Semana 09

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\li6254\sb0\sl-207\slmult0 \par\pard\ql\li6254\sb0\sl-207\slmult0
\par\pard\ql\li6254\sb55\sl-207\slmult0 \up0 \expndtw-1\charscalex100
\ul0\nosupersub\cf1\f2\fs18 BANCO DE PREGUNTAS DE LENGUAJE Y LITERATURA
\par\pard\ql \li5337\sb0\sl-253\slmult0 \par\pard\ql\li5337\sb242\sl-253\slmult0
\up0 \expndtw-2\charscalex100 \ul0\nosupersub\cf3\f4\fs22 SEMANA N� 09 \par\pard\ql
\li1780\sb7\sl-253\slmult0 \up0 \expndtw-2\charscalex100 TEMAS: CATEGORIAS
INVARIABLES (ADVERBIO, PREPOSICI�N, CONJUNCI�N Y \par\pard\ql \li3316\sb7\sl-
253\slmult0 \up0 \expndtw-1\charscalex100 INTERJECCI�N) Y LITERATURA
LATINOAMERICANA \par\pard\qj \li6897\ri1044\sb242\sl-260\slmult0\fi52 \up0
\expndtw-3\charscalex100 Coordinador: Lic. Jorge Mauriola Chuyes \line \up0
\expndtw-3\charscalex100 Responsable: Prof. Walter Benites Zapata \par\pard\ql
\li1132\sb246\sl-253\slmult0 \up0 \expndtw-2\charscalex100 APLIQUEMOS LO
APRENDIDO \par\pard\ql \li1132\sb247\sl-253\slmult0 \up0 \expndtw-1\charscalex100
A. TEMA N� 01: CATEGOR�AS INVARIABLES \par\pard\li1132\sb0\sl-
207\slmult0\par\pard\li1132\sb61\sl-207\slmult0\fi0\tx6479\tx6839 \up0
\expndtw0\charscalex100 \ul0\nosupersub\cf1\f2\fs18 Responde a las siguientes
interrogantes encerrando\tab \up0 \expndtw0\charscalex100 9.\tab \up0
\expndtw0\charscalex100 \u8220?A pesar de ganar poco, colabor� con
los\par\pard\li1132\sb0\sl-206\slmult0\fi0\tx6892 \up0 \expndtw0\charscalex100 o
marcando la respuesta correcta.\tab \up0 \expndtw0\charscalex100
damnificados\u8221?. Encontramos una frase\par\pard\li1132\sb0\sl-
207\slmult0\fi5759 \up0 \expndtw-3\charscalex100
conjuntiva:\par\pard\li1132\sb5\sl-207\slmult0\fi0\tx6839 \up0 \expndtw-
3\charscalex100 1. Parte de la oraci�n que modifica al verbo,\tab \up0 \expndtw-
3\charscalex100 a) Causal\par\pard\li1132\sb0\sl-206\slmult0\fi412\tx6839 \up0
\expndtw-3\charscalex100 adjetivo u otro adverbio.\tab \up0 \expndtw-
3\charscalex100 b) Condicional\par\pard\li1132\sb0\sl-206\slmult0\fi360\tx6839 \up0
\expndtw-3\charscalex100 a) Preposici�n\tab \dn2 \expndtw-3\charscalex100 c)
Consecutivas\par\pard\li1132\sb1\sl-207\slmult0\fi360\tx6839 \up0 \expndtw-
3\charscalex100 b) Conjunci�n\tab \up0 \expndtw-3\charscalex100 d)
concesiva\par\pard\li1132\sb0\sl-206\slmult0\fi360\tx6839 \up0 \expndtw-
3\charscalex100 c) Adverbio\tab \up0 \expndtw-3\charscalex100 e)
finales.\par\pard\li1132\sb1\sl-207\slmult0\fi360 \up0 \expndtw-3\charscalex100 d)
Interjecci�n\par\pard\li1132\sb0\sl-206\slmult0\fi360\tx6479 \up0 \expndtw-
3\charscalex100 e) Relacionantes\tab \up0 \expndtw-3\charscalex100 10. Encontramos
locuciones adverbiales en :\par\pard\li1132\sb1\sl-207\slmult0\fi5707 \up0
\expndtw-3\charscalex100 a) Luchar� a brazo partido\par\pard\li1132\sb0\sl-
206\slmult0\fi0\tx6839 \up0 \expndtw-3\charscalex100 2. Donde encontramos un
adverbio de duda.\tab \up0 \expndtw-3\charscalex100 b) Voy al cine de cuando en
cuando\par\pard\li1132\sb5\sl-207\slmult0\fi303\tx6839 \up0 \expndtw-
3\charscalex100 a) Quiz� los hombres lleguen a\tab \up0 \expndtw-3\charscalex100 c)
Camina con pies de plomo\par\pard\li1132\sb0\sl-206\slmult0\fi455\tx6839 \up0
\expndtw-3\charscalex100 comprender la pol�tica\tab \up0 \expndtw-3\charscalex100
d) La defendi� a capa y espada\par\pard\li1132\sb1\sl-207\slmult0\fi303\tx6839 \up0
\expndtw-3\charscalex100 b) Mi coraz�n nunca ser� tuyo\tab \up0 \expndtw-
3\charscalex100 e) Todas las anteriores.\par\pard\li1132\sb0\sl-
206\slmult0\fi300 \up0 \expndtw-3\charscalex100 c) Dime ma�ana lo que
quieras\par\pard\li1132\sb1\sl-207\slmult0\fi302\tx6479 \up0 \expndtw-
3\charscalex100 d) Javier nunca cambiara su conducta\tab \up0 \expndtw-
3\charscalex100 11. En que oraci�n la preposici�n indica
lugar.\par\pard\li1132\sb0\sl-206\slmult0\fi309\tx6839 \up0 \expndtw-
3\charscalex100 e) S�, pensar� en ti.\tab \up0 \expndtw-3\charscalex100 a)
Estudia a conciencia\par\pard\li1132\sb0\sl-207\slmult0\fi5707 \up0 \expndtw-
3\charscalex100 b) Te ver� a las tres de la tarde\par\pard\li1132\sb0\sl-
207\slmult0\fi0\tx6839 \up0 \expndtw-3\charscalex100 3. Cu�ntos adverbios de modo
encontramos en\tab \up0 \expndtw-3\charscalex100 c) Descansa en la
hamaca\par\pard\li1132\sb4\sl-207\slmult0\fi359\tx3254\tx6839 \up0 \expndtw-
