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Project Title: Rapport of Thailand - Norway

Name of the Investigator: Bussakorn Sumrongthong

Year : 2003

Abstract

The RappOr1 of Thailand and Norway is a composition inspired from a journey to Norway and Sri

Lanka in 1999 to promote Thai music in a workshop forum. Dr. Bussakorn, the composer, has

adapted the Thai music composing method called Augmentation and Diminution to develop this

piece by adopting from the Norwegian Dance No.2. This Dance No.2 is the most famous

folksong in Norway that was composed by the well-known composer Edward Grieg. The Rapport

of Thailand and Norway consists of7 parts. The introduction starts with a drum ensemble to

imitate the drumming of Sri Lanka. The first part expresses the Sri Lankan and other foreign

dialects . The expression in this part is one of coldness and loneliness to mirror the feeling from

the composer wintertime trip to Norway . The second part consists of frequent notes in order to

reflect the hurned growth associated with the warnl and bright arrival of spring. The third part is

comprised of two reflective groups of musical instruments in a questioning and answering style.

The for1h part is the traditional Norwegian Dance No.2 that the composer uses to show the

original piece that has inspired her to compose a Thai rendition. The fifth part is the Thai version

of the second half of the original Dance No.2 in which some of the notes have been changed to

highlight the Thai variation pattern. In part 6, the composer has intended to represent the

Norwegian folksong rhythmic pattern. The melody in Part 7 is similar to part 6 but the tempo is

faster. The composer would like it to express the good collaborative and hard working atmosphere

It)Und in a group of diverse people with a common bond. This composition is valuable in ternlS of

being a historical record of a great rapport experienced between the people of Thailand and

Norwa y. The RappOr1 of Thailand and Norway has been presented to the Thai people many times

and received a warnl positive response. It has al so been used as an example of using the academi c

approach to music compositions in Thai Universities. Moreover, the composer has been invited

ttl present her work at the October 2003 Grieg Festival by the Edward Grieg Association in Oslo.

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