Les Miserables Full Canto-Pian - MODIFICATA

Les Misrables
A Musical by
ALAIN BOUBLIL and CLAUDE-MICHEL SCHNBERG
English Text by Editing and Piano Reduction by

HERBERT KRETZMER STEPHEN METCALFE & PETER WASHTELL
Prologue
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Andante =80-84

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rall.
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Prologue page 1
This script and score is the property of and should be returned to Cameron Mackintosh (Overseas) Ltd, 1 Bedford Square, London WC1B 3RA, UK.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
Les Misrables - UK Tour 2010
1815. Toulon. The Chain Gang, overseen by brutal wardens, work in the sun.
b b
Vb b j
14 THE CHAIN GANG:

nasal hum
> >j
Uh -
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A tempo
& b b w . j w
.
n

? b b
b b . . > > > > >

w w
b b j j j j j
Vb b j j j j j
18
> > >

huh, Uh -huh, Uh - huh, Uh - huh, Uh -huh, Uh -
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& b b w . .

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b b j j j
Vb b j j j j j
21

Uh - huh,
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huh, Uh -huh, Uh - huh, Uh -
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24
j j j

> >
huh, Uh - huh, Uh - huh, Look
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Prologue page 2
b b
CONVICT 1:
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26

The
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(CHAIN GANG)
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b b > > > >
down, look down. Dont look em in the eye. Look down, look down. Youre here un-til youdie.
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& b w . j
. n .

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b b
b b
(CONVICT 1) CONVICT 2:
Vb b j j j
30

sun is strong. Its hot as hell be-low. Ive
b b
Vb b j j j
(CHAIN GANG)
j

> > > >
Look down, look down, Theres twen-ty years to go.
b b
& b b w . . n .
j

? b b
b b
b b j
Vb b . j j
34 CONVICT 3:

done no wrong, Sweet Je-sus,hear my prayer. I
b b
Vb b j j j
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Look down, look down, Sweet Je-sus does-nt care.

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& b b w . . n

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b b
Prologue page 3
B
b b
(CONVICT 3)

He is struck by a warder
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38
.
know shell wait, I know that shell be true.
b b
Vb b j j j
(CHAIN GANG)

Look down, look down, theyve
b b
&b b

b

.
. .
j .
? b b . j
b b .
b .

CONVICT 4:
b b !
Vb b
41
When I get free, you wont see me 'ere for dust.
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Vb b
j

>
all for - got - ten you. Look
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& b b

j

> p
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b b j
>>>
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C
b b . .
Vb b
44 CONVICT 5:
J J J
How long, O Lord, be - fore you let me die?
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Vb b j j j

down, look down, Dont look em in the eye. Look
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>j >
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b b
w .
>>>>>
Prologue page 4
b b
(CHAIN GANG)
Vb b j j j j j j
48

down, look down, youll al-waysbe a slave, Look down, lookdown, Youre stand-ingin your grave.
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& b b w . . n

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b b >>>>>
D
b b
JAVERT:
Vb b ! !
52
3 3
Now bring me pri - son - er 2 - 4 - 6 - 0 - 1. Your time is up and your pa - roles be - gun.
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&b b

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b b > > > >
> >
b b
VALJEAN:
Vb b .
54

Yes, it means Im free.
b b
(JAVERT)
Vb b ! .
You know what that means? No!
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& b b n
w

? b b j j j
b b > > > > >>>>>
>
Prologue page 5
b b
!
(VALJEAN):
Vb b
56
3
I stole a loaf of bread.
b b
(JAVERT)
Vb b ! J
! J
3
It means you get your yel - low tick - et of leave. You are a thief.
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&b b

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Vb b
58
R
I broke a win - dow pane.
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You robbed a house.
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E
Vb b ! !
60
My sis - ters child was close to death. And we were starv - ing.
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Vb b
You will starve a - gain Un -
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& b b

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sub.
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> >
Prologue page 6
b b
(VALJEAN): 3
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62

I know the mean - ing of those nine - teen years.
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(JAVERT)
Vb b
less you learn the mean - ing of the law.
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& b b b

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64
.
A slave of the law.
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Five
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6
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66
years for what you did, the rest be - cause you tried to run. Yes, 2 - 4 -
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Prologue page 7
b b .
(VALJEAN):
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68
R
My name is Jean Val - jean.
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(JAVERT)
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6 - 0 - 1. And I'm
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& b b n

w
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70
J
Ja - vert, Do not for - get my name. Do not for -
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THE CHAIN GANG:

72
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Look
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get me, 2 - 4 - 6 - 0 - 1.
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& b b n

w
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Prologue page 8
b b
(CHAIN GANG)
Vb b j j j j j
74

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down, look down, Youll al-ways be a slave, Look down, look down, Youre stand-ingin your grave. Uh-
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. n .

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rall.
b b j j j j j bbbbb
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78

huh, Uh-huh, Uh - huh Uh - huh, Uh-huh, Uh - huh
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dim. poco a poco

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Stgs. col legno
bbbbb

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Poco Pi mosso =90
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VALJEAN is released. VALJEAN: 3
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82

Free-dom is mine,
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84
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3 3
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The earth is still, I feel the wind,
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& b b b . .

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Prologue page 9
(VALJEAN): Les Misrables - UK Tour 2010
.
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86 3 3
J J
I breathe a - gain And the sky clears,
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.
.
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3

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poco rall. A Tempo
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88
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The world is wak-ing. Drink from the pool, how clean the
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91
.
taste. Ne - ver for - get the years, the waste.
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94
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Nor for-give them for what theyve done. They are the guilt - y, Ev - ry -
j 2 j j 4 2
& b . # . 4 . 4 w 4
w
? . 2 . 4 2
b 4 4 4

Prologue page 10
4 j . !
A Tempo rall.
2
poco rall.
Vb 4 !
97
4
one. The day be-gins And now lets see What this new world will do for me.
j j
. . . w
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& 4 4 .
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.
3
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b 4 4 w
w
H Moderato He finds work on a farm.
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.
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j . j .

j
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101

w
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b
J J J
j . j. j j . j. j j
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105
.
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>
J

? n

n

b
J J J J J
>
I Recitative (Not too slow- like speech)
r b ! . r b b
FARMER:
V b .
3
n
110
n b b
Youll have to go, Ill pay you off for the day. Col - lect your bits and piec-es there and be on your way.
U U
&b
U U
?
b
Prologue page 11
j
b b
3 3 3
Vb
VALJEAN:
b n
112 3 3
U U
You have giv -en me half what the o - ther men get. This hand - ful of tin would - nt buy my sweat.
j j
&b n b
b n
>
j U >j U
?
b n

>
>
114LABOURER:
. r b n b n b . r n # n #
V b b ! # # # n n C
# n #
You broke the law, its there for peo-ple to see, Why should you get the same as ho-nest men like me?
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& b b n C

j>
U U
? #
b n n C

>
J Allegro h = 88
# 2
C
116 VALJEAN:
V 4
Now ev-ry door is closed to me, A-noth-er jail, a-noth-er
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C
&

4

p agitato
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4
w w w w
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4 C
120
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key, a-noth - er chain. For when I come to a-ny town they check my pa-pers and they
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4

P
? # 2 . j 2
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J
Prologue page 12
3 2 . b . . .
. b . . 4 . . b . . .

147
& # 4
b 4 4 b
. # . . . . J J
> > > > > b > > b > > b > > >

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4 4 4
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b . . b . b . # agitato
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151
& . . . . . b .
. -
> > > b > # n - .. p
? b n . # C w w
J J J J w w
# 2
VALJEAN:
C
157
V 4
And now I know how free - dom feels, the jail - er al - ways at your heels, It is the
# 2 j
& 4 C

?# w w 2 . C
4 J
w w
# j 2
C
160
V . 4
law! This piece of pa -per in my hand That makes me cursed through - out the
# 2
C
& 4

P
?# C j 2
. w 4

Prologue page 15
# 2 j
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163
V 4 n
land, It is the law! Like a cur I walk the
# 2 j
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J J .
F .
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4 nw w w
He sits despairingly outside a house
from which emerges the BISHOP of DIGNE.
# rall.
n 4

167
V n 4
.
street, The dirt be - neath their feet.
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& n . 4

j
> - . w>
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w n # w 4
w
p BISHOP:
Andante con rubato
L
n 4 q = 100 j

170
V 4 .
U Come in, sir, for you are wear - y,
U
And the night is cold out
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w w
& 4 ggg . w
ggg p w
Ju J
gg w F
?n 4 w w
4 w w
u u
j j j
174
V . . .
U
there. Though our lives are ver - y hum - ble, What we have, we have to
w
w
&

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w
J J
? w w w w
u
Prologue page 16
F
rit. A Tempo
j
178
V .
share. There is wine here to re - vive you. There is bread to make you
ww ww
& w w

F J J
?
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poco rall.
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182
V . . .
j
strong, Theres a bed to rest till morn - ing. Rest from pain and rest from
ww . .
& w # .