3\charscalex100 \u8220?Feliz, risue�a y\tab \up0 \expndtw-3\charscalex100
sonrientemente lleg�\u8221?.\tab \up0 \expndtw-3\charscalex100 d) Javier vive con
sus t�os\par\pard\li1132\sb0\sl-206\slmult0\fi302\tx2548\tx3254\tx3964\tx6839
\up0 \expndtw-3\charscalex100 a) 1 b) 2\tab \up0 \expndtw-3\charscalex100 c)
3\tab \up0 \expndtw-3\charscalex100 d) 4\tab \up0 \expndtw-3\charscalex100 e) 5\tab
\up0 \expndtw-3\charscalex100 e) Estudia para triunfar\par\pard\li1132\sb207\sl-
207\slmult0\fi0\tx6479\tx6839 \up0 \expndtw-3\charscalex100 4. Sirve para
expresar la relaci�n gramatical y\tab \up0 \expndtw-3\charscalex100 12.\tab \up0
\expndtw-3\charscalex100 \u8220?Como es tarde, no llegar� a tiempo a
clases;\par\pard\li1132\sb0\sl-207\slmult0\fi359\tx6839 \up0 \expndtw-
3\charscalex100 l�gica entre dos preposiciones o entre dos\tab \up0 \expndtw-
3\charscalex100 encontramos una:\par\pard\li1132\sb0\sl-206\slmult0\fi359\tx6839
\up0 \expndtw-3\charscalex100 elementos an�logos de una oraci�n. Es:\tab
\up0 \expndtw-3\charscalex100 a) Frase Conjuntiva Causal\par\pard\li1132\sb0\sl-
206\slmult0\fi304\tx6839 \up0 \expndtw-3\charscalex100 a) Preposici�n\tab \up0
\expndtw-3\charscalex100 b) Frase Conjuntiva Consecutiva\par\pard\li1132\sb1\sl-
207\slmult0\fi360\tx6839 \up0 \expndtw-3\charscalex100 b) Conjunci�n\tab \up0
\expndtw-3\charscalex100 c) Frase Conjuntiva Condicional\par\pard\li1132\sb4\sl-
207\slmult0\fi302\tx6839 \up0 \expndtw-3\charscalex100 c) Interjecci�n\tab \up0
\expndtw-3\charscalex100 d) Frase Conjuntiva Final\par\pard\li1132\sb0\sl-
206\slmult0\fi360\tx6839 \up0 \expndtw-3\charscalex100 d) Adverbio\tab \up0
\expndtw-3\charscalex100 e) Frase Conjuntiva Copulativa.\par\pard\li1132\sb1\sl-
207\slmult0\fi309 \up0 \expndtw-3\charscalex100 e) Interjecciones
Propias.\par\pard\li1132\sb1\sl-205\slmult0\fi5347 \up0 \expndtw-3\charscalex100
13. En, \u8220?Camino m�s de lo pensado\u8221?existe un\par\pard\li1132\sb1\sl-
207\slmult0\fi0\tx6839 \up0 \expndtw-3\charscalex100 5. Su principal funci�n es
unir palabras.\tab \up0 \expndtw-3\charscalex100 Adverbio
de:\par\pard\li1132\sb0\sl-206\slmult0\fi304\tx6840\tx9311 \up0 \expndtw-
3\charscalex100 a) Conjunci�n\tab \up0 \expndtw-3\charscalex100 a) Tiempo\tab
\up0 \expndtw-3\charscalex100 b) Lugar\par\pard\li1132\sb0\sl-
206\slmult0\fi360\tx6840\tx8601 \up0 \expndtw-3\charscalex100 b) Preposici�n\tab
\dn2 \expndtw-3\charscalex100 c) Cantidad\tab \dn2 \expndtw-3\charscalex100 d)
Modo\par\pard\li1132\sb1\sl-207\slmult0\fi302\tx6840 \up0 \expndtw-3\charscalex100
c) Interjecci�n\tab \up0 \expndtw-3\charscalex100 e) Duda\par\pard\li1132\sb4\sl-
207\slmult0\fi360 \up0 \expndtw-3\charscalex100 d) a y b\par\pard\li1132\sb0\sl-
206\slmult0\fi360\tx6480 \up0 \expndtw-3\charscalex100 e) b y c\tab \up0 \expndtw-
3\charscalex100 14. En, \u8220? Los alumnos del IDEPUNP
estudian\par\pard\li1132\sb1\sl-207\slmult0\fi5706 \up0 \expndtw-3\charscalex100
Por la ma�ana\u8221? existe un adverbio de:\par\pard\li1132\sb0\sl-
206\slmult0\fi0\tx6840\tx9311 \up0 \expndtw-3\charscalex100 6. En, \u8220?No
puedo llamarte ni escribirte una carta\u8221?\tab \up0 \expndtw-3\charscalex100 a)
Tiempo\tab \up0 \expndtw-3\charscalex100 b) Lugar\par\pard\li1132\sb1\sl-
207\slmult0\fi359\tx6840\tx8601 \up0 \expndtw-3\charscalex100 la conjunci�n
utilizada es:\tab \up0 \expndtw-3\charscalex100 c) Cantidad\tab \up0 \expndtw-
3\charscalex100 d) Afirmaci�n\par\pard\li1132\sb0\sl-206\slmult0\fi304\tx6840
\up0 \expndtw-3\charscalex100 a) Copulativa\tab \up0 \expndtw-3\charscalex100 e)
Duda\par\pard\li1132\sb0\sl-206\slmult0\fi359 \up0 \expndtw-3\charscalex100 b)
Disyuntiva\par\pard\li1132\sb1\sl-207\slmult0\fi304\tx6480 \up0 \expndtw-
3\charscalex100 c) Adversativa\tab \up0 \expndtw-3\charscalex100 15. Su rasgo
com�n es la entonaci�n exclamativa\par\pard\li1132\sb0\sl-
206\slmult0\fi359\tx6839 \up0 \expndtw-3\charscalex100 d) Distributiva\tab \up0
\expndtw-3\charscalex100 ya que expresan actitudes,
sentimientos,\par\pard\li1132\sb6\sl-207\slmult0\fi309\tx6839 \up0 \expndtw-
3\charscalex100 e) Adversativa Excluyente\tab \up0 \expndtw-3\charscalex100
sensaciones y apelaciones. Entonces podemos\par\pard\li1132\sb1\sl-
205\slmult0\fi5707 \up0 \expndtw-3\charscalex100 decir que
es:\par\pard\li1132\sb1\sl-206\slmult0\fi0\tx6840 \up0 \expndtw-3\charscalex100 7.
