Docslide - Us The Witches of Eastwick Musical Score - PDF

The Witches of Eastwick Music by Dana Rowe
Lyrics by John Dempsey
1. Opening Act One
.
1
#
w .
& 4

4

?# 4

4 w w w
w
w w w w
# . >. j . n
5

?
w
& w

J &
. J

p cresc.
?# n
j
w w w w w .
w w w w w .
n > > > > > > > > > > > >
Allegro
11
&
F
?n j j
w . w .
w .
w .
15 > > > > > > b > > > > > >
&
b b b
? w . j j
w . bw . b
bw . b

19 > > > b> > > > > > b> > >
& b b b
b
j bw .
? bw . b j
bw . b bw . b
b
1. Opening Act One page 1
This vocal score is the property of and should be returned to Cameron Mackintosh Ltd, 1 Bedford Square, London WC1B 3RA.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 11/12/02
The Witches of Eastwick
b b b n
Ghost Notes
b b b
b b
23
b
& b b b b b n
J
> > > > > b b b b

b bb b b b b b n

&
cresc.
? bw j b . b n .
. b b n . b
bw . b b . b
# Tutti
27
j . # . #
& #
#

n # # # n . # . #
& # ... # ...
#
f
? n . # . #
# . # w w
n . w w
b . b b . b n n . # n
31
&
b . b b .... n . #
& b b ... b # n n ...
? w w #w
w w #w
34
. b . b n . # n b . b n # n
& 6 4
8 4
.. b . n n ... # b . n n #
& .. 6 b b b ... n n . 4 b b ... # n

8 4
cresc.
j
? w 6 b . n . 4 . #
w 8 b . n . 4 . #
1. Opening Act One page 2 11/12/02

>
37

&

>
.

>
.
& n www
n w>
cresc.
?
w segue
1. Opening Act One page 3 11/12/02

2. Eastwick Knows
Little Girl: Colla Voce

#### 4 j
& .
4 .
Ev' - ry dawn. Ev' - ry sun - rise. May they find me in this town I call my
w w w w
#### 4 w w w w
&
4

#### 4
&
4
#### j
5
& . . n .
.
home. In the park. In the school - yard. May the neigh - bor's watch - ful eye guide my
w w w .
#### w w w ggg n n ..

&
P
####
& n . n

9
####
& .
n . 34 44
steps as I walk by. Such a luck - y girl am I, you might sup - pose. Well, I am. You can

# # # # ggg#
& ggg# # gggg ggg n
n # 3 ... gggg
n 4
Jg g 4 .g 4
p
#### 3 4
& #
# w 4 . 4

2. Eastwick Knows page 1

14a 14b
#### 4 Rall. A Tempo
13 15 16
& 6 4 ..
4 4 w 4
ask; . East - wick
ggg knows.
n
# # # # 4 ww gg . 4 ..

& w 6 . n
4 4 4 J
p
#### 4 j
&
? 6 j n 4 .. j n
4 w 4 > > n > 4 > > >> n
1. 2.
#
. . n
14c 14d 18
#### 9
17
n .. n
& J J J J J
8
j
? #### j n .. j .
j

j
. 9
n n
> . > . >
8
#### 9
21 Women:
& 2 4 j
8 4 4
Hear the bells from the steep- le. Is there a

# # # # 9 2 n j
& 4 n
8 4 4 n
P
j
? #### 9 j
j j 2 4 j n
8 4 4 > n

####
25
&

sweet - er way to start the day than this? See the town. Watch the

#### j [Bells] j
&
n

F P
j j
? #### j n
n
2. Eastwick Knows page 2 2/7/03

####
28
n . j
&
peop - le. Ev' - ry wink and ev' - ry stare is the neigh - bor - hood's af - fair. It just
####
& n n n ....
# #
#

n n
? #### j n n . #
n n . #
####
31
n n 4
& # 34 4
shows how much we care when we pro - pose; For the good, for the
#### j
&
n
n # 3 4
n
# 4 n 4
>
? #### . 3 4

. 4 4

j
#### 4 j
34
&
4
best, East - wick knows.
#### 4 j
&
4 >
n J
f
? #### 4 j n w

4 > > n > w>

37
#### Tenors:
j
& n # # # # .. #
J J J J
Some - times scan - dal stirs the breeze. Cur - tains shut, but East - wick sees.
n # # # # ..
? #### n
J J J J J
Basses:
####
& # # #
.

. #
. . . . . . . . . . . . .
P
? ####
. . . . . . .
Women:
####
41
& .. j .. j n
#
#
Gates may latch. Doors may close, but

rest
..
as - sured;

East -
wick

? # # # # # # ..
Men:
#
J J
####
& # # n
# # n
# J
? ####
w n
w n n

#### nnnn
45 Alex, Jane, Sukie:
&
n

knows. Ev' - ry
? #### nnnn
#### n n nnnn
&
J
f
j
? #### j nnnn
n #


nnnn
47
& j
n
n
week, just like clock - work, all com - mon sense de - serts me once a -
j j
nnnn
n
&

J
? nnnn
n
n
50 Alex: Jane:
& j . b .
.
gain. But in a town such as East - wick, all the sing - le men have flown. So you
j b b
b
& b

. J
J
.
? b b
b

Alex, Jane, Sukie:
54 Sukie:
& . b b

take one out on loan. Or you go it on your own. And so it
n b
& . # n # b
J
? w
n

56
j j
& b 3 n 4
4 4
goes. Good or bad,
ggg right or wrong;
East - wick
j ggg
& #
b
3 gggg n
4 gg
4 g 4
? 3 4 j b
w 4 4 b b
w

59 Joe: Clyde:
& .
J
Al - ex - an - dra... Su - kie...
Ray:
&

knows. Jane...
j ggg ww w
&

gg w ww

subito P
n gg ww ww
? j n

62 Three Men: Joe: 3 3
& j

We should talk a - bout where this is lead - ing to. I've been think - ing of leav - ing my wife.
Ray:
& j

We should talk a - bout where this is lead - ing to.
>
May-be it's
j j j j j
& j j
. . .
. . . . 3
? j j j j
3 3 3 3 3
j J j j j j

j

65 Clyde: Three Men:
(please don't invert triad)
Joe:
U
& b
Clyde:
If I had half a brain I'd leave Fel - i - cia. Start up some - where fresh with you.
Ray:
U
&
>
time I filed for di - vorce.
>
Start up some - where fresh with you.
U
& ggg b
gg
3 3

? j j j j j .
3 3 3 3
j j j &


68 Sukie: Jane: Alex:
j j j
& 6
8
Oh Clyde, not a-gain. That is so un - nec - es - sar - y. Don't ru-in it!
.
ggg ggg . ggg . [whistle]

& g g g b gg 6
8
(In strict tempo please) Loud and rude
.
g ggg b ggg ? 6
& ggg
g .

g .

8
>> >>
Band Solo - Parade
(with military precision)
71
### j j
&6 J J j j
8
j j j
# j # # #
& 6 #
8 J J J J J J
f
j
? 6 . # . . # . ###
. . . . . . .
8 . # . . # . . . .
.
### j j j
78 82 71A 72A
# # J J
& . J J J j .
J J J
n
###
& n # # # #
J J J J J J J J J J J J J J
? ### . .
. . . . n . # . . n .
. . . . . #
. . . n . n .
n n n 75A # 76A 77A
73A
### 74A
#
& n n . # . . .
J J J J J J
? ### . . .
. # . . . . .
. . # . . . . . J
. .
n . 80A n 81A n # 82A # # n
# # # b n ....
78A 79A
& n n # 2 # 4
J J J J J J 4 J 4
? ### # . . n . # . 2 j 4
# . . n . # . 4 4
2. Eastwick Knows page 7 > 2/7/03
All:
### 4
83
.. ..
..
&
4 n j n .. J n
East-wick knows a sense of du- ty and de - vo - tion. East-wick hears but a whis-per-ing of woe.
.. .. n . ..
? ## 4
# n . J n
4 J
j j j j
### 4 n
& jn n n
4 . . .
n
.

.

.
n
n
P
j
? ### 4 j j
4

j
n

n
. . n
. . n . .
###
87
.. . 2 . 4
&
J J . 4 4
East - wick sees past the hills be - yond the o - cean. East - wick knows all that East - wick needs to
.. .
. . 4
#
? ## J J 2
4 4
j
### j j j j

&

2 4
4 4
f P f
? ###
j 2 4
4 4

### 4
91

j #
&
4 #
5
know.
? ### 4
J &
4
### 4
& j #
4 n # n # #

sub p
? ### 4 j n
4 n


Half time feel - piu mosso
#
95
# w Alex, Jane, Sukie:
j j
& # . w .

Look at me, the oth - er
# # # # ... .. j
& . ..

J
F
? ### .
. . .
###
98
&
. # w #
wo - man. Sad but true. Can't e - ven run
# # #
&

#

? ### .
. .
w . .
### j
102
j
& w

cause there's no - thing else worth run - ning to.
### # j
& . #

#
? ### . j
. .
. .
. .
###
106
j j
& .. ..
. # # www
. .

Who has the pow'r? Who has the pray'r?
### j
&
# ... #
J
? ### . w . .
. .

### Sukie:
110
&
I'd ask... If I thought the moon would
### Jane:
&

I'd ask the moon... If I thought the moon would
### Alex:
&
# w
I'd ask the moon... If I thought the moon would
###
&
# n

p cresc.
? ### .
w . .
w . .
.
###
114 tempo primo
& w w nw
care!
###
& w w w
care!
###
&
#w w w
care!
n ..
### n ... j
& # n ..
#

#

J n ...

? ### . # . j
. .
118
n # # # n # n
###
Dialogue
n b n # n n b # n >
& # # #
J J
F f
? ### j j

#

All: A.J.&S.: All: A.J.&S.:

###
122
.. . ..
& n n
East - wick knows! Whatis - n't an - y -bod - y's bus' - ness. East - wick hears! And soon the
.. ..
#
? ##
J J
### j j
& j
n n
? ### j j

n

n

A.J.&S.:
###
125 All:
. .. ..
& .
n
stor - y's chang - ing hands. East - wick sees! What is - n't meant for it to wit - ness.
..
? ###
J
### n j j j j j
& n n
n
n
P f P f
? ###
n
j
n

###
128 Sukie & Jane:
& 2 4
4 4
Alex: As
### All: A.J.&S.: All:

& 2 . 4
4 4 .
East - wick knows... But it nev - er un - der - stands. As

? ###
2 4
4 4
j
### .
& 2 4
4 4 .
P
? ### 2 4 j
4 4 .
.
### n .
132
j .. j . j
& . # .
n

flow - ers bloom, as bees will buzz, East - wick thrives as East - wick does, for
### n . j j .. j
& .

flow - ers bloom, as bees will buzz, East - wick thrives as East - wick does, for
. n . # ..
? ### J J J
# # # n .. j .. j j
n .. .. .
&
n # ..

? ### j j
n j
n . . b .
n . . b .

###
136
.. j
3

&
#
#
East - wick is as East - wick was and al - ways will be.
# # # # .. j #
3
#

&
.
East - wick is as East - wick
#
was

and

al - ways will

3

be.

East - wick

#
? ### .
J

3
# # # # .. j # .. #
& . ..
# . # #
? ###
3
j .
.
. .

###
140
# # # #
&
shares. East - wick learns. East - wick cares for your con - cerns. Heed the
# #
? ###
###
# #

& #
#

#

? ###
w w w

w w w

144
### S, J & A U
&
#
East - wick
### # # w # U
& w
#
tides, Mind the throes. East - wick sees. East - wick
w #
? ### w U

### U
# # n #

& # w
# > n >
U
? ###
w w w
w w w > > >
Dead Segue

3. Storm
[Thunder then "go"]

1
>
In 2
> > > > >
& 4

b b b b b

4
?4
4 w w bw
w w bw
C sharp whole tone scale

U
4
>
n n # # n n
>

#
ggg # wwww
& n #
ggg # ww
?
nw
nw #w
#u
w
3. Storm page 1
4. Make Him Mine

Alex: "It's a little hard to watch, isn't it?'

1
b b
&b b 4
4
p
gww ggg www ggg www ggg www
? b b 4 gg w g g
b b
4
Michael:
b b
5
&b b . b
Some - thing,
deep with - in my heart I feel this.
b

b b b
&b b
ggg www ggg b www

? b b g
b b
7 Jennifer: Rall.
b b j b j n j
&b b

A kind of... A per - fect... With you there's...
b b . . .
&b b
Some - thing... Some - thing... Some - thing...
b n

b b b n
&b b
g ww ggg b www ggg www
? b b gg w g g
b b
4. Make Him Mine page 1

10
b b # #
&b b nnnn # #
b b # #
&b b nnnn # #
Uw Some - thing...
They kiss
ggg n www " "
b b gg w
Mark tree
# #
& b b ~ ~~ ~~
~~ nnnn # #
U
ngg wwww # #
? b b gg
b b & nnnn # #
Cue - Alex:"Well there's no harm in dreaming."

12
#### Sukie:
j
&

If I could ask, if I could choose, what sort of man might fill the shoes
g ww ggg www
# g
# # gw
& #
p
#### w
& ggg ww gg ww
14
####
&
w
I'd like to find in - side my door?
#### Alex:
j
&

What man might fill those Tom Mc - Cann's?
ggg www w
ggg www
#### w
&
####
& g ww gg ww
4. Make Him Mine page 2 2/7/03

16
#### j
&
What would I dare?
#### Jane: j
& j

What would I ask? What would I dare?
#### j
&

Yes, what in - deed?
#### gw
& ggg ww gg www
g
#### ?
&
gg www gg wwww
18
#### Sukie:
j
&
I'd ask if I thought the moon would
#### Jane:
j j
&

I'd ask the moon... if I thought the moon would
#### Alex:
j
& j

I'd ask the moon... if I thought the moon would
####
&
gg gggn ggg
ggg
cresc F cresc
? ####

n
n

piu mosso
20
#### n###
[They toast]
& w .
care.
#### n###
& w .
care.
#### n###
& w .
care.
#### n### j
& j
#

F
? #### j n###
w .
w . w .
24
###
&
. n n
Ev' - ry- thing I dreamed of.
###
&
. n n
Ev' - ry- thing I dreamed of.
# #
& # j

I close my eyes and I see him there.
###
& j

n n

P
? ### j j j j
w . . n n ..
n . .

27
### . n n
& 2
4
###
& j 2
n n 4
Smooth, suc - cess - ful...
###
& j 2
4
Warm, at - tent - ive...
# # # n n n
& n n # n b n n n 2
4
P cresc
? ### j j j j j 2
n n . n 4
n . n . . n . .
30
### 2 3
nnn j
& 4
4 n 4 w
Stal - wart and strong... I close my eyes and it's
### 2 nnn j
& 4
4 4
I close my eyes and it's
# # nnn j
& # 2 4

4 4
I close my eyes and it's
# # # 2 n nnn
& b n 4 n
4 4

P
? ### 2 n . j nn j j
b . j 4 J . n n
4 b . b 4 n . n . .

33
&
past com - pare.
& . b #
past com - pare. Ev' - ry-thing I pict - ured.
&
b . #
past com - pare. Ev' - ry-thing I hoped for.
&
b b #
b b
#
#
? . j j
. j j j j
b . b
b . . b . .
36
& b . w
Ev' - ry - thing I want - ed all a - long! Make him
& b w
all a - long! Make him
& b w
all a - long! Make him
& b b
b n
#
cresc
? j . j
b . n
b . n

j j
j .
39
& . j b

mine. Make him mine. Make him hand - some as the dev - il, yet
j
& . j . j j

j
& . j . j j


&

b

n
F
? . j j
J . b .
. . . b . .
42
j
& . . j
#
per - fect - ly di - vine. Make him mine. The
& j j
. . #
& j j
# n . # .

&
# n n
#

? . . j
. . . J . .
. .

45
j . #
& # # #
ult - i - mate com - pan - ion, the i - deal de - sign. All man - ner of man in one
j . #
& # # #
& # # # j
. #

j j j
..
& # # n
# #
# ..
#
P cresc j F j
? . # j j .
# . .
. # # .
48
###
& w w
man - Make him mine.
j ###
& # # .
###
& . j
n # #
j ###
# # #
& j # #
n n - #
n b>
> -
j
? > ###
w .
> - -

51
### j
& j
. . n n
I close my eyes and I see him there. A strang - er at the door - step.
### j
& j
. . n n
### j
& j
# . . n n
###
& j
# n

n n

#
P
? ### j j j j
w . . n n ..
n . .
54
### . n n
& 2
4
###
& j 2
n n 4
Filled with se - crets...
# #
& # j #
2
4
Dark, en - chant - ed...
# # # n n # n n
& n n
n b n 2
4
cresc
? ### j n . n 2
n n . J . J n . J . J
n . 4

57
### 2 3
4 nnn
&
4 n 4 w
Fright - ened to feel...
### 2 nnn
& 4
4 4
### 2 nnn
& 4
4 4
# # # 2 n 4 n nnn
& b n #
4 4
cresc
? # # # 2 b .. b 4 n . j nnn
b J J
4 4 n . .
59
nnn
& j

I close my eyes and my heart's laid bare.
nnn
& j

I close my eyes and my heart's laid bare.
nn
& n j b . #

I close my eyes and my heart's laid bare. Ev' - ry-thing I hoped for...
n n n
& #
b b #

? nnn J . J j j
j j
. . . b .
b . .

Rall.
62
& b . b b b bbbbb
Ev' - ry - thing I want - ed... and it all seems so real.
b
& . b # b b b . b bbb
b
Ev' - ry- thing I pict - ured... and it all seems so real. I see him
& b b b bbbbb
and it all seems so real.
Rall.
& b # b b b b b bbbbb
b b b n b
b
cresc F
? j
j j j j b bbbbb
b b . n . b .
b . . b . n . b . b
A Tempo
b b
65
&b b b . . j
.
There he is, pure per - fect - ion, down to the core.
b b
&b b b w j

there... down to the core.
b b
&b b b . . j
.
There he is, pure per - fect - ion, down to the core.
b b
A Tempo

&b b b
f
? b b . . .
b b b J . J J J . J J
. . .

68
b b
&b b b j 6 .
4
4 4
A sight to see; ver - y hand - some, yes, but so much more.
b b
&b b b j 6 .
4
4 4
b b
&b b b j 6 .
4
4 4
- -
b b -
4
& b b b

6 -
4 4
? b b . j . 4
b b b . J . 6 . J
4 4
70
b b j j
&b b b 4
4 .
Some - one to touch. Some - one to talk to.
b b j j
&b b b 4

4 .
b b j j
&b b b 4

4 .
b b b 4
& b b

4

? b b 4 . .
b b b J J J J
4 . . . .

72
b b
&b b b j
j

A tow'r of strength... With cal - loused hands...
b b
&b b b j

A man of means...
b b
&b b b j

Who likes to read...
b b
&b b b

b

p cresc
? b b b .
b b b .
. b .
b b j
74
&b b b
Who works the land...
b b j j
&b b b
n
Who wears a suit... Who runs an
b b
&b b b j

Who likes to paint...
b b
&b b b n
n n
F
? b b
b b b w
w

76
b b j j
&b b b n n n
A man of war... A mass of
b b
& b b b n n n
of - fice... Smooth and fair...
b b j j
&b b b n n n
A gent - le soul... A mass of
b b
& b b b n n
n # n

n n # n

n n
? b b . . . .
b b b . J J J J
. . .
b b nnnnn
78
& b b b n n nw n n
hair... That's all I'm ask - ing for Make him
b b
&b b b n j n n n nnnnn
n nw
That's all I'm ask - ing for Make him
b b nnnnn
& b b b n n nw
n n
#
hair... That's all I'm ask - ing for Make him
b b nnnnn
& b b b n
n n
n n n
n n
# n n n n
f
? b b . n j j
b b b J n n . n . nnnnn
.
n . n .

j j
j .
81
nn j b
&nnn .

mine. Mine to hold. Make him bril - liant as a dia - mond, and
j
nn
&nnn . j . j j

j
nn
&nnn . j . j j

nn
&nnn
n b

f
? n n . j j
n n n . J . b .
. . b . .
84
j
& . . j
#
beaut - i - ful as gold. Bright and bold. Let
& j . j
. #
& j j
# n . # .

& # n
# #

? . . j
. . . J . .
. .

87
j j j . #
& # # # .
all our man - y wish - es con - join and com - bine. All man - ner of man in one
j j j . #
& # # # .
j j j
& # # # .
. #
j j j
..
& # # n
# # # ..
#
P cresc
? j j
# j j
. # . . .
. # # .
90
& w w
& w w
&
n # .
man - Make him mine. 3
j
n
& j # # #
n - #
n b> J
> - f
? j
&
>
> - -

93
& j

The moon shines bright.
& j

I speak the thought.
& j j

I think the words. The night grows hot.

n b

&
sub p
& w bw
95
j
& w .
#
Let the heav - ens give us all they've got. All
& # j
# #w .
Let the heav - ens give us all they've got. All
& j j
#
#w . #
give us all they've got. All
# # n
j j
&
# # # # #
cresc F
? # j j
& w # . J . . j
.

98
. # ###
&
w
man - ner of man in one man. Make him
. # ###
&
w
man - ner of man in one man. Make him
###
& n .
# w

man - ner of man in one man.
> Make him
b b
n J ###
& # n b
n -
# n b > -
f
? . j ###
. j j j j @
.
. .
. . > - - -
101
###
& w . w
mine... All mine...
# # j
& # .
mine... All mine...
###
& . j

mine... All mine...
### j j
&

f
? ###
. J
.

104
### U Rall. U U
& w n
Make him
### U [They toast] U U

j
& . n n
Make him
###
[Thunder] U U
& j n
. n
Make him
U U U
### U

n n
j
& n n n n n
n - -
U U U
? ### j
@
> - -
106
### A Tempo
& w w w
mine!
###
& w w w
mine!
# #
& # w w w
mine!
### j ww
# n b b ww
& n
#

? ### j .
.
. - - > Segue

The Witches of Eastwick Music by Dana P. Rowe
5. Eastwick Knows (reprise)
In 2
1
#
j . j . #
j . j n . #
j . j . #
j n .
J J J
&4
4 J J J J
F
j j j j j n j j j j j ?
&4 #
j
#
j
#
j
ggg n
4 . . . . . . g .
5 Little Girl:
&
w
Poor Chick - en Lit - tle felt an a - corn drop - ping on his head.
& w
j . j j j
ggg ww ggg www ggg www J # . j
.
F
P
. . j
? w gg ww J
ggg w ggg ww J .
9 Rall
& j w
. #
Poor Chick - en Lit - tle took to the streets and cried and screamed and said:
& w # ww
ggg www ggg www
g #
gP
? w w
w w
w w
5. Eastwick Knows (reprise) page 1

13A Tempo
&

"Run for the hills, the sky is fal - ling! Sound the a - larm! Some - one warn the town!
j j

j .

j

j

j
. .

& b
. . . J . . . J J
F
? j j j
j
j
j j
b
b

17
j
& . b b
Fast as you can, run low, run high! The sky is fal - ling
j j j . . . j
b b b
& n n n
. . . J J J .
? j j j j j
b n
b n
#
20
&
w
down!"
.
Dialogue
j j j j
Cue - Clyde:"I'm just so unhappy"
U"
? #
& J #
. . . >
j j U"
? j # #
j

#>

5. Eastwick Knows (reprise) page 2 2/7/03

Felicia: Safety - vox last time
# .
23 3 3 3 3 3 3
. .
& .
So you think you're un - hap - py well let me en - ligh - ten you Clyde; I've been un -
? # .. 3
3
..
3
3

J J J J &
3 3
? # ..
j ..
3 3
j
> >
#
25 3 3 3 3
j j
3
& j 3j j j j j
3 3 3 3 3 3
b n
hap - py too from the mo - ment I mar - ried you so cut the the - a - trics Clyde, I'm sick of this
#
&
b b

> > > >
?#
b n
b n
> > >
>
#
28
3
& 3
j
3 3
j
3
j
3
j w
b n
show. No more of this non - sense, Clyde. Get rea - dy to go!
#
&
#

b b

> > >
3
3
b b
?# b n b b

b n
> > > >

#
31 3
3
& b j
J
Je - sus Clyde!
# j
&

>
j
3
j j
3
?# # #
# # >
# n# # # #
34
3
.
3 3
&
J
you're the pho - ni - est per - son I know! Felicia:"Gabriel residence"
> U
# # n# # # #
& w w
# www # www
> U
?# n# # # #
w w #
w #
w
n# # # # .
37
& . ..

? n# # # # .. j ..
. # . j # . # .

####
40
& .
n
? ####
. # . . # . . .


####
43
& n #
n
J
? #### # n
# n
. # .
# ## j
46
& # #

j
? #### j j
# .# . n #
>
Brenda: "but this much I do know..." "...he'll be at the concert tonight!"
50
#### Safety n U nnnn b
& n .. .. b
} J

? #### j .. . j U nnnn b
#
. # . . n b
n
>
Felicia:"Tonight"
(String Quartet)
53 piu mosso
b
? b b
b & b
b
&b b
b
b
> . . . . >
b b - >

& b
J
? b j
b
-
> >
>

Rall > > > A Tempo

>
b > U "
57
b
bbb
&b

b
J J
J
b U
&b
j j j bbb

-
Rall
> > A Tempo
b bbb
&b
? b
b j b bbb
> > b >
61
b
# n n > # #
&b b # n nnn # #
J
f
? b j # #
b b n nnn # #

####
63 All: Group 1: All: Group 3:
. .
& n n n
East - wick says... What a ver - y love - ly con - cert. East - wick coos... I just love the way they play.
#### . n
V n . n

East - wick says... What a ver - y love - ly con - cert. East - wick coos... I just love the way they play.
#### j j n
& j # n n n
n n n # n n
n
? #### j j
n

n
n n n
n n

All: Group 2 + 4:
####
Alex, Jane & Sukie: All:
n .. j
67 Group One:
& . . j

East-wick nods... I es - pec'-lly loved the Moz-art But East-wick knows... What all East-wick wants to say. Have you
#### n .
V . j &
n .
East-wick nods... I es - pec'-lly loved the Moz-art What all East-wick wants to say.
#### j j j j j
& n j j
n n

j
? #### n j j

n
Group 1 + 2:
####
71
&

heard? 'Bout the strang - er? Just like that he up and bought the Len - ox
#### Group Two:

&

Yes, I have. Quite sus - pic - ious.
# ## j
& # j j
. . .
. . . . . . . . . . . . . . . . . .
P
j j j
? #### . j n .
n
>

Group One:
####
74 Group Three:
&

House. Was he here? At the con - cert? What's he
####
Franny & Eudora: Group Four:
&
n
Tell me, what's his name then. In the church? That's the rum - or.
####
& j j
n -
- . . . . . . . . . .
P
j j
? #### j n . j n
n n
Group Three:
#### n
77 Women:
& n
J
look like? Come on, Marge... Is he nouv- eau - riche or to the man - or
#### Group Two: Group Four: Men:

j j
&

n
What's he do? Please tell us who. Is he nouv- eau - riche or to the man - or
# # # # n j
j j j j j
n
& n

#
n
? #### n .

n . #

+ G3
####
Group 4 + Witches + G2
j + G1
80
j j
& # 3
4 J
born? And what's his name? So what's his name? So what's his name? So what's his
#### j j
& j 3
# 4 J
born? And what's his name? So what's his name? So what's his name? So what's his
#### Felicia:
j
& 3 n j
4 > > >
Yes! Marge! Quick!
#### j j >
n n
& nn # 3
>

n n
4 > J
? #### . 3 j j j
. 4

> > >
- - -
"Darryl Van Horne"
#### Rall
#>
84
n
& J J
name? What is his name?
# ## n - - - #>
& #
J J
name? What is his name?
# ## n >
& # J
So,
#### n> >

& b n n
J J
? #### U [cut off on thunder]

j
J

>

6. I Love A Little Town
Darryl: 2
j
&4
4
A man needs room, hall - ways he can pace, lands he can em - brace,
&4
4
?4
4

j
5
j
& b
pri - vate, per - son - al space.
b . Do you get me?
A loft deep down in So - ho can't com -
ggg b
g g
&
b b

? b b ww

b w

j
8
j j j
3 Joe:
&
pare. A man needs air. You know what I mean, Jim? Joe.
j ggg# j
&
# gg
.
? ww w j
w
w
.
6. I Love A Little Town page 1
11 Darryl: Clyde: Darryl:

j j j
3 3
& 6
4
You see where I'm at, Claude? Clyde. I mean man to man, Or - ville? Lang - ston?
j j j j
& b
b b
.

