
3
j pj
j
j
j
& # .
# .
&
& b
mm
? b .
J J
J
J
3
&
?
mm
#.
P in rilievo
Mon
# j
3
b J .
Mon
#w
j
#
j

3
deuil
deuil
# y

J
3
deuil
j j
#
Tam-Tam
Mon
#
J
deuil
j
#
.
3
deuil
au
deuil
#
J
deuil
j
y
j
.
deuil
Mon
Mon
Mon
b
J
Mon
#.
deuil
&
&
Mon
L.V.
deuil
j
.
Mon
# j. .
Mon
j
. b
12
Perc.
j
b
3
12
Pno.
j
@ @ @
b @
12
Bass
b.
j
@ @
& .
E.Gtr.
mm
S2
b @
frull.
12
S1
&
12
Hn.
Le Deuil
17
Picc.
Fl.
&
A. Sx.
B. Sx.
&
& y.
B b Tpt.
Tbn. 1
Tbn. 2
Tuba
j
j j
b b
3
S2
Mezzo
Bass
n. .
j3b y Y
.
y
# yj y . n y y # y
# .
3
j
y ny
3
n j
#
#
j j
# #.
&
j
.
& w
au
& w
F
&
Mon
fond
j
b .
au
. #
deuil
au
fond
j
.
fond
de
# . #
au
fond
de
j
j
.# .
#w
? w
n.
J

J
J
#.

J
J
& . R
?
&
?
*
..
p
de
. # .
J
J
3
moi
Mon
de
moi
j
#.
fond
j
#
au
fond
moi
V w
au
j
b
de
w
3
j
.
j3 .
j
b n b.
# J
17
Perc.
j
y Y
.# .
@ @J
J@
17
Pno.
# @ @ @ # .
&
17
E.Gtr.
17
S1
&
17
Hn.
.
J
@ @. #
@
# @
&
17
B b Cl.
deuil
j
b
moi
#
J
p
moi
F cresc.
with coin
by
y
y
Y
Y
y
*
*
*
*
*
cresc.
L.V.
Susp. cymb
.
J
.
J

J
p
(with knitting needle or metal stick)

L.V.
Le Deuil
23
Picc.
Fl.
&
#
&
B b Cl.
A. Sx.
B. Sx.
B b Tpt.
Tbn. 1
Tbn. 2
Tuba
j
#
j
#
& #
S2
Mezzo
j
. n b
& #
V
?
Bass
23
Pno.
&
?
23
Perc.
fond
.
J
.
J
fond
b
Mon
# -
>
moi
de
. b
deuil
de
j.
#.
deuil
de
b J
#
3

L.V.
nous

J
f
. .
J
# >
J
emphasize the decresc. & cresc.
b >
J
>
J
fond de
nou'
j

j

ord.
b .
#

J J

3 J
# >
j j# b .

.
#y
y
bY
by.
Y
*
*
*
*
*
nou'
au
nou'
nous
. b
de
de
deuil
Le
.
@
.
#
>
J
> .
j j # J

.
3
# > .
J
>
J
moi
>
J
- .
de
moi
j j# .

j
#.
#.
3
j
b J
de
# b .
j
. #
fond
w-
# - .
- .
P
fond
Mon
j
n b
b .
. b
j .
- .
moi
b - .
au
j
.
. # n @
au
#
3
- .
#.
J
& w
&
b J
j
J
& w
23
E.Gtr.
.
J
J- .
b -
au
23
S1
&
j
j
# #.
&
&
@.
j @
b b.
@.
&
23
Hn.

J
3
23
b @.
j
w
w
>
Nipple
Gong
L.V.
&
>
.
& @

@J @
30
Picc.
Fl.
&
30
B b Cl.
A. Sx.
B. Sx.
&
&
&
30
Hn.
B b Tpt.
Tbn. 1
Tbn. 2
Tuba
&
&
?
.
#.
. #
J
&
Mezzo
&
.
J
.
.
& .
b
J
mm
mm
ou
ou
b .
J
ou
subito
>
J
F
F
>
J
subito
>
r
#
> .
j
#
j
#
>

>
3
>
subito
J
>

>
>
>

< <
# >
>
. >
. > .
>
J
. .>

subito
>
>
# > .
3
subito
. >
. . >
>
@
subito
>
# J
>
< .
oh
subito
oh
subito
b
mm
mm
subito
mm
.
J
>
J
>
# .
J
Le Deuil
subito
# .
J
.
.
.
J
mm
S2
.
J
.
J
.
J
30
S1
.
@J @
>
oh
subito
oh
subito
# J
oh
&
30
E.Gtr.
Bass
?
30
Pno.
Perc.
&
?
# >
n.
F
()