En, \u8220?Iremos a la chacra aunque llueva\u8221?\tab \up0 \expndtw-
3\charscalex100 a) Conjunci�n\par\pard\li1132\sb1\sl-207\slmult0\fi359\tx6840
\up0 \expndtw-3\charscalex100 encontramos una conjunci�n.\tab \up0 \expndtw-
3\charscalex100 b) Adverbio\par\pard\li1132\sb0\sl-206\slmult0\fi304\tx6840 \up0
\expndtw-3\charscalex100 a) Causales\tab \up0 \expndtw-3\charscalex100 c)
Relacionantes\par\pard\li1132\sb0\sl-206\slmult0\fi360\tx6840 \up0 \expndtw-
3\charscalex100 b) Concesivas\tab \up0 \expndtw-3\charscalex100 d)
Preposici�n\par\pard\li1132\sb1\sl-207\slmult0\fi302\tx6840 \up0 \expndtw-
3\charscalex100 c) Finales\tab \up0 \expndtw-3\charscalex100 e)
Interjecci�n\par\pard\li1132\sb0\sl-206\slmult0\fi360 \up0 \expndtw-3\charscalex100
d) Condicionales\par\pard\li1132\sb5\sl-207\slmult0\fi307\tx6480 \up0 \expndtw-
3\charscalex100 e) Adversativa Excluyente\tab \up0 \expndtw-3\charscalex100 16.
Son aquellos que carecen de accidentes\par\pard\li1132\sb0\sl-207\slmult0\fi5707
\up0 \expndtw-3\charscalex100 gramaticales, es decir, no
presentan\par\pard\li1132\sb0\sl-206\slmult0\fi0\tx6839 \up0 \expndtw-
3\charscalex100 8. Palabra invariable que tiene como funci�n unir\tab \up0
\expndtw-3\charscalex100
morfemas de g�nero, n�mero, modo, etc.\par\pard\li1132\sb1\sl-
207\slmult0\fi359\tx6840 \up0 \expndtw-3\charscalex100 palabras, frases; pero de
diferente jerarqu�a.\tab \up0 \expndtw-3\charscalex100 a)
Adverbio\par\pard\li1132\sb0\sl-206\slmult0\fi360\tx6840 \up0 \expndtw-
3\charscalex100 a) Interjecci�n\tab \up0 \expndtw-3\charscalex100 b)
Preposici�n\par\pard\li1132\sb1\sl-207\slmult0\fi360\tx6840 \up0 \expndtw-
3\charscalex100 b) Adverbio\tab \up0 \expndtw-3\charscalex100 c)
Conjunci�n\par\pard\li1132\sb0\sl-206\slmult0\fi360\tx6840 \up0 \expndtw-
3\charscalex100 c) Conjunci�n\tab \up0 \expndtw-3\charscalex100 d) a y
c\par\pard\li1132\sb0\sl-206\slmult0\fi360\tx6840 \up0 \expndtw-3\charscalex100 d)
Preposici�n\tab \up0 \expndtw-3\charscalex100 e) a, b y c.\par\pard\ql
\li1492\sb0\sl-199\slmult0 \up0 \expndtw-3\charscalex100 e) Todas las anteriores
\par\pard\ql \li6057\sb0\sl-276\slmult0 \par\pard\ql\li6057\sb0\sl-276\slmult0
\par\pard\ql\li6057\sb146\sl-276\slmult0 \up0 \expndtw-3\charscalex100
\ul0\nosupersub\cf2\f3\fs24 1
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{\bkmkend Pg2}\par\pard\ql \li6254\sb0\sl-207\slmult0 \par\pard\ql\li6254\sb0\sl-
207\slmult0 \par\pard\ql\li6254\sb55\sl-207\slmult0 \up0 \expndtw-
1\charscalex100 \ul0\nosupersub\cf1\f2\fs18 BANCO DE PREGUNTAS DE LENGUAJE Y
LITERATURA\par\pard\sect\sectd\sbknone\cols3\colno1\colw5897\colsr160\colno2\colw27
2\colsr160\colno3\colw5621\colsr160\ql \li1132\sb0\sl-207\slmult0 \par\pard\ql
\li1132\sb0\sl-207\slmult0 \par\pard\ql \li1132\sb98\sl-207\slmult0 \up0 \expndtw-
3\charscalex100 17. En la oraci�n, \u8220? Dime si es de plata u
oro\par\pard\qj \li1437\ri754\sb5\sl-206\slmult0\fi55 \up0 \expndtw-2\charscalex100
aquella cadena del abuelo\u8221? la conjunci�n es: \up0 \expndtw-3\charscalex100 a)
Copulativa\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b)
Adversativas\par\pard\ql \li1437\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100
c) Disyuntiva\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-2\charscalex100
d) a y b\par\pard\ql \li1439\sb0\sl-206\slmult0 \up0 \expndtw-4\charscalex100 e) a
y c\par\pard\ql \li1132\sb207\sl-207\slmult0 \up0 \expndtw-1\charscalex100 18. En,
\u8220?Soy tu padre, sin embargo, te castigar�\u8221?\par\pard\ql \li1492\sb4\sl-
207\slmult0 \up0 \expndtw-1\charscalex100 ha utilizado una
conjunci�n.\par\pard\ql \li1387\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 a)
Adversativa Restrictiva\par\pard\ql \li1387\sb1\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 b) Adversativa Excluyente\par\pard\ql \li1388\sb0\sl-206\slmult0
\up0 \expndtw-3\charscalex100 c) Copulativa\par\pard\ql \li1388\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 d) Disyuntiva\par\pard\ql \li1387\sb1\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 e) a y b\par\pard\ql \li1132\sb207\sl-
207\slmult0 \up0 \expndtw-3\charscalex100 19. En, \u8220? No iba a buscarla,
pues tambi�n tengo\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-
1\charscalex100 orgullo\u8221? la conjunci�n es:\par\pard\ql \li1437\sb5\sl-
207\slmult0 \up0 \expndtw-3\charscalex100 a) Condicionales\par\pard\ql
\li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b)
Consecutivas\par\pard\ql \li1437\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100
c) Concesivas\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100
d) Final\par\pard\ql \li1442\sb1\sl-206\slmult0 \up0 \expndtw-7\charscalex100 e)
Causales\par\pard\ql \li1132\sb207\sl-207\slmult0 \up0 \expndtw-3\charscalex100 20.