? w w w w

M Poco Pi mosso =120
A Tempo accel.

186 VALJEAN:
V #
#
wrong. He let me eat my fill, I
j
& # # # .
# # #
# # #
F
? #w # # #
w #w

189
V # #
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had the li - ons share. The sil - ver in my hand cost
j
& # # # .
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#
# j
? # # .
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J
Prologue page 17

191
V # #
# #
twice what I had earned. In all those nine - teen years, that
j
& . # # # # .
# #

#
? # . # #
#w
J
poco rall.
poco accel.
j
A Tempo
j
193
V
# # # . # n
life - time of des - pair. And yet he trust - ed me.

& # # . # b
w # . # N ww
j j J J F
? # #
# >
#w
#w # w w
w
N
V
196

The old fool trust - ed me, hed done his bit of good.
j
b
& . b

>
?
w .
w .
J
V
198

I played the grate - ful serf and thanked him, like I should.
j
& . b
b
>
?
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w w
Prologue page 18
U
poco rall. rall.
j 128
A Tempo rall.
V
200
.
But when the house was still, I got up in the night, Took the sil - ver, took my
j U 12
& . . b w 8
b b - # www
- - - - - >
b U
.
? . 12
w w . 8
w w > J
Allegro Molto .=138-144 Taking the silver cup,

. # 4
he runs off
12 .
203 (Scream)
V 8 . 4
flight!
. . . . . . . b . . . . . #
12 b b b b b 4
& 8 .
. . . . . . . . . . b . . . . 4
.
f . . . . . .
? 12 # 4
8 4
> > > > > > > >
> > > >
Poco Meno Mosso but is brought back by two CONSTABLES
# 4 ^ ? ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^
(pesante)
O
# 2
& 4 n n
206
& 4
>j >j
?# 4 2
4 # . . 4
> . > > >>
> .
> >
# CONSTABLE
2
1:
4 #
V 4 #
210
4 #
Tell his Rev - er - ence your sto - ry. You were
# 2 4 #
#
CONSTABLE 2:
V 4 4
. . . .
. . . . . . Let. us. . . . .
see if hes im - pressed.
. . . .
# 2
4
& 4 4
F
?# 2 j 4
4 4
> . > > > .
> Prologue page 19
# j
CONSTABLE 1:

213
V n
lodg - ing here last night.
#
CONSTABLE 2:
V #

. . . . . . . . . . . . . . . .
You were the ho - nest bi - shops guest. And then,
# #
&
?# j j
. n j
# > . > > n >
>

>
#

215
V #
You main -
#
V # #

. . . . . . . . . . . . . . . .
out of Christ - ian good - ness, When he learned a - bout your plight,

#
&
?#
.
> > > > .
"
#
poco meno mosso

rit.

217
V n
tain he made a pre - sent of this sil - ver.
#

BISHOP:
"
V b
. "
That is right. But my
#
#
& J
p subito "
?# j j
j n . j
# > n > . . . .
Prologue page 20
P
#
The BISHOP gives VALJEAN

219
V
b
friend, you left so ear-ly, sure-ly some - thing slipped your mind. You for - got I gave these al-so, Would you
# j j
& .
.
.
?# n #

rall. A tempo
#
two silver candlesticks.
2 # 4 # #
222
V 4 4
leave the best be-hind? So Mes - sieurs,you may re-leasehim, For this man has spo-ken true. I com-
# j j j j j j j j
& 24 4
4
. #
? # n 2 4 w nw
4 4
A Tempo The CONSTABLES leave.

# n
rall.
n 2 4
226
V 4 4
mend you for your du - ty, Now Gods bles - sing go with you.
# j j j j 2 4 n
& 4 # 4 w
w
? # # n 2 4 # ww n
4 4
Q colla voce
n j j

229
V . .
U
But re - mem - ber this, my bro - ther. See in this some high - er plan.
n gg www ..

& ggg w .

ggg
gg w P
? n ggg w w
w .
u
Prologue page 21
V j j
233
. .
You must use this pre - cious sil - ver To be - come an ho - nest man.
j
.

& . # .

? .
. w

f
Pi mosso
j j
pi
V
237
. .
By the wit - ness of the mart - yrs, By the Pas - sion and the Blood
.
& .. w

pi f
?
cresc.
. w . w
,
rall. A Tempo VALJEAN is left alone.
b b b b b b 43
pochiss. rall.
V j j
241
. .
- w
God has raised you out of dark-ness, I have boughtyour soul for God.
.. . w