# # .
6
. # . 4
? j j j j 6
4
. . . .
14 Raymond: Darryl:
j
3
&6 4
4 4
Ray - mond. Whew. Not e - ven close. Some peo - ple see the cit - y as the
j j
b n b
&
6 b 4
b
4 . . > 4
f
P

?6 j j 4
4 4
. .
j
16
. n j 6 j 4 #
& # b b .
8 4
sun it - self; well fine. I just can't con - cur. No, me I pre - fer liv - ing where the sun don't

. ggg #
& # n 6 b b .. . b ... 4 # gg
8 b b ... . b .. 4
? b . b ..
6 b . b . 4 w
8 b . 4 w
b .
Darryl:"Like this lovely little town or yours."
20
U j
& bbb
shine U ~ - There's
~~ j j
~~~~~~~b~ n #
& @ b b~~~n . . n . n ~~~~
~~ ~
f
? j j

bbb j j j j j j

6. I Love A Little Town page 2 11/12/02
23
b
&b b # n n

noth - ing I en - joy so much as some - where calm and fair, where there's
b j j j j j j j j
&b b # n
n n n n
~ ~~
P
? b j j j j
j j j
b b n
j

25
b
&b b j
n .
. n
mag - ic in the air. j A ban - quet for the sen - ses with a

j j

bb

& b

n ..
n

. n .

f F f
j .
? b
b b j j & ?
n . j
J j
n .
#

>
27
b
&b b n . #
n
wealth of pick - et fen - ces. A town that might at - tract you not with
b j j j j
&b b n .. #
n . n
F f P
? b j j j
b b n . j j j n
#
n .
>
29
b j
& b b n n
.
what, so much as who. With no - thing to dis - tract you such as
j j j j
b
&b b n j j
j j
n n
n
? b j j j j
b b
j j j

j

31
b
& b b # n .
n
things to... well, to do.
j > j j
b ~
~~n
#
& b # n
b ~ n . . n .n n
~~~
~
~ Jn
>
~ ~~~
f f
? b j
b b j j j j j j j j j

>
>
34
b
&b b # n n

Gim - me small town hub - bub, folks, I heark - en to the sounds of where
b j j j j n j j j j
&b b
~~~~~
#
n n n n
~
P
? b j j j j
j j j
b b n
j

36
b
&b b j

pix - ie dust a - bounds. The

b n

b b n b
&b b

"pixie dust"

b j j j j
&b b
n
? b
b b n


37
b
&b b n . n .
n n
ebbs and flows and rush - es of the whis - pers and the hush - es. Sure
b
&b b n .. n ..
n . n .
F f F f
? b j j j j
b b n . # n . #
n . n .

> >
39
b j
&b b # n n
.
some say life is gloom - y in a place of no re - nown. Well,
b j j j j n j j j j
&b b #
n n n n
P
? b j j j j
j j j
b b n
j

41
b n . nnn
&b b # n .
call me hick and sue me but I love a lit - tle town! Come on!-
j j j j j j j
& b bb
# n n n ... nnn
.
f
j j j
? b
b b j j n j n nnn

n n

43 Darryl:
& n nn .
J
.
J
Yes, ma'am! I love a lit - tle town. I
Women:
& n nn

Oh love a lit - tle town.
n
Men:
# n
&nn
n #
&nn
n

? n j j j j
nn j j j j
n

n
45
j
& b b b n
love the lit - tle streets. And I love those lit - tle hous - es and
j
b b
& b b b n
b
J
F
? j j j j
b b
j
j
b
j

b b

47
.
& J J

God - damn! I love the lit - tle life.
Women: j
&

Ah love the lit - tle life.
Men:
# n
& J

#
&
n

f
? j j j j
j j j j
n

n
49
j b bbb 4
& b

# 24 4
Sure the small town folk are flight - y but hol - y crap, Christ al - might - y, I love a little town!
& bw n . 2 bbb 4
4 4
Ah Ah love a little town!
& bw n . 2 b bbb 4
4 4
#
b b # 2
&
b J bbb 4
4 4
F
? j j j j j j j
j j bbb 4
b b 24
b 4

52 Dialogue Darryl:
b
&b b 4 j
#

4
These lit - tle old New Eng - land towns are
b
& b b 4
4
b
&b b 4
4
j j
b b 4 n
n n # j j j j
& b n . . . ~~~~ #
4 ~ ~~ n
f
P
? b 4 j j j
b b j j j j j j j j j n
4

55
b j
&b b n n

j
.
blessed with all the luck
j of mag - ic run a - muck. With
n
j
& b bb n j j

j j j
j
n n n .
n

? b j j j j j
b b j j
n
n

>

57
b
&b b n . n .
n n
small town sor - cer - ess - es in their fin - est Sun - day dress - es. Things
b
&b b n .. n ..
n . n .
F f F f
? b j j j j
b b n . # n . #
n . n .

> >
59
b j
&b b # n n

don't go as
s they ought to, but that's life in fair - y - land, where
b j j j j n j j j j
&b b #
n n n n
P
? b j j j j
b b j j j j
n

Darryl:"You ladies like drinking martinis by moonlight, donc
U
[CUE] Alex:"Oh my God...."
61
j
& b bb # n n 2
4
thun - der - storms are brought to bear, mar - ti - ni glass in hand
U
j j j j j j n b n
5
b j
&b b # n n n
2
4
F
j j j
? b
b b j j n j j 2
4


63 Darryl:
b nnn 4 . .
&b b 2 J J
4 4
Yes, gang! I love a lit - tle town. I
Women:
b nnn 4
&b b 2
4 4
Woh! - love a lit - tle town.
b # n
nnn 4
Men:
&b b 2
4 4
Go on CUE
[r.s.]
b j nnn 4
&b b 2 #
4 > 4

f j j j
? b 2 j j j
b b n nnn 4 n j j
4 n n 4

n n
66
j
& b b b n
love the lit - tle charms and I love those lit - tle curs es, and...
j
b
& b b b
b n
b
J
F
? j j j j
b b
j
j
b
j

b b

68
.
& J J

Hot dang! I love the lit - tle ways!
Women: j
&

Ah love the lit - tle ways!
Men: # n
& J

#
&

f
? j j j j
j j j j
n

n
70
j b
& b

#

Life here may be dull and laz - y, but slap my ass, call me craz - y, I love a lit - tle town!
& bw n .
Ah Ah love a lit - tle town!
b
& bw n .
# >
b b

#

& b J

F
? j j j j j j j
j j
b b

b >

j
73
j b j j
&

J

So stand tall.. Don't be still... Take the

& b J J
r j
# n . b
& ... b b
>
> >
?
b

j
76
j
& b b j
b j
b
dare... Feel the thrill.. Is it
b b
&b J b J
?
&b
b b

b b
b

? j
b b
b b
b
78
j j j
& b b j
b
fate... or free will... That's
b b
&b b b J
J
? b b b
b b
b

b &
?
b b
b b
80
&b b
call - ing out to you...? Dig - ging in - to you...?
b b
& b b
b b

?
b N
N
82
& b # b #
Grab - bing you, climb - ing steep ly, and cours - ing through, oh so deep - ly, and
b b n
b b b n n n b b b b n n n b b n # n b n n #
& J J
?
b

84
. b n . b n bb
&b n
take that first step and see how you do... Come on!
>
n n b
~ ~~
.. b b n n . b
# n # ... b # n n
~ ~~
# .. n b # n
bb
& b J n
~ ~~
J
~
?
b j
j
. .
bb
. .

86 . b b
b
&b .
J
b b
DANCE
j j
b
&b
j j b j j j j
n b

~~~~~~~~
? b . j j j j j j
b b
. b
b

>
89 b .
n b b n n .
b . b . . . . . . . .
b b b
& b b n b n .
J
j
b j j b n . j j
& b b n n
b
b b
b n b n . b n b n b n
? b
b j j b n . j j b b b
b b n . b b b
b
. . .
.
. .
. . .
b b # #
93
&b # # .
# # # nn # ##
# # . #
# #
b j j # #
&b b n #
# n #
nn # ##
b n b n b
? b # #
b
r
# .

nn # ##
b b b # .

95
#### . j j
& # . . n n n
. n n n
j j j
#### j
n # n> . #
& # .
n n ... # # n n n ... # j j j
n
> J J n
? #### j j j j j
# n # j
n # n n
n # #
j
n
n #
>
n .. . n
#### . . n
.
98
& # n J J n . n
j j j
#### j j n> .. #
& # j .
n . #
n .. # n
n n .. #
n n # ... n . # J J
>
? #### j
# . j n #
n n #
n . n # n #

#### n
101
. # . n .
& # n .. # n .. n # ..
J J J
####
& # j j j j j j j j j j j j
n #
n # # n
? #### j j j j j j j
# n j j # j n j
j
n #

#### nnnn ###

104 Felicia:
# n j
& J
That's all ver - y well, Mis - ter Van Horne, but
> . > n > # >
#### nnnn ###
& # . n # n
J
#### j nnnn ###

& # n . # n # n j j j j
n .. #
# n #
> > > >
? #### j nnnn ###

# . n # n j j j j
. n > # >
> >
###
106
& j
# J
thanks to you this day, the birds here - a - bout, Mis - ter Van Horne, are
###
& j j j j j j j

#
? ### j j j j
j j j j

###
108
& j
J
flee - ing from the bay. And this comes, Mis - ter Van Horne of
###
& j j j j j j j

#
? ### j j j j
j j j j


# #
110
j
& # .
#
tear - ing up those trees. The birds, the elms, the nat' - ral or - der;
### j ggg j ggg n

& j j j gg n b gg
n b v v
# > >
? # # # j
j

j

j
j j

> >
###
112
. n # . .
& J
what will come of these? I ask you what a - bout the e - grets?
### j ggg n b j ggg

j
& gg n gg
n b v >
v #
>
>
? ### j j j j

>
> > > > >
###
114
# . Darryl:
j j j j
& # .
What a - bout the e - grets? Hon - ey, T... U... F... F...

j
~~~~~~~~~~~~~~~~~~~~~~~~
.
### # j j j j
& n
n
> > > >
? ### j j
j j

> > > >

### nnn b
117 Felicia: Darryl:
j j
& b b
Tuff. Tough? Tit - ty. Dialogue

### n > .. n n n b
.
& n n .. b b n . . n
J
f p
? ### j nnn b
n b b j j

n
>
120 j j j
b #
& b b .n n
j
#
n . . n n n
.
? b j j j j j
b b j j j

123
b j nnnbbbbb
& b b # n n . # n . n
b j j j j n j j j j j j j j j
n j j n b b
& b b # # n n b b n n b b b
n n n n >

P
? b j j j j j j j j j j j
j
j
n j j b n n n b b b b
b b n b


Darryl:

127
n b b . .
& n nb b b J J
Yes, sir! I love a lit - tle town. I
Women:
n b b
& n nb b b
Oh love a lit - tle town.
n b b
Men:
n b
& n nb b b
n b b .. b n b .. n
& n nb b b .. n b n b .. n
? n b b
n nb b b

129
b b j
&b b b
b b n
love those lit - tle sparks, and I love those lit - tle glim - ers and
b .... b b n b n
b b b b n b
b b n
& b b b
J J
? b b b n
b b b b b
b n
b


131
b b . .
&b b b J J
Yeah, sure! I love this lit - tle world! And
Women:
b b
&b b b n
J
Ah love this lit - tle world!
b b
Men:
n
&b b b J
b b .. n
b
& b b .. .. n
..
? b b
b b b

133
b b . j j
&b b b n .
now, my friends and neigh - bors a toast, if you'd al - low me, be -
b n
b b b
&b b b
J

J
J J
? b b j j j j
b b b

135
b b . .
&b b b J J
fore we eat our Ho - Ho's and drink our Kool - Aid down. I

b b n
&b b b J J J J
? b b j j
b b b j j


137
b b
&b b b
love this lit - tle part - y, like I

b b n n
& b b b n
n
P f

? b b j j
b b b j j n

n
140
b b n
&b b b n
love you lit - tle peop - le, and I
# # n
b b b n # n n # n # # # # n n # # # n n
& b b n n
n # n #
J J
P f
? b b j j j j n n #

j j
b b b n n n # n n
n n
n n n # n n
143 , b > b> >

b b w
&b b b
love... A lit - tle
,
b b
Women:
&b b b n
> > >
f He says he loves... A lit - tle
, b > >
b >
b b Men:

&b b b
f
,
b b b
&b b b n
f j j j
? b b j j
b b b

. w
. w
>

146
b b >w w
&b b b
town!
b b >w w
&b b b w w
town!
b b >w ww
w
&b b b
b b
b b b

b

&b b b
? b b
b b b b n

b n
148 Darryl:
b b w
&b b b
Bot - toms up!
b b w
&b b b w
b b ww
&b b b
>
b b
b b b b

J J
& b b

? b b j
b b b j


6a. Playoff
1
# .
& # 3 4 J
4 4
3
# > >
4
3

& # 3 ?
# # # > n . &
4 4 > >
f
? ## 3 j 4
4 4 #
> > > > > #
>
3
## . n b
& J
n . . . .
3
##
3
? n n
& # n > n . &
> > > >
? ##
j n j j j
b > >
> > >
5
# .
& # n
J
# J
# # n n > # # > n >

3
b b > >
n b b # n n ?
3
b
& n # # R # # # n
> .
&
> >
3
f
? ##
r
3
n > #
n > > #
> > > >
6a. Playoff page 1

7
##
& J
n
n . . . .
3
##
3
? n
n
& # n > n . &
> > > >
? ##
j n j j
j
b > >
> > > >
9
## #
&
j

Darryl: All in a day's work, my friends.
- - - - - -
Darryl: All in a day's work.
# # # .
n b . ggg b b # ggg n n - - b -
& n b
gg n b # gg n # n b

b
Rall.
? ## j j ggg n w
b ggg bw gg n w
> - b - - gg bw
> >
()
12
# g ww ggg # www ggg ww ggg # www
& # ggg ww g gg w gg ww gg w
p
w w w w
? ##
16
## Alex:
& j j j j
. . . .
Smooth - er and ful - ler and soft - er and round - er and....
()
# ggg ww ggg # www ggg ww ggg # www
& # gg ww gg w gg ww gg w
w w w w
? ##
6a. Playoff page 2 11/12/02

6b. Alex Walks Through The Door
Cue: "Would you like to

see my house?"
Quasi Bolero
b b
1
& b b 4 .. ..
ggg www ggg www
4 gg w
[Repeat as needed]
gg w
? b b 4 .. 3 3 3
.. 3 3 3 3 3 3
b b
4
> > >

b b n
4
& b b gg www ggg www

ggg w gg w > J

j
? b b w
3 3 3 3 3 3
b b n w
> >
6b. Alex Walks Through The Door page 1

7. The Eye Of The Beholder
Cue - Darryl:"But still, I mean"
b
1 Darryl:
b
&b b 4
4
My God! Look at you.
b b j j
& b b 4
4 n>
>
F
? b b 4 j j
b b
4 >
>
b b
3
&b b

n #

n
One of a kind. Grand - er than grand. Free as the wind, sculp - ting
b b ggg ggg ggg n

& b b gg gg ggg gg ggg n g
ggg gg g
n
? b b n
b b n
6
b b n
,
& b b b b n
J
bub - bies in the sand. I'm us - ally not so for - ward, no it's true. But I'd be hard
.,
b b b j ggg
& b b bggg gg ggg www ggg n www
gg n n J gg w gg n w
? b b b j w nw
b b b w
w
7. The Eye Of The Beholder page 1
b b j
9
&b b . 3
4
pressed to think of an - y - thing I'd rath - er do, than sur - rend - er to the
b b ggg gggb ggg ggg n

& b b g b www ggg b n wwww gg gg gg gg
3
ggg w 4
g
dim.
? b b
b b w . 3
w w . 4
b b
12
. j . j n .
& b b 3 . # . . n
J
4
4 4
ec - sta - sy the art - i - stry, the mys - ter - y of
. n n . n ggg n n -
b b ggg n gggg # n g
&b b 3
g
n
# n g 4
4 4
F
n n
? b b 3
n # n
n n 4
b b
4 4
CUE:"...about the ocean."
15
b b
Colla Voce

U "
&b b 4 w
4
U.
ggg
you, A - lex. The mys - ter - y of you....
n
b ggg n gg "
b
&b b 4 g n J
4 b gg n www b n
-P -
p
? b b 4
b b
4 b - w n
-
Aggressive and confrontational
Darryl:
b b
19
j j
&b b

I have a gift, a fact I'm forced to con - fess. I have a knack for spot - ting
b b b j j . j
& b .. n
> b n >
? b b j j
b b j

> . b n >
7. The Eye Of The Beholder page 2 10/7/03
b b
22
&b b j
n
gen - ius, I guess. I have an eye for see - ing past the B. S. And what
b b j . j j
& b b .. n b n
b >

n b n> b n
? b b
b b j j j
. n b n b > n b n> b n
b b nbbb
25
b n
&b b
some con - sid - er bor - ing, I con - sid - er worth ex - plor - ing!
b b j j nbbb
& b b n
> n n . b n
? b b nbbb
b b j j
n
n > - n -
b . -
bb
27 Alexandra:
& b j n j

I have an eye for spot - ting men with de - signs. I have a sense for all the
b j j j j j j n j j j j
& b b b b
> . . . . . n . b n
>
. . .
? b
b b j j j j j
> -
> . n
>
-
b
30
&b b j

ob - vi - ous signs. And pal, I know when some - one's
b j j j j . j . j
&b b

. n . b n b> b
.
? b
b b j j j
. n b n b> -
>
b
32
j j j j j
&b b

n b n
feed - ing me lines. Don't feel too bad. You had your try. You have the
b j j j
> >
&b b

n> . . b b J n J
? b j
b b j b j j j
n> b> - n -
n >
b bbbb
35
&b b
j
n
touch. But not with me. I have an eye....
b j bbbb
&b b
n

As do I...
> j -3 -
bb j j n b n bbbb
& b n -
n> J
>
f 3
? b j j
b b j

bbbb
- - -
> > >
37
Alexandra:
b b j j
&b b
So cun - ning, so clev - er,
Darryl:
b b
&b b . j b b
n . j

Beaut - y lies in the eye of the be - hold - er.
b >

> b ~~~~~~~
b b j
&b b b J j n j n
J ggg n . . . .
> . .
j >
? b b
j ?
b b & b
> J
>

b b
40 3
&b b j
n n
but you're not fool - ing me...
b b
&b b . j n

No dis - guise can con - ceal your rep - er -
b >
j -3 - > b ~~~~~~
b b n n j
& b b n n b b J
- J gg n
> g
3 j >
? b b
j ?
b b
> & b
- - - J

>
43
b b j j
&b b n
The same, it's true, pal, ap - plies to you, Pal...
b b . j
&b b w w n
toire. Pas - sions rise,
> >
b b j
&b b j
n n
n n
. . . - J n
. . . - - - J
? b b j j
b b .

. . > >
46
b b j
&b b
n

I know your game...
b b j
&b b
n .
and the a - li - bis grow bold - er. Still the eye of this be -
>

b b n j
& b b J ..
n
..
>
n
? b b J
b b . n
. n n
b b
49
&b b j j
n b n
My eye sees you for who you are.
b b
&b b . j j
n
hold - er sees you for who you are.
(Dialogue)
... j j
b b b
& b b . b n
n - - b - n -
> J J J J J J J J
? b b j j j
b b b
b .
> - - - n - b n
.

53 Darryl:
b b j
&b b
I have an eye that sees your
b b >. . . . . . . .
b
& b

J J J J J J J J
? b b j j j
b b
b n
n

b b
56
&b b
j

life's not com - plete. You feel the fire but won't give in to the heat.
b b . . . >. . . .
n . >. . . . . . . . .

.

. n>. . . .
.
&b b
? b b j
b b j j j
j j j
> > b n > >
n b n
>

59
b b j j
&b b n
And sure your act may fool the East - wick e - lite, but I can
>. . . . . . . . >. . . . . . . .
b b n
&b b
? b b
b b j j j j
b> n n> b n
Alexandra:
b b nbbb
61
&b b
Hey!
b b b n nbbb
&b b
see from how you're sweat - ing you want more than what you're get - ting.
> n - - -
b b n j
n
nbbb
& b b J

? b b j nbbb
b b j
n
n b n

b
63
&b b j
n

I raised a son....
Darryl:
bb
& b n
J

But did he of - fer con - cern?
b > b n>
b b n
&b b
? b j
b b j j
> -
> - - - n -

b
65
&b b j

I kept a house...
b
&b b J
But did it help stop the burn?
> >

n>
b
& b b
? b
b b j j j
> - - n - b - n -
>
b
67
&b b j j

I did my bit....
b j
&b b J n
And kid, it did you in turn. You need re -
> >
b n
&b b n

? b
b b j j j
b > - n >
b
69
j j j
&b b
b
n
I need re - lease... Be - fore I die.... Don't say a
b j j j
&b b b b j

lease... Be - fore you die... Don't say a
j j j j
bb b
& b b
b
.

.
n n
> . > . . .
? b j j j j
b b b n n
b > . . . n > . . .
b bbbb
71
&b b
j
n
word. I see it all. I have an eye.
b bbbb
&b b
j
n
word. I see it all. I have an eye.
3
b > j
> j
b n b n bbbb
& b n
J n> J
3
? b j j j
b b

bbbb

> > >
73
b b
&b b
Beaut - y lies in the
b b
&b b . j b n . j

Beaut - y lies in the eye of the be - hold - er.
b b .. j
&b b .. b b b n j
b n ..
.
? b b ..
b b . j
.
> . w
w
b b
76
& b b n j .

eye of the be - hold - er.
b b
&b b . j n

No dis - guise can con - ceal your rep - er -
b b
& b b j b n j n .. j b b n

.. b

n
? b b
b b w

w>

b b
79
. j
&b b n n
No dis - guise can con - ceal your rep - er - toire. Pas - sions rise,
b b . j
&b b w w n
toire. Pas - sions rise,
b b j j .. j
&b b .. n
b .. n
n
? b b j
b b . . j .
.
.
82
b b
& b b n . j . j
and the a - lib - is grow bold - er. Still the eye of this be - hold - er
b b
& b b n . j . j
and the a - lib - is grow bold - er. Still the eye of this be - hold - er
j j
b b j j
& b b n .. ..
..
..
? b b . j
b b . j j j j
. n . . b
n .
b b
86
&b b j n w

sees you for who you are.
b b
&b b j n .

sees you for who you are. And
b n
> b n >
b
& b b b n
- - - n - n
J J
? b b j j
b b > b n
- n -
> - -


piu mosso
Darryl: 3
b b
88
&b b n n n
you, your life has bare - ly be - gun. You, you are the
b n ... 3
b
b
& b b . n n b b ....
n n - - - -
n b
f
? b b b . .
b b . n . j
b . - - > .
. - - n> .
3 3 3 3
91
b b j w nbbb
&b b n n n n
art - ist, the spir - it, the clay all in one; Al - low me....
n gg n n b
3 3 3 3 3
b b g g n
& b b n n n n
n n n

ggg n ggg gggg ggg
n n b n b b
n - - - - - - n - - - - - - gg g b n
p p cresc. >
? b b n n n nbbb
b b n j
n
n n . J .
n n .
sub p
bb j j j j
95
& b . . . .
Smooth - er, and ful - ler, and soft - er, and sound - er.
.. j j
b b gggg . gg ggg
& b ggn - n - . . .
n . - .. g - - n .
sub p
? b
b b
. . .
Both:
b j j j
99
&b b . . . w
Sweet - er, and round - er and warm - er, and wise.
b j j
&b b ... gggg
- . ... gggg
- .
- - n . - - n .
? b j j j
b b . . .
.
j j
103
b . bbbb
&b b - . - - .
Bold - er, the truth that tran - scends the dis - guise. And
b j j j j bbbb
& b b b ... ggg .
n ... ggg
.. ggg n .... ggg
- . g - - - g - - nn - .. g - - - g - -
? b j
b b . bbbb
. . > -

passionately
b b
107
&b b
neith - er of us doubt that on - ly one of us can win. Time is run - ning out as the

b b n n
&b b
f
? b b . j
b b

.
b b
110
&b b w
tide comes crash - ing in. And we know what this mo - ment's lead - ing
b
.
b
&b b
n

n
J J
? b b n j j
b b . . .
n . .
b b
113
&b b w .
w J
to. Beaut - y lies in the eye of the be -
.. j
b b b

n

..
& b . n
J J
? b b . . j
b b . .
. . . .
117
b b .
Rall.
U - 3- -
& b b b
J
hold - er. And how clear - ly I be - hold the beaut - y in
3
b b U
& b b b b ... j
n N n - - b -
p
? b b U
b b b . J j
.
b
b . b n
>>> > .

121 A Tempo Rall.

b b w w
&b b
you...!
- - - - - - - - U
>ww
b b - - - - n
&b b J ww j
J - -
>
U
? b b j
b b w w

w> w> >
> >
segue

8. Dirty Laundry Fragment
[telephone]
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1 x4 U
w "
&b 4 .. ..
~ ~ ~~
4
~~ ~~
U
~~ ~ ~~
? .. j j ..
b 4 #
>
4
>
Cue:"Eudora's blind as a bat without her glasses"

3 Felicia:
&b j
#
It's her - guar - an - teed.
& b www ww ww
J # # # w J

#
?
b j j # j j # j j #
> > >
> > >
6
j
&b w
She has - n't got one mor - sel of shame. And oth - hers will
& b ww w
b ww b # n

w J
? j n j b
b j j j j #
> b > > # n >
> >
8. Dirty Laundry Fragment page 1

#
9
&b

n
fol - low her lead... Mark my words.
j
n # #
& b # wwww # b n n
# n
J #
? #
b j j # b n - # - n
# > - -
>
poco piu
#
11
j j j J j
&n J J j j
J
Cats in heat, be - lieve you me. They move in
# j
Women:
j
&n b
What do they do?
#
&n
J
? # j j j j j
n b b j n #
# j j j
14
# b j
& J
packs of three. How long can we go on ig - nor - ing this de - cline?
# r j >
& . n # n
#
Say it's not true. Oh!
> b >
# j #
& # b
# . J J
j j j j j
?# j j j j j
# #
# n
# #
8. Dirty Laundry Fragment page 2 11/12/02

Felicia:"It came with the house,
17
# j Clyde, it came with the house"
& n b
The good of East - wick's on the line...
# j
& b
The good of East - wick's on the line...
. U
> b > > ggg # # ...
# n #
& n n b b gg J #
J J J
j j U
?# j j #

> > # >
>
Women:
20
# j
& b 3 .
4
The good of East - wick's on the line. On the
Jane:
#
& 3 . n .
4 .
G... F sharp... F... E...
> b > >
# n
& b
b 3 n # # n n n #
J J 4
?# j j
3
4
>
# ##
25
& . .
line... On the line...
# ##
& . n . . . n . .
G... F sharp... F... E... G... F sharp... F... E...
# n n ##
& n # # n n n # n # # n n n #

?# ##
# # # #
# # # #
Marcato
##
33
&
##
&
J
[Cello solo (Jane)] [Jane messes up]
? ## # n # n n

j
# #
b
>

9. Waiting For The Music To Begin
Cue - Darryl:"of course you are"
1 Darryl:
b b
&b b 4
4 n
My God! Look at you. Ear to the strings,
b b j j j j j
& b b 4
4 n>
. . . .
>
F Continuo feel
? b b 4 j
b b j j
4

colla voce
4
b b U
&b b
n # b b J
hand on the pegs, whol - ly in tune with that thing be - tween your legs. I'm
Solo pizz. j Uj

? b b n
b b

f
b b j j j j j j j j j U
&b b
n b
. . . . . . . . .
? b b U
b b j j j j b j
n
9. Waiting For The Music To Begin page 1

7
b b
&b b .
us - 'ally not so for - ward, no it's true. But I'd be hard pressed to think of an - y - thing
b b j # n
b
& b n .
. b n ...

P
j
? b b .
b b w .
10
b b
&b b j 3 . j
# .
.

j
4 .
I'd rath - er do than sur - rend - er to the ec - sta - sy, the art - is - try, the
n n #
b b n
& b b n ww 3 # .
b ww 4 ... n ..
? b b
b b w 3 .. n .
w n n 4 . n .
14
b b n . j " n n#
&b b . n 4 nn # 3
J 4 4
mys - ter - y of you, Jane - y. The mys - ter - y of you....
~~~ .j
n # n n n b n j "
n gggg n n n n # # 3
b
b
& b b n . 4 b
n .. 4 n www b
ggg n . . g 4
g
p
w
? b b n .. 4 ww #
b b . nnnn # 3
4 4