Indica el objetivo o finalidad a que apunta la\par\pard\ql \li1545\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 frase o frases expresadas.\par\pard\ql
\li1492\sb5\sl-207\slmult0 \up0 \expndtw-3\charscalex100 a) Causales\par\pard\ql
\li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b)
Condicionales\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100
c) Consecutivas\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 d) Finales\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 e) Concesivas\par\pard\ql \li1132\sb207\sl-207\slmult0 \up0
\expndtw-3\charscalex100 21. Palabra aut�noma que constituye por si sola
un\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 enunciado
independiente.\par\pard\ql \li1492\sb5\sl-207\slmult0 \up0 \expndtw-3\charscalex100
a) Adverbio\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b)
Conjunci�n\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 c)
Interjecci�n\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100
d) Preposici�n\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100
e) Sustantivo\par\pard\ql \li1132\sb207\sl-207\slmult0 \up0 \expndtw0\charscalex105
22. Suelen ser adaptaciones fonem�ticas del\par\pard\ql
\li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 ruido o
acci�n.\par\pard\ql \li1492\sb5\sl-207\slmult0 \up0 \expndtw-3\charscalex100 a)
Interjecci�n Onomatop�yica\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 b) Preposici�n\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0
\expndtw-3\charscalex100 c) Interjecci�n Sintom�tica\par\pard\ql \li1492\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 d) Interjecci�n Apelativas\par\pard\ql
\li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 e) Todas las
anteriores\par\pard\ql \li1132\sb207\sl-207\slmult0 \up0 \expndtw-3\charscalex100
23. Se manifiesta el estado de �nimo del hablante\par\pard\ql \li1492\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 sobre lo que comunica, sobre sus
propias\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100
vivencias o sobre la situaci�n.\par\pard\ql \li1492\sb5\sl-207\slmult0 \up0
\expndtw-4\charscalex100 a) Interjecci�n Onomatop�yicas\par\pard\ql
\li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b) Interjecci�n
Sintom�ticas\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100
c) Interjecci�n Apelativas\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-
2\charscalex100 d) a y b\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 e) a, b y c.\par\pard\ql \li1132\sb207\sl-207\slmult0 \up0
\expndtw-3\charscalex100 24. En, �Qu� susto me has dado, caramba!
Se\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100
Presenta:\par\pard\ql \li1492\sb5\sl-207\slmult0 \up0 \expndtw-3\charscalex100 a)
Una Interjecci�n\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 b) Un Adverbio\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0
\expndtw-3\charscalex100 c) Una Preposici�n\par\pard\ql \li1492\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 d) Una Conjunci�n\par\pard\ql
\li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 e)
Sustantivo\par\pard\ql \li1132\sb207\sl-207\slmult0 \up0 \expndtw-3\charscalex100
25. Hay una Interjecci�n Onomatop�yica en:\par\pard\ql \li1492\sb1\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 a) �Zape!\par\pard\ql \li1492\sb5\sl-
207\slmult0 \up0 \expndtw-3\charscalex100 b) El tictac del reloj\par\pard\ql
\li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 c) �Ay!\par\pard\ql
\li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 d)
�Caramba!\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 e)
�Chist!\par\pard\column \ql \li6057\sb0\sl-276\slmult0 \par\pard\ql \li6057\sb0\sl-
276\slmult0 \par\pard\ql \li6057\sb0\sl-276\slmult0 \par\pard\ql \li6057\sb0\sl-
276\slmult0 \par\pard\ql \li20\sb267\sl-276\slmult0 \up0 \expndtw-
3\charscalex100 \ul0\nosupersub\cf2\f3\fs24 2\par\pard\column \ql \li6479\sb0\sl-
253\slmult0\tx1811 \up0 \expndtw-2\charscalex100 \ul0\nosupersub\cf3\f4\fs22 TEMA
N� 02\tab \up0 \expndtw-1\charscalex100 LITERATURA\par\pard\ql \li1437\sb2\sl-
253\slmult0 \up0 \expndtw-1\charscalex100 LATINOAMERICANA.\par\pard\ql
\li6480\sb0\sl-207\slmult0 \par\pard\ql \li6480\sb0\sl-207\slmult0 \par\pard\ql
\li21\sb52\sl-207\slmult0 \up0 \expndtw-3\charscalex100 \ul0\nosupersub\cf1\f2\fs18
26. El primer poeta Mexicano y autor de la obra\par\pard\ql \li380\sb1\sl-
206\slmult0 \up0 \expndtw-4\charscalex100 \u8220?El Bernardo o la victoria de
Roncesvalles\u8221?.es:\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 a) Juana In�s de la Cruz\par\pard\ql \li381\sb1\sl-206\slmult0 \up0
\expndtw-3\charscalex100 b) Bernardo de Balbuena\par\pard\ql \li381\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 c) Ruiz de Alarc�n\par\pard\ql
\li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 d) Jos� Agust�n de
Castro\par\pard\ql \li381\sb1\sl-206\slmult0
\up0 \expndtw-3\charscalex100 e) Manuel Acu�a.\par\pard\ql \li6480\sb0\sl-
207\slmult0 \par\pard\ql \li21\sb4\sl-207\slmult0 \up0 \expndtw-3\charscalex100 27.
Qu� literatura se inicia con la llegada de\par\pard\ql \li380\sb1\sl-206\slmult0
\up0 \expndtw-3\charscalex100 los soldados poetas espa�oles.\par\pard\ql
\li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 a) L.