& . # w . # w b b b b b b 43
J J
~~~~ # # ww
F p .
? .
dim.
w w 3
w . w bbbbbb 4
R =72
b b 3
Lento accel. rit. accel.
& b b bb 4
246

P
? b b b 3 A
b b b 4
A
Prologue page 22
Pi Mosso
-
rit.
b b 4
& b b b b 4
249
b -
- -
f
? b b b 4
b b b 4
- - - -
S
b b
V b b bb
252 VALJEAN:

What have I done, sweet Je - sus, what have I done? Be - come a
b b b b
& b b
> > > >
? b b b j
b b b

b b
V b b bb
253

thief in the night, be - come a dog on the run And have I
b b
& b b b b www
> > > >
? b b b
b b b
b b b b
V b b bb nnb b
254
.
fal - len so far and is the hour so late That
b b b b
& b b b b ww nnb b
> > > >
? b b b b b
n
b b b nnb b
Prologue page 23
b b
Vb b . ! b
255

no-thing re-mains but the cry of my hate, The cries in the dark that no-bod - y hears.
b b
&b b .. ..
> >
? b b !
b b
> > > > > > >
>
b b bbbbbbb
Vb b
257
> >
Here where I stand at the turn - ing of the years?

b b b b b b b b b
&b b . .
b
? b b ! .
b b . bbbbbbb
. > .
.
> . > >
b b
T
V b b b b ! .
b !
259
If theres a - noth - er way to go I missed it twen - ty long years a - go.
b b
& b b b b b

? b b b >w >
b b b b . . !
.
>
b b
V b b bbb .
261
R
My life was a war that could ne - ver be won. They
b b
& b b b b b

? b b b
b b b b
.
>
Prologue page 24
b b 24 4
3
V b b bbb !
262 (VALJEAN):
b 4
3
gave me a num - ber and mur - dered Val - jean When they chained me and left me for
b b 2 4
& b b bbb

4

b b 4
>
. ! !
? b b b . 24 A 4
b b b b A 4
> >
b b 4
3
V b b bbb 4 !
264
b
3
dead Just for steal - ing a mouth - ful of bread.
b b 4 n
& b b b b b 4 b n n
>
>
? b b b 4
b b b b 4 . ! n
> > n
>>
> w U
b b n n n n ww nnnb
& b b b b b n n
266
w nnn
F subito
? b b b nw w nnnb
b b b b nnn
nw w
> u
Andante =112 U
Vb
268

Yet why did I al - low this man
&b
b

? w w w w
sim.
b w w w w
Prologue page 25
j
V b b . # J .
272
n
To touch my soul and teach me love? He treat-ed me like a-ny o-ther, He
& b b

#

? w w
b w w w
w
j .
3
Vb
276
j
gave me his trust, he called me bro - ther. My life he claims for God a - bove.

.
&b
.

? w w w
b w w w w
Vb j
280

Can such things be? For I had come to hate the

&
b

w
? w w w
b w w
rall.
A Tempo e accel.
Vb
283

world. This world that al - ways hat - ed me.
&b . ?
b
w ..

? w w
b w
Prologue page 26
V
b . b .
Poco Pi mosso
b
Vb
286
> >
> > b b> n b b b > >
Take an eye for an eye, Turn your heart in -to
? b b b b
b &
F j
? j j j j j j
b
b b b .. b
b > > b > b > > b > >
. .
b
Vb
289
J
stone. This is all I have lived for,
n n # n n #
&b b
b
b
b n . . . . . . .

b b > > . > . > > > . >
> >
? j j
b b w
w .
b .
w w w w rall.
Vb
292
. j
. . > . > . >
This is all I have known.
j . j . j . j .. .. .. n .
& b b n ?
. . . b . J
# . b b ..
J J
F
?
cresc.
b .
. w w . w
. w
W A tempo ma poco pi mosso =120
Vb .
297

b
One word from him and Id be back Be - neath the lash, u - pon the
? ggg w ggg b wb b
b gg ggg
ggg J ggg
gg ggg
? ggg ww ggg b ww j
b gg w . gg w . .
g J J
Prologue page 27
j
Vb #
300

rack, In - stead he of - fers me my free-dom. I
? j j
b
#

&

F
sim.
.
j
?
b w
w w
j j
Vb .
303 3

feel my shame in - side me like a knife. He told me that I have a
j j j
& b

? w
b w w
w
j
Vb
306
. J
soul, How does he know?
&b j j j

?
b . .

. .
rall.
Vb
309
.

What spi - rit comes to move my life, Is there a - noth - er way to
&b
b ww
w
f
?
b . .
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Prologue page 28
Lento - recitative (not too slow)
Vb # # #
312

go? I am reach - ing but I fall and the night is clos - ing in And I
- - .. ..
&b
?
J
F
?
b
w w w
w w w
accel.
Vb # #
315
#
stare in - to the void, to the whirl -pool of my sin, Ill es - cape now from the world, from the
? - - . .. j
b . ..
J &
- - .
F F cresc. sempre
? w
b w
w w
w w
Bs
# #
molto rall
2 4
Vb # !
318
4 4
world of Jean Val - jean.
j
Jean Val - jean is
- - .
no - thing now, a - noth - er
> > # > > -
sto - ry must be
. 2 4
&b .. J 4 4
- - . -
? w bw 2 4
b 4 4
w bw > > > >
He tears up his yellow Ticket of Leave
Pi mosso (in tempo)
w w w
4
Vb 4
321
> > >

gin.
4 b b b
& b 4 b J b

b

? 4 j
b 4
b b b
b > b > b >
Prologue page 29
1. At the End of the Day

Moderato, maestoso =80-84
b
b 4
&b b 4
1
f - -
- -
? b b 4
b b 4 w
w
rall.

b b 4 128
2
&b b
4
- - -
- - -
? b b 2 12
b b 4 8
-
Molto Allegro
j j j
b b 12 b b .. 6 b b 12
& b b 8 b b
8
b - . - . b . 8 b 8
? b b 12 j 12
b b 8 j 68 8

-
b
b b - . - . b b .. b b
b b 12
& b b 8 b b 6 12
11
J J J 8 8
? b b 12 j j j j j
b b 8 J 68 12
J 8
w. . .
ww .. .. ..
b b 12 n
9 n 12
&b b 8
14
8 n 8
.
. . . . . . . . . . . . . . . . . .
? b b 12 w . 9 . . 12
dim.
b b 8 w. 8 . . 8
1. At The End Of The Day page 30

w. w.
w . w .
b b
b b 12
16
& 8
. . . . . . . . . . . . . . . . . .
. .
. . . . . . . . . . . . . . . . .
? b b 12 . . .
b b 8
F
CHORUS (THE POOR):
A
b b
unis.
j .
&b b .
18

At the end of the day you're a - noth - er day old - er,
b b j j j j
&b b

F
? b b
b b
b b
&b b . .
20
.
>- . >-
>- . .
And that's all you can say for the life of the poor. It's a
b b j j j
&b b n

J J
? b b
b b J J J
b b .
&b b
22
J J
strug - gle, it's a war, And there's no -thing that an - y - one's giv - ing, One more
b b j j j j
&b b

? b b
b b


b b 6
& b b J . . .
24 (CHORUS):
. 8
j j j j
day stand - ing a - bout, What is it for?
b b 6
& b b

n

8

? b b . . . . 6
b b 8
- . - . - . - .
b b 6 12 j . .
&b b 8
26
8

j
One day less to be liv - ing.
b b 6 12 j
& b b 8 . 8

? b b 6 j . 12
b b 8 8 J J

b b j . .
&b b
28
J

At the

end of the day you're a - noth - er day cold - er.
b b j j j j
&b b

? b b
b b
b b
&b b . .
30
.
And the shirt on your back does - n't keep out the chill. And the
b b j j j
&b b n
J
J J
? b b
b b J J J

b b
& b b J .
32 (CHORUS):
J J
right - eous hur - ry past, They don't hear the lit - tle ones cry - ing, And the
b b j j j j
&b b

? b b
b b

b b 6
& b b . . .
34
. 8
j j j j
win - ter is com - ing on fast. Read - y to kill.
b b 6
& b b

n

8

? b b . . . . 6
b b 8
- . - . - . - .
b b 6 12 j . .
&b b 8 b
36
j
One day near - er to dy - ing.
b b 6 12 j
& b b 8 . 8 b

j
? b b 6 j . 12
b b 8 8 . J b

B
j .
&b .
38

At the end of the day there's a - noth - er day dawn - ing,

& b
J J J
J
f
? . . . j .
b . j
.
. . .

&b . .
40 (CHORUS):
b> . > . > . > .

And the sun in the morn-ing is wait - ing to rise. Like the

& b
J

J
.
> >
j
>
j
>
j j
? j
b . . . . . .
.
SOPRANOS + TENOR 1:
&b J .
42
J J
waves' crash on the sand, like a storm that - 'll break an - y se - cond.
j
THE REST: ALTOS, TENOR 2, BARI.
j
&b .
waves' crash on the sand, Like a storm that - 'll break an - y se - cond. There's a

&b J J J J
? . . . . . . . .
b . . . .
. . . .
b . b . . . b . b . . 6
&b
44
J 8
There's a hun - ger in the land, There's
j 6
&b b b .
J
b b 8
hun - ger in the land, There's a reck - on - ing still to be reck-oned, And there's
b b b b
b b b b 6
&b J J J J 8
? b . . b . . b . . b . . 6
b b . . b . . 8
b . . b . .

Sop 1 + Ten 1
..
(SOPRANOS):