30 *
j
& .
. .
>
>
P
F
>
J
subito
legato
>
J
subito frenetico
>
b b
3
>
improvise on cresc. and decresc.
>
# > n .
b b n
3
b n
but always with extreme suddenness
b b
b
3
>
r
@
&
34
Picc.
Fl.
&
34
B b Cl.
A. Sx.
B. Sx.
&
&
&
34
Hn.
B b Tpt.
Tbn. 1
Tbn. 2
Tuba
&
&
?
34
S1
&
S2
&
Mezzo
&
>
>
>
Bass
# .
>
>
?
&
Pno.
Perc.
&
34
>
J
>
> ># > # >
. >
#
>
> .
<
>
> # >
J
>
> b > b > # >
>
>
b b
b b
n b

but always with extreme suddenness
simile
- - - - .
> <
>

< >
<
> .
>
>.
>
>
> > > > b
#
#
J

< < >
>
>

@ @
<
r # > .
J
#
J
>.
> .
?
?
. >
34
34
E.Gtr.
>
#
.
Le Deuil
>
>
>
J
>
J
b b >
# >
? .
?
r > .
b
@ @
# > n
b b n
3
3
n b b b b
n n b
3
L.V.
4 Large
Tom-Toms
Le Deuil
10
& @
.
J
37
Picc.
Fl.
&
37
B b Cl.
A. Sx.
B. Sx.
&
&
B b Tpt.
Tbn. 1
Tbn. 2
Tuba
&
&
?
37
S1
&
S2
&
Mezzo
&
n.
>
b
f
>
Bass
n
<
37
Perc.
()
b
< >

>
j
<
# #
J
b
>

J
j

b.
J
in rilievo
#
J
j3
#
# # .
j
#
3
in rilievo
in rilievo
b.
>
sempre
j

3
j

3
b.
>
n.
b > .
#.
>
.
J
b .
- b
>
>
n.
b
J
&
. >
# .
37
Pno.
b
J
.
J
b >
J
>
# > b
37
E.Gtr.
b # #.
b.
?
?

& J
37
Hn.
# # .
# #
# #
r
.
j

j
& b
Picc.
Fl.
&
40

& J
A. Sx.
B. Sx.
&
&
B b Tpt.
Tbn. 1
b.
j
&
j
b
b.
.
J
j3

Tbn. 2
Tuba
?
40
& n
j3
b
11
j
#.
# .
J
40
Hn.
40
B b Cl.
j
.
#
J
Le Deuil
# .
J
3
#
J
b n
# #
3
# #
#.
j
#
# n.
#
J
j
#
S2
&
Mezzo
&
40
E.Gtr.
Bass
&
.
?
40
Pno.
?
40
Perc.

j.
b
3
j

j

b
b
j
.
&
n
J
&
S1
j
#
# #
# #
#
J
# #
j
#
3
j
j
j3
#
j
# .
.
J
.
#
#
J
j3
b.
3
3
12
43
Picc.
Fl.
& b
b
& n J
.
& J
A. Sx.

J J
& # . # n J J n
B. Sx.
B b Tpt.
Tbn. 1
Tbn. 2
Tuba
b
J
b n
J
jb
S2
& .
Mezzo
&
j .
ah
&
& jb
? j3b
jb
43
43
j

3
J
3
b
J
3
r
.
R .
bw
poco vibr.
espress.
.
J
43
Perc.
bel canto
Pno.
&
Bass
S1
E.Gtr.
& n j
43
.
J
? j3b
#.
& . b
n
J
43
Hn.
b
J
& # J n .
3
b.
43
B b Cl.
Le Deuil
.
b
con dolore
b n . b
3
oh
.
J
lamentando
gliss.
eh
oh
use an ethnic timbre:a bit nasal,

nonvibr., using mostly chest voice (c.v) but also head voice (h.v.)
emphasizing the harshness of the transition between them
n
J
3
eh
j .
.
J
j .
.
J
.
J
L.V.
w
w
w
.
J
Tibetan voice humming
b.
oh
Le Deuil
Picc.
Fl.
&
y.
48
B b Cl.
A. Sx.
B. Sx.
&
&
B b Tpt.
Tbn. 1
Tbn. 2
Tuba
S2
eol son *)
&
y.
*)
&
y.
*)
y.
&
n b
J
&
&
c.v.
r
b
*)
. b .
J .
p
. L
3 as sinuous as possible
(sempre gliss.)
#
c.v.
mm
&
al niente
p vibr.
espress. vibr.
L #
n
3
oh
#
b
k r
oh
ah
j
. .
gliss.
hum
microtonal gliss.
(do not pluck)
P 3lamentando con dolore

sempre poco vibr.
ah

but always with moderate suddenness
3
P
c.v.
rK
r .
*)
eol son
oh
b .
J J
lamentando
eol son
ah
single pluck
48
eol son

but always with moderate suddenness
r .
*) create an air (wind)-like sound by blowing

into the instrument without any timbre (or pitch) emergence
oh
ah
eol son *)
lamentando
con dolore
bel canto
. b
bel canto, in the expressive style of Bizet's