9. Waiting For The Music To Begin page 2 2/7/03

Darryl:"Now go beyond them" (visual cue)
18
? ## 3 j

j .
4 J
P
## 3
&
4
? ## 3
4
21
? ## . j
"
J . # #
#
& #
? ##
CUE:"...Passion, Janey, passion!"

##
24 Jane:
& j

When I was twelve
? ## j # J j # J . n . . . . . .
. . # .
j
. .

F
##
& j j j j j

. . . . .
? ## j


30
## j
&
# #
Fri - day would come, I'd go to Miss Pit - tro's, ros - in up my
## j j j j j j j j j j
& j

ggg#
. . . . . # . . # . . .
? ## j j
j

35
#
& # j
j j

bow. Stiff as a rail, Warm as an ice - berg.
# j j j j j j
& # g j j

j

j

j

ggg . . . . . . . . . .
? ## j j
j

##
40
j
&
# # .
Ut - ter pre - cis - ion; That was sta - tus quo.
## j j j j j
& j j j
ggg#
# . # . .
. . . g
? ## j j
j

#
44
& # . j

j

An - y - time I dal - lied with pas - sion I was told to
#
& # j j j j j j j j j j j

. # . # . . . #
? ## j j j j

49
## j j
&

stop it, rein it in. And I'd go a - long, as
##
&
j j j j
j j j j j j

# . . . n . n
j j
? ## j j j
j j n
# . n

#
54
j j
& # . j #

was the fash - ion; Wait - ing for the mu - sic
# j j
& # j j
j #

. . # .
? ## j j

##
59
& . j
# n
to be - gin. I'd
## . >
& # .. # j
. J n

F
? ## j J j
Cello
n

>
#
64
j
& # j

j n
n
play... I'd play... I'd play...
## j j j j
& j j j j j n j j j j j j b
n

n
n n

j j n b j
? ## j j n n #
j n # n
n
n
69
## j
& j n j
#
La la la la la la la la la la la....
## j j j j j b j j j j j
& nn n n
j j
#
j
.
b j . . . . . j
? ## n n j n j # J j
J J
#
## j j j
75
j j j j j
&
j

# # >
? ## j j .

. . .
# n # n n
. # . # . . . . # . . #
marc.
poco rall A Tempo
##
81 Jane:
& j j

So I grew up, pol - ished and prac - ticed.
# j j j j j
& #

j

j j j
n #
j

j j j j
? ##

n # j j

>
##
86
j
& j

# #
O - ver the years, I learned to play my part. Nev - er too
##
j j j j j > j j j
& # #

# # J
? # # j
j
# j j j j

#
>

91
## j
& j j
# #
rushed. Ne - ver with feel - ing. All this ap - plied in
##
j j j j j j j j j j j j j
& n # #
# #

j j j j j
? ## j j # j

#
96
#
& # . j

j
.
life as well as art. Jane - y at the strings like a spi - der.

? ## # n
J &
3
3
n
# n
#
& # # j j

j j j j j jn

J
. . # . # .
? ## j j j j j

101
## j
&

Con - stant - ly in mo - tion, cold and thin.
# .
& #

#
n n ggg

j
J
J

b
gg #
.
## # n n j ggg j j
& j jb gg # j j j j j j j
# # .
.
j
? ## j # j j j j
j
.


#
106
j j j
& #
. j

Ter - ri - fied to know what lay in - side her. Wait - ing
n
## ? . j
& .
. . . . .
# j j j j j j j j
& #

j
n n #

? ## j j j
j n

n
##
111
j j
&
for the mus - ic... Wait - ing
. # .
[Solo violin]
## #
&
? ## j j j j
. . . . . . . . . . . . . . .
# j j
& #

# . # .
? ##


115
## Rall. piu mosso
& # .
for the mus - ic...
>
. . .
# J ^ ^j
& #
j
> #
? ## j > j > >

J #> J j j
> > > > J >

> >
## j # ? > > J >
& # J J J
# . J
? ##
.. .. ..
- . - . - .
n
> ^ ^j n .
121
## n J n . j
& j .

> # #
j j > j
? ## n J j j n .
> n> > > > > >
n> > > n ~~~~~~~~~~~

.
? # # J # j n ~~~~~~~~ > > > j
J J

>
J J J &
? ## j j j j
n .. .. .. n
n> > -- . -- . -- . n> >

126
## No rall.
& .
G... F sharp...
> > > > > > > > >
## n n n j n J j
& J j J j J
j J
> >
? ## j j j j j . .
n n n n

> > > > >
>>> >>> > > > n

# # n n n n n #
& J J J J
P
j j j j j
? ## #
n #
n #
n #
n
#> #> #> #> > . .
. .
##
132
& n . . . n . .
F... E... G... F sharp... F... E...
. . n .
n #
##

& 3 3
3
? ## n . . . . n . .
## n n
& n n

? ##
. . . . . .
. . . . . .

( )
138
## . . . .
&
. . n . . . .
? ##

## # n n n n #
& n # n
f dim.
? ##
. . . . . .
. . . . . .
#
144
& # n
# n
Oh, for the days when it all seemed so
n . .
? ## . . n .

# # ( n ) n n n n
& n n # n # n n
P
? ##
. . . . .
. . . . .
##
149
&
. n #
clear. Stick - ing to the beat. Stay - ing to the
? ## .
() .
ggg n n
ggg # .
## gg J J
& #

? ## j
ggg . ?
n & g
. n . J
.
153
##
& n .

n
# n
tone. Day af - ter week af - ter month af - ter year. Per - fect - ly in
## n n j
#
# # n n n n
& #
n
? ## j
# n
. . . n
. . .
#
159
nn
& #

# # . . #
time. Per - fect - ly a - lone. But
j >
## n > n # n nn
& n # #
n n # n
n
p
j
? ## n n n # nn
n

nn
164
& . j . j .
.
what sort of man could lay claim to my soul? Half Ra - vel?
>
n n j
& j #
#
J

f
? nn j j

j

>
170
&
#
Half Ro - sin - ni? Part Shos - ta - ko - vich and part Pa - ga - ni - ni? Who

j
# # # # nn
& # #

f sub p
ggg ...
? #
# ggg# # ... ggg n n ... ggg ..
j & .

176
& . # . #
knows? Who knows? For
()
# #

& #
cresc.
~~
& .. .. .
# ..
? . ~~~~~~~~~~~~
. . .
180
& . j . j .
.
what sort of man would I lose all con - trol? Mah - ler - esque?
>
~~ ~ j j j j j j j j
& # #
J
f
? j j j j j j

j j j

>
186
&
#
Slight - ly Greig - y? Pep - pered with Brahms plus a pinch of Res -

j # # # # n n
& # #
# # #
#
p cresc.
? . # . n .
j
. # . n .

##
191
& # . # # . #
pi - ghi? Here goes. Here goes... The
# # # .
# # # # # # ... # # #

#
# #
##
&
# # #
F cresc.
# # #

# # #

? . # . ##
# .
. # . # .
196
##
& . j # . j
# #
notes car - ry on in their end - less cam - paign. The chords have turned dark - er where
## # . j
# # # ... # .
& .. j
.. # # # # ...
.. ...
.
F
? ##
. . # . #
. . # .
#
202
& # # # # n
# n
once they were plain. The air's grow - ing warm - er with ev' - ry re - frain! The
## . # ggg .. ggg # # # ... ggg n n n ... ggg # ..

& # ... # # gg .. gg # . gg . gg ..

p
? ## .
.

##
208
& # # . . . .
# #
room's get - ting hot - ter, the sound is in - sane!
> > >
## #

# # # #
& # # # # #
# #
cresc. f
? ##
. .
. .
#
215
& #

Is the bow - ing fin - 'lly ben - ding in the heat of this un -
>
# # >

& # # n #
J
> > > > >>>> f
? ##

- .
> > > > - . >

> > > > - -- -
222
## Jane:
&
# n
end - ing... G... F - Sharp... F... E... G... F - Sharp...
## Darryl:
& . .
> > n> .
> . > >
G... F sharp... F... E... G... F sharp...
# # # > > n > > >

& n
J >
? ##

- - - - - - - - - - - - -
-
#
229
& # n
n # n # # n #
F... E... Wait - ing and wait - ing and wait - ing and wait - ing and
#
& # n .
> > .
F... E...
## n > n # n # n # n #
& n
> # n # # n #
P
? ## . . . .
. . . .
- - - -
## Rall.
nn b
235
& # # b
waiting... for the mus - ic... to be -
# # n # n # n # n # > # >
# nn b
& #
# n # # n # n # # # b
J J
f
? ## . n . j j nn b
b . n . b
b . . n . n . > >

nn b
243 A Tempo
. .
& b . .
gin...!
n b
& nb
.

n .

nn b n
n
& b

n

? nn b
b
- - - - - - - -
247
b b . . . .
&b
b
& b
b b .
.
b

b b b b

b b b b
&b b

? b
b
- - - - - - - -
U
~.
251
b . b . . ~~~~
&b
Darryl: "Cigarette?"
U
"

.
b b b ... b n b ...
. b n ... b
n J
& . J 3

? b U ^" j
j
b
segue

10. Sukie On Dock Street
x2
j b b
1
j j b b
& 12 .. b
b # n n ..
. .
8
F
? 12 .. j >
b j b . n j ..
8 > J J
>
3 Group (whistling):
& . # . j . j
. . . . .
. . # > # >
j j
j
& j j j # J
J
? j j
j j j j j
J
j

>
7
.
& . j . bbb
. . . . # . J
j j j > > b > b b

& j n j j # J J J b b
J
? j j j
j j j j j J j j j b b b b
>

>

>
> b >
>
10. Sukie On Dock Street page 1

11 Clyde: Sukie:
& b bb n j
J n n
Su - kie! Clyde! You should be at the of - fice, you know?
n > >
b n
& b b # n j j
J J
p # n n
f
? b
b b n
j j j j j
n
n >
>
Clyde:
13
j Sukie:
& b bb n b b j
J n
Su - kie, Su - kie... I mean what if Fe - li - cia stops by...?
g n .
ggg .
b g j
& b b n j ggg n gg J
b
j
n
j
# n J b n #
? b j j j
b b
. n
n .
15
b Sukie:
j
& b b .
j

I've got so much to read for to - night, all these
j Clyde:
& b nbb
b .
Su - kie, lis - ten...
n . .
b n J j j
&b b n # J
n # n b b

? b j
b b j
.
n .
10. Sukie On Dock Street page 2 11/12/02

Clyde:
j
17
bb
Sukie:
& b j J j n
# n #
his - tor - ies, all these re - ports... Su - kie... Who could have known that the
ggg . j
b j gg j
&b b

# n

J n # #
? b j
b b j j n
#
j
J
19 Opt. spoken
& b bb
n n b n
Len - ox House... Clyde, no not here, all the neigh - bors are
j n - n - b -
& b bbb ? #n # n
n n b J J J &
-
? b j j j
b b b j n
- n - -
n -
20 Gina: Greta: Greta & Gina : Sukie:
#
& b bb j j 15 j n n n # 12
J 8 8
look - ing... Su - kie... Clyde... Hi! Oh, lad - ies...
b j 15 n j #
j
& b b b j n j b b # n .. n n n # 12

8 n n n # ..
b n
-
n #
- n n - b - n .. 8
> >
? b #
b b j j j b j 15
n
j n n n # 12
b n 8 8
b - n - - b - n n .
> >
Dialogue
j j . .
#
# j j j j j j j j . j j
22

& # 12 ..
# n . . . . . . . . . . . # . . J J
8
p
? # # 12 .. j . j j . j ..
. j .
j n . J . j . J . j . . J j . J

8 . . . .

.
## #
.
26
. n . . J
& n . . J
.
## j j j j j j j j j j j j . n # #
J
& # . .
n . .
. .

. . . . # . .

J
? ## j . j j . j .
j .
j n . J . j . J . j . . J j . J
. . . .
.
# # .
.
30
. . .
& # . . J J
## j j j j j j j j j j j j . # .

&
. . n . . . .

. . . . # . .

J J
? ## j . j j . j . j j .
j . J . j . J . j . . J . J
. . . .
. . . . . . . . . . . .
##
34
& 6 .. .. 12
8 8
Cue: "...what could

possibly stop us?"
## # n # n
& J J J J 6 J .. J . 12
.
8 8
[Safety]
? # # j j j j j j j j 6 j j .. j j .. 12
# n # 8 n 8
> > > > > >
. Felicia:
# n#
38

& # 12 J
8
n > b > Clyde!
b

## 12 n J J
& .
## n ...
?
n# J J

J J
8 >

? ## 12 j b j n . n# j j j j
8 n > > >
> >

# Felicia:
41
j
&
Well, now what have we here? What a dear lit - tle pic - ture is this? For one sec - ond I
?#
J J J J &
?# j j
j j

> >
#
43
& j j j j

#
turn my back, and it's play - time for Frick and Frack. Would you kind - ly ex -
#
& j j j

# #
>
?# j j # j

> #
> >
#
45
& j j

plain... what you're do - ing out - side... when there's work to be
# j j
&
#

#

> > > > > > > > > > > >
?# j j

> > > > > > > > > > > >
#
47
j
& j

done... and there's news to pro - vide...? And yet here you both
# j j
&
#

#
> > > > > > > > > > > >
?# j j

> > > > > > > > > > > >
#
49
j j
& 6
8
are... look - ing ver - y wide eyed... And the reas - on is
# j j
& #
n # 6
8
> > > > > > > > > > > >
?# j j
# 6
8
#
> > > > > > > > > > > >
# 6 j
51
& 12 b j
8 8 n
what? I'm ex - pect - ing an an - swer, Clyde!
# 6 j
& 12 b j
8 # 8 n n
> > > > > > > >
?# 6 j j j
12
8 8
> > > > > > > >
Dialogue cut on any beat to bar 57
#
53
& j j j j j j j j

? # j # # j # # j # # j # #

> > > >
Felicia:
# "Darryl Van Horne!"

###
57
& j ."
b .. n
.. #
> >
?# " ###
j . &
.
.
>

Cue: "What could possibly inspire

Cue: "Which is more than can be
said for some. Clyde!!" you to buy 150 pounds of ...?"
[Safety - stop on cue]
Dialogue
. .
## . . .
# . . . # .. n n
n
58
& . J . .
.j .j .j .j .j .j .j .j .j .j .j .j
# # # . # .
. # . n # # ? .. n n n
& J
J. J. J.
Cue: "Honey with any luck, it'll

be a two show day!"
#
n > . > . > . .
nnn n . . # .
62
bbbb 4

n . . .. . . .. . J
& n 4
nnn j j j j j j j j j j j j b b
& n n . . .. . . .. # b b 44
. . . . . . . .
[Safety]
? nnn j j j j ..
j n j j .. j j J j b b b b 4
n 4
65 Darryl:
b b
&b b 4
4
n >
b b
&b b 4 J
4
b b j
j
& b b 4 n n

4 >
>
j
? b b 4 j
b b
4
> segue as one
>

11a. Scene Intro
With a "rushed" feel - colla voce

1
b b
&b b 4
3

4 n n #
Nose in a book. Brow in a crease. What are we get - ting to - night? A lit - tle
b b j
& b b 4
4 >
F
j
? b b 4
b b
4 >
4
,
Darryl:"Get it?"
b b j
3
n
& b b b b
J n
.,
war? A lit - tle piece? I'm us - ally not so for - ward, no it's true. But I'd be hard

b b g
ggg
j
&b b
ggg J
ggg n n n www
gg w
ggg >
ggg
g . j
? b b J
b b nw
> nw
7
b b
&b b . j 3
4
pressed to think of an - y - thing I'd rath - er do than sur - rend - er to the
b b j
& b b g b www
n
3
ggg w >
4
? b b j
b b w 3
w 4
>
11a. Scene Intro page 1

10
b b . j . j n .
& b b 3 . # . . n
J
4
4 4
ec - sta - sy, art - is - try, the my - ster - y of
b b
&b b 3 # 4
4 n n n 4
? b b 3 n n 4
b b
4 n 4
13
b b
&b b 4 r j

4 J
you, A - lex... Jane-y... Suk-ie... Right. Suk - ie. The mys - ter - y of you.
. .
b b n . n
& b b 4 .. .
J n .. J
4 .
-
F
. . .
? b b 4 .. n
b b . &
4 J
-
11a. Scene Intro page 2 11/12/02

12. Words, Words, Words
Cue - Darryl:"Why don't you tell me about it, Sukie darling?"

Dryly
Sukie:
b b
1
&b b 4
4
Suk - ie sit - ting in the corn - er and
b b j j
& b b 4 j j n b j j
4 n # n b n # n n b b
. . . . . .
n . n .
p
? b b 4 j j
b b
4 n b . n b .
n b . . n b . .
b b
4
&b b j j
n

#
well... just... youknow... Suk - ie tries to talk a lit - tle and
b b j j
&b b nj b
n n b b .
#
. n n # . . . . . . .
. .
? b b j j j
b b n b .

n b .
b b
6
&b b j j
n n

#
well... just... you know... Suk - ie ris - es up to speak and she...
b b j j
&b b
j
n
b
. n n # . n n n b n . . . . . . .
. .
? b b j j
b b n . j j j
n
.
12. Words, Words, Words page 1

b b j j
8
j j
& b b b

al - most... oh, pooh... Suk - ie sits back down po - lite - ly and...
b b j j j n
j j j
& b b b n b .
b n . - b . . . . . . .
-
? b b j j j j
b b b

b - . - .
b b r
10
&b b

Here's hop - ing that... you know... cause I don't have a clue. Oh,
b b j
&b b
n
. . .
- - -
? b b
b b j .
j

b b
12
&b b . b n . b

words, words, words, I can nev - er find the words, words words...
b b
& b b b ...
b ... n n #

. .
F
? b b
b b . .
. .
Rall. A Tempo Darryl:"You poor darling"
b b
14
&b b

I can nev - er find the words.
b b b b > >
& b
J
p
? b b b
b b j

> >
12. Words, Words, Words page 2 11/12/02
Smoothly
b b
16
&b b b

All these words in- side me now, but not much in- ner peace. All these words in- side me now just
b b
&b b .. b ..
. .
P
? b b
b b
. .

Darryl: poco piu mosso
19
b b j
&b b b b .
. n
ach - ing for re - lease. And if I said that I would lis-ten, might that ease the doubt? Yes,
b b
& b b gg b
gg b n - -

p
? b b j
b b .

. -
b b
22
&b b
.
if I said, "I'm here to lis - ten." What would you like to talk a - bout? What would you like to talk a - bout...?
b b j
& b b - ggg

gg . . . . . .
- . . g
p
? b b -
b b . j j
.

Sukie: colla voce
b b
25
&b b
b b
I'd like to talk a - bout the night. I'd like to talk a - bout the day. I'd like to
ggg
b b gg b
& b b www b b
w
p
? b b b b
b b b
w

b b
29
&b b b
# n n n
talk a - bout the weath - er, but I guess that's just cli - che. I'd like to talk a lit - tle Lat - in, may - be
b b
& b b
b b b
b
n n # n n .
? b b b
b b n

n .
b b
32
& b b b # n n b
talk a lit - tle Greek. I'd like to talk a - bout the arts. I rent - ed "Ham - let" just last week. I'd like to
b b b
&b b b
# n n n n n b b
- - .
? b b b
b b b n b
n - b .
-
b b
35
&b b . . .

talk a-bout my po - ems, why I shy a - way from rhymes. I'd like to talk a-bout that let - ter I had
b b ggg gggn n ggg

&b b gg

gg n

gg
? b b
b b

poco accel.
b b
38
& b b b .

pub - lished in The Times. I'd like to talk a - bout Eu - rip - i - des and Schop - en - hauer and Bach. And if there's
b b ggg b
&b b gg b
poco cresc.
? b b b b
b b b b

poco piu mosso
b b . b j
41
&b b

a - ny doubt re - main- ing, I'd be hap - py just to talk. But words, words, words, I can nev - er find the
b b j
b
& b b b ...

.
F
? b b j
b b .

.
Rall.
b b . b j w w
45
&b b
words, words, words, words, words, words, words...
b b j .. j # n # n >
& b b b ...

b
b . n n n #
.
? b b j j
b b . .
. .
>
A little faster than Tempo 1
b b
50
&b b
b b
I'd like to talk a - bout the deep - est sort of se - crets that I hold, I'd like to

b b j
b
&b b b b

f P
? b b b b
b b b

b b
53
&b b
b
# n n n
talk a - bout the un - der - ly - ing truth if truth be told. Talk a - bout the touch - ing that can
b b
& b b

b
n n # n n b b .
? b b b
b b n

n .
b b
56
&b b b # n n b
bring the ten - sion out. I'd like to talk a - bout the things I guess I should - n't talk a - bout. I'd like to
b b b
&b b b
# n n n n n b b
? b b b
b b b n b
n b

b b
59
& b b . . .

talk a - bout my feel - ings when the lights are turned down low. I'd like to talk a- bout my needs a - bove the
b b . . .
& b b n n J
n
? b b
b b

poco accel.
b b
62
& b b b .

cov - ers and be - low. I'd like to talk a - bout my fan - ta - sies by light of ev' - ning star. I'd like to
b b b . . . .
& b b b J
p
? b b b bw
b b b bw
Darryl: Sukie:
b b
65
&b b
talk a - bout a lot of things... But Suk - ie, dear you are! Oh,
b b b
& b b

cresc.
F
? b b
b b


poco piu mosso
b b j w
67
&b b . b

words, words, words, words, words, words, words...
b b j . j
& b b b ... b b .. n n #
. n
? b b j j
b b . .
. .
# #
Rall.
b b w nnnn #
70
&b b
n n
I'd like to
^
b b n n n n # # #
nnnn #
& b b n n #
#
#
? b b # #
b b nnnn #
n
n
piu mosso v
73
###
& n n n
talk a - bout the world I nev - er get to see from home. I'd like to talk a - bout Cur - a - cus and the
###
& n n
n
n . . . n . . .
? ### .
n . .
n . n . .
76
###
& b # # n n
Plei - a - des and Rome. I'd like to talk a - bout the rise. I'd like to talk a - bout the fall. Or may - be
###
& j j n n

n b . # # n n
. . . .
. .
? ### .
b .
. . . . n .

79
###
& .
b #

talk a - bout the do - ings at your bas - ic Bach - an - nal. Oh, not that I ap - prove but when it's
###
& j j
# . . .
. . n b . # . .
? ###
. b . . .
. .
82
###
& . .

all been said and done, I mean you got - ta give 'em this; the Ro - mans
###
& # #
.

.
. . . .
? ### .

.
84
###
& n .

sure could have some fun. And then of course, you've got the French, the Pak - is -
###
& n n . . .
. . .
? ### j
n . .
86
###
&

tan - is and the Dutch and real - ly... Dar - ryl, is it me or am I
###
&
. . .
? ### j
n .