6 b b 12 b . 6
&b 8
46 div.
8 8
P
Sop 2
gon - na be hell to pay.
sub
6 12 b .. 6
(THE REST):
.
Ten 2
&b 8 b 8 8
Alto and Bari.
- .. - ..
b - .. - .
gon - na be hell to pay.
b . .
b b ..
6 12 b .. . . . 6
&b 8 J 8 8
? 6 b . . 12 b . . . . 6
b 8 b . . 8 8
b - . - . - . - .
TheFOREMANandWORKERS,including
FANTINEhaveemergedfromthefactory.
6
&b 8 b b b b b 128 . .
48
f At the end of the day!
6
&b 8 b b b b b 128 . .

N At the end of the day!
b 6 J . b b b b 128 A
j

j

& 8 A n
f A
f
? 6 j 12
b 8 . bbbb 8

fl
C
b b
FOREMAN:
Vb b . .
50
At the end of the day you get no -thing for no-thing.
b b j j
&b b
j

j

- . - . - . . -
F
? b b
b b

(FOREMAN): MAN 1:
b b
Vb b .
52

Sit - ting flat on your bum does - n't buy an - y bread. There are
b b j j
&b b j j ?
- . - . n
- . - .
? b b
b b
MAN 1 & 2:
b b . .
Vb b
54
J
. -
- . . - . . . .
child - ren back at home, And the child - ren have got to be fed, And you're
? b b J

b b J J
? b b j j j j j j j j
b b . . . .
. . . .
b b . 6
Vb b
56
8
luck - y to be in a job. WOMAN 1:
b b . . . 6
&b b . 8
And in a bed.
? b b

> >
b b J J n 68
? b b j j 6
b b j j . . 8
. . . .
. . > . .> . .

b b 6 12 j
ALL:
&b b 8 . .
58
.
And we're count - ing our bles-sings.
? b b 6 12 j
b b 8 J . & 8

? b b 6 . 12
b b 8 j 8 J J
.
b b
WOMAN 1:
Vb b
60
&
. . . . . . . . .
Have you seen how the fore - man is fum - ing to -
b b
&b b . .
J
F . . . . . . . . .
? b b . .
b b J
b b j . .
&b b
62
day? With his ter - ri - ble breath and his wan - der - ing
b b
&b b j . .
n
. . . . . . . . .
? b b j
b b n . .
. . . . . . . . .
b b . .
&b b
64

b b
hands? WOMAN 2:
&b b
It's be-cause lit - tle Fan - tine won't give him his
b b j j . .
&b b
n

n
- . - . - . - .
? b b - . - . - . - .
b b . .
J J

b b
WOMAN 3:
&b b . .
n
66

Take a look at his trous - ers, you see where he stands. WOMAN 4:
b b j . . . .
&b b
(WOMAN 2):
. j
way. And the
b b . . n
&b b - n - . . . . .
J
- - j
? b b . . . .
b b . . .
WOMAN 3:
b b . .
&b b
68 (WOMAN 4):
J
boss, he ne - ver knows That the fore - man is al - ways on heat. If Fan -
b b j j j j
&b b

? b b . . . .
b b . . . .
b b 6
& b b . . . .
70
. 8
j j j j
tine does - n't look out, Watch how she goes:
b b 6
& b b

8

? b b . . . . . . 6
b b . 8
. - . - . - . - .
b b 6 12 . .
&b b 8 b
72
8
j
She'll be out on the street.
b b 6 12 j
& b b 8 . 8 b
.
j
? b b 6 j . 12
b b 8 8 . J b
.

C2 CHORUS (The Workers):

j .
&b .
74

At the end of the day it's a - noth - er day ov - er,

&
b
J J J
J
f
? . . . j .
b . j
.
. . .
&b . .
76
b> . > . > . > .

With e - nough in your pock - et to last for a week. Pay the

& b
J

J
.
> >
j
>
j
>
j j
? j
b . . . . . .
.
SOPRANOS + TENOR 1:
&b J .
78
J J
land - lord, pay the shop, Keep on graft - ing as long as you're a - ble,
j j
THE REST: ALTOS, TENOR 2, BARI.
&b .
land - lord, pay the shop, Keep on graft - ing as long as you're a - ble, Keep on

&b J J J J
? . . . . . . . .
b . . . .
. . . .

b .
(SOPRANOS):
b . . . b . b . 6
&b J
80
J 8
Keep on graft - ing till you drop, You've
j 6
&b b b . b b
(THE REST):
J 8
graft - ing till you drop, Or it's back to the crumbs off the tab - le, Well, You've
b b b b
b b b b 6
&b J J J J 8
? b . . b . . b . . b . . 6
b b . . b . . 8
b . . b . .
..
Sop 1 + Ten 1
6 b b 12 b . 6
div.
&b 8
82
J 8 8
Sop 2
P
got to pay your way
sub
..
Ten 2
6 12 . 6
&b 8 J
b 8 8
- .. - ..
Alto and Bari.
b - .. - .
got to pay your way
b . .
b b ..
6 12 b .. . . . 6
&b 8 J 8 8
P
? 6 b . .
sub
12 b . . . . 6
b 8 b . . 8 8
b - . - . - . - .
6
&b 8 b b b b 128 . .
84

At the end of the day.
6
&b 8 b b b b 128 . .
N
> At the end of the day.
b 6 J . b b b 128
j

j

& 8
f
F
? 6 j 12
b 8 . bbb 8 &

>

D FACTORY GIRL: (grabbing a letter from FANTINE)

b
&b b
86
J
. n . . . . . . . .
And what have we here, lit - tle in - no - cent
b b . .
& b J
b j
& b b . .
. . . . . . . . .
b
&b b J . . .
88
J
n .
sis-ter?
. . . . . . .
Come on, Fan - tine, let's have all the
b b . .
& b J J
b b j j
. .
& b
. . . . . . . .
bb
(reading the letter)
& b . . .
90
J
news. - . - . - . - .
"Dear Fan - tine, you must send us more
b
&b b J .
J .
j j
& b bb
. . ?
- . - . - . - .
b n 6 12
&b b . .
92
8 8
mo - ney, your child needs a doc - tor, there's no time to lose."
b 6 12
&b b 8
j

j 8

? b .. .. 6 . 12
b b . . 8 8
.

F
b 12
FANTINE:
j . .
&b b 8
94

Give that let - ter to me, it is none of your bus-'ness,
b 12 j
& b b 8 w .. j j j
ww .
j
? b 12 ww ..
b b 8 w. J J J
b . .
&b b
96

With a hus-band at home and a bit on the side.
b j j j
& b b w .. j
ww .
? b ww .. j
b b w.

J J J
b
&b b n
98
Is there an - y - one here who can swear be - fore God she has no - thing to fear, she has no - thing to
b
& b b j . .
b ..
j j
. ..
> >
? b . j j
b b . . b . .
J b > . .
>
bb 15 b 23
They fight over the letter.
& b . .
100
. 8
15 b b > > > > > >

hide?
& b bb 8 b b b 23
J
f
? b > > 15 n n n n
b b j 8 b 23

>
>
G Moderato (q=120)
VALJEANrushesontobreakupthesquabble.
3 4
&b 2
102
4 V

b 3 w . 4
& 2 4
psub.
? 3 4 w
b 2 w. 4
w.
VALJEAN:
Vb
104

What is this fight - ing all a - bout, will some - one tear these two a -

&b
?
b w w
Vb j
106
.
part, This is a fact - 'ry, not a cir - cus.

&b
? w
b w
Vb . 24

108

Now, come on, lad - ies, set - tle down. I run a bus - 'ness of re -
j j j j j j j j j j j j
24
& b
? w bw 2
b w 4

2 4
Vb 4
111 (VALJEAN): (To the FOREMAN)
4
j j
pute, I am the May - or of this town. I look to you to sort this
2 j j j j j j j j
b
& 4 44

? 2 4
b 4 b 4 J
J J

J
b
J

J J

J
j b b b b 128
He goes back into the factory.
Vb
114
&
out, And be as pa-tient as you can.
b b b b 128
FOREMAN:
Vb
Now, some - one say how this be - gan.
j j j j j j ^ ^^^^ ^^ b b 12
& b
j b b 8
n
j j
? 12
b w n bbbb 8
>
H
(qk=q)
b b 12 j
&b b 8 . .
117 FACTORY GIRL:

>
b b 12 j .
At the end of the day she's the one who be - gan it.
& b b 8 . . j

fl > . > . > .
j > >
? b b 12 . j . > .
b b 8 .
fl >
b b
&b b . .
119

. > n . There's
There's a kid that she's hid - ing in some lit - tle town. a
.
b b n
& b b J . . j
n >
J
. > .
? b b . j j
b b J .

b b
(FACTORY GIRL:)
&b b .
121
J J
man she has to pay, You can guess how she picks up the ex - tra, You can
b b . .. . ... . .. . ...
&b b . .
? b b . .
b b . . . . . . . .
. .
b b 6 12
& b b J . . 8 b 8
123
>
bet she's earn-ing her keep Sleep-ing a - round, And the boss would - n't
b b .
6
& b b ... .. . ... j
8 J
. b 128
. n ..
. > . >
>
? b b . . . . . . . . 6 j . 12
b b . . 8 b 8
. . - . - . - . - .
fl
I
12 j . .
&b 8
126 FANTINE:

like it. Yes, it's true there's a child and the child is my
12 j j j
& b 8 n .. ww .. . .
n . n w.
j j j
? 12
b 8 n .
nw . w.
&b j . .
128

daugh - ter, And her fath - er a - band - oned us, leav - ing us
&b .. ww ..
. . n - . -
. - w. .
.
? w.
b
w. w.

&b . .
130 (FANTINE):

flat. Now she lives with an inn - keep - er man and his
&b
n .. n ww ..
. . . >
. . .
? . w ..
b w. >w
&b . .
132
#
. .