Venezolana\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b)
L. Peruana\par\pard\ql \li381\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 c)
L. Mexicana\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 d)
L. Colombiana\par\pard\ql \li381\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100
e) L. Chilena.\par\pard\ql \li6480\sb0\sl-207\slmult0 \par\pard\ql \li21\sb4\sl-
207\slmult0 \up0 \expndtw-3\charscalex100 28. Principal representante del
Modernismo en\par\pard\ql \li380\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100
Latinoam�rica es:\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 a) Bernardo de Balbuena\par\pard\ql \li381\sb0\sl-206\slmult0
\up0 \expndtw-3\charscalex100 b) Manuel Acu�a\par\pard\ql \li381\sb1\sl-206\slmult0
\up0 \expndtw-3\charscalex100 c) Luis G. Urbina.\par\pard\ql \li381\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 d) Rub�n Dar�o\par\pard\ql \li381\sb1\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 e) Manuel Flores.\par\pard\ql
\li6480\sb0\sl-207\slmult0 \par\pard\ql \li21\sb4\sl-207\slmult0\tx385 \up0
\expndtw-3\charscalex100 29.\tab \up0 \expndtw-3\charscalex100 �Qu� autores
destacan en la literatura\par\pard\ql \li380\sb1\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 contempor�nea?\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 a) Octavio Paz\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 b) Juan Rulfo\par\pard\ql \li381\sb1\sl-206\slmult0 \up0 \expndtw-
5\charscalex100 c) Carlos Fuentes\par\pard\ql \li381\sb0\sl-206\slmult0 \up0
\expndtw-3\charscalex100 d) Jose Agust�n\par\pard\ql \li381\sb1\sl-206\slmult0 \up0
\expndtw-3\charscalex100 e) Todas las anteriores.\par\pard\ql \li6480\sb0\sl-
La obra, \u8220?El Laberinto de la Soledad\u8221?\par\pard\ql \li380\sb1\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 Pertenece a:\par\pard\ql \li381\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 a) Manuel Acu�a\par\pard\ql
\li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b) Juan
Rulfo\par\pard\ql \li381\sb1\sl-206\slmult0 \up0 \expndtw-5\charscalex100 c)
Carlos Fuentes\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100
d) Jose Agust�n\par\pard\ql \li381\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100
e) Octavio Paz.\par\pard\ql \li6480\sb0\sl-207\slmult0 \par\pard\ql \li21\sb4\sl-
207\slmult0 \up0 \expndtw-3\charscalex100 31. En, \u8220? Cantos de Vida y
Esperanza\u8221? le pertenece a:\par\pard\ql \li381\sb1\sl-206\slmult0 \up0
\expndtw-3\charscalex100 a) Fern�ndez Lizardi\par\pard\ql \li381\sb0\sl-206\slmult0
\up0 \expndtw-3\charscalex100 b) Juan Rulfo\par\pard\ql \li381\sb0\sl-
206\slmult0 \up0 \expndtw-6\charscalex100 c) Octavio Paz\par\pard\ql
\li381\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 d) Rub�n
Dar�o\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-6\charscalex100 e) Jose
Agust�n.\par\pard\ql \li21\sb207\sl-207\slmult0 \up0 \expndtw-3\charscalex100 32.
Canta en sus obras el amor y a la muerte,\par\pard\ql \li380\sb0\sl-206\slmult0
\up0 \expndtw-4\charscalex100 te�ido de ciertos sentimientos
religiosos.\par\pard\ql \li381\sb6\sl-207\slmult0 \up0 \expndtw-3\charscalex100 a)
Manuel Acuna\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b)
R. Dar�o\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 c)
Amado Nervo\par\pard\ql \li381\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 d)
Lizardi\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 e)
Octavio Paz.\par\pard\ql \li21\sb207\sl-207\slmult0 \up0 \expndtw-3\charscalex100
33. Novela que abordo un tema local como el\par\pard\ql \li380\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 Bandolerismo es:\par\pard\ql
\li381\sb6\sl-207\slmult0 \up0 \expndtw-3\charscalex100 a) Terra Nostra\par\pard\ql
\li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b) Cantos de Vida y de
Esperanza\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 c)
Sin Rumbo\par\pard\ql \li381\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 d) El
Desfile de Amor\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100
e) El Zarco.\par\pard\ql \li21\sb207\sl-207\slmult0 \up0 \expndtw-3\charscalex100
34. En, \u8220? El Se�or Presidente\u8221? pertenece a:\par\pard\ql \li381\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 a) Miguel �ngel Asturias\par\pard\ql
\li381\sb6\sl-207\slmult0 \up0 \expndtw-3\charscalex100 b) Rub�n
Dar�o\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 c) Rafael
Heliodoro Valle\par\pard\ql \li381\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100
d) Augusto C. Coello\par\pard\ql \li381\sb1\sl-206\slmult0 \up0 \expndtw-
5\charscalex100 e) Jose Rodr�guez Cerna
{\shp
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{\shp
3\colsr160\colno3\colw5620\colsr160\ql \li1132\sb0\sl-207\slmult0 \par\pard\ql
3\charscalex100 35. Es una obra \u8220?El Rosal del Ermita�o\u8221? pertenece
a:\par\pard\ql \li1492\sb4\sl-207\slmult0 \up0 \expndtw-3\charscalex100 a) Rafael H
Valle\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b)
Miguel A. Asturias\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-
5\charscalex100 c) Jose R. Cerna\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0
\expndtw-3\charscalex100 d) Augusto C Coello\par\pard\ql \li1492\sb0\sl-206\slmult0
\up0 \expndtw-3\charscalex100 e) Rub�n Dar�o.\par\pard\ql \li1132\sb207\sl-
207\slmult0 \up0 \expndtw-3\charscalex100 36. El Areito es una expresi�n literaria
que los\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100
ind�genas utilizaban y se caracteriza porque:\par\pard\ql \li1492\sb5\sl-
207\slmult0 \up0 \expndtw-2\charscalex100 a) Es una Poes�a �pica -
Dram�tica\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b)
Era un tema Heroico y Religioso\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0
\expndtw-3\charscalex100 c) Cantaban a las Ceremonias\par\pard\ql \li1492\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 d) Cantaban a la Patria y
Libertad\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 e)
Todas las anteriores.\par\pard\ql \li1132\sb0\sl-207\slmult0 \par\pard\ql
\li1132\sb207\sl-207\slmult0 \up0 \expndtw-3\charscalex100 37. La obra, \u8220?Al
Amor en los Tiempos del C�lera\u8221?\par\pard\ql \li1545\sb0\sl-206\slmult0
\up0 \expndtw-4\charscalex100 Pertenece a:\par\pard\ql \li1492\sb5\sl-
207\slmult0 \up0 \expndtw-3\charscalex100 a) Guillermo Valencia\par\pard\ql
\li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b) Fernando Caballero
Calder�n\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 c)
Gabriel Garc�a M�rquez\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 d) Jose Fern�ndez Madrid\par\pard\ql \li1492\sb1\sl-206\slmult0
\up0 \expndtw-3\charscalex100 e) Vargas Llosa\par\pard\ql \li1132\sb207\sl-
207\slmult0 \up0 \expndtw-5\charscalex100 38. Quienes son los que pertenecen a
la Literatura\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 de los Pa�ses Bolivarianos.\par\pard\ql \li1492\sb5\sl-
207\slmult0 \up0 \expndtw-3\charscalex100 a) L. Venezolana\par\pard\ql
\li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b) L.
Peruana\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 c) L.