88
###
&

talk - ing way too much? I'd like to
### ^

& n

>
? ###
b
>

piu mosso v
92
###
& n n
talk a - bout the he - ros that can al - ways give me hope. I'd like to talk a - bout De - ber - ger - ac, and
###
& n n
.
. . n . . .
? ### .
. .
. n . .
95
###
&
b # # n n
Bat - man and the Pope. Talk a - bout the fu - ture, may - be talk a - bout the past or may - be
###
& j j n n

n b . # # n n
. . . .
. .
? ### .
b .
. . . . n .
98
###
& .
b #

talk a lot of no - thing, on - ly say it real - ly fast. Talk a - bout so - ci - e - ty or
###
& j j
# # . . .
. . n b . . .
? ###
. b . . .
. .

101
###
& . .
n .

talk a - bout the rot, or may - be talk a - bout the e - grets, though I'd real - ly ra - ther not.
###
& # #
.

.
n n .

.

.
. . . .
? ### .

. n .
104
###
&

Talk a - bout the mea - dows and the flo - wers and the birds. I mean I'd talk a - bout it all it I could
###
&
. . . . . .
? ### j j
. n .
### nnn b
107 Rall.
& n n b
on - ly find the words... I'd like to
### ^ nnn b
n b n b
& n

n
>

? ### nnn b
b & b
> n
v
Fastest tempo - In Two
b
111
& b n n b b
talk a bit of this, or may - be talk a
b
bit of that, or may - be talk a lit - tle fol - der - ol and
b n b
b b
b
&
P
b
& b n b b
b

b
114
&b b n # b b
chew a lit - tle fat. Talk a - bout the A's and may - be talk a - bout the bZ's
and try to
b b b b b
& b b # n n b
J
b j
&b
b b
b b # n n b

117
b
&b b #

make it through the alph - a - bet as

pret - ty as you please. or may - be
Talk a - bout a book

b # n
&b b b
J

b ? b b #
n

&b
J

b j
120
&b b
talk a - bout a play. Or may - be talk a -

bout a mil - lion things I'll
b
nev-er get to say. I'd
# n
b # n b b
&b b
# n
? b b
b & b
b
pochiss rall
b
123
&b j 32

talk a- bout my - self, but who would give a damn? I'd like to talk a - bout a lot of things and look at me, I
b b
b 3 b
& b
2
b j j b
&b . b . 3 ?
b
. b . 2

poco meno mosso

b
126
&b w . w .
am! I am! I
b > .. j > > .. j >

b b . b b
& b ..
.

> > > > > > > >
f
? b
b

> > > >
130
b .
&b w w w
am! I am!
> .. j > > b > > .. j > > b >
& bb .
b

b .
b

b
> > > >
? b
b

> > > >
b U
134 Presto
& b w w w w
I am!
b
&b b b
b
b b U b
b b

&b
b b
? b U b

b


b
138
&b w w w
b
&b n

b b
b #
b
b b b b b
& b b # n n b
J
b b

b b # n n
b
? b J
b
141
b
&b w
b >

& bb b b b b
b b J
? b j
b n b
n b

>

12a. Tennis
Cue: Darryl: "You're gonna love my friends"

1
&b 4
4
3
j
3
j
3
j 3
j
&b 4
4 b
F 3 j j
j j
3
3

3
b
b b b n
3 3
?
b 4 b

4 w .
w .
4
&b
3
j
3 3
j
3
j 3
j
3
b
3
j b
b b b b b
& b b b
J b
J
3
? j j
3 3
b b b b
b b b
7
&b
ggg .

gg ggg . j j
3

3
j j
3 3 3 3
& b gg

J J
3 j j b
3
?
3 3
b
b
w
b n b n
w
12a. Tennis page 1

10 Alex: "You!"
&b
3
3
j 3
j #
r
3 # n b J J
& b b
# n # n
3 j j 3
b
3
b b b
?
b . b n b

. 3
3
12 Jane: "You!"
&b

3 3 3 3
r 3
#
b b # n J J
& b # n n #
# n n b #
# n # b

3
>
b b b
? b n n
b n b
n b
3
3 >
3
12a. Tennis page 2 11/12/02

12b. Scene Intro
Cue: Darryl: "Ah, my three little ladies"
Darryl:
b b
1
&b b 4
4
b b j
& b b 4
4 n>
>

? b b 4 j
b b
4

12b. Scene Intro page 1

12c. Something
U w w
Darryl hits ball
w w

1
& 4
4
~~~
~~~~~
(Whole tone gliss) cue: "...give 'em

a good whack,
you know."

.
~ ~~~~
&4

4
~ ~~~~
F
~~ ~~~
6
?4
b
4 # b
The Witches:
4 Darryl: U U
& .

All man - ner of man in one man... Make him...
w w
w w
&
cue: "...show 'em
who's boss.."
. voce
colla U U
w ?
& &
b b
> >
? U

w
w
b b >
Suddenly Faster
j j >
b b
7
j b b

& b b
b b b
>
J
> slight rall.
12c. Something page 1 11/12/02

tempo di "Something"
11
ggg b ggg b ggg b
& gg w b gw b gw b b
F
j j j j j j j j j j j j
?
bw w b
bw
bw bw w
14
j
. gg b gg
b
& gggg
ggg w ggg w

p
? .
b ggg ww ggg b ww
"I'll worry about tomorrow, tomorrow"
ggg ggg ggg www ggg b b www ggg b b www

18

& b ggg
ggg n www
gg gg gg gg gw gg w gg w
F
? gg b www ggg b b www w w
b g g
Softly and Sustained

24
n
&b n

?
b w w w w
w w w w
28 Jennifer:
&b

Michael: All those hopes and dreams,
&b . b
Some - thing in the mo - ment all a - round us.
b n
&b b

j
b j
? J
b . J . w
. .

31
&b # j w

and now it seems Some - thing has fin' - lly found us.
&b # j w
Some - thing has fin' - lly found us.

j # n
&b # b

?
w
b . .
w .
.
35
&b j
J
A - lone. But now your
&b j

Once I felt so emp - ty in - side; But now your

&b
j j j
?
b w w w
j
38
b
&b . . b
love has shown me Some - thing like no - thing I have
b j
&b . . b
love has shown me Some - thing like no - thing I have
b
b
&b

b
? j j . j
b . . . .. j
. .

41 Suddenly Faster
&b
known.
&b
known.
& b
> >
cresc.

&b

?
b

> > >
Rall.
44
& b b b b b bbbbbb
> >

b b b bb b b
& b b
b

b
b
b b

? b b >
b bbbbbb
b b b b
>
b b b

Passionately
46
b b Jennifer:
j
& b b bb .
One day we'll leave this town be - hind us,
Michael:
b b
& b b bb n .
J

One day we'll leave this town be - hind us,
b b
& b b bb ggg
ggg

>
b b ggg
& b b bb gg n
n

? b b b
b b b . . . .
. . . .
48
b b
& b b bb
break the ties that bind us to an - y - thing but one a - noth - er.
b b
& b b bb
break the ties that bind us to an - y - thing but one a - noth - er.

b b
& b b bb
gliss.
sub p
? b b b ?
b b b j &
. . > > > >
.

50
b b j
& b b bb .
One day our dreams will set us free.
b b n
& b b bb n .
J
One day our dreams will set us free.
(> )

b b b n n
&b b b
n n
? b b b n
b b b . .
n
> . .
52
b b
& b b bb
Wond - ers un - ex - pect - ed. Ma - gic un - im - ag - ined.
b b
& b b bb b
Wond - ers un - ex - pect - ed. Ma - gic un - im - ag - ined.
b
b b w w
& b b b www b ww

? b b b
b b b
b > > > b > >
> > >
54
b b nbbbbb
& b b bb n n # n bw
All of it as real as it can be.
b b nbbbbb
& b b bb n n # n b n
All of it as real as it can be.
3
b ()
b b w nbbbbb
& b b b b ww n b
n

3
? b b b nbbbbb
b b b
> > b .
> > b .

56
b b n
&b b b b
Some - thing, in the - sun - rise all a - round us. All our hopes and dreams,
b b
&b b b b
Some - thing, in the - sun rise all a - round us. All our hopes and dreams,
b b
& b b b
b

? b b w j
b b b . .
w . .
59
b b
&b b b n . j
J
and now it seems Some - thing has fin' - lly found us. It's
b b n b .
& b b b b

J J
and now it seems Some - thing has fin' - lly found us. It's

b b n
b
& b b b
? b b j j
b b b . . . j
. n . .
. . .
> n > .
>
63
b b j
&b b b

j

said that giv - en time we'll grow wise. What for? When here and
b b
&b b b
J

J

said that giv - en time we'll grow wise. What for? When here and

..
b b
b
& b b . J
? b b . j j j
b b b J . .
.
. . .
j
66
b b j
& b b b . . . .
now we have found some - thing more kind than clev - er, some - thing that
b b j j
& b b b . .
. .
now we have found some - thing more kind than clev - er, some - thing that

b b
& b b b
ggg ggg ggg ggg

g g g g

? b b j j j
b b b j
. . . .. .
. .
70
b b j
&b b b . .

time can't sev - er, some - thing that's ours for ev - er -
b b .
& b b b b .
J
time can't sev - er, some - thing that's ours for ev - er -
,
b b g ggg ggg ggg ggg
b
& b b ggg ggg ggg
g
g g g g g
? b b j
b b b j j
. .. . .
.
73
b b
Softly and Sustained
&b b b w w
more.
b b w w
&b b b
more.

ggg
b b
&b b b
gg
ggg
P gg
? b b w ggg ?
b b b w & gg j
w w


13. Dirty Laundry

Cue: Cock crow
Moderato

j
1
&b 4 ggg www

. . . . . . . .
4 gg w
P
?
b 4 j j # j j # j j #
4 > > >
4 Gina:
&b
#

# #
Now heav - en knows I'm not one to talk out of school.
j ggg www www

b gg w
& . . . . . . . . w
?
b j j # j j
# j j
#
>

7
&b #

But things have gone a lit - tle too far.
ggg www ggg ww
b
& gg w gg ww
?
b j j
# j j

9
&b
b
# n
Van Horne's been co - zy now with not one, dear but three.
ggg b wwww ggg# n wwww
&b g g
? j b
b j j j n #
b # n
13. Dirty Laundry page 1
11 Greta: Gina:
&b # . r . r
# # n # #
>
> >
And not too hard to guess who they are. Just a bit odd. Down - right bi -
#
3
3

#
& b # J
#

J J
F p
? .
b j r
# # n
> > > >
14 Greta:
&b

# #
zarre. Say have you heard the stor - y of
. . . . . > . . . . . >
# #
&b ggg www
p
?
b j j # j j # j j

#

17 Greta & Gina:
&b
#

#
what's come to pass? Deep, deep in-side the old Len-ox place?
. . # > n

.
& b gg ggg www J
3 3
g n b J 3
> 3
?
b j j
# j j

# j j

20 Greta & Gina:

&b
b
# n
Those want - on tramps have clear - ly a - ban - doned all sense. >

& b gg b www
g # n
? j j b
b n j j
#
b # n
13. Dirty Laundry page 2 11/12/02
22 Women:
#
&b # j n
# # n
>
#
How long must we en - dure this dis - grace?
. . . . . >
# #
&b J
# n
F
? . #
b j r n
# #
>
n - - - . #
>
>
Brenda, Gina & Greta:
24
#
& j j j j
n n # n b n #
> Dir - ty laun - dry, la - dies. That's what I see. Dirt - y laun - dry, la - dies.
#
& # b n b n #
# #
> >
f P
b
?# b n

>
# j # j
27 Women:
& # j b n
#
As foul as foul can be. Our stand - ards fad - ing, our mor - als in de - cline with such
- b - > > > >
# n #> n #
& n # b n
>
?# j
#

Alex, Jane & Sukie: Women:

# n
30
n j
& b b
dirt - y laun - dry on the line. Lad- ies. Lad - ies!

# n j j
J n
& n b J b
n b b
f P
j j j >
?#
n
b
> J # #
>
33 Rebecca:
&b #
Come chat for a
Mabel:
&b #

# #
How
. .
nice to see you out and a - bout with the sun.
.
.
.
. > . . .
.
.
. . . > . .
&b
P
?
b j j

# j j

#
n

35 Eudora:
&b

spell. Now, why on earth would they be down
Marge:
&b n
#

Were you just head - ed back from the bay.
().
.
.
.
.
. > . . . . . . . . > . .

&b
?
b j j

# j j

37 Greta:
&b
there? Fam - i - liar as
Gina:
&b
b n
#
(). . . . . . > . . . . . .
That's such a love - ly dress that you're wear - ing, my dear.
>
&b
? j j b j #
b n j
b # n
39
#
&b n
well.
Brenda:
#
&b #
# # n
n
Were you just wear - ing that yest - er - day?

Franny:
#
&b
#
n
Good heav - ens, what a flag - rant dis -
()>
#
& b # n
J # >
f P cresc.
? . #
b j r - . # n
# # n - - >
> >
#
41 Women:
&
J J J J
Dirt - y laun - dry, peop - le, fresh from the streets. Dirt - y laund - dry, sor - did
#
& j j j j
n # n # n n #
#
& .
play!
# j j j j
&
# b #
FJ J
?# j j j j j j j j j
j j j


44
# #
&
J J J J J
torn slips and rump - led sheets. Our stand - ards fad - ing, our
# j j j # j
& j #
#
# j j j j j
& # # # #
# . b
? # j j
j
j j j
j

j

#
#

# n b
46
# n 2 b
& J 4
mor - als in de - cline with such dirt - y laun - dry on the line.
# j n b
& b # b 2 b
4
# j j j j n b
n b
& n b #
#
2 b
b b 4
P
?# n # 2 n b
# b
n # 4

L'istesso tempo qh
# ^ ^ # ^ ^ # ^ ^
. . .
49
b # # >
&b b
J
f
? b j
b # b
n
54
b . # w
j

&b # w

F
? b j n b b n b n b n b
b # 3
3 3 3 3
3

3 3
57
b b . . . b n b b
# # > 3 >

&b n # J
3
3
f 3
? b
b b b n # J
# > >
3
^
# n n b ^ n
n
61
b b n
&b
3
b n b b
>3 >
F
. > ^ ^
? b n b n
b
n b n
b >
b n
b b
66
b b n nnbbb 4
&
4
cresc.
? b
b n n n b nnbbb 4
n n n b 4
>
hq
69 Felicia:
b
& b b 4 j b j
b
4 w
Have your fun girls while you may. Trou - ble's clear - ly on the
j j
Women:
b b b n
&b b 4

4
hq ^
Can you mean that we're to blame

b
&b b 4 J j j b j j n j j b j j
4 b b
F
^j > >
j j j
? b 4
b b b j b j j b j
4 J b J b
b

72
b j
& b b nw b n b n # j
J J
way! The tide's washed in... a wealth of sin... we're
Women:
j j j
& b bb n n #
j
# n

f f -
Hang your heads, for shane for shame. More's the woe. Oh!
b -
J
Men:

& b b n J J J
f f
^j ^
b j j j
& b b j n n n # n
n n
#
> -
f
^j j ^j
? b
b b j J j #
#
> -
j
75
b .
& b b . . n . n
n
J
fal - ling to the depths! The low - est of all lows! And what comes next well hea - ven on - ly
b j
&b b b n n
n
And what comes next, well hea - ven on - ly
b n n
&b b
J
b j j j j j
& b b .. b ... n .. b .. n n .. b
. b n . b . n . n
sub p
? b
b b

> > > > >
>

78
b bw bbbbbb
&b b
knows......
b b ww bbbbbb
&b b
knows....
b b ww bbbbbb
&b b
j . n . b .
bb
b w
& b b www b n
b
b n b bbbbbb
>
p
j b .
? b
b b b b bbbbbb
b b
>
80 Women: (whispered)
b b
& b b bb j
b n
j
n b j
j
b n

p Dirt - y laun - dry neigh - bors; that's what this is. Dirt - y laun - dry lab- eled,
Men: (whispered)
b b
& b b bb
J

J

J

J
p
. . n . b . .
b b nb
& b b bb
.
p.
. n . . .
? b b b
b b b .

83
b b Felicia: Women:
j j j
& b b bb n n
n
f
f "Hers, Hers and Hers and His!" Just when you're think - ing, it's
Men:
b b
& b b bb n
J
n
J

J
f
j >
n n
n # n n n
b b b
b
& b b J. n n
J J J
f
? b b b j j j j
b b b n
n n
n n
>
#
85
b b nnnnnn
& b b bb n b
J
dealt with done and gone.... The dirt - y laun - dry just goes
b b #
& b b bb
nnnnnn
J
b n n >
b b b #
& b b bb # n n n b b b # n nnnnnn

? b b b #
b b b n n b n
nnnnnn
n n b
n
>
L'istesso tempo qh
87
# DANCE j j j
j j # # #
&
. # n . # # .
# . # # #
. # n . # > >
p cresc.
?# j j
# . # .
w # . # .
> > >

j > > > >
# n . n . # # # # #
91
#
& n . n . # # #
# J
f
j j
? # . n . N #
. n . N #
> > > >
[Ragtime section]
()
# # # # # n .
94
n b n b b
& n . # # n n b n
?#

#
()
# # # # # n . b n
98 loco
n b
& n . # #
b
?#

# #
#
102 # n # # . b n .
# # n
& # # # #
3 3
?# j j

> # # . > # .
>
> >
106
# ^ ^ ^ ^
b b b b b b
& b b
b b >b > > > b > >
?# b b b n n
b b n n
b n b b b n
b
> > >
. .
b b b b b b b
[Felicia motto]
b n
# b b b
110
b b b b b b n
& b b b n b ww
b w
f
? # b
b b b b b
> > > > n b
> > >
> > > >

# . .
# n #
114
& #

# #
#
#
n # www
#

?# b
b b
# > # > # >
> > > >
>
> b
# n b a >

118
& b b b

>
b > b b n b > b > n b b b >

?#

>
122
# j n b ###
b . b n n b b n n
& n . b .. b b b b b n b # n b # n
. J b b b b > > > >
F
?# b b n n b ###
n b
b b n b b b b b
n n
n
b b b b b > n n
n > > n
>
###
126
& n
# b
Dir - ty laun - dry peo - ple, good gra - cious me.
### n # b

& n
# # # # # n # # #
&
#
f
? ### n
n b
b

130
###
& n
#
Dir - ty laun - dry that's been aired out for all to see.
### n #

& n
# # # # #
& n n
b b n n

#
? ###

134
###
& # # # n n
#
Just when you're think - ing it's dealt with done and gone...
### # # #
& #
# n n
### j # ..
& # # n #
# # .. J
? ### n
#
#
137
### 138 140
nnn b b b 4
& ww b b b
4
# # # ww nnn b b b 4
& b b b
4
Felicia: "Jennifer!!" Jennifer:"Mother!"
# # # www
w n
# ? nnn b b b 4
& b b b
4

? ### # . nnn b b b 4
b b b
# 4
> >
Faster
142
? b b b 4 n b n n b n b n b n
b b b
4
6 6 6 6

? b b b 4 j j j j
b b b . . .
4

>
144
? b b b n # 1
b b b
4
6 6 6 6
? b b b j j j j 1
b b b . . .
4

>
safety Felicia:"back to Berkley first thing tomorrow morning." > "Clyde!!"
n > > n >

146
? b b b 1 .. n b n .
. 4 n
b b b & n
4 4 J
6
f
? b b b 1 .. j .. 4
b b b
4 . 4
>
>
148 Women: Rall.
b b b b
& b b b b J n b # # n n n # b n nnb b
The dirt - y laun-dry just goes on and on and on and on and on and on and on and on and...
Men:
b b b n n b n b b
b
& b b n n b nnb b
J
Rall.
b b b b n n b b
&b b b
n n # # n b n # b n nnb b

? b b b n b b b
b b b
n b nnb b


A bit broader
151 Ah
b b w Felicia:
w b
&b b J J
J J J J
Women 1:
Dirt - y laun - dry on the line, good grac - ious me.
b b
Women 2+3
j j
&b b # n

n b

Dirt - y laun - dry, peop - le, good grac - ious me!
j
#
Men 1+2
b b n n b
&b b # n

n b
J
Dirt - y laun - dry, peop - le, good grac - ious me!
Men 3
b b b j j j
j b
& b J J
Dirt - y laun - dry on the line, good grac - ious me.
b b
A bit broader
b
& b
J J J J J J J
F
? b b
b b

Ah Ah
n w n J
153 poco a poco accel.
b b w n .
&b b J J . J
J J J J J J
Aired out for all to see. What can we do to stem this
b b j
& b b b j n n
n
J n J J
Dirt - y laun - dry, that's been aired out for all to see. Our stan - dards fa - ding our
b j
b b n n
&b b b n

J J J
J n
Our stan - dards fa - ding our
Dirt - y laun - dry, that's been aired out for all to see.
b b b j n j j . n n j
& b J J J J J J
Aired out for all to see. What can we do to stem this
b b
poco a poco accel.
j j j j
& b b n n
n n

J J J J J J J
? b b
b b
n

156
b Ah
Ah j
b
&b b J

de - cline. They went and
j
b b
&b b
b b

b b

J
mo - rals in de - cline Ev - 'ry line we drew in dare
b b b
&b b J
mo - rals in de - cline Ev - 'ry line we drew in dare, They went and
b b j
&b b j b

de - cline. Ev - 'ry line we drew n dare
b
b b
&b b
b n b b
J J J
? b b n b
b b b
n
158
b b J
&b b
crossed with - out a care. No, there's no mis- tak - ing their de - sign. So spread the news a - long the
b b n J
&b b
No, there's no mis- tak - ing their de sign. So spread the news a - long the
b b n n J
&b b w
crossed with - out a care. No there's no mis- tak - ing their de - sign...
b b n J
&b b w
No, there's no mis- tak - ing their de - sign...
n
n
b b n
&b b J
cresc.
? b b
b b n n n n
n n n n

Felicia:
161
b
b b
&b b .

vine The good of East - wick's on the line! the
b b
&b b
vine
All Men & Women
b b n
&b b
J b
Dirt - y laun - dry on the...
b n . b ...
b b b
b b
n .. b b .
& b J
f F F
j
? b b . . . .
b b J . n
. . n .
.
b
164
b b
&b b b
line! on the line! on the

b b
Women 1:
n . b
& b b .
+ Women 2:
b b
& b b n J b n
J
b
Dirt - y laun - dry on the... Dirt - y laun - dry on the...
n . b . n . b .
b .. b b ... b b ...
b
& b b n J n ..
J
? b b . .
b b . n . n
. n . . n .

166
b b b .
&b b
b b
& b b n . b b

n . b b

+ Women 3:
b b
Men 1:
b
&b b
line! on the
b b
& b b n J b n
J
b
n . b . n . b .
b .. b b ... b b ...
b
& b b n J n ..
J
cresc.
? b b . .
b b . n . n
. n . . n .
168 n
b b J
&b b
line! It's on the line!
b b n
Women:
b n b
& b b n
#
J
b b n
Men: n b n b
& b b # n
J