wife and I pay for the child, What's the mat - ter with that?
&b j .
A> .. # .. .
> .
? > . .
b . . .
> . . . J
K
j .
WOMEN:
&b .

134

At the end of the day she'll be no - thing but trou - ble,

& b
J

J J
J
f
? j . . . j .
b . . . . .
&b . .
136
b> . > . > . > .

And there's trou - ble for all when there's trou - ble for one. While we're

&
b
J

J
> >
j
>
j
>
j
? j . j
b . . . . . .

.
(SOPRANOS):
&b J
138
J J
earn - ing our dai - ly bread, She's the one with her hands in the but - ter, You must
j
(ALTOS):
&b .
earn - ing our dai - ly bread, She's the one with her hands in the but - ter, You must

&b J J J J
? . . . . . . . .
b . . . .
. . . .
b b . b b 6
&b J
140
J J J J 8
send the slut a - way Or we're all gon - na end in the gut - ter, It's
j 6
&b b b .
J
b b
J 8
b b b b
send the slut a - way Or we're all gon - na end in the gut - ter, It's
b b b b 6
&b J J J J 8
? b . . b . . b . . b . . 6
b b . . b . . 8
b . . b . .
6 b b 12 b . ..
div.
6 b V 44
&b 8
142
J 8 8
us who'll have to pay At the end of the
6 12 w. 6 4
&b 8 J
b 8 8 b 4
- - .. >
b - .. - .. ... N
us who'll have to pay At the end of the
b .
b b
6 12 b .. .. . . 6 J . 4
&b 8 J 8 8 4
P f
? 6 b . .
sub
12 b . . . . 6 j 4
b 8 b . . 8 8 . 4
b - . - . - . - .
>
L = FOREMAN:
4
Vb 4
145

I might have known the bitch could bite, I might have known the cat had
4 j
&b 4
(WOMEN):
4 j j j j
day.
b
& 4
> > #> >
. . . . . . . . . . . . . . . .
? 4
b 4
w w
(FOREMAN):
Vb j
147
.
claws. I might have guessed your lit - tle se - cret. Ah yes, the vir - tu - ous Fan -
j j j j
&b ww
N> > > > w
?
b . . . . . . . . . . . . . . . . . . . . . . . .
. 2 4
Vb
150
4 4
j j j j
tine, Who keeps her - self so pure and clean, You'd be the
2 4
&b 4 b>
4
> > > > .
. . . . . . . . . . . . . . . . . . . .
? 2 4
b w w 4 . 4
J
4
Vb 4
153
cause, I had no doubt, Of an - y trou - ble here - a -
4 j j j
&b 4

> . > . . > . . . . .
b >
. . . > . . . . .
? 4
b 4 w w

(FOREMAN):
12
Vb
155
& 8
bout, You play a vir - gin in the light But need no urg - ing in the
j j 12
&b 8
> > > > > >
? . . . . . . . . . . . . . . . . 12
b 8
(qk=q)
FACTORY GIRL:
12 b j . .
&b 8
157
She's been laugh-ing at you while she's hav-ing her men.
12 j . . b
(FOREMAN):
Vb 8
WOMEN:
&
j j
night! She'll be no - thing but trou - ble a - gain and a -
12
b .
& b 8 b . . .
> >

>j
>j
? 12 . . . .
b 8 w. w.
FACTORY GIRL:
&b b .
159

j
You must sack her to - day.
.. Sop 2
Sop 1
j . b b b .. .
&b
Sop:
b
(WOMEN):
J
Alt:
Alt.

gain. Sack the girl to - day!
j ..Ten 2
Ten 1
. b b b .. .
Vb
MEN: Ten 1:
J b
Bari + Ten 2: Bari.
j ^j
Sack the girl to - day!
.
& b b b ... ..
> b

>j .
. .
? b . .
b . .
b . . .
J b .

U
&b . .
161 FOREMAN: (spoken)
Right, my girl. On your way!
>
N U j
& b . . b
J b . . . .
. . . .
U f
? . . j j
b j

>
j # . # . . n n . n .
n . # . . . # . .
n # # # n n
6 # 12
& b
163
. . 8 8
. .
? jN j 6 12
b N 8 8
N b w . w .
b N b b U b
rall. molto
12 b b b b 4
&b 8
165
? 12 U
b 8 . . b b b 44

2. I Dreamed a Dream
E b major version
Andante
FANTINE is left alone, unemployed and destitute.
b 3 2 4
FANTINE:
&b b 4
5
. 4 4
There was a time when men were kind,
b 3 2 4
&b b 4 4 b 4

P cresc. poco a poco
? b 3 2 4
b b 4 4 4
b 4 j
&b b 4
7 3 3
. .
When their voic - es were soft And their words in - vit - ing.
b 4
& b b 4

? b 4
b b 4
b
&b b "
9
. .
There was a time when love was blind And the world was a song
b
& b b b

? b
b b
b j
&b b "
.

11

And the song was ex-cit - ing. There was a time. Then it all went wrong.
b b ww
& b b w
w
? b w
b b
2. I Dreamed A Dream (E b maj) page 51
A Tempo
b
& b b j j j j j j
14
.
- -
- p -
? b
b b
A
bb
non troppo cantando
& b . r
17
. . .
I dreamed a dream in time gone by
b
& b b j
j

j

j j

j j

j
- - -
-
? b
b b
b
& b b . r j
19
. .

When hope was high and life worth liv - ing.
b j
& b b
j

j . .. ..

J J J
? b
b b
b r
& b b . .
21

I dreamed that love would ne - ver die.
b j j j .
& b b . .

J J J J
? b
b b

b j
&b b j
23
.

I dreamed that God would be for - giv - ing.
b j j j
&b b . .. ..

J

J
? b
b b
bb
B Poco pi mosso e pi cantante
& b j
25

Then I was young and un - a - fraid.
b j j j
& b b .

P -
.
? b .
b b J .
J
b j
&b b j
27

.
And dreams were made and used and wast - ed.
b j j
&b b ..

? b j j j
b b . . .
b r
& b b . .
29

There was no ran - som to be paid.
b j j
& b b
..

j
? b .
b b .
J J

b j
&b b j
31
.

No song un - sung, no wine un - tast - ed.
b j j
&b b . .. ..

J J
? b
b b .
J
C Poco pi mosso (alla march, Act 1 Finale)
b
& b b n . . . .
33
. n .

But the ti - gers come at night. With their voic - es soft as
b
& b b n . . . . n
. J .
F j
? b n .
b b
n . .

b
&b b
36
j . . . .
n . b
thun - der, As they tear your hope a - part,
b j
&b b n . . .
b .
. .
n J b
.
? b n

b b n b .
.
bb 2 U
rall. A tempo
4
& b . . 4 .
39
. 4
As they turn your dream to shame.
b 2 4
&b b .. .. .. ... 4 .. 4
ww . . .
w
2 ..
? b
b b w 4 4
4


D
b 4
& b b 4 . r . j
43

He slept a sum - mer by my side He filled my days with end - less
b 4 j
& b b 4 j
j j

j j j

j

j j

j
- - J
- J
? b 4 -
b b 4
b j
&b b j
46

.
won - der. He took my child - hood in his stride
b j j j
&b b . . . .. .. . .. ..
.
. .. . .
J J J
? b
b b
bb j
accel.
& b b
49

But he was gone when au-tumn came.
b . . . . n
..
& b b g ggg . . b
ggg g J
cresc.
? b j j b
b b b
b
E pi mosso
&b
52
. .
And still I dream he'll come to me, That we will live the years to -
w . .
&b w . .

J
?
b


&b j . .
55
.
j
geth-er. But there are dreams that can - not be
j
. w ..
&b
w J J

?
b
&b j
58
j
And there are storms we can - not wea - ther.
.
b
w
&

cresc.
.
?
b

F Poco pi 3
&b
60

I had a dream my life would
j j
.
.
3
& .. . ..
b

J J J J J
J
f appasionato
?
b
&b
62
J
be So dif - f'rent from this hell I'm

3 . ...

&b .

.
J
?
b

poco rall.
&b " . .
64

liv - ing. So dif - f'rent now from what it seemed.
w . ..
& b
J
.
J J

J J J J
dim.
?
cresc.
b

Tempo primo
j U
&b
66

Now life has killed the dream I dreamed.
U .
& b

p p
? U j j j j
b &
rall.
. . w

&b
68

j j j j
& b .. ww
. ww

3. The Docks
(Lovely Ladies)
SAILORS, WHORES and their CUSTOMERS,
PIMPS, etc. FANTINE wanders in.
Moderato =76-80 A SAILOR 1:
4
Vb 4
1

. . . . . . . .
I smell wo - men, Smell 'em in the air.
4
& b 4 " " " "
J J J J
fj j F
? 4 j j
b 4

> > > >
- - - -
Vb
3

Think I'll drop my an - chor in that har - bor o - ver there.
&b " " " "

? sim.

b

SAILOR 2:
Vb b b
4
b b
Love - ly lad - ies, Smell 'em through the smoke, Se-ven days at sea can make you hun-gry for a poke.
&b " b " b " b " " b " b "

b "

b b
?
b b b
b b
PROSTITUTES:
b
SAILOR 3:
Vb
6
J &
E - ven stok - ers need a lit - tle stoke. Love - ly lad - ies, Wait-ing for a bite,
j
b
& b n

" n " "
n
"

J J J
? j j
b

j

j

3. The Docks page 58
&b b
8
b
Wait-ing for the cust -om - ers who on - ly come at night. Love - ly lad - ies, Read - y for the call,
&b " " " " " b " b " b "

b
? j j
b j j b " j " j
b
&b b b
10
b J