Ecuatoriana\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 d)
L. Paraguaya\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-2\charscalex100
e) a, b y c\par\pard\ql \li1132\sb207\sl-207\slmult0 \up0 \expndtw-3\charscalex100
39. El autor de la obra, \u8220?El Oto�o del Patriarca\u8221?\par\pard\ql
\li1492\sb0\sl-206\slmult0 \up0 \expndtw-5\charscalex100 pertenece a la
literatura.\par\pard\ql \li1492\sb5\sl-207\slmult0 \up0 \expndtw-3\charscalex100 a)
Peruana\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b)
Ecuatoriana\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 c)
Boliviana\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 d)
Colombiana\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 e)
Chilena\par\pard\ql \li1132\sb207\sl-207\slmult0 \up0 \expndtw-4\charscalex100 40.
El autor de la obra, \u8220? Do�a B�rbara\u8221? es:\par\pard\ql \li1492\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 a) R�mulo Gallegos\par\pard\ql
\li1492\sb5\sl-207\slmult0 \up0 \expndtw-3\charscalex100 b) Andr�s
Bello\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 c)
Arturo Uslar Pietri\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-
5\charscalex100 d) Luis Brito Garc�a\par\pard\ql \li1492\sb0\sl-206\slmult0
\up0 \expndtw-3\charscalex100 e) Alonso de Ercilla\par\pard\ql \li1132\sb207\sl-
207\slmult0 \up0 \expndtw-3\charscalex100 41. En sus escritos refleja la
mentalidad ind�gena,\par\pard\ql \li1545\sb1\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 estamos hablando de:\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0
\expndtw-3\charscalex100 a) Jose Santos Chocano\par\pard\ql \li1492\sb1\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 b) Manuel Ascencio Segura\par\pard\ql
\li1492\sb5\sl-207\slmult0 \up0 \expndtw-3\charscalex100 c) Andr�s
Bello\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 d) Cesar
Vallejo\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 e)
Garcilazo de la Vega.\par\pard\ql \li1132\sb207\sl-207\slmult0 \up0 \expndtw-
3\charscalex100 42. Es el principal exponente de la literatura\par\pard\ql
\li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 Contempor�nea po�tica
es:\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 a) Juan
Espinoza Medrano\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 b) Cesar Vallejo\par\pard\ql \li1492\sb5\sl-207\slmult0 \up0
\expndtw-3\charscalex100 c) Manuel Ascencio Segura\par\pard\ql \li1492\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 d) Jose Santos Chocano\par\pard\ql
\li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 e) Vargas
Llosa\par\pard\ql \li1132\sb206\sl-207\slmult0 \up0 \expndtw-3\charscalex100 43.
Es Boliviano de representaci�n Argentina que\par\pard\ql \li1492\sb1\sl-206\slmult0
\up0 \expndtw-3\charscalex100 sistematizo el verso libre.\par\pard\ql
\li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 a) Alonso de
Ercilla\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b)
Ricardo Muj�a\par\pard\ql \li1492\sb5\sl-207\slmult0 \up0 \expndtw-3\charscalex100
c) Alfredo J�uregui\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 d) Jaime Treyre\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0
\expndtw-3\charscalex100 e) Benjam�n Guzm�n.\par\pard\ql \li1132\sb206\sl-
207\slmult0 \up0 \expndtw-4\charscalex100 44. Transforma la l�rica de su Pa�s y
m�s tarde\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100
representa a la Escuela Surrealista\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0
\expndtw-3\charscalex100 de Vanguardia. Estamos hablando de:\par\pard\ql
\li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 a) R. Dar�o\par\pard\ql
\li1492\sb6\sl-207\slmult0 \up0 \expndtw-3\charscalex100 b) Vargas
Llosa\par\pard\ql \li1492\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 c) Pablo
Neruda\par\pard\ql \li1492\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 d)
v�ctor Ra�l Haya de la Torre\par\pard\column \ql \li6057\sb0\sl-276\slmult0
\par\pard\ql \li6057\sb0\sl-276\slmult0 \par\pard\ql \li6057\sb0\sl-276\slmult0
\up0 \expndtw-3\charscalex100 \ul0\nosupersub\cf2\f3\fs24 3\par\pard\column \ql
\li380\sb98\sl-207\slmult0 \up0 \expndtw-3\charscalex100
\ul0\nosupersub\cf1\f2\fs18 e) Alonso de Ercilla\par\pard\ql \li6480\sb0\sl-
Narra
sobre el despertar del hombre americano\par\pard\ql \li379\sb1\sl-206\slmult0 \up0
\expndtw-3\charscalex100 a una nueva ideolog�a.\par\pard\ql \li380\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 a) Canto General\par\pard\ql
\li380\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b) Veinte Poemas de
Amor\par\pard\ql \li380\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 c) Espa�a
en el Coraz�n\par\pard\ql \li380\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100
d) Una Canci�n Desesperada\par\pard\ql \li380\sb1\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 e) Residencia en la Tierra\par\pard\ql \li6480\sb0\sl-
Es conocido como Fray Mocho estamos\par\pard\ql \li379\sb1\sl-206\slmult0 \up0
\expndtw-3\charscalex100 hablando de:\par\pard\ql \li380\sb0\sl-206\slmult0 \up0
\expndtw-3\charscalex100 a) Ricardo G�iroldes\par\pard\ql \li380\sb0\sl-206\slmult0
\up0 \expndtw-3\charscalex100 b) Mart�n Fierro\par\pard\ql \li380\sb1\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 c) Leopoldo Lugones\par\pard\ql