n n n # b
n # n b b
~~~~~~
b b b # n n
& b n
~~~~~~
f cresc.
~~~
? b b w
b b b
w
b
>

Playoff & Transition

170 dim al fin
b b Felicia:
b
&b b w
The good of East - wick's on the line!
b b All:
n b
&b b
J
Dirt - y laun - dry on the...
b b j n .. b b ...

&b b n n b

n . b .
n n >

> >

>
J
> >
f
? b b j
n w .
b b
w . n
n > . n .
174
b b
& b b n J b n
J
b
n . b . n . b .
b .. b b ... b b ...
b
& b b n J n ..
J
? b b . .
b b . n . n
. n . . n .
176
b b
& b b n J b n
J
b
n . b . n . b .
b .. b b ... b b ...
b
& b b n J n ..
J
. n .
? b b . .
b b . n . n
. n .

178
b b
& b b n J b n
J
b
n . b . n . b .
b .. b b ... b b ...
b
& b b n J n ..
J
p
n . n .
? b b . .
.
b b . n &
180
b b n nb
&b b w n
line
# n n # n n
b b b n # # n n # # n n n b J J

& b J n J n n
p
b b b n nb
& b w w n
w w
Go to last time on any bar

Safety last time on cue
ggg

184

& b .. .. gg
Visual cue on Alex entrance
& b .. ggg www ggg www .. gw

g gggww
segue "I Wish I May"

14. I Wish I May

Segue as one from last number
1 Alex:
&b 4
4 .

Once u - pon a time, a lit - tle girl used to climb the gras - sy hills, used to

j
gg . ggg gg
& b 4 . J J
.
4
p
. .
& b 4 .
4
4
j j
&b .

hike the for - est through,
()
she'd boss a - round her broth - ers and she'd tell them what to do.
.j Her
ggg
. j j ggg
&b
J g g
gg
J J

b . ?

& &

&b j j

fu - ture all planned out, with - in an inch, with - out a doubt; One per - fect house. Two per - fect cars.
()
g ggg
& b ggg gg g gg ggg ggg
gg gg g g
poco cresc
&b

14. I Wish I May page 1

11 Sukie:
&b

Once u - pon a time, a lit - tle
&b j j

She asked the moon. She wished on stars. Once u - pon a
()

ggg
& b ggg
g

g
F p

&b
?

14
&b j

.
girl. used to laze a-bout the lake, used to swim in it at dawn, with all her clos-est girl-friends, not a
j
&b .
time, that girl was me...
. j
j
. ggg

&b . gg

? .
b

18
&b

stitch of cloth - ing on. They im - a - gined when a - lone how they might change when they were grown.
j ggg ggg
. g g ggg
&b gg
ggg g gg
ggg

?
b

14. I Wish I May page 2 2/7/03

21
# #
&b j j j j n # ###

Yet when the stars would fill the glen she wished to stay as she was then.
. .
# #
& b .. . .
n # ###

poco cresc F

? # #
b
n # ###
Sukie:
#### #
25
& # j
Once u - pon a time, that girl was me...
# ## # Jane:
& # #
.
Once u - pon a time a lit - tle girl used to dream a - about ro - mance, used to
#### # ggg
# . j
& g . j
..
p
? #### # j .
.
#

#### #
28
j j
& #
.

dance the eve - ning through. She'd laugh and toss her hair back like the mov - ie stars would do. In
#### # ggg
& # g

? #### #
#
.
. J


#### #
31
& # j

school though she would die each time those boys would catch her eye. The ones who smoked.
# # # # # ggg ggg
& # gg ggg ggg g ggg ggg g ggg
g g g gg g
poco cresc
? #### #
# j. .

#### #
34 Sukie:
& #
Once u - pon a time u - pon a
#### # Jane:
& # j j j

Who played gui - tars. Who pledged their love be - neath the stars.
#### # Alex:
& #
Once u - pon a time u - pon a
#### # ggg
# j g j
&
ggg ... ggg gg ..
g
F
? #### #
.
# j . . j


#### # n #
37 Unison
& # j j j n n n n
.
once u - pon a time that girl was me. And
#### # n #
& #
j . j n n n n
Once u - pon a time that girl was me. And
#### # n #
& # j j j n n n n
.
once u - pon a time that girl was me. And
# # # # # gg ggg ggg ggg n

g n nnn#
& # gg
g g gg ggg
g
P dim.
? #### # j n #
# j . j n nnn

#
40
3
&
ev' - ry- thing I am is be - cause of who she was, and though it may not seem to be, she's with me
# 3
&
# 3
&
#
&

F
?# j j j j
. .
. .

poco rall A Tempo

43
# n b b Sukie:
& b b

still. Swim - ming circ - les in the sun...
# Jane:
n b b
& j b b

still. The girl who'd see the boys and run...
# n b b Alex:
& b b j

still. Who raced her
ggg
# n b b gg
& b b

P cresc.

?# j j

j n b b
b b j .
J J
.
46
b b
Rall.
- -
&b b nnnn
J - - J
That lit - tle girl. I close my
b b - j
&b b nnnn
J - - -
That lit - tle girl. I close my
b b j nnnn
&b b
- - - n -

bro - thers up the hill; That lit - tle girl. I close my
- - - -
b b
Rall. n
& b b nnnn

p
? b b n
b b j J j n J nnnn
n

48
Freely - colla voce
, j , ,
nn j
&nn # . #
J b
eyes and there she is be - neath the wrink - les and the scars. I'm still that lit - tle girl, wish - ing
nn j, j , ,
&nn j
. b
nn , , ,
&nn j j j
. b
nn n j . ggg ww . gg b ww .
Freely - colla voce
& n g
ggg

? nn
nn b

Don't slow too much

51
U
& b b w j bb
b
blind - ly on the stars. I wish I
U
& b w j bb
b
b
U
& b j bb
bw
b
Don't slow too much U
b b b n b ggg b www ggg
& g
gg bb
?
w

bb
w

A Tempo Gently
54
b j j
&b j . .
b
may. I wish I might. Feel the joy I feel to - night, for - e - ver.
b j j
&b j . .
b
b j j
&b j . .
b
A Tempo Gently
b j n ggg #
& b ggg n ... gg
gg .

? b ? ? ? n
b & & & j J

b j
58
b j . w
& . J
One - per- fect mo - ment to hold with me still. I wish I may. I say I will.
b b j j . w
& . J
b b j j . w
& . J
b j
&b
ggg ... gggn ggg b

& bb gg . ggg n gg b
g
gg

? b . j
b n j.

.

62 Sukie:
b
&b j

Be-fore I sleep... Let this night...
b
Jane:
j
&b j j

I'll ask the moon. Be - fore I sleep. Be mine to
b Alex:
&b j

I'll ask the moon... Let this night...
b j
&b
b b
&

? b j j j
b j j. . .
. .
66
j j
&b
b j
J
for al - ways. This was the mo - ment the ma - gic be gan.
b j j j j
&b .
keep for al - ways. This was the mo - ment the ma - gic be - gan. I wish I
&b
b j # j j j
n
for al - ways. This was the mo - ment the ma - gic be - gan.
ggg ggg n
& bb ggg ggg # ggg g gg
n gg gg gg

? b n j J
b j J J j


69
b j
&b j . w bbbbbb
J
I wish I may... I say I can.
j
&b
b
j b . j w bbbbbb
may... I wish I may... I say I can.
b j j
&b .
j j
. w bbbbbb
I wish I may.... I wish I may... I say I can.
b ggg b - -
&b
g
b bbbbbb

- -

? b
j b
b
.
b bbbbbb

piu mosso
73
b b Darryl:
& b b bb
n n n
Look at these three; burst - ing with pow'r, bare - ly con - tained, grow - ing
b b ggg ..
& b b bb gg .. j gggg n
g n
p
? b b b
b b b n .
n
76
b b j
3
& b b bb .

b b J
strong - er by the hour. I've seen my share of wond - ers, you'd a - gree. But nev - er - the -
b b ggg

ggg
& b b b b b b gg ggg
n n g gg n n
? b b b b n n
b b b b b n


79
b b j j
& b b bb 3
4
less there's not an - y - thing I'll ev - er see that could scarce com - pare to the
- - - -
b b n
& b b b b g ww ggg n wwww
3
ggg b ww g 4
? b b b bw 3
b b b w
bw w 4
82
b b j j
& b b bb 3 . .
n .
.
.
n n 4
4 4
Ecst - a - sy, the Art - is - try, the Myst - er - y of these
n n
b b n n b
& b b b b 3 n n
n n n 4
4 n 4
n n
? b b b 3 n n
n
n n 4
b b b
4 4
Rall.
85
b b b
& b b bb 4 n nnnnb
4
three,
3
lit - tle la - dies... "Make Him Mine"
b b b
& b b bb 4

nnnnb
4
U
Rall.
g
b b g n nnnnb
b
& b b b b 4 gg ggg b ww
4 w n
? b b b 4 . b
b b b
4
nnnnb


88 Dialogue
& bb . b b . b b
b
b b b b g b
ggg b b ggg n b
&b b b gg b
b b g
b
b b b
? b b b . b b
b
b b
92
b .
&b . b .

n
ggg b .. b .. j j
& bb gg . .. .. n .
.. ggg n ggg

J . g g
b .
b b n n ggg ww
? b
b b b

97
b
&b
b w w j

b gg ggg
&b b j ggg gg ggg
ggg
b b g J gJ g g gg
b n J J
? b . .
b J J


102
. b
& bb . b b
b
j j 2

b b
4
j
. b
ggg b b .. b
b
&b b g gg g b ggg b J b gggg b 2
b gg g J g 4
g
b
? b b b b
b b 2
b b b 4
106
b 3
bbbbb j j
&b 2 b
4 w
j

4 4
g b g ggg ggg
b g
4 gg ggg ggg
bbbbb ggg
& b 2 gggg b b gg
g
4 4 gg g gg g J J
.
? b 2 J
b b 4 bbbbb
4 4
#
110
b b nnnnn #
&b b b b . n . b n b . n n n
n
b b b b gg n b b gg n j #
b
& b b ggg n b ggg ggg b b ggg n nn n ... n n nnnnn #
gg b gg n . # n n
b b
? b b b n j #
b b b n . nnnnn #
Cut on cue to bar 121

114
## 6
& . j j
.
. 4

##
& ggg

6
g
g gg 4

? ## 6
4
## 6
118
4 j j
&
.
4 4 .
ggg gg
## 6 ggg 4 g gg
& gg ggg
4 4 g

? ## 6 . 4
4 4
Safety
121 Darryl:"have a ball"
## w w
& .. ..
on cue
>
## U U ggg # .. ..
& # g J
.... [hrns]
Sukie drops P
? ## U > ? 3 3 3 3
ball in jar
j .. . r j ..
. b
&
b b
. b
> b w w
Felicia:"Oh my God!"
## Safety
124
& .. ..
on cue
## U U
gggn b > .. ..
& # gg
n ... J
Jane drops
U b > ? j .. . n r b j
bracelet in
? # # n .
3 3
jar
&
n
n b ..
b
n . b
> 3 3
b n
Felicia:"Clyde!"

b n b n .
piu mosso In 2
127
## ..
& .
b n
. . . . . . . .
? ## b n # &
.. ? ..


Safety
"
In 4
# # n
## #
131
& .. .. 2
# www # 4
w 6 6 6 6
on cue
"?
? ## .. w .. 2
w & n ww 4
w
w w
## 2 w w U nn b
132a 132b 132c 132d
& 4 J b
4 4 p f
3
# j
U
3
## 2 3 3
nn b
# #
3
j
3
& # 4 j b
4 # 4 # # #
f#
#
? ## 2 b b nn n

n # # #
U nn b
4 b
4 4 J
3
3
Jane:"Oh Darryl, teach us" Darryl:

133 spoken
b j j
sings
nb
&b n .
.
Close your eyes, breathe deep and fo - cus. It's sur -
- -3 n - .
bb nb
.
& J J
ggg
3
n
bb ... n
gg
nb
& n -

- .
J

-
? b
b n . n
nb


137
j
&b . . 6
4
rend - er more than try - ing. Send your spir - its off and
ggg b b
ggg # n
& b ggg b b gg
ggg# n n n gg
b b b 6
gg 4
g
? j j j j j 6
b . . . . 4
. .
140 Sukie, Jane, Alex:
&b 6
b b
4
4 4
Let it, let it fly...
&b 6 4
4 4 .
fly - ing.... "Con - cen - tra - tion," that's the by - word.
ggg b b n
& b 6 b b b b 4 ggg b b gg g
g n #
4 b n 4 gg ggg n # n ggg
g
? j
b 6 j 4 j j
4 . 4 . .
. . .
&b bb
b b
Soar - ing, soar - ing
j
&b . bb
Send your spir - its soar - ing sky - ward...
& b b b b bb
b b b b
b
?
b .
j
.
j bb


145 piu mosso

& bb w
high....
Darryl:
b n .
&b

J
b

n
Deep with - in the night or deep in- side of you?
ggg # n n ggg # n n
& bb j n j # n b j n j # n ggg b ggg # n n gg ggg b ggg # n n gg
n n b n n gg b gg b
? b j j j j b b
b . . . .
. . . .
149
b b b b nw
& b b n n #
b b
Why con - sult the moon, my dears when an - y - thing you want, you've but to do?
b ggg b ggg b b b n b
& b ggg b gggn # n
gg b gg b b
gg b gg n
P
? b b b b
j
b b b .
b .
& bb
n
Let it... Let it...
b j
&b . .
Just let it come... Let it grow... Let it
~~~~~~~~~ ~~~~
b n
b b n # n # # n
& b b b b #
? b . j j j
b . b .
. . b .

155
b
&b
n
b
Let it... Let it... Let it...
b
&b n . w
loose... Let it go...
~~ ~~~~
b ggg b b
b b ..
n
b n ggg # n n
& b n # gg gg n ..
molto

? b j
b b . w .
b . w .
U
w w w w
159
b w w w w
&b
P
Darryl:"Once upon a time...."
b .. > > > > > .
b
b b .. b
U w .
&b J J

? b U 5

b j j
.
. > > > > > 5
w w U
w >
b w w w 2 J
164
&b 9 12
4 8 8
Darryl:"..wish has finally been granted"
[very fast crescendo]
U U U
.
& bb w 2 9 . . . 12
. 4 8 . . 8
5
U
j
? b w 2 9 12
b w
4 > 8 8


. . . . . .
169
b
& b 12 . . . . . .
J
8

b
& b 12
8

? b 12
..
b .
.
8 . .
. . .
. .
171
bb

& . . .
. . J J J

bb

n
& n # n

? b n
b
. . . ..
.

Rall.
.
. . . . . . .
174
bb

. 4
& . . . . . . .
J
J 4

bb

b 4
& b

4

? b . .. .. 4
b . . . . .
. 4
. .

177 Slow Four "Make Him Mine"

b
&b 4 b . b
4
b j Darryl:
&b 4 b
4
Three lit - tle la - dies
w b
b b
&b 4 w
4
Slow Four
b ggg www ww
ww
ggg b ww
& b 4 gg w gg b ww
4

soft tremolo
? b 4
b

w w w
4 w w w
180
b
&b b .
.
b b b
b j j j
&b b b . b b b
b
How tru - ly rare. Where most men come up emp - ty, I've drawn a pair...
b b
bb b
b
& b b
b ggg b b www gggb b www ggg ggg

& b gg b w gg b w gg gg
? b
b w w w
w w w

183
b
&b . b w
b j
&b b . j
n
Plus one to spare. As sing - u - lar a tri - o as
b
bb b n
&
ggg b b www ggg ww

ggg
& bb gg w gg ww ggg
gg
g
? b
b w w w
w w w
3
186 3
b
&b
J
6 w 4
4 4
ev - er there was. So beaut - i- ful, spir - it - ed, Dev - il - May - Care....
n
ggg ggg n b n
b b 6 n J b n
&b gg gg b 4
b
b 4 4
? b . 6 w 4
b b
. 4 n w- 4
b - n -
-

Sukie, Jane, Alex: A Tempo
189
b j
&b 4
-
- -
4
I wish I may! I wish I
j U j
Darryl:
b
&b 4
4
U
...and he does. My three lit - tle la - dies!
b
&b 4 ||
||

4
>
b b
[Thunder]
b 4 b J U
& b

4
? b 4 U
b j w
4 w w
> w
>
192
j Rall. U Grandly - cresc. to end Rall.
& bb # w w
w w
may! I wish I may! I will - !
b U U
&b . w w
J
Do you see, lit - tle lad - ies? An - y - thing I say you will - !
bU > > > b - - -

("Eastwick Knows")

bb
&
b b
J
? b U
b w j w
.
w . w
> >
> n> > #>
piu mosso >
> n # # n> n b
# n
196 Rall.
b b n n J
& b n
b ww
# - - -w
n n b n n b
? b # j
n & # n ww
?
b b
b b n n
b w
End Act One

15. Opening Act Two
[Whistle] subito tempo di "Dirty Laundry - Dance"

j
# | j n b b b n>
1
b . n b b n b .
& n b b n
b . n b b n b . > b > >
> > > > > >
j
?# b . n b j
b . b . b b
n b b . b b
> > >
. . >
b
b b b
b b b n n #
6
# b b b b b b b b n
& b b ww #
b b b n b
b w #

f
? # b
b b b b n b
> > > > b #
> > > > >
> > >

. .
11
# # # # n
&
#
n # www #
>

?# b >
b
> # > # > b b
> >
>
>

>
b
# b a b > b
15
& b
b > n b
? # b b n >
b
b b >
15. Opening Act Two page 2 11/12/02

18
# j b . n b b n b b n b b
& n . n b .. b b b b b n b b # n n b b b b
. J b b b b
F
?# b b n n n b b
n b b b b b
b b b b
b b n n b b
n b b b b b
L'istesso tempo (a bit broader) hq poco a poco accel.

j j
b # n n b b n
22
b
& b b
# n
n b

b n n
J J J J J

? b b
b b

n b b
26
b b n b n b b n
&b b n
J J J J J J J
? b b n b n
b b b
n n n

b
b b b b
30
& b b n
J
f j
? b b
b b n n

n . . .
J

n n n . .

n > . b > ... >

> n > . b > ... >
> n . b ...
b b .. b b .
n .. b b .
n .. b b .
34 sim.
& b b n J
J

J
? b b
b b . n . .
. n .
. n
. n > > . > . n > >. > . n .
> >

n
n . b ... n . b ... >
n A
~~~~~
b .. b b .
n .. b b . # n n #
nnnn #
37
b
& b b n J J
~~~~
J Answering Machine

? b b . #
b b . n . . n j nnnn #
b
. n . . n . b
>
40
##
Dialogue
j

&
P
Cool Jazz ("The Glory of Me")
~~~~~~~~
r . r
? ## . n . . . . r b . . . n .
. # .
n n
## n n
. # j n ..
43
. # j n ..
j j
&
n #
n
R R
? ## r r r
. . b . # . . n . . . . b . # .
. n
# .. .... # . U
## .. ....
j
. #
46
. R . #
&
R J
? ## . r # . . r . r j U
. . # . .
# # segue

16. Another Night at Darryls
b b
1 Alexandra
&b b 4

4
Well, it's
b b 4 j
b
& b ggg ggg ggg j ggg ggg g
4 g g g g ggg -
F
? b b 4 j j j
b b . . .
4

b b
5
&b b j 3
.
six o' - clock and the light be - gins to fade. It's six o' - clock, there's a de -
b b j j
&b b ..
j

..
ggg ..
. . .
p g
? b b j j
b b . .
w
8
b b
& b b .

ci - sion to be made. Do I go? Right on cue? Do I know? Sure I do!
b b
& b b . j

..
ggg b b b
g
? b b j j j j
b b .
. . .
16. Another Night at Darryls page 1

11
b b
& b b j j
3
j
. b .
For how man - y months now has life been in - sane? Ev' - ry time I turn a - round
b b
&b b j

n b b

? b b j j
b b .
.
b b
14
& b b b . b

n
there' - ll be Dar - ryl be - tween Su - kie and Jane. Sec - rets ex - posed.
n
b b j j ?
& b b b ... ..
b b . b b - .

- J
-
? b b j j
b b . . .
. .
17
b b
&b b j
.
Lit - tle con - cealed. A - maz - ing the things, that in time, get re - vealed -
j

? b b b

w .
w
..
.

b b - J &
J
? b b j
b b b . . .
20
b b j
&b b j

j j
. .
And when you're better off in - side that li - on's den, What's there to do but
. w
b b b ww w ggg n ...
&b b .
?
J g & n
p P

? b b . J .
b b b . .
b . .
16. Another Night at Darryls page 2 10/2/03

Colla voce
24
b b 3 U
&b b

n
go there a - gain? And a - gain... And a - gain... And a - gain... And a - gain...!
b b ggg U b . < j
g
& b b b g J
b n
J J -
P
? b b U j j j
b
b b
b b n
b . n -
Light Swing
27
b b U nbbb r
&b b . r . . r
. . .
.
The night com - men - ces; My spir - its soar. And soon my
>
b b b n U
# nbbb j j j j j j j j
& b
~~~
J

~~~~
P
? b b j U b
nb b j j j j
b b
. . . .
> . .
> >
b
30
&b b . r . . r . .
. . . .
.
sen - ses go wild and what's more; All my de - fens - es go right out the door.
b j j j j j j j j
& b b j
j

j

j

b
n

? b j j j j j j
b b .
. . . .
. . . .
b
33
&b b j j

Do I do? Do I don't? Yes, I will! Till I won't.
10
b b . r . . . r . r . r . r b b
& b . r b b
n
> > n (whole tone)
sub f P
? b . . r b
b b r n
. . n . . b
.
j
36
bb
33
& b b . r . r
. .
. n .
A - noth - er night at Dar - ryl's! His hands ca - ress me and it feels
3
b b
g ggg
3
b j j j j
& b b ggg b . b n g
g . . g .
F >
P
? b
b b b .
. . .
b .
b
39
&b b . r . r . . r .
. .
.
swell. His words im - press me; I'm caught in his spell. His eyes un -
b j j j j j j j j j j j j
&b b
b

? b
b b
. . . . . .
. . .
b
42
&b b . . . j j
.
dress me. His hands do as well. It's all par for the course. All re - wards,
r
b
&b b . r n . n . . . r . r
.
- ... n ... n ..
..
n . n > > > . .
> f p
? b . r
b b . n
. .
. . . n .
bb b j
45 3 3
& b
.
no re - morse, just... A - noth - er night at Dar - ryl's! And
- .
b r b3
n . .
& b b . .. ... b b .
- .
.. b
. . J
F 3
? b b
b b b .
. b . b w
b w
48
b . b r .
&b b . b . b b . . b .
I'm scal - ing the heights just de - tail - ing the sounds and the sights
r
b .. b .. r
& b b . b b .. . b
b .. .
b .
b R b b ..
b
P
? b b . b b . b
b b b .
b . b . b .
b
51
& b b . b . b . .
b b . b . b
of those am - or - ous nights. All those aud - ac - ious, flirt -
r r r
bb
& b . b b

b
. n
. b ... b
b b
.. b b
.. b

- b - b . . .
-
poco cresc.
? b b
b b . b . .
b . . . b
b
54
& b b b . r
. .
.
a - tious, sa - lac - ious de - lights.... O - K, it's
b .. > > > ...

b ... .
&b b b b . .. .
. - R
f
? b
b b . . . .
.
b
57
&b b . r . r . r .
. . .
. .
trag - ic. What can I say? there's not an ad - jec - tive that could con - vey
j j j j j j j j j j j j
bb

& b

> > 3 > > > > > > > > > >
F >
? b 3 3 3
b b j J j 3
j j 3
j j 3

> > >

60
b . r . j
&b b . . .
.
.
the sort of mag - ic that he sends my way. Just the small -
9
g
ggg
j j j j gJ
b b ..
& b b b n
> > > > n ..
? b
3
. ?
b b j j 3
. &
J
> .

bb b j
63 3 3
& b j

est a - mount and I'm down for the count. Oh god.... A - noth - er night....
bb . r b j
3
& b . r .. ... n .. .. ... b n

. n .. - . b - .
. . - . - - .. b
p cresc f
? b b
b b n b .
n b b .b
b
66
&b b j j
And O - K, it's not a fair - y tale. O - K, it's not ex - act - ly ev' - ry
straight 8ths
b b b b n ggg n ggg
n
& b gg g n
J ggg n
P p legato
? b j j j j j
b b b . . .
b . . . .
rall a tempo
bb
70
& b j n j j
-
dream I've ev - er known... ...an - y dream I've ev - er known. But it's in -
g n -
& bbb
g
j gg n

n

..
n .
j
n g
? b
b b J
. .

73
colla voce
, , , , 3 A Tempo
b
&b b n -
- - - -

b
tense. It's head - y stuff. If it's not love, it's close e-nough. And well... it sure beats be - ing a - lone.
b
&b b ggg n ww bw
g w b ww
p
? b
b b b w b b
b w
b
77
&b b
b b
b
3
b b
3 3 3
b3
b
3
3 3 3
& b b b
b . . . b . . . . . . . b b 3 n
. n . . n . . . . .
p poco a poco cresc 3 . .
3
? b
b b b b n n
b b n
b # #
nnn # #
80
&b b
> > > > > n

3 3
n n
3 3
n #
b
3
nn # n nnn## #
& b b n n n n# J J J J
n n 3 3
f 3
3 3
j j j j j # #
3 3 3 3 3
? b
b b
nnn # #

> >
####
Light Swing
n j .
83
& # . . r
.
I get con - nec - tion, a bit of
> > > > > ^
3 3

3

3

# # #
#
& J J J J J . R
n

? #### j j j j j . R
3 3 3 3

v

> > > >
86
####
& . r . r . r .
. . .
.
fun. I feel af - fec - tion where once I felt none.
r r
And in re -
...
. n
n
####
..
& .. . .
. n
... .. . n . n
..
n ....
f R R R

? ####
.
.
89
####
& .
. . . .
flec - tion, what's done is done. So why not do it a - gain?
> # .. > > > . >

#
#### . . ..
. . . .. .
& #
R r # .. n
R # .
p
? #### . r . r
.
. . .
. . .
92
# ##
& # . . . . . . . .
And a - gain... And a - gain... And a - gain... And a - gain...
# # # # .. .. . .. . n ..
& .. . # .. . .. ..
cresc
? #### n .
. # . .
. # . . n .
94
####
& . . w . r
. . .
And a - gain... And a - gain...! Where life was
# # # # .. . ... .. # .. 3 - . . # . - . -
.. # . . . # . . #
~~~
& .. . # .. . n
~~ ~~~
f
? #### . . #
. . w
w - - - # -
97
#### 3
& . r
. . . . . n .
once cold and ster- ile, now it's pos - i- tive - ly fer - al, all thanks to Dar - ryl's guid - ing
####
3
# ..
& .
> #
~~~
> > <

< < < < < <
~
? ####
. . . .
. . . .
< < < <
100
#### r
3 3 3
& .
. .
light. A - noth - er laugh a noth er lark, a noth er ti -
#### > .
. .. r
& . . .
. ...
R > . #
p
? #### . r
. #
. . # .
.
102
#### 3 3 3 3
& . . . .
ckle in the dark. A no ther switch, a no ther swoon, a no ther howl -
r
#### r ..
& . . .. #
.. n
..
? #### n .
#
. n . # .
104
#### 3 3 3 3
& . . . .
ing at the moon. A - no - ther wrong a - no - ther right a - no - ther taste
> > > >

r #
#### .. n
& . .. J J J J
? #### j j j j
n . #
. n #
> > > >
106
#### 3
r 3
& . n
.
a no ther bite... Oh boy!
A - noth - er night -
> > > >
n >
# # # #
n n #
& J J J J . n

R
3 f >
? #### j j j j
n
n
n n
> > > >

108
####
& w
3
>
3
3
n n # # n n # n
3
#### r
& n # # n n n # # # n n n # # # n # . .
n # > > > .
p>
? ####
> n > n > >
b n n n # . r
n n
n n
3
>
3 3
3
110
#### Rude Stripper Brass
&
>[short

fall]
####
. n # n n .. . . n #
& . . n # . R J . . n #
. . >
>
3 n
n
3 3
#
? ## # .
R J


113
####
&
>[short

fall]
> >- > 3
#### n . n b 3
. . n #
& n ... . R J # . .
. R J . . n # #
> # . >- .
b >
n
.
. n .. n >
n b ..
3
? #### n . n n # #
R J
. R J
.
n #
#
3 3
[sung as written]
116
#### r 3
& . n .

A - noth - er night at Dar - ryl's!
>
n
# # # # n > . . . ..
n .
& n .
J
J
P
#
? ## # j
n j
.
n . >

17. Transition
n > . > .
n . .
1
. .. . ..
& 12 . .
8
Brightly
j j j j .. j j j j ..
& 12 n n . . . . . .
8 . .
[Safety]
? 12
j j j j . j j j .
8 n n . j .

> . # .
ggg b ww
g w
# . .. g
3

& . J ..
[Repeat and fade]

j j j j .. j j j j .
& # . . b
.

.
.
. . . .
? .. ..
j J j
bw
bw
17. Transition page 1

18. Dance With The Devil
Fidel Exits.
Cue - Darryl:"For shame...."
1
b b
&b b 4
4
p
? b b 4 j
b b
4 > > b b b n
> > > > > >
b n
b b j j j j
5 Darryl:
b
& b
You see this girl and your heart stops cold. Her eyes are blue and her
b b ggg b ggg bn ggg bn

&b b gg n gg g J
J J
(sweet)
p
? b b j n
b b
>b > > n

> > n n
b b j j
8
b
& b # j j j
n # n
hair is gold. You know it's best not to stop and stare.
b b ggg bn ggg# n ggg # n

&b b g J gg n gg n
J J
F
? b b j
b b n # n
n # n n n # n
n n
18. Dance With The Devil page 1

Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
10/07/03
j
11
b b j
&b b b

The girls an an - gel and you dont have a prayr. You catch her eye and she
gn b> j ggg b
b b gb n n #
& b b gg
n n # gg n
J
p
? b b
b b b j
b> w b
w sim.
> >
j j j j j
14
b b
&b b
turns a - way. But dont be fooled by the games shell play.
b b ggg bn ggg bn ggg bn

&b b gg g J g J
J
? b b j j j
b b b

17
b b j j j
&b b # n # n
There aint a girl can re - sist ro - mance.
b b ggg# n ggg# n
&b b gg n
J
gg n
J

? b b j j
b b
n # n n # n
n n
j
19
b b j j j j
&b b
n b n
She may be an an - gel, but broth - er she likes to Dance
b > j
b b b gggn b j b
& b g n n b n n b
n . b . n . b >
- # -
F p
? b b j
b b b n j
b n
b - n - . b . n .

18. Dance With The Devil page 2
>
10/07/03
j
21
b b j j j
&b b b b .
n
with the Dev - il. Dance with the Dev - il. Ripe for the tak - in the la -
b b j j j
&b b b n b b n b b n
n b . n b . n b
-
b .
> >
? b b
b b j
b
b
j j
24
b b j j
& b b J n
J

J
b b .
dy likes to Dance with the Dev - il. Dance with the Dev - il.
b b j j j j j j
&b b n b b b n b b n b
. . - b . n - b . n - b .
? b b j j j
b b j

n
n
27
b b j .
&b b n n
J

J J

Theres no mis - tak - in the la - dy likes you. Youd best be -
b b j j j j
&b b b n n ...

b - . . . - . n n
P
? b b j j j
b b j
n n n
b n n
j j j j
30
b b
& b b J J b
J
b
lieve it boys. A - maz - ing yes, but true. She likes to Dance with the Dev - il.
Band Solo
b b j j j j
& b b
b n

..
..

n
b
... b
- > > > - > .
? b b j j
b b
b n .
.
. .
b n
18. Dance With The Devil page 3 10/07/03
j
34
b b . n
&b b
R

And luck - y e - nough, theres a De - vil in
b b j
& b b b ..
n .
... n
.

- ..
? b b .. j
b b J j
.

37
b b
& b b . b . b b
you. And you. And you and you and you
b b b b j n b
j
b b n
& b b
b . . . n . . > . . . b . . . n . . >
>
P
? b b
b b w . w
w . w
40
b b j j
& b b b
>
and you and you and... you we got - ta work on.

j ggg n j
#
b b .. g n n #

& b b b ..
n n
. . . . > f
F
? b b
b b
w
w
>
b b j j j j
43
b
& b
Get in the game kid, and make your play. Go with the mus - ic and
> -
- ..
.
- ..

-
. -
- ..
.
b b n . n
&b b J J J
f P P
? b b
b b j j j
b b

>
j j
46
b b # j j j
Michael:
&b b j
n # n
grind a - way. Some like it fast. And some like slow.
- .. - . n n .. n # n ... .
b b n .
n . N #
b
& b J J J
P
? b b
b b j j j
n # n n # n

n n
49
b b j
Darryl & Michael: Michael:
b
&b b

Darryl:
J
A lit - tle bit of each wont kill you, you know. So hold her tight and at -
b b n b j - -
b b n n # b b

&b b b
n n # J
f P F
? b b j
b b
b w b b
b w
52
b b
& b b b b

b
J J J J J
tend that
-
need.
> j
Then when its right
- let her
b -
take the
-
lead.
> j
b . b . . .
b b . . J b n
& b b
J J
? b b
b b
j
b j j

j j
b b n j j j
55
b
& b # n # n
n
b

-
Roll up your sleeves and hike your pants. j She may be an an - gel, but
n n # # - n -
b b # #
n n # b n b b
&b b n J # J #
[r.s.] J J
~~~~~
> > > >

f
~~~~~
gliss.
? b b j j
b b
~~~~~
n n n n n b
n n
58
b b
&b b n b n b b
J J J J
broth - er she likes to Dance with the Dev - il. Dance with the Dev - il.
. . > > >

b b - # n . n . bb n nn nb b b n b
b
& b # n b n J
J J J
P
j
? b b
b b n b n j j n n j
n b n b
n n
b
>
61 j
b b n n
&b b
J J J
b
J J J
Once she gets cook - in the la - dy likes to Dance with the De - vil. Dance
b . .
>
. > n n b
> > > ... >
n >
b b n
b b n . b n
&b b J J J J
F P
j j j
? b b
b b n j j n
n #
# > n