Stand-ing up or ly - ing down or an - y way at all. Bar - gain pric - es up a - gainst the wall.
b j
" b b
&b "
b b " " n
J J J
? j j j
b b " j .
b b
B Recitative
U FANTINE:
&b "
b
12

Ma - dame, I'll sell it to you.
OLD WOMAN 1:
&b . r b b " " . r "

b
U U
Come here, my dear, Let's see this trin-ket you wear. This bag - a - telle
&b w bw
N ww ww
p p
? w
b uw
uw U
&b " # n
14
That would - n't pay for the chain.
r
& b . # " . r b " "

I'll give you four. I'll giveyou five. You're far too ea-ger to sell.
U U
& b b ww ww
p #w
w p
?
b n ww n ww
u uw
r r
rall.
&b " b n . " b . 2

16
4
It's all I have. Please make it ten.
j
& b " b r . " b r . " b n 2
4

It's up to you. That's not my fault. No more than five, My dear,we all must stay a - live.
U 2
&b 4
? U 2
b 4
A tempo C PROSTITUTES:
2 4
&b 4
17
4
Love - ly lad - ies, Wait - ing in the dark,
2 4 " " " "

& b 4 4

J
f
? 2 4 j j
b 4 4 j j
- - - -
WHORE 1:
&b b
19
b
Read - y for a thick one or a quick one in the park. Long time, short time, An - y time, my dear,
" " " "

&b " b " b " b "
J b
? j j
b j j b " j " j
b
b
ALL:
&b b
21
b J
Cost a lit - tle ex - tra if you want to take all year. Quick and cheap is un - der-neath the pier!
j
&b " b " b " b " b
b n
J J J
? j j j
b b " j .
b b
D Recitative
OLD WOMAN 2:
&b . r b "" . r ""

b b b
23
U U
What pret-ty hair, What pret - ty locks you've got there. What luck you've got, It's worth a cen-time, my dear.
&b w bw
N ww ww
p p
? w
b uw w
u
&b " # n
25 FANTINE:
Don't touch me, leave me a-lone.
r
(OLD WOMAN 2):
& b . # " . r b "" b

U U
I'll take the lot. Let's make a price. I'll give you all of ten francs.
& b b ww n ww
p #w
p
? n ww ww
b w
u uw
r j
rall.
&b " b n . " b 24

27
It pays a debt. What can I do? It pays a debt. Ten francs may save my poor Co - sette.
2
& b " b r . " b r .

4
U
Just think of that! Just think of that!
2
&b 4
? U 2
b 4
A tempo
E WHORE:
2 4
&b 4
28
4
God I'm wea - ry sick e - nough to drop
2 4 "
& b 4 4 "

"

"

f
? 2 4 j j j
b 4 4 j
- - - -
PIMP:
&b j b j

30
V b
Bel - ly burns like fire will the bleed-ing e - ver stop? Cheer up dear - y show a hap - py face
(taunting FANTINE)
&b " " " " " b " b " b "

b
? j j
b j j b " j " j
b
b j b
WHORE:
Vb b n
32
J
Plen-ty more like you dear if you can't keep up the pace
. . . . . . . . .
On - ly jo-king dear-y knows her place.
j
&b b" " b " b " b ?
n
b n
J J J
. . . . .
? j j j
b b " j .
n
b b
F LIstesso Tempo
PIMP:
"

34
V &
Give me the dirt, Who's that bit o - ver there?
? " # # # " " " " " #

" # # "

" "

""
? j N j j j j j j j
# # N
WHORE 1: WHORE 2:
& "
" N
36
N #
A bit of skirt, she's the one sold her hair. She's got a kid, sends her all thatshe can.
? " # # # " " " " " " N " " " "
j j j j
?
# N j j
# N j j


PIMP:
V "
38
#
I might have known, there is al - ways some man.
? " " " " " " &
? # j j
j
j

,
U
V b
39
&
. .
Love - ly lad - y, come a - long and join us, Love - ly lad - y!
. . U
& b " b " " " b
> > > > -
p
>
? b
> > > b " " "
b b . " . b
J J J . .
u
Quasi Recitative (meno mosso)
WHORE 1: WHORE 2:
&b
41
V
Come on, dear - ie, why all the fuss? You're no grand - er than the rest of us.
& b
ggg gg
g ggg sim.
? gggg w gg w
b
PIMP:
j
WHORE 3:
Vb
43
b &

Life has dropped you at the bot-tom of the heap. Join your sis-ters.
.
WHORE 4:
&b r
b
j
Make mo-ney in your sleep.
& b b
ggg
gg
? gggg w
b g nw

U U 2
rall. WHORE 3:
(WHORE 1):
&b j
45
b b 4
b
U U2
That's right dear-ie, Show him what you've got. That's right dear-ie, Let him have the lot.
&b b g
j 4
g g
g g ..
g gg U
? gggg w .
jU
2
b gA w 4
.
G PROSTITUTES:
j
A tempo
2 4
&b 4
47
4
Old men, young men, take 'em as they come.
2 4 "
& b 4 4 "

"

"

f
? 2 4 j j j
b 4 4 j
- -
- -
&b j b j

49
b
Har - bor rats and al - ley cats and ev - 'ry kind of scum. Poor men, rich men, lead - ers of the land,
&b " " " " " b " b " b "

b
? j j
b j j b " b j " j

U
&b b b j b
51
. . . . . . . . .j U
See them with their trous - ers off, they're ne -ver quite as grand. All it takes is mon-ey in your hand.
b
&b " " b "

" n
b
b b
J J J
?
.j .j . . .j
b b " j .
b b

H Pi mosso =100-104
&b
53
ggg b ggg b ggg b

Love - ly lad - ies, Go - ing for a song, Got a lot of cal - lers but they
ggg ggg ggg

&b g g g g g gg
g g
p
? w w w
b
Poco pi mosso

FANTINE:
&b #
56
ggg b
ne - ver stay for long. Come on, Cap - tain, You can wear your shoes.
# #
ggg
&b g gg
pw # w
? w
b
(FANTINE):
&b # #
59
n
Don't it make a change to have a girl who can't re - fuse? Eas - y mon - ey,
# #

&b n
w # w
? - \

b
&b
62

Ly - ing on a bed. Just as well they ne - ver see the hate that's in your head.

&b
\ \ \ \ \
?
b
(no rall.) rall. molto
&b
65
Don't they know they're mak - ing love to one al - read - y
&b
> > > >
p > > > >
?
b
> > > >
I Recitative BAMATABOIS:
U. r
(a well-dressed gentleman)
&b " . r b "

(FANTINE):
b
67
U U
dead? Here'ssome-thing new, I think I'll give it a try. Come clos-er, you, I like to see what I buy.
&b ww
ww
bw
ww
U p
?
b ww n ww
u w
. r # " b n & . r
FANTINE:
Vb "
b

70
U U
The us-ual price For just one slice of your pie. I don't want you, No, No. M' - sieur, let me go.
& b b ww ww
p #w
? w p
b n ww n ww
u u w
+Timp.

r
FANTINE:
&b " b " 12

72
8
No, not at all. Opt. lit-tle whore
12
BAMATABOIS:
V b " b r . " 8

Is this a trick? I won't pay more. You've got some nerve, you ug - ly slut, you've got some
U 12
&b 8
? U 12
b & 8
Allegro molto (as for At The End Of The Day)

J
12 .
V b 8 .
73 (BAMATABOIS):
. . . . .
gall! It's the same with a tart as it is with a
12 . .
&b 8 .
J
f
12 j .
& b 8
. . . . . . .

Vb . J
74
. . . . . . .
gro - cer. The cust - om - er sees what he gets in ad -
.
&b J .
J
j j
& b . ?
. . . . . . . .


Vb . . J
76
vance. It's not for the whore to say 'yes sir' or
j j
&b n
n . .

> j fj
? . .
b w.
> J
> He hits her with his stick.
6 # 12 ###
She claws at his face, drawing blood.
. . .
Vb
78
8 8 &
'nosir'. It's not for the har-lot to pickand to choose or to lead me a dance.
6 12 ###
&b 8 8 j

j

- . - . f> >
? . .. 6 . 12 ###
b . . 8 . 8
-
> >
###
j . .
81 FANTINE:
&
### j . # . . . . . .
I'll kill you, you bas - tard, try an - y of that.
j j
+Horns
& J
> >
? ### . . .

> >
###
rall. molto
. 6 4

83
& 8 # 4
###
E - ven a whore who has gone to the bad won't be had by a
6 4
& N> .. . 8 . 4
> . >
? # # # .. .. 6 .. 4
8 4
. . .
> > >
K Lento (q=75)
### 4

85
& 4
# # # 4 rat!
4 "
BAMATABOIS:
V
By Christ, you'll pay for what you've
### 4
& 4

? ### 4
4 w
w
###

86
V
done, This rat will make you bleed, you'll see! I guar - an - tee, I'll make you
###
&

? ###
w
w
###
. "
87
V
suf - fer For this dis - tur - bance of the
###
& ..

P
? ### w
w

###
"
FANTINE:

88
&
I beg you, don't re -port me,
###
"
(BAMATABOIS):
V
peace. For this in-sult to life and pro - per - ty.
### w
&
n
F
? ###
w n
### #
.
90
& R
sir, I'll do what - e - ver you may want
### #
V "
Make your ex - cuse to the po -
### #
& j
>

? ### j #