\li380\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 d) Horacio
Quiroga\par\pard\ql \li380\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 e) Jose
Sixto �lvarez\par\pard\ql \li6480\sb0\sl-207\slmult0 \par\pard\ql \li20\sb4\sl-
207\slmult0 \up0 \expndtw-3\charscalex100 47. �ste realiza una revoluci�n m�trica
y tem�tica\par\pard\ql \li379\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 en
su obra; \u8220?Crep�sculo del Jard�n y las Odas\par\pard\ql \li379\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 Seculares\u8221?. Estamos hablando
de:\par\pard\ql \li380\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 a) Julio
Cortazar\par\pard\ql \li380\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b)
Leopoldo Lugones\par\pard\ql \li380\sb0\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 c) Ernesto Sabato\par\pard\ql \li380\sb1\sl-206\slmult0 \up0
\expndtw-3\charscalex100 d) Horacio Quiroga\par\pard\ql \li380\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 e) Ricardo G�iroldes\par\pard\ql
3\charscalex100 48. Una de las figuras cumbres de la literatura\par\pard\ql
\li379\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 Argentina del primer cuarto
del S. XX es\par\pard\ql \li380\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 a)
Jorge Luis Borges\par\pard\ql \li380\sb1\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 b) julio Cortazar\par\pard\ql \li380\sb0\sl-206\slmult0 \up0
\expndtw-3\charscalex100 c) Ernesto Sabato\par\pard\ql \li380\sb1\sl-206\slmult0
\up0 \expndtw-3\charscalex100 d) mart�n Fierro\par\pard\ql \li380\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 e) Leopoldo Lugones\par\pard\ql
3\charscalex100 49. Sobresalen como cultivadores de las modernas\par\pard\ql
\li442\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 corrientes de poes�a
social.\par\pard\ql \li399\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 a)
Leopoldo Ramos\par\pard\ql \li399\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100
b) Julio Correa\par\pard\ql \li399\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100
c) Eduardo Acevedo D�az\par\pard\ql \li399\sb1\sl-206\slmult0 \up0 \expndtw-
2\charscalex100 d) a y b\par\pard\ql \li399\sb0\sl-206\slmult0 \up0 \expndtw-
2\charscalex100 e) b y c\par\pard\ql \li6480\sb0\sl-207\slmult0 \par\pard\ql
\li20\sb5\sl-207\slmult0 \up0 \expndtw-2\charscalex100 50. Escribi� al estilo de
los grandes maestros\par\pard\ql \li452\sb0\sl-206\slmult0 \up0 \expndtw-
4\charscalex100 Rusos y cultiv� el naturalismo. Es:\par\pard\ql \li399\sb0\sl-
206\slmult0 \up0 \expndtw-3\charscalex100 a) Jose Enrique Rodo\par\pard\ql
\li399\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100 b) Julio Herrera y
Reissig\par\pard\ql \li399\sb0\sl-206\slmult0 \up0 \expndtw-3\charscalex100 c)
Carlos Reyles\par\pard\ql \li399\sb1\sl-206\slmult0 \up0 \expndtw-3\charscalex100
d) Florencio S�nchez\par\pard\ql \li399\sb0\sl-206\slmult0 \up0 \expndtw-
3\charscalex100 e) Eduardo Acevedo D�az\par\pard\ql \li6480\sb0\sl-207\slmult0
\par\pard\ql \li6480\sb0\sl-207\slmult0 \par\pard\ql \li20\sb4\sl-207\slmult0\tx730
\up0 \expndtw0\charscalex102 B.\tab \up0 \expndtw-1\charscalex100
AUTOEVALUACI�N\par\pard\qj \li20\ri928\sb117\sl-309\slmult0 \up0
\expndtw0\charscalex110 Subraya en las siguientes oraciones la preposici�n \line
\up0 \expndtw0\charscalex101 utilizada y reconozca la carga sem�ntica de cada una
\line \up0 \expndtw0\charscalex103 de ellas:\par\pard\ql \li6480\sb0\sl-207\slmult0
\par\pard\ql \li6480\sb0\sl-207\slmult0 \par\pard\ql \li20\sb92\sl-207\slmult0 \up0
\expndtw-2\charscalex100 1) Estuvo ante el
juez_______________________\par\pard\qj \li6480\sb0\sl-412\slmult0 \par\pard\qj
\li20\ri1385\sb42\sl-412\slmult0 \up0 \expndtw-2\charscalex100 2) Viajar� a Tacna
_________________________ \line \up0 \expndtw-2\charscalex100 3) Andre�na hizo el
trabajo a medias___________\par\pard\ql \li6480\sb0\sl-207\slmult0 \par\pard\ql
2\charscalex100 4) Elvis lleg� de madrugada _________________\par\pard\ql
2\charscalex100 5) El auto de Carlos es nuevo ________________
{\shp
}}
{\shp
20\colsr160\ql \li1132\sb0\sl-207\slmult0 \par\pard\ql \li1132\sb0\sl-
207\slmult0 \par\pard\ql \li1132\sb98\sl-207\slmult0 \up0 \expndtw-2\charscalex100
6) No te creo por mentiroso _________________\par\pard\ql \li1132\sb0\sl-
7) Regresar� a pie _________________________\par\pard\ql \li1132\sb0\sl-
207\slmult0 \up0 \expndtw-2\charscalex100 8) Victoria conversa sobre su vida
____________\par\pard\ql \li1132\sb0\sl-207\slmult0 \par\pard\ql \li1132\sb0\sl-
207\slmult0 \up0 \expndtw-2\charscalex100 9) Choc� contra la pared
____________________\par\pard\ql \li1132\sb0\sl-207\slmult0 \par\pard\ql
3\charscalex100 10) Adquiri� la casa a tres millones ____________\par\pard\qj
\li1132\sb0\sl-412\slmult0 \par\pard\qj \li1132\sb0\sl-412\slmult0 \par\pard\qj
\li1132\ri508\sb43\sl-412\slmult0 \up0 \expndtw0\charscalex105 TEMA N� II. Escribe
al costado de cada obra literaria \up0 \expndtw0\charscalex104 el nombre del autor
correspondiente\par\pard\ql \li1132\sb0\sl-207\slmult0 \par\pard\ql \li1132\sb0\sl-
1) Periquillo Sarmiento ________________\par\pard\ql \li1132\sb0\sl-207\slmult0
\par\pard\ql \li1132\sb0\sl-207\slmult0 \par\pard\ql \li1132\sb205\sl-