64 j
b b n n
&b b b

J J
with the Dev - il. When God aint look - in the la - dy likes to...
. . . > > > >

b . . . > . n nb > ...
b b b n
n
.
b
& b J J J J
J
F
j j j j
? b b
b b n j n n b
n > n n b
>


67 Darryl & Michael:
b b n n n
&b b
J

J J
By day she plays the saint. By night just watch her fall.
Men:
b b
& b b ww ww ww
p Oooh!
n > > >
Oooh!
> n b
n n
n b n
b b n n
&b b J
P
j j
? b b
b b n n n j n
n n > b n >
> > n
>
Darryl:
j
70
b b n b b
&b b J
J J J
She likes to Dance with the Dev - il. And
b b n b b
& b b J
J J J
She likes
>to Dance with the Dev - il. Band Solo
n b n n n b n # # n n b >
b b # b b b b . .
b
& b J b J
J
P f
>
? b b
b b n n
#
n j b n
#
n b n n b n
73
b b
&b b n
J

Heav - en be praised, hes in - side of us all.
Men:
j
b b
&b b

- n - b . The
b b n . b n n
&b b J
J
F
? b b j
b b b b n
b b
b b n b b
76
b b Michael:
J #
&b b
J
Is out for the crown. Has
j . j j
b b n
& b b
.

# n # n ..
# n .
> - il in - side
Dev you... The Dev - il
j
in - side
j
you...
j j
b b j b n # #
n
b
& b J n b . n n
n .
? b b j
b b j j j
. n n
. n
b b
79
b b J
& b b #
got the dance down. Can make the girls swoon.
j b j . j
b b n
&b b #
n b .. b
f
The Dev - il in - side you... And if he
b b n j b .. b b ..
..
& b b # n # n . .
b b .. n b b
# n . J J
? b b j j j j
b b b . b . j j
n . #
n . b . b .
Darryl:
82
b b j
&b b
Hell be... get - tin there soon.
b b n
&b b
n > >yet...
aint in there
b b n j
b n
&b b
n
b n
f f

? b b j
b b . j
. b n

84
b b
Men:
b b
&b b b b
J J
Dance with the Dev - il. Dance with the Dev - il.
b b
&b b
j n >
b b n
& b b b b .

J J J
? b b j j
b b . . .
. . J
.
87
b b b b
&b b b b
J J J
Dance with the De-vil. Dance with the Dev - il.
b b
&b b
n > >
> .. j n >
b b n
& b b J n
J J b J
b b ...

J J J
? b b . j j
b b . . .
J
. J
. .
91 Men:
b b n
&b b
She knows the
b b
&b b
n > >
>

b b n n

& b b J
J

J J
? b b j n
b b n .
. n

93
b b n n n
& b b J J

J J J J
moves and how. This I guar - an - tee... She likes to...
Darryl:
b b j
&b b
b b
Dance,
b b n
&b b n n n
J J J J J J J J
? b b . n .
b b J n . J
.
Michael:
j
96
b b
&b b b
Dance, I said dance, I said dance
+Men:
b b j j
& b b b b b
I said dance, I said dance with the Dev - il. Dance, I said dance, I said dance
b j b j j b j
b b
&b b b n b n
J J J b n
P
? b b j j
b b

99
b b b b
&b b J
Ah - Dance, I said Dance I said dance with the Dev - il. Dance,
b b j j
& b b b b b
with the Dev - il Dance, I said dance, I said dance with the Dev - il. Dance,
b j j b j b j j
b b n
& b b b J J J b n b n
J J J
? b b j
b b

j
b . .
b b b #
102
b J nnnn
& b
I said dance, I said Dance with the Dev - il!
b b #
&b b b b . nnnn
J
I said dance, I said Dance with the Dev - il!
b j b
b n j j #
b
& b b b n
b J
J nnnn
J
f
cresc.
? b b j #
b b nnnn

Up From Hell poco rit

# b #
104
b b n #
& b b b b n b b b n

P cresc. 3 3
? # N &
N
Bump & Grind

j
slower Burlesque tempo (swing 8ths)
# n . n .
108
& . R . R
3 J
J

# j ?Drums r j r
. & n ? . . .
. & b
& n . . .

. . . . . .
()
#
112
n . # n b
& . R b
J J
3 3 3
# j ? r j n b
& . . . . & n ? . b
. . . # #
. # #
> > > >

116 Eudora nipple pull
& bb
? b . n . j . . j # .
b . . # .
. n .
. .
. .
3

Orgasms
b poco accel.
b A # n
120

b . . . . b A # n
& b
. . J . . J b
nnb
[straight 8ths]
r j r j n N
? b # #
& . & . n b nnb
? ?
b b # # n N
n
Main Dance
slightly faster than tempo 1
. . . . . . . b > > >
b > b > .
124
& b .. b
J J J J
f
? j j
b . j . .

. . . >
>
128 > b b > >
> b b > >
& b b n j j j j b
J J

J
> J N > n > > J
> f
F
[crotch]
j j j j
?
b j j j j j
#
#
132 N > > > > b >

& b
# # ? n n
J J & b n
J J J J
gliss.
gliss. ~~~~>
? # J
b j
w

> w

> > > >

b b > b b
b #
136
b j
& b n b n # b n n # b n b b n
# n # n J b #
j
? j j b # n
b b
. . b #
. . b

> >
> [rip off]

#
#
#
140
&b J
b
#
# #
F
? b b b
b b b b n b b
b b b
> b n
b n > Jets
>
n >
b b j b b b
b n
144
&b J b b n
b b # n b J
F
? b
b b b # n b b
b #
>

>
b > > > > > >

b b b n n b j
148
n b
&b
b
? j b
b
> > > > > b

b > n b b b > > #> >

b b b #
151
n b bbb
&b J J b b
b
poco accel.
? j j
b bbb

>

Poco piu mosso
^ ^ b ^ ^
# . . . . . . . . . . . . . . n b .
Clyde
154
b b b
& b b # n J J
J J J J J
f
? b j
b b j j j n j
n # > # > > b
> >
b # .
158
.
.
. . . . . . . . . . . n b .
b
& b # n bbbb
J J J
? b
b b j j j n bbbb
n # > # > >

b b b b n n
Wave
162
b b b n n b n
& b b b b
? b b
b b

>
I'm So Happy
b b n b > > > > b b n b >

166
b b b n b
& b b b J n b b
J
J J
? b b b b
b b
b b
n b > b > > >

> > > b b n b
b
169
b b
& b b b J b
J J
J J
? b b b
b b
b

b b

n b >
n b b n b >
b n
172
b b b
&b b J b b
? b b b
b b b
b b >
> b
b b b

b

175
& b b b b b
? b b
b b b n w
b n > w
>

>
178
b b j j # #
nnnn #
Women:
&b b
J # n nn
but broth - er she likes to Dance
b b Men: # #
b n n nnnn #
& b J J J #
J J
She may be an an - gel, but broth - er she likes to Dance
.. n .
b b ..
n # n ... # #
nnnn #
&b b J J
? b b # #
b b j j j j nnnn #
n n n
n #
180
### j j j n
& n
n ...
j

with the Dev - il. Dance with the Dev - il. So goes the tale, oh the la -
n
+Michael:
n .. j
### n
& n n .
J J J
with the Dev - il. Dance with the Dev - il. > So goes the tale, oh the j la -
### n
& n n .
n
J J J
? ###
j j j
. .
.
. . .
# # # j n j j j j j j
183
& n n n ...

dy likes to Dance with the Dev - il. Dance with the Dev - il.
# # # n n ..
& n
n n .
J J J J J J J
j dy j j likes j j to j Dance with the Dev - il. Dance with the Dev - il.
### n j

& n n n n J
J J J
? ### j j j
. .
.
. .
Darryl & Michael:
###
186
& #
She knows the
### j j j
& j n n . ww
..
Be - neath the ha - lo the la - dy likes to... Oooh!
j
### n n .. #Men:
ww
&
J J J
Be - neath the ha - lo the j la - j dy j j likes j j to... Oooh!
n n
### n #

& J J J J
? ###
j j
. # . #
. . #

# # # #
189
#
& J J
J J
moves and how. This I guar - an - tee.
### .. j
& .. j j
# #
n
Oooh! She likes to Dance
p
### .. .. # j j
& n
J
p
Oooh! She likes to Dance
### #
# n
n
& # #
J
J J J J J J J
? ### j j
.
. #
. # .
j
192
###
Michael: w .
&
Ah - ah! Dance
# # j j j j j
& # n n
n J
with the Dev - il. Dance with the Dev - il. Dance with the Dev - il. Dance
cresc.
### n n n
& J J J
J J J
with the Dev - il. Dance with the Dev - il. Dance with the Dev - il. Dance
n n n n n

cresc.
### # n n
& J J
? ### n # n #
n #
# n # n #

Darryl & Michael:
###
195 n
& # n
J
with the Dev - il. Who - ev - er the Dev - il may
###
& n
with the Dev - il.
# # # n f
&
> n >
with the Dev - il.
n f
# # #
n # n
& J
J J J
gliss. gliss.
? ### .
J
. J J
> >
198
### w w w
& w w w
be...
### j j j
& j j j n

n

n

Dance with the Dev - il. Dance with the Dev - il. Dance with the Dev - il. Dance
sub p cresc. f
# # # n n n
& J J J
J J J
Dance with the Dev - il. Dance with the Dev - il. Dance with the Dev - il. Dance
###
sub p
n n cresc.

n n n n f
&

n n J
n # n n J

J J J J
? ### j . j
. J .
. . .

### .
201
& .
### j j
& n ..

with the Dev - il. Dance
f f
# # # n .
& .
J J
f
with the Dev - il.
f n n [Instrumental] n
# # # n
n

& n n n #

? ### . j .
J . J
. . .
204
### j n j
& n
J
Dance, Dance, Dance,
# # #
& #
J
J J
> #> >

# # # n
n

& # # # n
J J J
? ### j
#
J J

n Michael:

206
### J
&
Who - ev - er the Dev - il may be!
### j
& n
Who
n
- ev - er

the

Dev

- il

may

be!
###
& J
n >
n > Who - ev - er the Dev - il may be!
# # # n n
& J
ss

gli
? ### j

> > >
Playoff
>
### .
208 Visual cue from Darryl x4 216
n n
& . .. #
J
f

? # # # .. ..
n n j

> > > > segue

18a.Another Night Reprise

Visual cue as little girl enters
1 Allegretto Little Girl:
&4
4
Poor Chi - cken Lit - tle
. . . . . . . . . . . .

& 4
4
F
?4 j j
j
. j . j j j j .
j j j j
4
. . . .
. . . . .
&
w
had a mis - hap ear - ly one fine day.
. .
. .

&
sim.
?
j j j j
j j j j j j j j
. . . .
7
& j w
. #
Milked it for all that it was worth or so the sto - ries say.

#
& J J J J
J
? j j j j j j j j j j j j j j

18a.Another Night Reprise page 1

11
&
Run for the hills the sky is fal - ling That's what he yelled well in - to the night.
. . . . . .

& J J J J J J b
J J
sim.
?
j j j j j j j j b j j
.
.
15
j #### 4
& . b b 2

4 4
My, what a laugh his friends all had, but what if he was right?

b . n .
3
j 3
#
& J J J J 2 # ## # 4
J J 4 # 4
b . .
j b
?
j j j j J
J J 2 #### 4
4 > 4

>
#### 4 Alex, Jane, Sukie:
n j .
19
. r
3
& # .
4
I get con - nec - tion, a bit of
>

3 >

3 > 3 >
3 >
^
# # # # 4
& J J J J J . R
4
3
? #### 4 j ^ [Drums]

j j j j
3 3 3 3
& . r
4 n

> > > >
22
#### r
& . r .
. . .
.
fun. I feel af - fec - tion where once I felt none.
...
#### . n ..
& ..
..
. n ... ..

f R
####
n ....
?
&
.
.
18a.Another Night Reprise page 2 2/7/03
The Witches of Eastwick Alex:Was
that my
son?"
24
#### U
& . r . .
. .
r r And in re - flec - tion, what's done is done.
n > ..
# # # # . . # > # .. .. U
. # . .
&
. n . n R # R
R R
[Drum solo]
? #### r U
. .
.
. .