>
L Moderato, maestoso =112 (as for the Constables in the Prologue)
#
JAVERT enters,accompaniedbyCONSTABLES.

91
^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^
lice!
#
&

?# j
. .
# .

# # #
#
JAVERT:

94
V
Tellme quick-ly, what's the sto - ry, Who saw what, and why, and where? Let him
# ^ ^^^^^
&
# . . . . . . . . . . . . . . . . . .
?# j
N . .
> >
#
n j # #
97
V
give a full de-scrip - tion, Let him ans - wer to Ja - vert. In this nest of whores and vi-pers. Let one
#
&
. . . . . . . . . . # . . . . . . . . . . . .
. .
?# " j j

# n > . > .
> >
#
j
BAMATABOIS:

100
V b
Ja -
#
#
(JAVERT):
V n
speak who saw it all. Who laid hands on this good man here? What's the sub - stance of this brawl?
# j
&
. . . . . . . . . . . . . . . . . # .
. .
?# j
. # n > .
> >
>

M
#
(BAMATABOIS):
j

103
V b
vert, would you be - lieve it, I was cros - sing from the park When this
# j j j j
& .
. . .
F
?# . n
J J J J J
# 2 4

105
V 4 4
pros-ti - tute at-tacked me, you can see she left her mark.
#
JAVERT:
2 4 #
V 4 4
She will
# j 2 4
& 4 4 #
. .
fl fl fl fl fl fl fl fl
F
?# 2 n 4 w
. J J 4 J 4 w
N (JAVERT):
# #
# n
108
V
ans-wer for her ac-tions when you make a full re - port. You may rest as-sured, M'-sieur, that she will
#
&

f
?# j "
. . j.
# n >

Meno mosso Poco meno mosso

#

FANTINE:

111
& b
#
(JAVERT): There's a child who sore - ly needs me, Please, M' -
V

# j
ans - wer to the court.
& j j
#
. . . . . .
?# -
j
-

> > >
rall.
#
(FANTINE):
24 44
113
& b
sieur, she's but that high. Hol-y God, is there no mer - cy, If I go to jail, she'll
# 2 j 4
& j j j j
4 4
. . . . . . . . . . . . . . .
?# - 2 4
4 n 4
n - - - -
Andante (q=92)
P
# 4
4
116 (FANTINE):
&
die!
# 4
JAVERT:
V 4 # # #

I have heard such pro - tes-ta - tions ev - 'ry day for twen-ty years. Let's have
# 4
& 4 #
.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.
. . . . P
?# 4 w - . - .
> .
4 w

# n
119
V
no more ex - pla - na - tions, Save your breath and save your tears. Hon - est
# j j
&
. . . . . . . . . . # . .
. .
P
? # # n . .
> - - J
J
FANTINE gives a last, despairing cry

as she is arrested by the CONSTABLES.
rall.
# j bbbb
121
V
work, just re - ward. That's the way to please the Lord.
#
& j
j j # j bbbb
# . . . . . .
. . . .
?# . . .
j j j j bbbb
. J . J . J .
Andante (q=100) VALJEAN:

Q
b b 2 " 3
(emergingfromthecrowd)
&b b
123
V 4 4
A mo - ment of your time, Ja -
b b n
& b b gggg 24
3
4
g n

F p
? b b w 2 3
b b w 4 4

b b 3 2
(VALJEAN):
Vb b 4 .
125
R 4
vert, I do be - lieve this wom - an's tale.
b b 3 2
Vb b 4 "
JAVERT:
4 .
But M' - sieur May-or
b b 3 2
&b b 4 n
J
4
n j

? b b 3 2

b b 4 J 4

b b
Vb b " 43 R . 2 .
127 FANTINE:
& 4
You've done your du-ty, let her be. Sheneeds a doc-tor not a jail. Can this
b b 3 " 2 .
Vb b 4 4 J
But M' - sieur May-or.
b b
&b b 3 2 " .
4 J 4 b
j

? b b 3 2 b
b b 4 4
J
rall.
b b n n n n 44
senza rall.
&b b
130
b b j n n n n 44
VALJEAN:
j j b
be?
Vb b b .
Where will she end, this child with-out a
b b n n n n 44
&b b b b
P
- - - -
b - - - - - -
b - ..
? b b 4
b b J J J J J J J nnnn 4

A tempo =100
R (to FANTINE)
4 .
(VALJEAN):

134
V4 J

friend. I've seen your face be - fore.
4
ggg ggg www
&4 ggg ggg g ggg ww j
.
j
w ggg gggg
g
P ggg
?4 ggg gg g j
J
4 w g

J
J j J

. j j
V
.
.
137
J
Show me some way to help you. How have you come to
& w j
.
j

J j
? j J j j J
J J

rall. A Tempo
j
140
V . &

grief In such a place as this?
& j
. g
gg
j ggg
? ggg
gg

S FANTINE:
b b
142
& b b
M' - sieur, don't mock me now, I pray.
& w b bw b
w b J b b
J
? w w
w w

U
poco rall.
b b b b b -
144
& b b
b b
It's hard e - nough, I've lost my pride. You let your fore-man send me a -
U
j b - - - b -
b b
& b w b b b .
b

bw J
j f - - -
j b
? bw b
b
bw b .
.
>
u
A Tempo
rall.
b .
147
& b
b
way, Yes, you were there And turned a - side.
w w
b w w
& J J ..
.
j j J

? b b

b b
b
A Tempo (cantando)
T
j
(FANTINE):
& . .
150
J J
I ne - ver did no wrong. VALJEAN: (conversational) My daugh - ter's close to
ggg wwww ggg www ggg www

Is it true, what I've done?
& ggg gw
ggg gg w
ggg ggg
ggg ww ggg w ggg ww
? w gg ww gg w

j
(FANTINE):
& j . .
153

dy - ing. (VALJEAN): If there's a God a -
V
3
j j
To an in - no - cent soul?
.

ggg wwww

&g ggg J
ggg w w
w
? ggg w

155
&
3
bove,

He'd let me die in -
V
Had I on - ly known then.

w
&
w
? w
w
w
poco pi mosso (as for On My Own)

157
&

stead.
j
V . . b
. .
In His name, my task has just be - gun. I will see it
& w b
w . b

j j j
? ww .. b
b b

12
rall.
& " .
160 JAVERT:
R 8
But M' - sieur Mayor But M' - sieur Mayor.
12
V . b
(VALJEAN):
J 8
J
-
j b b - - -
done, Take her to the hos - pi - tal I will see it
j j j
12
&

b
b

b
8

j j j j j j j j
cresc.
? b b 12
8
b b
Allegro molto =130 (as for At The End Of The Day)
12 . .
162 (VALJEAN):
V 8

done!
12
& 8 J J
P
? 12
8
Segue

4. Cart Crash
A (L'istesso tempo)
6 j 12 # # 6

1
&8 8 #> # 8
> #> # # >
> > >
?6 12 6
8 8 8

j
b
6 b
j >
12 b b > n #
b
5
&8 8 b
b> > > > >>
r
" b .. ..
?6 12 b
8 8 b

> >
> > b> #> # b n "
b> b n> # b b n
& n
7
pj
j
j j
sub.
? j j
j j
> > > > > > > >
Allegro molto C
b
VALJEAN:

20
> . > . > . > .

Is there an - y - one here who will re - scue the
. . . .
&
fl .
P .
f j
sim.
? j

> J

4. Cart Crash page 80

ALL:
V b . . . . .
22
J
man? ONLOOKER 1: That
V . . n .
J
.
Don't go near him M' - sieur Mayor.

&

? > .. .. ..
- - -

V . . .
ALL:

26
load is as heav - y as hell. ONLOOKER 3: It will kill you as
V . . .
J
If you touch it the a - cid will fall.
&

?

. . 4
V .
29
> > > >

well!
4
& 4
P
? 4
4
> > >

D Lento = 72 >
4 #w 3 .. b 4 b>w
VALJEAN attempts to lift the cart
3
&4 w " b b 4 b b ww
30
4 4
" "
F # . # >
. . .- .. - . . . -
?4 3 4 3
4 w 4 . " b 4 bw 4
b bw
. > >
> U
3 b b ... . n > .
He tries again
.. b " b n b ..
34
& 4 b b b
" b " b b
.
. . . - . . - . . . - U
j
? 3 b .
4 b . b " .
b . b - - . b . > .
Timp.
They manage to pull FAUCHELEVANT clear

E = 160
> > > b> sim. > > >

Allegro
>
# > J # >
4 b # j
3 b # >

& b #
38
4 4 #
b
>J f >
j
b
? 4 3
4 4
J >
b> #>
> >
b # j
> > > b> > n> >
4
42
& 4
b>

? j 4
> 4
rall.
b b
FAUCHELEVANT:
4 2 4
46
V4 4 4
b n
b b b b n
M' - sieur le Mayor, You come from God, you are a
4
&4 b 2
4
4
4
3
?4 2 j 4
4 & 4 b b #
?
4

JAVERTtakes VALJEANaside.
Umolto
A tempo, accel.
rall.
4
49
V4
U
4
saint.
&4 # j ..
# . . . . . . . . . . -
F . . . . . . . . .
j
.
? 4 nw w .
4
nw w .
u
F Recitative
. # r b " # b . # r b "
JAVERT:

52
j
Can this be true?
U I don't be -lieve what I see.
j
A man your age
UTo be as strong as you are.
& # #
#
b > #>
U j U
? j n
n>
>
r b " " n b n
. . # b ""
54
V
U
broke
j
A mem - 'ry stirs, You make me think of a man Fromyears a-go, A manwho hisparole.
& n n # ..
b> .
P> # .
? U
.
J .

# 4
V " b # 4
" b n U #
44
He dis-ap-peared. For-give me, sir, I would not dare VALJEAN:
V
Say what you must, Don't leave it there
r U # 4
& . 4

? r U. # 4
4

Andante (Not too fast) G (q=80)