207\slmult0 \up0 \expndtw-3\charscalex100 2) Alocuci�n a la Poes�a
_______________\par\pard\ql \li1132\sb0\sl-207\slmult0 \par\pard\ql \li1132\sb0\sl-
207\slmult0 \up0 \expndtw-3\charscalex100 3) Canto a Bol�var
3\charscalex100 4) Prosas Profanas ____________________\par\pard\ql
3\charscalex100 5) Jardines Interiores __________________\par\pard\ql
\li1132\sb205\sl-207\slmult0 \up0 \expndtw-3\charscalex100 6) Poes�as Completas
__________________\par\pard\ql \li1132\sb0\sl-207\slmult0 \par\pard\ql
\li1132\sb2\sl-207\slmult0 \up0 \expndtw-3\charscalex100 7) Tungsteno
________________________\par\pard\ql \li1132\sb0\sl-207\slmult0 \par\pard\ql
3\charscalex100 8) Ficciones _________________________\par\pard\ql
2\charscalex100 9) Hombres de Ma�z ___________________\par\pard\ql
\li1132\sb205\sl-207\slmult0 \up0 \expndtw-3\charscalex100 10) Viento Fuerte
______________________\par\pard\ql \li6057\sb0\sl-276\slmult0 \par\pard\ql
3\charscalex100 \ul0\nosupersub\cf2\f3\fs24 4\par\pard\column \ql \li6480\sb0\sl-
207\slmult0 \up0 \expndtw-4\charscalex100 \ul0\nosupersub\cf1\f2\fs18 11)
Bestiario _________________________\par\pard\ql \li6480\sb0\sl-207\slmult0
\par\pard\ql \li20\sb2\sl-207\slmult0 \up0 \expndtw-3\charscalex100 12) El Llano
en Llamas__________________\par\pard\ql \li6480\sb0\sl-207\slmult0 \par\pard\ql
3\charscalex100 13) Weekend en Guatemala_______________\par\pard\ql
4\charscalex100 14) El Ocaso _________________________\par\pard\ql
\li20\sb205\sl-207\slmult0 \up0 \expndtw-4\charscalex100 15) Final del Juego
\li20\sb2\sl-207\slmult0 \up0 \expndtw-4\charscalex100 16) Los Jefes
_________________________\par\pard\ql \li6480\sb0\sl-207\slmult0 \par\pard\ql
\li6480\sb0\sl-207\slmult0 \par\pard\ql \li20\sb205\sl-
207\slmult0\tx1037\tx2189\tx3239 \up0 \expndtw-2\charscalex100 17) Los\tab \up0
\expndtw-4\charscalex100 Funerales\tab \up0 \expndtw0\charscalex113 de
la\tab \up0 \expndtw0\charscalex104 Mam� grande\par\pard\ql \li6480\sb0\sl-
207\slmult0 \par\pard\ql \li20\sb1\sl-207\slmult0 \up0 \expndtw-4\charscalex100 18)
La Mala Hora _____________________\par\pard\ql \li6480\sb0\sl-207\slmult0
\par\pard\ql \li20\sb2\sl-207\slmult0 \up0 \expndtw-4\charscalex100 19) El
Laberinto _______________________\par\pard\ql \li6480\sb0\sl-207\slmult0
\up0 \expndtw-3\charscalex100 20) El Hablador _______________________
{\shp
LITERATURA \par\pard\ql \li5227\sb0\sl-207\slmult0 \par\pard\ql\li5227\sb0\sl-
207\slmult0 \par\pard\ql\li5227\sb0\sl-207\slmult0 \par\pard\ql\li5227\sb92\sl-
207\slmult0 \up0 \expndtw-1\charscalex100 HOJA DE CLAVES \par\pard\ql
\li4281\ri4700\sb0\sl-220\slmult0\tx4977 \up0 \expndtw-1\charscalex100 CURSO:
LENGUAJE Y LITERATURA \line\tab \up0 \expndtw-2\charscalex100 SEMANA NUEVE (9)
\par\pard\li1132\sb189\sl-207\slmult0\fi0\tx6796 \up0 \expndtw-1\charscalex100
LENGUAJE\tab \up0 \expndtw-1\charscalex100 LITERATURA\par\pard\li1132\sb0\sl-
207\slmult0\par\pard\li1132\sb0\sl-207\slmult0\par\pard\li1132\sb0\sl-
207\slmult0\par\pard\li1132\sb8\sl-
207\slmult0\fi115\tx2025\tx3297\tx4396\tx6489\tx7267\tx8539\tx9643 \dn3 \expndtw-
2\charscalex100 N�\tab \dn3 \expndtw-2\charscalex100 CLAVE\tab \dn3 \expndtw-
2\charscalex100 TIEMPO\tab \dn3 \expndtw-2\charscalex100 DIFICULTAD\tab \up0
\expndtw-2\charscalex100 N�\tab \up0 \expndtw-2\charscalex100 CLAVE\tab \up0
\expndtw-2\charscalex100 TIEMPO\tab \up0 \expndtw-2\charscalex100
DIFICULTAD\par\pard\li1132\sb109\sl-
2\charscalex100 1.\tab \dn2 \expndtw-2\charscalex100 C\tab \dn2 \expndtw-
2\charscalex100 1\tab \dn2 \expndtw-2\charscalex100 F\tab \up0 \expndtw-
2\charscalex100 26.\tab \up0 \expndtw-2\charscalex100 B\tab \up0 \expndtw-
2\charscalex100 1\tab \up0 \expndtw-2\charscalex100 F\par\pard\li1132\sb115\sl-
2\charscalex100 2.\tab \dn2 \expndtw-2\charscalex100 A\tab \dn2 \expndtw-
2\charscalex100 27.\tab \up0 \expndtw-2\charscalex100 C\tab \up0 \expndtw-
2\charscalex100 28.\tab \up0 \expndtw-2\charscalex100 D\tab \up0 \expndtw-
2\charscalex100 4.\tab \dn3 \expndtw-2\charscalex100 B\tab \dn3 \expndtw-
2\charscalex100 3\tab \dn3 \expndtw-2\charscalex100 M\tab \up0 \expndtw-
2\charscalex100 29.\tab \up0 \expndtw-2\charscalex100 E\tab \up0 \expndtw-
2\charscalex100 3\tab \up0 \expndtw-2\charscalex100 M\par\pard\li1132\sb115\sl-
2\charscalex100 8.\tab \dn3 \expndtw-2\charscalex100 D\tab \dn3 \expndtw-
2\charscalex100 9.\tab \dn3 \expndtw-2\charscalex100 D\tab \dn3 \expndtw-
2\charscalex100 34.\tab \up0 \expndtw-2\charscalex100 A\tab \up0 \expndtw-
2\charscalex100 10.\tab \dn3 \expndtw-2\charscalex100 E\tab \dn3 \expndtw-
207\slmult0\fi0\tx2265\tx3590\tx4881\tx6446\tx7512\tx8832\tx10127 \up0 \expndtw-
2\charscalex100 2\tab \up0 \expndtw-2\charscalex100 F\tab \up0 \expndtw-
207\slmult0\fi0\tx2270\tx3590\tx4881\tx6446\tx7512\tx8832\tx10127 \up0 \expndtw-
2\charscalex100 2\tab \up0 \expndtw-2\charscalex100
F\tab \up0 \expndtw-2\charscalex100 48.\tab \up0 \expndtw-2\charscalex100 A\tab
\up0 \expndtw-2\charscalex100 2\tab \up0 \expndtw-2\charscalex100
F\par\pard\li1132\sb114\sl-
2\charscalex100 3\tab \up0 \expndtw-2\charscalex100 M\par\pard\ql \li6057\sb0\sl-
276\slmult0 \up0 \expndtw-3\charscalex100 \ul0\nosupersub\cf2\f3\fs24 5
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}}\par\pard\sect\sectd\fs24}

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