27
####
& .
.
So why not do it a - gain?
#### .. .
& . r # ... n

3 3 3 3
? ####
. .
. R . .
29
####
& . . . . . . . .
And a - gain... And a - gain... And a - gain... And a - gain...
# # # # .. .. . .. . n ..
& .. . # .. . .. ..
cresc
? #### n .
. # . .
. # . . n .
31
####
& . . . . w
And a - gain... And a - gain...!
# # # # .. ... .. .. 3 - .
. # n # ..
& .. . .. . # . .
? #### . .
. . w
w
33
#### 3
& . r
. . .
Where life was once cold and ster - ile, now it's
- . -
#### . # .
. n ~~~~~~
& . # . ~~~
~~~

f < < < <
? ####
n .
- n - .
- - < < < <
35
#### . r
Jane: 3
& . r .
. . . n .
pos - i- tive - ly fer - al, all thanks to Dar - ryl's guid - ing light. A - noth - er wrong,
#### >
3
& n .. . ... ...

> . n R
> > < >
< < p
? #### . r
. . .
. . . .
.
.
####
38 Sukie: Alex: All:
3 3 3 3
& . . . .
a - noth - er right, a - noth - er taste, a - noth - er bite.... Ah, what the hell...
#### r r
& . .
... .. n
. # ..
cresc
? #### n .
#
. # . . n

Meno mosso
####
n r
40 3
& w

A - noth - er night - 3
> > "
3 3
# n # # n n b n
3
#### n b n n #
& . n n n #
n # # n n # # n # # . r
R > # > > > b .
3 f > p

> n > n > > U
? ####
n b n n n n n #
n n
n >
3
3 3
3
43
#### 3 3 U

3
& w
.
.
[Ab whole tone arp]
#### U
w
&
3

.. # n # # # b n ww
P 3
#
3
r 3
U
? ## # n # # # . # w # n w
nw
# .
# n bw

19. Evil
Alex:"Let's do it!"
1
b Alex:
j
Jane:
j
Sukie:
&b b 4

4
Half a pin... Scraps of tin... And a

b b 4 gg

ggg
ggg

& b g
4 gg gg gg
p
w w w
w w w
? b 4
b b
4
bb j Alex:
j
Jane: Sukie: Alex:
& b # j

b
ball of purp - le thread... Cher - ry pits... Bits of pap - er... And a spid - er long since dead... Toe - nail
()
b g # ggg ggg ggg b b n
& b b ggg g g gg b
g g g
w w ggg b b
w w
? b
b b
gg b
7
j
bb
Jane: Sukie: Alex:
& b

clip - pings... Rings and tabs... From an - cient cans of Di - et Coke... Brok - en
()
b gg n ggg gg
b
& b gg n ggg
g gg
nw
w

ggg
? b gg
b b
19. Evil page 1

Rall. molto
9 Jane: Sukie:
& b bb
j j
n
()
but - tons... Half a cray - on... Eye of toad... That's a joke...
U
b gg n ggg n ggg
ggg
colla voce
b gg ?
& b gg g gg
g
ggg ggg n ggg
? b gg
b b
Steady, crisp Safety - cut to 18 on any bar Visual cue: as 2nd spider is produced
? b .. j j j j
11
.. n n # .. n
x2
b b n
..
J J J J
3 3 3 3 3 3
P
3 3 3 3 3 3
? b .. j .. n n n # ..
3 3 3 3
b b j j j ..
n
> n
n
Felicia Safety - vox last time
#
15 3 3 3 3
& ..
3 3
..
#

By all means have a drink! That's your an - swer to ev' - ry- thing, is - n't it?
3
? # .. .
3
j
3
j ?
J J &. #
3 3
3
3
? # .. 3
j .. j

#
17 3
j
3 3 3
j
3
j
3
j 3 3
2 4
& j
4 4
There is - n't a prob - lem on God's green earth that can't be solved by a Chiv - as neat.

?#
2 J 4
J J J J 3 4 3 4
3 3 3
3 3 3
3
?#
3
j 2 j 4
4 4

19. Evil page 2 2/7/03
#
20 3
j
3
j 3
j
3 3 3
& 4 j

4 #
And eight drinks on, life's look - ing sweet. You
3
get lost in a
3 3 3
?# 4
3

3
b
J J J J &
4
3 3
?# 4 j
j #
4
#
22
# 3 3 3
&

haze; an an - esth - e - tized troll, blind to the
# 3 3
j j
3 3
&
# #
> >
j
3 3 3
?# j
3
Dialogue
#
24 3
3 3 3 3 3
& j j j j j j

black - ness that threat - ens to swal - low this town whole....
#
&
j j
j ?

# # J J J J &
> > > > 3 3 3 3 3 3
3 3
?#
3
j j j j j j

19. Evil page 3 2/7/03

Clyde:"...finally paid off`"
28
# 29
U Safety
& 1 .. .. 4
4 4
# 3 3
1 .. .. 4 j j
3 3
& j 3 j j
#
b n
# >
4 4
f
?#
3
j j j j j
j 1 .. .. 4
n 4 4
# > > > > > >
#
32 3 3
3 3 3 3 3 3
& b j n b j
J n # # J n
E - vil, Clyde! Ev' - ry - where it can be I look out and see E - vil, Clyde!
# j j j j j j j j j j j j
&
n # n # # n #
F
j
3 3
?# j
3 3 3 3
j j j j

# j
35 3 3 3 3
3 3 3 3
& n
# # # # # #
Would you just look a - round? It's there in the woods, in the trees, in the moon as it glows. In the
j j j j j
#

j

j
# -
# # n
& # n b - - -
J
3 3
?#
3 3 3 3
j j j j j j
n n #
19. Evil page 4 2/7/03

#
38 3 3 3 3 3 3
& j n
n n #
#

# # n
>
#
winds, in the breeze... The pow'r of the night's come to play. It's all plain as day -
j -
# b -
3
& n # # n
# J
-
J
f
3
?#
3
j
j n # j

#
41 3 3
3 3 3 3 3 3
& b j n b j
J n # # J n
E - vil, Clyde! And no one will dis-cuss this in-sid - i-ous E - vil, Clyde!
3 3
j j j j j
3 3
# j j j
& b b n
# n # # # n
j
3
?# j
3 3 3 3 3
j j j j

# j
44 3 3 3 3
3 3
& n j
# # # # #
There's no hope to be found. It starts in our flesh, in our skins. That's
j j j
#

j

j
# -
#
& # n b # -
J
P
3 3 3
?#
3
j j j j
n
19. Evil page 5 2/7/03

#
46 3 3
3 3 3 3
& j j
# n n #
#
where the e - vil grows. From our lusts, from our sins. Mad - ness, as real as can
j j j
# b -
3
& n n # #

- - - J
3
?#
3 3 3
j j j n j
n # #

Rall.
# j
49 3 3
3 3
& n # # .
# # n
>
#
be; this in - san - i - ty - The world's lost its mind! But
# # # #
& n J
# b
#

f 3
3 3
?# j
3
j # j j

Rall.
52Poco piu mosso
#
3
j n
3 3
& w w 2
# 4
you, no, you're do - ing fine. A sad lit - tle
j
# j
& n n n b b
b b 2

b
b b n n 4
n
P
?# j j 2
n . n . j j
. . 4
19. Evil page 6 2/7/03

A Tempo
#
56 3 3 3 3 3 3
& 2
4 # # # # # # #
king in a drunk - en de - cline. From your weak lit - tle chin to your weak lit - tle
# 2
& j j j
#
4 n #
# #
n
# > > >
F
.. .
3
?# 2 j # # j
n # # . . J
n
4 n
# 3
n
3
# Rall.
60 3 3
j b
3
& j 4 #
# # b 4
spine; You're not fool - ing an - y - one, Clyde. Not
# j
& j b
n 4 #
#
# > n> 4 b - - -
f
?# j j 4
# n j
4 .
Poco rall
#
63 Poco piu mosso 3 3
j n
3
& nw w 2
# 4
you, more with - ered than wise. A do - noth - ing
j
# j
& n n n b b
b b n 2

b
b b n
4
p n
?# j j j j 2
n . . n . . . j j j j
. . . 4
19. Evil page 7 2/7/03

A Tempo
#
67 3 3 3 3 3 3
& 2
4 # # # # # # #
drunk spin - ning pit - i - ful lies. From your combed - o - ver hair to your glazed - o - ver
# 2 3 3
& j j j
#
4 n # # . . . . # . # . #
n
#
F> > >
?# 2 j j j
4 n
n # n
# n
"...cherry pit"
3
71
# 3 3 [spit]
& j 4 b
# # 4
eyes; You're not fool - ing an - y - one.... >
# j
3 3 3

J
3
& j 4 n b b n b b
#
# > 4 n n n n J
f p
?# j 4
#
4 n

n >
#
74 3 3 3 3 3 3
3 3
& b j n b j
J # # J
E-vil, Clyde! And it feeds by de-gree on our ap-a-thy. E-vil, Clyde!
3 3 3 3 3 3 3
#
3 3 3 3 3
& b n b n
# n # # # n
?#
3
j
3 3

3
3

3
J J J J J

19. Evil page 8 2/7/03

# j
77 3 3 3 3 3
3
& n
# # # # #
Creep - ing in with - out sound. It starts in our homes, in our beds, in our
3 3 > # >
# 3 3
# #
&
# n # J J
?# 3
j
3
n 3
3

n J J J
79
# 3
3 3 3 3 3
& j
# # b
#
floors strewn with clothes. Like a plague, how it spreads. And pit - y the wo - man who
> > > b
# n
& # #
#
n b #
J # # J

3 3 3
?# # J
J # J n .

#
82
j
3 3 3 3 3
3 3
& 3
j j j j j
# #
knows - Do you think I don't see the way you look at Su - kie Rouge - mont? The
> 3 >
> #
# # n
3 3
# # J n
& J J # J J

3 3 3 3
3
j
3
j j j
3 3 3 3 3
?# n
# n # j #
n
- # - n - # #
19. Evil page 9 2/7/03

3
#
85 3
3 3
j j
3
& j j 6 2

# 4 4
way > you drool and gape? It does-n't es - cape me.

.. # n #
#
. # J 6 n
J 2
& J J
3 3
4 3
4
3 3 3
3
j 3
j 3
j
?#
3
# 6 n # 2
- # - 4 n - J # 4
3 Safety
87
# 2 3 3 3 3
1 .. .. 4
& j
#
3
4 # 4 4
#
> Oh, you want her, it's
true, but you can't see it through. You don'thave the ba...
# # j
&
# 2
J

# # #
# 1 .. j .. 4
4 J 4 4
f P
j j j
?# 2 1 .. .. 4
4 4 4

# 4 j
91 Visual cue: as candle appears Dialogue
& ? &
4 # J J J J
3 3 3
3 3 3
j j
3 3
?# 4
j
4 . .
Safety - vox last time

# .
94 3
3 3
& . j ..
j j j
3
. # # . # .
#
And how can it be when The Cit - y Hall Needs Paint - ing! Pub - lic Spit - ting's On The Rise! The
# . 3 3 ..
& . #
J J # # # # # # #

3
? # ..
3
j ..
. #
#
19. Evil page 10 2/7/03

#
97
& # . .
# # #
Church Has Planned A Bake Sale! A Ki - wan - is El - der Dies! Gret - a
#
&
# #
# # # #

?#
#
#
# j
99 3 3
3 3 3
& # . # # .
J
Neff Is Bak - ing Pies! Get the Pu - lit - zer Prize - We got us a win - ner!
# # n
3

#
# #
3
& # n
# # # #
# # # # 3
3
?#
#
# . .
3 3
#
102 3 3 3
& n j j
J J
> #> # n #
3 E - vil, Clyde. You're part of the prob - lem.
3
# n J # j j j j
3 3
# #
& #
# n #
3
F
3
j
3 3 3
?# j
3 3
j j

> >
19. Evil page 11 2/7/03

#
105 3 3
j
3 3 3
j
3
& n
J J
E - vil, Clyde. For just stand - ing by. The town's go - ing mad!
3 3
j j j
3 3 3
# j j
3
&
# # n #

#
P
3
j j
3 3 3 3 3
?# j j j

108
# 3 3 3 3 3 3
&
And it's ev' - ry - one's fault! Turn your back to the bad in the face of as -
# j
3 3 3 3
&
# #
f P sub p
3
?# j
3
#
110 3 3 3 3 3 3
& b n w
J J
sault, and the fi - nal re - sult is this ult - i - mate E - vil, Clyde!
3 3 3 3
# 3 3 3 3 j j j j
&
# n # # n #
f
?# 3 3 3 3 3
j j j j
# # n # # n #
19. Evil page 12 2/7/03

#
113 3 3 3 3
& 3 3
J J J J 8 4
E - vil...! E - vil...! E - vil...! E - vil...! E - vil...!
3
n
3 3 3
#
3 3
&
8 4
J J J J
?# 3 3
n 8 . . . 4
"
[frying pan]
#
117
>
& 3 4
4 4
>
# 3 U "
& 4
4 J 4

U j
?# 3 j b b 4 .

4 n # b b 4 .
Clyde"I'm so happy! Oh my god, I'm happy! Garbage disposal

For the first time in my life I'm happy!"
#
119 Safety
& 2 .. .. 6
4 4
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ U >
# w 2 ..

.. 6
U

#
& J
4 4
p f
?# U
2 .. .. 6 j
. . . 4 . 4
. . u segue
>
19. Evil page 13 2/7/03

20. Dirty Laundry Reprise
tempo di Dirty Laundry

3 3
#
3
1 3 3
& # 4 # # n # b 4
4 J J J J 8 4 J
f 3 3 3 3
? ## 4 j j j j 4 j j
# # 38 . # . # >
4
. # .
4
>
>

6
# n
#
& # n # nb
? ## nn
j j # j j # j j # b
# > # >
# > .
n #
10 Mabel & Frank:
&b #
To two of our
Marge & Homer:
&b #

# #
Good Lord the trag - ed - y thats o - ccured in this town!
(. ) .
. . . . > . . . . . . . . > . .
&b
P
?
b j j

# j j

#

20. Dirty Laundry Reprise page 1

12 Rebecca & Franny:

&b

friends No doubt that Clyde had to much to
Gina & Joe:
&b #

A hor - rid scene, or so they all claim.
().
. . . . . > . . . . . . . . > . .
&b
?
b j j

# j j

14 Curtis, Toby & Bob
&b
drink To tie up loose
Mavis & Marcy:
&b
b n
#
And now I hear that Jen - nif - ers head - ed back home
(). . . . . . > . . . . . . >

&b
? j j b j #
b n j
b # n
20. Dirty Laundry Reprise page 2 2/7/03

#
16
&b n
ends
Henry & Eudora
#
&b #
# # n
n
Both par - ents gone, it's tru - ly a shame.

Greta & Raymond:
#
&b
# n
The ques - tion is, who's real - ly to
()>
#
& b
#
# >
n
J
f P
cresc.
? . #
b j r - . # n
# # n - - >
> >
[Please voice in true two-part]

18
# Women:
& j j
n # # n
Dirt - y laun - dry, peop - le, man - gled and marred
# Men:
&
J J
#
&
blame?
# j j
& # b

F J J
?# j j j j
j j
j

j


# j
20
& j # j j #
n # #
Dirt - y laund - dry, peo - ple, right in our own back- yard. Our stand - ards fad - ing, our
#
& #
J J J J
# j j j j j
& # #
# # . b
?# j j j j

j j j
j #
#

23
# j
& # n # b
mor - als in de - cline with such dirt - y laun - dry on the line.
# #
& n
J

# j j j j r j
n b . .
& n b #
#
n .
b b .
>

j
. r .. b
?# n # n
w
n #
w
>
r r r b > n
# . .
26
.. n ... . b
& .. n
.
n b ..
.. . b n . . b n
> b . > > . R
> >
r

.
? # b .. n n
w b b b
w b b b
Darryl:"...Clyde and Felicia nonsense is it?"
# . . r .. # n b b b n n b b
30 Safety
& . # n b n b b

> # - -
j j j j j j
? # .. .. b b n b b
b b
b b

j
Women 2+3
j
33
b b j
& b b # n b
b
n
n
Dirt - y laun - dry, peop - le, all grey and glum Dirt - y laun - dry, with the
j
b b # n b
Men:
b
n b b n
& b # n b n
J n J
b b b n n
& b
J J J J J J J J J J
F
? b b
b b

36
b b n
&b b j n
J n J J
pro - mise of more to come. Just when youre think - ing its
j
b b n
&b b
n
n
J
J J
b b j j j j
&b b n n

J J J J
? b b
b b
n

b b
38 All:
b b b
&b b .
dealt with done and gone The dir - ty laun - dry just goes on and
b b b b
b
&b b .
b b n . b ...
b b b n b b
n .. b b .
&b b
J
fF F
j
? b b . . .
b b n
J . n .
n . .
. n .

nw
b b
42
b b
& b b . b # n ww
on and on and on (Ah)
b b b b n n ww
& b b . b nw
b b
n .. b b ... n .. b b ... nw
&b b n . b . n . b . # n n www
J J
3
? b b . . b j 3 3
j
b b . n . n
. . b b
. n . n >
x2
45
b w x2
b
& b b . ww
. .. .. ..
b ww
b . .. .. ..
&b b . w
[tbns]
n
b b
& b b .. ?. . ..
. . n
. . . . . . . .
n
x2
b ww x2
b .
& b b . ww .. .. ..

3
? b b .. j
3 3
j .. .. ..
b b
b w
w

20a. Waiting For The Music To Begin (Reprise)
Jane:"will I ever get it back?"
### 3 Jane:
1
& . j
4
U I dream of a life where the pas - sion rings
### 3 [Hrp]
. ggg .. ..
.. ggg ...
&
j gg ..
4
p
? ### 3
4
& ggg .. .. ggg ..
###
5 8
& . j
# # #
true. Where mu - sic sur - rounds me, ex - ci - ting and
# # # ... ggg . .. ggg ..

& gg # # ... .. g .
### ?
& . ggg .
. ggg # .. .
. .
g
### accel
9
&
.
new. Where
# # # .
& ggg . # ggg .. ggg .. # #

cresc.
? ### ggg .. ggg .. ggg # ...

g . g .

20a. Waiting For The Music To Begin (Reprise) page 1
###
13 piu mosso
& n
n
good comes to good and the bad get their due. And
# # # ggg ... ggg # # ... ggg n n .... ggg # ...

& gg . gg . gg n gg .
F p
? ###

Rall.
17
###
& n
#
oh, what a life I could live here with
- -
# # # gg n ... ggg .
& ggg n . gg # # ...
poco cresc.
? ###

A Tempo
###
20
& # . . 4
4
you.....
- >U
# - - # n n "
### #

& # # 4
# 4
#

F cresc.
U"
? ### n ?
U
4 #
. . &
4 >
[timp]
. .

segue as one
20a. Waiting For The Music To Begin (Reprise) page 2 2/7/03

21. Three Little Ladies
Darryl:"Get your asses back here, Ladies!"

1
b b j
& b b bb 4
4
Three lit - tle lad - ies. Run, rab - bits, run! You
n n ggg ww ggg www

b b gg ww
& b b bb 4 n n gg w
4 n
F
? b b b 4 n n
b b b n n w w
4 w w
n

4
b b
& b b bb

n
j
think it's gone too far now, wait till we're done. I've just be - gun! And
b b b ggg www ggg ggg n ggg ggg n

b
& b b gg w gg gg g gg
p
? b b b
b b b w w w
w w w
n n j
7
b b
& b b bb n n n b
all too soon you'll curse the ver - y day you were born. And what's more you'll rue the day you
b b
& b b bb n
n

n n

b

...
.
n
P F
? b b b n n b n
b b b n b n b .
n n b n
n b n b . > > > >
> >> > >
21. Three Little Ladies page 1

10
b b b
& b b bb n n nnnnb
chose to screw with Mis - ter Dar - ryl Van Horne...!
b b b
& b b b b n .. w nnnnb
.. b n www
f
? b b b b . b
b b b n b n nw nnnnb
b . n b n nw
> > > > > >
# n
12
b b
&b b # n n n #

f
n n n # n
? b # n # n n b
b b b &
n b
b n # n A
15
b n b
&b
b
b b
?
& b b # n n
b
Repeat & fade
18
Alex & Jane exit
b b b b b ..
& b b b b ..
b
? b bw bw
..
w
..
b
21. Three Little Ladies page 2 2/7/03

22. Words, Words, Words Reprise
1 "Something I could say, even..."

b
Sukie:
&b 4
4
But
b ggg b ... ggg ggg

ggg b ... ggg gg
&b 4 g g g g g gg
4 J J
b
& b 4 b - . - w b .
- - w
4
j j
5
bb
Rit.
& . b . b
Words, words, words. Words, words, words.
ggg b ... ggg b ggg b ... ggg g ggg

bb g
ggg g g
ggg g gg ggg g
& g J g J g
b
&b b .
- - w b .
- - w
Uww
g
g b j
b gg w
b
ggg
9 My God Look at you
b
& ggg J #
D b/G b ggg b
bU ggg Am7( j
5)
w j
& bb ggg
g
22. Words, Words, Words Reprise page 1

23. I Love A Little Town (Reprise)
Darryl:"Especially in a town like Eastwick"
1 Darryl: colla voce

j j
&b 4 . . b b
4
Oh yes, I love a lit - tle town. I love the gent - le pace and I
bw
n b ww ggg b b
&b 4
g
4
p

& b 4 bw
4
Dialogue
4
U [Fanny & Eudora cross]
&b j j . j j
j
b n
b

U
love those help - ful neigh - bors and... God bless this love - ly lit - tle life. And

b b b n

n

&
& b b w
?
w
b u
"So tell me,
Jennifer, do
you like
8 colla voce " children? "
U j
&b
b n n
mov - ing back here, all this change' - ll be for the best in time, my an - gel I
U
b ww w ggg b n b wwww
& b b ww n www

n g w
b
?
b bw w

23. I Love A Little Town (Reprise) page 1

11
A Tempo
&b b nb b b b
love this lit - tle town.
ggg b ww
b . . n
& g b ww
b nb b b n .n bn .
f
?
b nb b b b n
w
14 Eudora:
b b j bbbbb
&b b
So
b b bbbbb
& b b . . n b . n

> >

? b b
b b bbbbb

16 Franny: Eudora:
b b j
&b b b
n j
n .
there we were just walk - ing on the beach at Gar - ret's Curve. And what should we ob - serve? Van
b b . n . . . .
&b b b
n .
n n
F
? b b
b b b

&
. . . . .
. .
19 Franny:
b b
&b b b n . n .
n n
n . - .
Horne, all sweet and drip - py with his arms a - round some chip - py.
. . .
b b . . . n . - .
. n . ..
b b n ..
& b
p
b b n .
&b b b ?
n . n
n
23. I Love A Little Town (Reprise) page 2 2/7/03
E & F:
Franny:
21 Eudora:
b b All:
j j
&b b b .
n

n .
No! Yes! He stalked the girl with bri - o, though we could - n't see just who. Not
b b
>
n . n . .
& b b b n
J J n .
F
>
? b b J J
b b b
. . .
.
24
b b
&b b b
All:
b b
&b b b n n n
from the nor - mal tri - o, no I think she's some - one new. Some - one
p
b b
&b b b
n n

b n

. . . .
? b b
b b b
. . .
.
26
b b nnnnnbb 4
3

&b b b 2 n
4 4
Oh - ho - ho -
3
b b nnnnnbb 4
&b b b
J
n
J J
2 n
4 4
new? Some - one new? Is it true? Is it so? Oh - ho - ho -
cresc.
-
- n -
3
b b nnnnnbb 4
&b b b n
n n
nb 2 n
# # n - 4 4
. .
p cresc.
? b b
3
-
b b b n 2 nnnnnbb 4
4 - n - 4
. n . -

29 Darryl:
nn b . . .
& n n nb 4 J

J
b b .
4
Yes, ma'am, I love a lit - tle town! I love the lit-tle mouths and I
. b w
S.T.
nn b n b
& n n nb 4
4
ho oh Yad- da, yad - da, yad - da ya...
f f
A.B.
nn n b b 4
& nn . bw
4
ho oh Yad- da, yad - da, yad - da ya...
f f
j b b
nn n b b 4 n b
& nn b b b
b
4 n J J J
f
? n n b 4 j j j j j
j j j j j j j
n n nb
4
b b
b
j
32
b
& b b n .
J
.
love those lit - tle rum - ors and God - damn! I love the lit - tle life!
Women:
& bb n b

Ah! Ah! Blah, blah, blah,
f f
Men:
b n b
&b

Ah! Ah! Blah, blah, blah,
f f

b b b
n j n j b
b
&b J
J n

J
J
? b j j j j j
b j j j j j j
b

b

35 colla voce
b b j
& b b

n
2
4
When you think you're at the end, dear, a new ad - ven - ture's round the bend, dear. I
b bw no gliss
w
& b b ww n ww
2
4
blah!
b b . gliss
n ww
& b b .. w 2
4
blah!
j
b b b b www n www n
2
& bw w
4 n >

? b w 2
b bw
bw w 4 ~~~~
~~~~
38 A Tempo
>
b
& b # n . 4 .. ..
4
love a lit - tle town.
j j
# b b
b . . b . . ..
& b J 4 .
~~~~
4
p stacc.
~~~~
P f j
j j
? b j 4 j j j j j ..
~~~~
b b ..
~ ~ b
~~
4
~~
42 All:
b j .. ..
&b
I love a lit - tle town...
b b j 1st
time
only
&b . .
. .
? b .. ..
b


45
b j b .. ..
&b
j1st time only
b b b
& b b b . .
. b .
? b .. ..
b

Witches: "Oh my God!"

48
b
&b b j
b
b
"
& bb b b J
f
? b j "
b
> >
> >
51 Darryl:
b . b b
&b J

God - damn! I town! this lit - tle
Women:
& bb b
Ah love this lit - tle
b b
Men:
& bb n
b n # # n
&b n
- - - -
~~~~~
~~~~~
~~~~~
~~~~~
~~~~~
~~~~~
~~~~~
~~~~~
? b

~~~~~
b

~~~
~~~
~~~

>

54
b
&b w 2
4
town! Shown 'em the rock!
b
&b ww 2
4
town!
b ww
&b 2
4
>
b b # >
b b b .. .. J 2
& J
4

? b j j
b
2
> 4
>
56 Playoff
b
&b 2 4 .
J
.
J
4 4
b 4
&b 2
n

4 4
? b 2 4 j j j j
b j j j j
4 4 b

b
59
b j
&b b b b

j j
b b b
& b b b b
b
n
? b j j j
b b j j j
b b
b b

23a. Little Girl (Fence Scene)
1 Jane:"God, I wish I had that cookie jar now!" Little Girl:
&2 4
4 4
Poor Chi - cken Lit - tle
. . . . . .

&2 J J 4
4 4
?2 4 j j
j j j j
4 . 4 . . . .
.
3 Witches:"Shut up!!"
&

felt an a - corn drop - ping on his
. . . . . . . .

&
? j j j
j . j j . j . j
. . . . .
23a. Little Girl (Fence Scene) page 1

24. I Wish I May Reprise
Visual cue: Sukie exits

Gently Jennifer:
b
1
U
&b 4 j
4
[instrumental solo] I wish I
b j j
& b 4
4

U

b
&b 4

4
b U
&b 4
ggg www ggg www ggg www ggg ggg
4 g g g
j
5
b
&b j

may. Like all girls do now my dreams have all come

& bb

b ?
&b ggg www ggg www ggg www
gw gw
24. I Wish I May Reprise page 1

8
b j
& b .
true, com - plete - ly. Strange how it's fal - len right in - to my lap. But some - thing's
b
& b j n gg # ggg www ggg n www
g gg w gg ww
? b w
b n w
11
b j U
&b
J
J .
wrong... If just a scrap... I won - der what?... per - haps...

g g ggg b . U
& bb ggg ggg g
g g ggg J
g
g ggg
gg
jU
? b
b w w ggg & g
g
gg g.
w w segue
24. I Wish I May Reprise page 2 2/7/03

Darryl:"Black tie, my white ass!" 25. The Glory of Me

Jennifer:"Oh crap!"
# 4 Darryl: j
1
&
4
Look at me... >Cool Jazz Feel
My God!
> b > > > > >
# j n b n j
~~ ~~~ ~~ ~
& 4 b b n
#

4 >
> Dialogue
P
f
~ ~~ ~~ ~~ ~
gliss.
? # 4 b > j
. r . r
4 J . n . . b . # .
. n
~~
5
# ..
x2
..
&
?# . r . r .. . r . r ..
. n . . .
b # . . n . . .
b # .
. n . n
Darryl: Cue:"What's not to love about me, huh?"
# [vox 1st time only]
9
j j j j 1 .. j .. 4
&
4 4
Yuck, yuck, yuck, yuck, yuck!
# n b > 3

1 .. .. 4 b n
3
&
4 4
3
[Safety] 3
b n
.. 4 >
3
?# 1 .. j ?
j j j j & b
b

4 4 w
> > > > >
3
Darryl:
# "That would be you Mr. Van Horne"
12
r . r .
3 3
&

Who's got this town in hand? Who's strik - ing up the band?
# r
& n J . j b . j
# n . b
?# . r . r . r
. n . . b . # . . n .
. n . n
25. The Glory of Me page 1
3
# "Oh Darryl!"
15
. # . .
& R . n .
Ask all of East-wick,and Let the stor-y be told of the
Small Group:
#
& . #
R
they'll a - gree.
r n .. r
#
. j b #.j . # n .. n .... #. # ... j .
& . .
#
. .b n .
# b . n R
?# . r . r . r . r 3 3
. b .# . n . # . n . # . .b n b . b
#
#
#
19
& n . # .
. j
# # n ....
Glor - y of Me.
# . b n . n .. # . n J .
3

& n . # . # n . # .
. . n 3
. b b . b b n .
?# n . 3 3
# # n
n . n . #
3
3
# "He's such a man!"

22
r .
3
&

Who's head - in' off the scale?
# r
& . b . j
# n .
j
b
n ...
# n
. b
& J . R .
R
?# . r . r
. n . . b . # .
. n
25. The Glory of Me page 2 2/7/03

"Hell I'd sleep with him!"

#
24
r .
3
&

The quint - es - sen - tial male.
# r
& . b . j
# b . #
j
n
n ...

# n .. #
& . R . R . R
?# . r . r
. n . . b . # .
. n
3
#
26
. # . .
& R . n .
Come on, and tell the tale. Let the stor - y be told of the
# Small Group:
& . #
R
Wow - wow - whee!
r j
#
#

n .. . b n ...
& J . . # # ... n .
R J
R
?# . r . r . r 3 3
n . # . n . # . . b n b . b
# # .
#
29
r .
3
& n . # .
Glor - y of Me! No one I hold as high,
#
& b .
R
Nor you should.
# n .. # ... # 3 >
j
3
j j r r
& . . n n # # # .. n . . b .. n
J . n n b ..
> > > >
?#
3
3
. r . r
. n . . b . # .
# # n
n . n . # . n

3
#
32
r .
3
& .
R
As Me, My - self and I. Sweet Jes- us, What a guy.
#
& . b .
R
Who's as good?
# j j j j r
& n . r . r .. # j n
j j
.
j n b # #
# n
. > >
> > > > > > >
?# . r . r . r . r
. n . . b . # . n . # .
. n #
#
35
# . .
& . n . n . # .
Let the stor - y be told of the Glor - y of Me.
#
& . #
R
j
Glor - y
j
be!
j j 3
#
#

# . b . .. . n # # n # #
. n . # .
.
& n > > . . n . # . #
> >
3
?# . r . r 3 3
3
3
n . # . . b n b . b # # n
# n . n . #
#
38 Darryl:
&
Shout! Say!
# Women:

& . . . b . n .
Men:Shout! Shout it out from the har - bor! Say! Say it

#
V . . . b . n .
b > > > > > > > > b > > > >
# n n n
&
J J J J J J J J J J J J
?# j j
n 3
j b 3 n 3

> >
>
#
41
&
Sing!
# . . n
& . . .

all, say it true! Sing! From the bay to the back - roads!
# . . n
V . . .
. .. n > .. n b > > > > >

# n b ... #
. . # .. # # n n
n .
.

& J J J J J
R
?# r j
. # .
3
.
. # .
> > >
44
# 3 3 3
.
& . b . .
R . n . n - - # -
#
Shout it out! Say it out! Sing it out! Oo - Oo- Oo! Let the stor - y be told
- -
of the Glor - y of
. . n . n #
3 3 3
V . b . .
R . n . n - #
Slight Rall.
# 3 3
r n - # -
n ... . n b ...
3
. b .
& #
j
. # . . n #
n >
?# . b
. . # .
n #
# . b
. > n - # -

#
48
& -
You!
#
V -
Funky Rock-Gospel
#
& j j j
j
# # n n
n #

j

?# j j
. #
#
. .
#
50
& j j
j j

j
# # n n
n #

?# j j #
.
#
. .
52
#
&

Who played straight and kept it real?
# j j
& b n ..
. b
Who, who, who?
# n .
V b ..
J J
b ..
# n .
& J .
J
b
J
# j j
& j n n ...
#
j n b .
#
?# j j
n . . n #
n .

# j
54
&

Told the truth and skipped the spiel? In each and ev'-ry way, i-deal!
# j
& b j ..
b .
True, true, true!
#
V b ...
J J
b ..
#
& J b ..

J J
# j j
& j n .. # # j j
#
# j n n n .. n

b
?# j . # . #
n . J # . R #
n .
#
57
. #
& J n n #
Mod - est, too. Let the stor - y be told of the Glor - y of You!
# n n #
. #
V J n n #

# n
&
n
#
#
# j j n
#
j
& j # #
j
n #
n j n n #
J
? # n # j
# n n # n #


#
60
&

Who breezed in and bagged three dames?
# j j
& b n ..
. b
Hey, hey, hey!
# n .
V b ..
J J J
()
b .
#
&

J .. b
J J
J
# j n j .. n n
n #
j
.
#
& #

J J #
?# j
. n . n #
. n . n #
#
62
&

Who ex - posed your small town games?
# j
& b j ..
b .
What - choo say?
#
V b ...
J J
()
b
# .
&

J b ..
J J
J
# j n .. n # # n
b .. n n
j j
& #
#

J J
?# j j
. n . . #
. n . #

#
64

&
Come on folks, start nam - ing names!
# j
& . #
J
We de - clare: Let the
#
V . #
J J
.. #
#
#
& ..
J J J
# j j
j b b
n #
& b n
?# j j
. b . n #
. b . #
#
66
& n n # .

stor - y be told of the Glor - y of Dar - ryl Van
# n n # .
V n n # .

#
& n n # .

?#
n n # .
.


Darryl:
#
68
&

Stop, I'm blush - ing...
# >
&
ww # . # www
w J
Horne! Dar - ryl Van Horne!
>
# www
# .. ww
V w J
j
# n
&
.. # .. # ....

~~~~~~~~~
. .
J
?# j j j j j
~~~~~~
. . j
. . . . .

> >

72
# n . n n
& # j j n b b .... n # n # j j n
J J J # J
Instrumental
?#
. n n . n
. n n # . n
#
#
75 All:
. #
& J n
Once a - gain; Let the stor - y be told of this
# n
V . #
J n
() .. # j j
# n # b . ... # #
& b .. n
J J b . . n b
?# j n b
# b . # b
# b #

#
79
& n b 6 b n b n b n 4
# 4 4
man a - mong men a - mong men, a - mong men, a - mong men, A - men...
# n #
V n # 6 n # n

#
#
4
# 4 4
#
& n # # # 6 # n # # 4
n n
# #
4 #

# n # # n 4
?# j 6 j j 4
. #
n # 4 . 4
n . # . . #

81
# 4 Women: j j j
& b n b # n b
4 n #
Shout! Shout it out from the har - bor! Say! Say it
# 4
Men 1 + 2

& b n #
4 J J J
Shout! Shout! Shout it out from the har - bor! Say! Say! Say it
# 4 Men 3
V b n
4
b n n >
Shout! Shout it out from the har - bor! Say! Say it
b >
~~~
# 4 j j
J b b
~~~~~~
~~~~~~~
& n #
4 n # # J
~~~~~~~~
gliss.
~~~~~~~
gliss.
?# 4 j j j j
#
4 - > # -
> > > > >

84
# j j
b n ...
& n b n b

# n
#

all, say it true! Say it... Sing! From the bay to the back - roads!
# n b n # ..
&
J J
all, say it true! Say it... Sing! Sing! From the bay to the back - roads!
#
V b n .
J
#
all, say it true! Say it...
b
Sing! From the bay to the back - roads!
j b n
~~
& n b
n b # n
~~~~~~
> > >
>
b # n J
b
#
> > gliss.
~~~~~~
?# j j
b n
> b n - b n #
> > > > >
87
#
& . .
Shout it out! Say it out! Sing it out! Shout it out! Say it out! Sing it out!
#
& . .
#
V . .
#
& j j # j b n n
n j
j j
j j #
b

n #

?# j j
. j
. . b n
.

#
89
& . .
# . .
&
#
V . .
#
& j j n j # j b j n n
j
j
n # n b
j #

?# j j
. j
. . b n
.
# n b b
91
& . . b b
# . . n b b
& b b
# n b b
V . . b b
# n b b
& j j n j j # j b j n n b b
n #
j
b

n
j
#
?# j j n b b
. j b b
. . b n
.