Les pcheurs de perles, Je crois entendre encore aria
. #
lamentando
48
Perc.
y.
*)
eol son
48
Pno.
gliss.
y.
*) noted also as , sounding as a from about
Bass
mm
E.Gtr.
Mezzo
j
b
like a howl
48
S1
&
48
Hn.
13
&
48
gliss.
L.V.
Le Deuil
14
53
Picc.
Fl.
&
&
A. Sx.
B. Sx.
&
&
y Y
J
& Y
y
J
y
J
y.
y.
3
K j n j
y.
F
j
J
y
J
y Y
J
53
Hn.
3
j
j
b
& y
53
B b Cl.
y Y
J
y.
y Y
J
B b Tpt.
& Y
y.
Tbn. 1
y.
Tbn. 2
Tuba
?
53
S1
&
#.
P
S2
& . Jj
simile
V
?
E.Gtr.
Bass
#. .
R
P
hum
#.
K.
#.
#
j
J
3
simile
gliss.
r
k
j
n
hum
L.V.
oh
j
. b
oh
. L
ah
. .
J
r
b . # >n
oh
k b J . n
c.v.
simile
oh
b
J
j
l .
ah
single pluck
h.v.
oh
. R
h.v.
. b
R
oh
K #.
J .
oh
ah
mm
. k jw
p
L.V.
53
Perc.
53
Pno.
&
53
oh
J J
n
R
oh
#
. . . #
J
J
j
& j j j J
P
r
b
>
c.v.
K
J
.
R
Mezzo
Le Deuil
58
Picc.
&
Fl.
&
58
B b Cl.
A. Sx.
B. Sx.
&
B b Tpt.
Tbn. 1
Tbn. 2
Tuba
&
?
k > b
F
n.
Bass
k # K #
(sempre gliss.)
Pno.
&
?
?
58
Perc.
with voice
in C
with voice
in C
with voice
in C
lower if not possible
j
w
or ` lower if not possible
mm
`
mm or
j
w
with voice
with voice
in C
with voice
&
` lower if not possible
or
oh
mm or
&
mm
with voice
&
.
P
` lower if not possible

mm
.
3
oh
. l b . k K b . n b
c.v.
ah
ah
h.v. c.v.
ah
j
.
jb
b.b
J J
oh
oh
c.v.
K k k b . . K r b . j
J
J
h.v.
ah
ah
J J
b
J J
b
>
n
3
oh
m(o)
Nipple
Gong
m(o)
. k
.
.
J J
oh
P
mm
.
J
oh
oh
oh
h.v.
oh
mm
n
3
in C
with voice
. .
J
R
? j

.
58
b .
J
58
E.Gtr.
oh
& b
& JK
&
Mezzo
mm
S2
&
58
S1
mm
58
Hn.
&
&
15
&
&
64
Picc.
Fl.
64
B b Cl.
A. Sx.
B. Sx.
& w
& w
& w
Hn.
B b Tpt.
Tbn. 1
Tbn. 2
Tuba
& w
& w
& w
& w
& w
64
S1
S2
Mezzo
&
E.Gtr.
Bass
#.
&
3
R .
# -
b .
j
. -
j

m(o)
. -
J
b b . b n b
J
J
3
&
w
w
b .
3
b .
3

J
o
w
w
mm
mm
j3
# .
.
mm
w-
w - .
w-
m(o)
j
- .
m(o)
mm
m(o)
b
b . b b b
b
J
J
b.
m(o)
m(o)
mm
m(o)
m(o)
# - .
m(o)
b.
b
m(o)
o
R .
?
?
.
J
64
Perc.
b .
@ @
J
oh
wo
?
64
Pno.
b o o .
j3
j
k # #.
b
@
frull.
ord.
? w
&
o .
64
& w
&
b o
64
Le Deuil
b o
o b o o o .
b
j b b .
J b n J . J
3
3
b
frull.
b
.
b
3
b
@
@ @b . b@ @J @ @ @ @ @ b@J @ n@ @
16
w
w

Le Deuil

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Le Deuil

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Formats disponibles

Le Deuil

start with a non-metallic timbre

pluck the strings with fingertip

(with knitting needle or metal stick)

emphasize the decresc. & cresc.

emphasize the decresc. & cresc.

emphasize the decresc. & cresc.

emphasize the decresc. & cresc.

emphasize the decresc. & cresc.

emphasize the decresc. & cresc.

emphasize the decresc. & cresc.

emphasize the decresc. & cresc.

emphasize the decresc. & cresc.

emphasize the decresc. & cresc.

improvise on cresc. and decresc.

but always with extreme suddenness

improvise on cresc. and decresc.

use an ethnic timbre:a bit nasal,

Tibetan voice humming

(do not pluck)

P 3lamentando con dolore

improvise on cresc. and decresc.

improvise on cresc. and decresc.

*) create an air (wind)-like sound by blowing

bel canto, in the expressive style of Bizet's

*) noted also as , sounding as a from about

lower if not possible

or ` lower if not possible

` lower if not possible

or ` lower if not possible

or ` lower if not possible

or ` lower if not possible

` lower if not possible

or ` lower if not possible

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