Eudora:
93
b b . w w
&b b
Aaaaahhhhh!!!!!
>
b b
&b b
J
b n b # n
b b j
b
n n b # n n n b # b n n b b n n n b n b n # n b b b n
& b b n
b
>f
n n
j b n b n bb n
? b b
b b n b n n # n n b n n #
n #
96
b b w w
&b b
b b j
&b b
Who's got all the bas - ics down?
b b
All:
j j
&b b b
n b .
n b .
Who's got all the bas - ics down? Night to morn!
b n b .
b b b .
Vb b n
J

J
b .. b n n
b
n
j

j

j
n
j
n
j
n
j
b b .. n n
b n
b b J J
&b b b
b b b
b b
&b b
b
b
b b n
? b b
b b b b
b b
b


98
b b w
&b b
b b j
&b b
Who knows how to wear that crown?
b b j j
&b b b n . b
n . b
Who knows how to wear that crown? D. V. Horne!
b n . b
b b
Vb b n
J
. b
J
b

.. n
b .. b n n
j j j j j j
n n n n

b b J J
n
&b b b
b
n b
b b
b b
&b b b n b
n
b n b
? b b
b b b
n
b n

j
100
b b
&b b
Spare the e - grets; spoil the town
b b j j
.. n
&b b n
.
Spare the e - grets; spoil the town through and through. Let the
b b n b ... n
Vb b
J J
n b
j b n

b b
n
n n
&b b J J
b b
&b b
n

b

n
? b b
b b n b n
n

102
b b # #
&b b nnnn #
b b n
stor - y be told of the Glor - y of You!
b b b b n # #
Vb b nnnn #
b b n
n
n # b b b n n n #
b b # #
nnnn #
#
&b b # n
J
b b n # n # #
&b b #

b b b n # n n n nnnn #
#
? b b j # #
b b n b nnnn #
. n n
. b n
104
### j
& n n
Who set out to seize that day?
### n n n j
n n .
& J n .
Who set out to seize that day?
n
Who
would
.
dare?
# # # n n

n
n

n .

V J
j j
J
n n
n
### n ..

.. #
& n n n
n
n
J J

J
J J
###

& n n n
n n

n

n #
n #
n
? ### n
n n n # n #
n
n

### j
106
&
J
Found his king - dom come what may? Right
### j
n .
& J n .
Found his king - dom come what may? Where, where, where?
n .
# # # #

n

V J n .
j j
J
n
n
### n .. #

& n

n
J
..
J
J
J J
###
& n # n # #
#
n n #
? ### n
n
n # n
n
### j
108

&
here in Nar - ra - gan - sett Bay!
### j j
# ... #

& n n

Here in Nar - ra - gan - sett Bay! Hal - le - lu! Let the stor - y be told of the
# # # # n .. # # n
V

.

J J n
n ..
# ... n . # ... # .
..

..
. n
### . n . . # . . n
& J J J J J
###
& # n n
# n n
#
? ### n n
n # n n

# n
# . n . . #

### j
111
... ww
& n # n w
Glor - y of You! The Glor - y...
### n # n .. ww
V n . w
# J
# w ww
### n #

n ww w
w w
&
n
n
3
# # # n ww
& # n
# n ww n # n n n
n
? ### j 3
n . nw n n
n . nw n n
> > >
### > > >

114
"
& J
The Glor - y of
###
[Plus assigned Ad libs]
.. "
& # .
Glor - y...
# #
& # "
# # # # ...
V "
w >
### # www

& J "

>
###

~~~
& www J "

~~~
~~~

~~~
gliss.
? ###
~
j "
w
w

# # # >
116

& J
Me! The Glor - y of
All:
###
& . .
Shout it out, say it out, sing it out... Shout it out, say it out, sing it out...
A few Tenors and Altos (true pitch):
###
& . .
# #
V # . .
###
& j
j
j j # j n j n n
#
n

n
j j
#
? ### j j
. j
. . b n
.
###
118

& J
Me! The Glor - y of
# #
& # .. n ..
###
& n n
Glor - y! Glor - y of You!
###
V ...

n ...
###
& j j n j j # j n j n n
j

n # # n
j #

? ### j j
. j
. . b n
.

###
120
& J
Me!
###
& # ...

n ..
.

Shout it out, say it out, sing it out... Shout it out, say... Let the
###
& n n

###
V # ...

n ...
Shout it out, say it out, sing it out... Shout it out, say... Let the
###
& j j n j # j n n n
n
j
j j

n # #
j #

? ### j j
. j
. . b n
.
122
### n ww
ww
& n n #
J
Stor - y be Told of the Glor - y of You!
### n n n # ww
V w
J
Stor - y be Told of the Glor - y of >
You!
> >
###
&
# n

n
n

### .. > .. > >
& n n n # .. n ..
> > >
? ### j j
. n .
n . n .
n n


125
### ww ww
& ww ww
### ww ww
V w w
n > >3 > > >3 > n > >3 > >
###
& n n
n > >3 > n > >3 > >

n n
>3 > >
# # # n n # n # n #

~~~
&
~~~
~ ~~
>
~~~
? ### #
~~~

~~
# >
> > > > >
128
### Playout
..
& . n ...

###
& n n
### ..
V . n ... ?
### Drum fill
& j j j j j j n j n
#
n
n
j
#

? ### j j
. j
. . b n
.

###
131
& .. n ..
###
& n n
... n ...
? ###

###
& j j j j n j n
#
j
n

n
j j
#
? ### j j
. j
. . b n
.
###
133
& . .
###
& . .
? ### . .

###
& j j j n j n
j n
j
n #
j

j
#
? ### j j
. j
. . b n
.
> U
m
135
# # #
n

3

j j j n j n J
Drum fill
~~
& # j j j j
~~~ ~~ ~
~~~

n # n
#
~ ~~~ ~~
? ### j j 3 U j
. j j
~~
. . b n
.
>

26. The Wedding
& 4 .. ... n ... .

4 .. . b b . ... b

?4 j j
b
4 b b
b

j
5
& n ... b .. . 24 . 4
. . .. b 4

? j 2 4
b

b
4 4

j
9
Women:
j
&4 b .. .. .. j
4 f
The groom's in black, the bride's in white. The an - gels sing as
Men: . b . # ..
?4 J J
J
4 f
j j
& 4 .. .
b b ...

..
.. .. j
4 > - - - - # ..
f
?4 j . j
j b . .
4 . .
b . .
. - - - -
26. The Wedding page 1

14
3
& .. j

well they might. Let heav - en shine its sa - cred light on this blessed e - vent . Ah -
.
?

.

J
3
3

& ... j

.

j
? .
3
.
.

Gina:
19
& bb
Ah - Ah - Ah - Ah - Ah - Ah - Ah - Ah - Ah - Ah - Ah - Ah -
Greta & Claire
,
&

bb
Ah -
,
?
bb
&

bb

?
bb
w

26. The Wedding page 2 2/7/03

p
subito
22 b
b w w ww
&b
Ah -
b
Ed:
j j
& b b ww ww

psubito
Dear - ly be - lov - ed, we are gath - ered here to - geth - er, to
w w
? b w w
b

b b g w ww
& gg b ww ww
gg w . . . . . . . .
subito p F
? b
b
w w . . . . . . . .
26
b Women:
3 b
& b # . b 4
J 4 4
join this man and wo - man in the eyes of our Lord...
f ...And East - wick.
b b
Men:
? b
b J 3 b 4
f 4 4
b j
&b ggg n 3 b b 4
b 4 b >

. . . . g .
> 4
f
? b 3 4
b b
. . . . 4 4
b >
>

29
b # b
&b 4 n 3 n 4 b
4 J 4 J 4
Those whom God would join let no man... ...or wo - man... tear as - sun - der....
b
n 3
? b 4
b J J 4 b
4 4 4
j #
b
& b 4 n n .. 3 n
4 # b #
. 4 # #
4 J 4 b #
? b 4 3 4
b 4
4 4
n > >
poco piu
33
b Jane:
j j j
&b j b

b
n b b
I close my eyes and I wish him gone. I close my eyes and I
b j j j
& b

n b b

b b
b b b
b

? b j
b . - - -
> . >
36
b j j
&b b . . b .
dreamed this nev - er hap - pened. I close my eyes and I wish our lives un - fet - tered by this
b j j
&b b ... b .. b
b b

b b b . b b n
? b j j j
b N . - . .
N > . .

poco meno poco piu
39 Darryl:"Go on, go on."
bb
Darryl:
&
Yeah, yeah,
U
bb
Ed:
& n

mad - ness...! Dear - ly be - lov - ed we are gath - ered here to geth - er...
b j U
& b b b # # n
n n
>

.

.
. . . . . .
U F
? b
b j . . . .
. . . .
>
43
bb
3
& # .
yad - da, yad - da, yad - da, yad - da, yad - da, yad - da, yad - da, yad - da... Cut to the chase, al - read - y!
b j
&b
j

j

j

j
n

~~~~~~~
.
> gliss.
? b j
b

>
45 poco accel
bb
(Darryl:)
j j j
&
Ow! Argh! Jeez!
b b j
Jane:
&b j b

j b

b b
We humb-ly ask... We simp-ly wish... We mere-ly pray...
b .
j b . j j .
bb
#
& b b
J J J
b
& b g b
gg b b b b

? b bw
b bw w
bw bw
w

48 poco accel
b j j
&b
Cripes! Stop!
b j j
& b b
With eyes cast down... With thoughts of good...

j . #
j .
b
&b
J
J
b
& b #

? b
b b
b
b
Darryl:"bit of a crunch for time here"

50
b j "
&b
>
God - damn - it!
b j "
&b
With hope and more...
#
j .
j .
b "
&b J J
b j
& b # "

.
? b
b j "

.

52
b j
&b w w 6
4
That's all we're ask - ing for!
b
& b

n 6
n
# n 4
? b 6
b . w
n 4
n . w
55
b Darryl:
j j j
&b 6 4 3 6
4 > 4 > 4 > 4
Ow! Ow! Ow!
Ed:
b
&b 6 . 4 3 6
4 4 4 4
Do you Dar - ryl, take this wo - man...? Do you Dar - ryl take...? Do you Darr'l...?
.
j
.
.
j j #
b n #
6
&b 6 4 3 J
4 J 4 J 4 4
f
b j
&b 6 4 3 6
4
. 4
. 4 4
. . . . . . .
F
? b 6 j 4 3 6
b . . .
4 . 4 . 4 . 4
. . .

58
b j j > > > > >
&b 6
J

J
J 6
4 > > 3 4
Ow! Ow! Ow! Ow! Ow! Ow, ow,
b
&b 6
6
4 n # 4
Do...? Do...? Do...? Do...? Do...? Do...?
#
j .
j .
j .
j .
j .
j .
b J J J J J J
&b 6 6
4 4
b
&b 6 n n # b b n
6
4 n # # . # # # 4
. . . . .
gliss.
? b 6 6
b
4 . n . . # . . . 4
59 Jane:
b
&b 6 j b j b 44
4
I think the words, I speak the thought... The moon shines bright, the night is blessed...
Women:
b
& b 6 b ww .. b ww .. 4
4 4
Ah ah
Men:
b .
& b 6 b ww .. b b ww . 4
4 4
b ww ..
&b
b 6 b ww b b .. 4
4 b 4
> >
F
? b 6 b . 4
b w
4 bw b . 4

61
b n
&b 4 n
4
Let the heav - ens grant us our re - quest... Let the heav - ens hear us if they dare...
b
& b 4 n ww n ww ww
4
ah ah ah
b w nw #w
& b 4 nw w w
4

b w n #
& b 4 n n www n
4
? b 4
b w
4

w
64
b .
&b # 3 b 4
4 4
Hear our pray'r! Hear our pray'r! Hear our pray'r! Hear our
Women:
> > >
bb w b b n #
& w 3
J # J 4
4 J 4
ah Ah ah! Ah ah! Ah ah!
b # ww Men: > b > n n >

&b 3 J b J n n J 4
4 4
j j
b # j
b # 3 b b
n 4
&
4

b b # 4
> > >
? b # 3 4
b n
# 4 n 4


The Witches of Eastwick You'd better be
saying your
prayers you piu mosso
68
b U bitches! Darryl:
&b 4 w nn
4 n #
pray'r! You think you've
b nw >. U
&b 4 w nn
4 J
Ah ha!
w > U
b n ww nn
&b 4 J

4
>
n
U
b n nn
& b 4 n j J
4

>
? b 4 U
j nn
.
b
4 nw n
nw n .
70
n j
&n j j 2
# #
# 4
won? Well, guess a - gain. Be - cause the roost - er rules the roost,
> j j
j
& nn #

# n
# 2
# # b # n 4
> > > J > > > n > >
>
? n j j j
n j
2
4
n
> > > > > > > > > >
73
j j
&2 4
#
4 4
and not the hen... You've got no
> j > . > . # > .. > > > # >

. .
& b
2 4 # ... ... n .. # ...
#
4 J 4 > J J J
?2 j

4

4 4

>
>
> > > > > > > >

j
76
& j
#
strength! You've got no sting! And in this cock - fight known as life you're mis - sing
>
# # n > >
b
>

& #
> # > J > > > J J J
>
? j n j j
b j

n b
> > > > >
> > > > >
Darryl:"yes that would be it!"
79
U Darryl:
j
& # #
one cruc - ial thing...! You risk the heights, you'd best be read - y to fall!
All: j
. b
& b
.
>j f
Ah
> # > b > n # > ggg U On cue:
ggg j
& # # # b n #
b gg
# # # ...
b
J .
f
? U
j
# n
> > > n # # . b
> b
.
83
& b b
And with - out me, gals, hell you're noth - ing at all!
j
b b . n
& b b b . n

b
Ah
j
& b b b .
b b b .. b n
f
? j
b b b . n
b b b . n

85
& #
You did your best, as much as an - y - one can! But in the
.
& n
n .
J
Ah
j
& # # # ... #
n .
f
? j j
.

n n .
87
#
3

3
#U
w ####
& #
end you're just wom - en and I am the maaaaaannnnn!!!!
3 3 j j U ####
#
# # #
&

? U ####
j j
# # # # w #
# # # #w
#### n
Church collapse piu mosso
90
n
& # n
# n n n n

n n n
? # # # # n n #
# n n n n n n
n n # n n

> > > > > >

> > > >
> >
93
#### nnnn b
& # J nb nn
J
# # # # # www n n nnnn b n n # n
& # w n b n n # n b # n n n
n
# >> >>
? #### n n nnnnnbb b b #
# w # b nn
n n #
w

U
w
b b
#
97 poco rall
n
&n
[Arp - B whole tone]
U w
w
& nn
#

b b
# # wwww
b
? n j j j j j j U
n . . w
. . w

The Witches of Eastwick Music by Dana P. Rowe
27. Act Two Finale
Michael:"Jennifer" Rall.
Something Reprise Jennifer:
1
b b
3
&b b b 4
4
Swear to me
Michael:
b b
&b b b 4
4 3
Swear to me
b b 4
b
& b b
4
p 3
? b b 4
b b b
4

A tempo
3
b b
&b b b

j

now, no mat - ter what life might hold in store, we'll strug - gle
b b
&b b b
J
now, no mat - ter what life might hold in store, we'll strug - gle

..
b b b . J
& b
b
f
? b b . j j j
b b b J . .
.
. . .
27. Act Two Finale page 1

6
b b j
& b b b . .
through and we'll find some - thing more kind than clev - er,
b b j
& b b b . .

through and we'll find some - thing more kind than clev - er,

b b
ggg ggg ggg
&b b b

g g g
ggg
g
? b b j j j
b b b j
. . . ..
. .
j
9
b b j
&b b b . . . .

some - thing that time can't sev - er, some - thing that's ours for ev - er -
b b j .
&b b b . . .
J
some - thing that time can't sev - er, some - thing that's ours for ev - er -
,
b b ggg ggg ggg ggg ggg
&b b b ggg ggg
g
g g g g g g
? b b j
b b b j
.. &
. . .

13
b b
&b b b w w
more.
b b w w
&b b b
more.
n .
b b J J
&b b b J J

p
b b
& b b b w . . n ggg www
w w g
27. Act Two Finale page 2 11/12/02

Slight rall. Look At Me Sukie:
18
b b
&b b b .

j .
.

Look at me, I'm where I star- ted.
b b
&b b b
. .
b b J J ggg ggg ggg ggg
&b b b g g g g
b b w
& b b b ggg n www gggb ggg ggg ggg ggg ggg
g g
22 Jane:
b b
& b b b . . j

Look at me, It's like I've just be - gun.
b b Alex: j
&b b b . n

Look at me, I'm back at chap- ter one.
()
ggg ggg ggg j ggg
b b g
& b b b ggg ggg ggg ggg n .
b b ggg
&b b b ggg ggg ggg ggg ggg ggg ggg
g

26
b b
&b b b j . w

Yet there's a change that I can see.
b b
&b b b j . w

Yet there's a change that I can see.
b b
&b b b j .

Yet there's a change that I can see. Look at
(w)
j
b
& b b b ggg ww
b j
b b w
& b b b ggg ww
28
b b j
&b b b . j . .
.
Look at me, con - fused but wi-ser. Look at me. A -
b b j
&b b b . j . .
.
Look at me, con - fused but wi-ser. Look at me. A -
b b j
&b b b w .

me Look at me, A -
()
b b
&b b b
b b
&b b b


j
31
b b
&b b b
. . n

fraid but not a-lone. Scared to move, yet stan - ding on my own.
b b j
&b b b
. . n

b b j
&b b b
. . n

() n
b loco

b
&b b b J J n
J
b b ?

&b b b

34 Accel. Sukie: piu mosso

b b
&b b b
"Make him mine!"
Jane:
b b
&b b b
So I said.
b b
Alex:
j
&b b b j w .

In - side the light be - gins to shine. "Make him
b b
& b b b g www .
gg w b b .
P F
? b b w j b
b b b gg . . b . .
gw
. . . b .

j
37
b b
&b b b b
n
# n
But now I see ev' - ry - thing I need - ed was
b b j
&b b b b
n
# n
But now I see ev' - ry - thing I need - ed was
b b
&b b b w n
# n
mine!" ev' - ry - thing I need - ed was
b b b #
&b b b n
b b # n n

? b b b . j j
b b b n .
b . . n . . b
j
39
b b
&b b b b . . j

there in - side of me. Bles - sed be. For -
b b j
&b b b b . . j

b b j
&b b b b . . j

b b b b b b

b b
& b b .
b b . n
? b b b j j
b b b . b . J . .
. b . .

42
b b
&b b b n n
ev - er with my sis - ters, per - fect - ly in tune.
b b
&b b b n n
b b
&b b b n n
b b
& b b b n n
b
? b b .
b b b . b . .
. . .

44
b b Sukie:
j
Rall.
&b b b

made one by thebles - sing of the
b b Jane:
j
&b b b

three pract - iced arts by thebles - sing of the
b b Alex:
&b b b j

Three minds and hearts, by thebles - sing of the
b b
&b b b

b
n b
p
? b b
b b b . j
. b .
. .

46 Tempo giusto
b b
&b b b w w
moon.
b b
&b b b w w
moon.
b b
&b b b w w
moon.
b b
&b b b j
J

f
? b b
b b b j j
. . . . .
. . .
50
b b
&b b b
b b
Alex:
j
&b b b . j . .

Look at me; I'm well worth see - ing. A work of art be - yond com -
> > > > > >
b b b
& b b

b b
&b b b
? b b . j
b b b .
. .

53
b b Jane: j
&b b b . . .
Look at me; I am the mu - sic,
b b
&b b b w
pare.
()
> > > > > >
b b
b
& b b

n

b b ..
&b b b
b ..
J
? b b b . . j . .
b b b J J
b . . . .
Sukie:
56
b b j
&b b b . b . 2
4
Now, I see, the
b b j
&b b b nw 2
4
a soar - ing tune u - pon the air.
b n
b b b

n n b
b 2
&b b b
4
? b b b . j j j
b b b j j . 24
b . . . b .
. . . b .

59 3
b b 4 w .
&b b b 2 n
4 4
words were al - ways there - Look at me!
b b
&b b b 2 4
4 4

b b
n
& b b b 2 n 4
4 4
F
? b b 2 j 4 . .

b b b . J
4 4 . .
.
62 Rall.
b b nw nnnnn
&b b b J
And all the time I held the key!
b b w nnnnn
&b b b
J

And all the time I held the key!
b b n nnnnn
&b b b j n

And all the time I held the key! Look at

b b b
b
nnnnn
& b b n n n
n n
f
? b b j . nn
b b b . n . nnn

. n . . .

A tempo
64
nn j . j
&nnn . .
. .
Look at me, I found the pow - er. In my life, I
nn j . . j
&nnn . . .
Look at me, I found the pow - er. Look at me! I
nn j .
&nnn w .
. .
j
me! I found the pow - er. In my life, I
nn
...
&nnn

f
? nn
nnn
. .
. . . . .
67
& . . #
. J
found the self es - teem. Look at me! I found the an - swered dream.
j
& . . #
.
found the self es - teem. In my heart, I found the an - swered dream.
j
& . . #
.
found the self es - teem. In my heart, I found the an - swered dream.
#
& #

?
.

. .

j
70
& n j .
J
And in my soul, I found the song. I found the ma - gic, the love, the
j j
& n .
And in my soul, I found the song. And in my friends I found the ma - gic, the love, the
j
& n j j
.
And in my soul, I found the song. I found the ma - gic, the love, the

&

? j .
. .
.
. . . .
Rall.
73
& .
moon up a - bove; They were mine, all mine... All a -
& b . b
& b . b

& b b b b

? j j
. j .
. n b .
. n b . .

76
& w . w .
long! Look at me...! Look at
. j . j
& n
long! Look at me...!
& n . j . j

long! Look at me...!

j j
n

& n n

?
j j &
. .

80
U "
& w
me...!
U "
&
Look at me...!
U "
&

Look at me...!
() U
ggg "
g
&
p
U
& ?
ggg
g

Lightly
w w w
82
w w w Alex:"There's no harm in dreaming."
&
Jane:"No, I wasn't" Sukie:"..I promi...abso..no"
"Dance With The Devil"
Sexy
b . . short
fallU b . . U
short fall
b . . U >
[Thunder]
& b . . b . . b . . n
P
? U

w w bw
w w bw
86
Majestic Rall.
&
n - - - - - - - - - - - - b - - - ww j
& b ww ?

>
J
f

?
b b b j
> b > b > b > > > > > > > > >
> segue

28. Bows
#
1
# # # # n .
& 4 # # J
4
# 4 # n n
& # # n n # #
4 # #
(Timp Roll) f

?# 4 w n j j j
j
4 n
> > >
2 b bbb 4
4
j
& J
b

# 4 4
b b # n

n
#

& n

b
2 J bbb 4
4 4
F j
? j j j j j j j j j
j

b j j n 24 bbb 4
b 4
b
8
b j
& b b 4 n # n n .
j
4
(Individual Bows)
Mens Tap Step
b j j j j j j j j j j j j
& b b 4 # n
4 n n n n n
P
? b 4 j j j j j j j j j j j
j
b b n
4

28. Bows page 1

11
b n . # n n
&b b n .
n n
b j j j j j j j j j j
&b b n n b ... # n
n b ...
n n n n n n
F Pj j j
? b
b b n . j
n . j j n j j j j

n . n .

b j #
nnn 4
15
& b b b # n n 2
4 4
b b j j

j

j j j
# n n n ...
j
2 n j b n
#
nnn 4
& b b
. 4
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(Girls Entrance)
18
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20
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22
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28. Bows page 2 11/12/02

24
b b j j
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27
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28. Bows page 3 11/12/02

(Fidel/Little Girl)
36
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b
44
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28. Bows page 4 11/12/02

47
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28. Bows page 5 11/12/02

60
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28. Bows page 6 11/12/02

Rall. .
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70
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28. Bows page 7 11/12/02

82
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28. Bows page 8 11/12/02

98
# n b b
& . . b b
p Shout it out! Say it out! Sing it out! Shout it out! Say it out! Sing it out!
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28. Bows page 9 11/12/02

102
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28. Bows page 10 11/12/02

ww U
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107
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28. Bows page 11 11/12/02

Docslide - Us The Witches of Eastwick Musical Score - PDF

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Docslide - Us The Witches of Eastwick Musical Score - PDF

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The Witches of Eastwick Music by Dana Rowe

Lyrics by John Dempsey

1. Opening Act One

> > > > > b b b b

1. Opening Act One page 2 11/12/02

1. Opening Act One page 3 11/12/02

Little Girl: Colla Voce

2. Eastwick Knows page 1

2. Eastwick Knows page 2 2/7/03

2. Eastwick Knows page 3 2/7/03

2. Eastwick Knows page 4 2/7/03

2. Eastwick Knows page 5 2/7/03

2. Eastwick Knows page 6 2/7/03

2. Eastwick Knows page 8 2/7/03

2. Eastwick Knows page 9 2/7/03

2. Eastwick Knows page 10 2/7/03

All: A.J.&S.: All: A.J.&S.:

2. Eastwick Knows page 11 2/7/03

### All: A.J.&S.: All:

2. Eastwick Knows page 12 2/7/03

2. Eastwick Knows page 13 2/7/03

2. Eastwick Knows page 14 2/7/03

[Thunder then "go"]

C sharp whole tone scale

4. Make Him Mine

ggg www ggg b www

A kind of... A per - fect... With you there's...

4. Make Him Mine page 1

Cue - Alex:"Well there's no harm in dreaming."

4. Make Him Mine page 2 2/7/03

4. Make Him Mine page 3 2/7/03

4. Make Him Mine page 4 2/7/03

4. Make Him Mine page 5 2/7/03

4. Make Him Mine page 6 2/7/03

4. Make Him Mine page 7 2/7/03

4. Make Him Mine page 8 2/7/03

4. Make Him Mine page 9 2/7/03

4. Make Him Mine page 10 2/7/03

4. Make Him Mine page 11 2/7/03

4. Make Him Mine page 12 2/7/03

4. Make Him Mine page 13 2/7/03

4. Make Him Mine page 14 2/7/03

4. Make Him Mine page 15 2/7/03

4. Make Him Mine page 16 2/7/03

4. Make Him Mine page 17 2/7/03

4. Make Him Mine page 18 2/7/03

### U [They toast] U U

4. Make Him Mine page 19 2/7/03

5. Eastwick Knows (reprise)

5. Eastwick Knows (reprise) page 1

5. Eastwick Knows (reprise) page 2 2/7/03

5. Eastwick Knows (reprise) page 3 2/7/03

5. Eastwick Knows (reprise) page 4 2/7/03

5. Eastwick Knows (reprise) page 5 2/7/03

Rall > > > A Tempo

5. Eastwick Knows (reprise) page 6 2/7/03

#### Group Two:

5. Eastwick Knows (reprise) page 7 2/7/03

#### Group Two: Group Four: Men:

5. Eastwick Knows (reprise) page 8 2/7/03

#### n> >

? #### U [cut off on thunder]

5. Eastwick Knows (reprise) page 9 2/7/03