# 4
JAVERT:
V 4 # #
56

I have on - ly known one o - ther who can
# 4
& 4

. . . . . . . .
F
sim.
?# 4
4
>
#
# n
58
V
do what you have done. He's a con - vict from the chain gang, he's been
#
&

?#
> >

#
# #
60
V
ten years on the run. But he could - n't run for - ev - er, We have
#
&
#
?# j "

#
# n
62
V
found his hide - a - way And he's just been re - ar - rest - ed, And he
#
&

?# " "

pi mosso
#

64
V b
comes to court to - day. Well, of course, he now de - nies it, you'd ex -
#
&
#
P
?#
j

# 2

66
V b 4
pect that of a 'con'. But he could - n't run for - ev - er, no, not
# 2
& n 4

? # n 2
4
# 2 4 2
V 4 .
68
4 4
ev - en Jean Val - jean.
# 2 4 2
& 4 n 4
#

4

? # 2 n 4 2
4 4 w 4
H Adagio = 56 (slow version)

# 2 VALJEAN: 3 2 j
V 4 " 4 4 .
70
You say this man de-nies it all and gives no sign of un-der-stand-ing or re - pen-tance.
# 2 3 j 2 "
& 4
# 4 # 4
. .

. . .
p
?# 2 3 2 . j
4 4 4
# 3 4
" 4
73
V 4
You say this man is going to trial and that he's sure to be re - turned to serve his
# 3 4
&
4 4
J
?# 3 j 4
4 4
# 4
rall.
V 4 . j j j 24 n 4
75
n 4

sen-tence. Come to that, Can you be sure that I am not your
# 4 j j j j j j 24 j 4
& 4 .. n n .. 4

n ..
? # 4 n J J n 2 n 4
4 J J J J 4 J 4
A tempo primo I
# 4
JAVERT:
# #
78
V 4

man? I have known the thief for a - ges, Tracked him
# 4
& 4 #

. . . . . . . . F
p
?# 4 w >
4 w
#
# n
80
V
down through thick and thin. And to make the mat - ter cer - tain, There's the
#
&

?# >
# n - .
>
# rall.
n
j j j j
82
V
brand u - pon his skin. He will bend, he will break, This time there is no mis-take.
# j j j j j n
& # j
# #
P > > > > > > >
j j j
> >
?#
j n
J J J > J > J

= 84 (Not too fast)
b b www
Andante
n 2

85
& 4
p
- - b - - n w-
? n b b b b
b # # ww
b 2
b b " " 4
K VALJEAN:
2 " n b b . r b b b b
89
V4 n
He thought that man was me with - out a se - cond glance.
2 gg b b
ggg b b b
& 4 gg gg b
g
?2 b " b b b b "
4 "
" b b . b b b b
92
V R
This stran - ger he has found this man could be my chance.
g
g b b
ggg b b b
& gg gg b
g
? n n b

"
b

" b b b "
# . r
V " # n
95
#
Why should I save his hide, why should I right this wrong?
g
g
#
& gg #

ggg
g gg
? # # n
" # #

" n "

poco rall.
" # # # . n # 4
98
V R 4
When I have come so far and strug -gled for so long.
g # # ggg # 4
& ggg # gg 4
g
? # # " "
# # # # 4
4
U
Lento - recitative
##
= 88
4 b b n
pi mosso
" b " #
101
V4
3
If I speak I am con - demned. If I stay si - lent I am damned.
4 U U
j # # #
# ##
& 4 b . #
b .
? 4 nU. U
# ##
4 b .
##
M

103
V
I am the mas - ter of hun - dreds of work - ers, they all look to me.
j j j j j j j j
# #
& . # #
p
? ##
w w
w
# # (VALJEAN):
n .
rall.

3

105
V
Can I a - ban - don them, who will they live if I am not free?
j j j j j j j j
# # n
& .
J
? ##
w w
w
U U U #### 4
Recit.
## 3 "
" 4 # # 4
107
V #
U U 3 U
If I speak they are con - demned If I stay si - lent I am
## #### 4
& j 4 # 4
# ..
j
? ## . U 3 U
#### 4
4 # 4
u.
#### 4
Andante = 70
# 4 2
109
V 4
damned.
#### 4
2
& # 4 4

? #### 4 2

# 4 4
N A Tempo
#### 2
poco rit.
# 4 44 "
111

Who am I? Can I con-demn this man to
#### 2 4

& # 4 4
j j

cresc. poco a poco
? #### 2 4
# 4 4
#### r
# " .
113
V .
slav - er - y, Pre -tend I do not feel his a - gon - y? This
####

& #
j j j j
? ####

#

####
#
115
V
in - no - cent who wears my face, who goes to judge - ment in my place, Who am

####
& #
j j

? ####
#

####
# " "
116
V
I? Can I con-ceal my -self for e - ver - more, Pre-tend I'm not theman I
####
#
&
p j j

j

j

? ####
#
#### r
# .
118
V

was be - fore? And
####
& #
j j

? ####
#
####
+ Tbn.
#
119
V
must my name un - til I die be no more than an a - li - bi, must I

####
& #
j j

? ####
#

#### r
# . . . . r
120
V .
lie? How can I ev - er face my fel - low men, How can I ev - er face my -

####
# . . .
&
j j j j
F
? ####
#
#### r
# .
122
V

self a - gain. My
####

& #
j j

+ Fl.
? ####
#

####
rall.
#
123
V
soul be - longs to God, I know, I made that bar - gain long a - go. He

####
& #
j j

? ####
#

#### , ,

rall.
#
124
V J
gave me hope when hope was gone. He gave me strength to jour - ney on. Who am
U U U
#### U
& #
J
f
j U
? #### #
# #
u u u
O A Tempo (non pi mosso)
####
#
125

I? Who am
####
& #
f
? ####
# . .
. .
J J shirt to reveal the
####
He unbuttons his
# J
127 number tattoed on his chest
V
I? I'm Jean Val - jean!
#### n
# . n .
& J J

f
? ####
# . n
. n
J
####
rall. ,
# . r
129
V R
U
And so Ja - vert, you see it's true, This man bears

#### .# n ..
& #
J J
f
? ####
# n u

n
#### U U A Tempo (non pi mosso)
#
131
V
no more guilt than you. Who am I?
U > > > >

####
& #
r

U .
? #### # #
# # # .
.
4. Cart Crash page 93 J
#### Lento = 72
nnnn 3
# n 4
133
V
Two four six o one! Opt. Spoken: You will find me at the hospital
#### > > > > U nnnn 3

& #
n 4

ww F
? #### w nn 3
# n nn 4
. u
.
J
,
nnnn 3 2 4
& n 4
136
4 b 4
b
? nnnn 3 2 4
n 4 4 4

- b - - # -
-
A Tempo
4 b b b www bbbbbbb
&4 b b www-
140
P P P P
?4 bbbbbbb
?
4 & bw
SEGUE

5. Fantine's Death
FANTINE is lying in bed,
deliriously dreaming of her daughter COSETTE
Lento =70w w
w w
b b 4 w w
& b b bbb 4
1

b b 4
& b b bbb 4 . ?

J
b b
& b b bbb . .
FANTINE:

8
J J
Cos - ette, it's turned so cold. Cos - ette, it's past your
b b
& b b b b b ggg .
.
j .
.
..
ggg
ggg .
? b b b ggg w
b b b b gg . J . J
b b j
& b b bbb j
.
.
11

bed - time. You've played the day a -
b b
& b b bbb

j

..

? b b b w
b b b b

rall.
b b nnnb
& b b bbb j nnn
13
. n . n

way and soon it will be night. Come to
b b nnnb
& b b bbb .
j nnn

n ..
? b b b . nnnb
b b b b .. nnn
.
5. Fantine's Death page 95
A Larghetto = 58
j
&b .
15
. .
me, Cos - ette, the light is fad - ing, Don't you
&b . . . .

p
? w
b
j
&b . . j
17
. . .
hear the win - ter wind is cry - ing. There's a
.

&b
?
. .
n

?
b n
j 2 j j 3
&b j
19
. 4 4
dark - ness which comes with - out a warn - ing. But
. .
?

# # 2 3
b 4 & 4
? b 2 3
b b 4 4

VALJEANenters.
3 4 j
(FANTINE):
&b 4
21
4
.
I will sing you lul - la - bies and wake you in the mor - ning.
3 4
VALJEAN:
Vb 4 4
.
Oh, Fan -
3 4
&b 4
4

w
? 3 4 w
b 4 4
B Pi mosso
j b
Vb b . b b
31
. .
tine, our time is run - ing out. But Fan -
&b b b b
b b
..
..
b b
F
?
b bw b
j
&b . . n .
33 (FANTINE):
b .
Look, Mon - sieur, where all the child - ren
b . r
(VALJEAN):
Vb b b b

tine, I swear this on my life.
&b . w w
b ... b b ww b b nn w

? bw b nw
b b b

n
(FANTINE):
&b
36
.
play My Cos-
.
(VALJEAN):
Vb
Be at peace, Be at peace ev - er - more.
w .
& b # w #
b .. b

n

w
?
b w w w
C
&b
39
.
ette Take her now
Vb j .
. j .
Shall live in my pro - tect - ion. Your child will want for
. .
&b .
n

?
b
w
&b j . 2 j
4 3
42
4
.
Good Mon - sieur, you come from God in heav - en.
2 j 3
V b j . 4 4

no - thing. And
j
. . # 2 . 3
&b 4 4
n b
? 2 3
b n b 4 4

3 4 Meno
(FANTINE):
&b 4
45 rall. mosso
4
.
(VALJEAN): Take my
3 4 j
Vb 4 4
.
none will ev - er harm Cos-ette as long as I am liv - ing.
3 . 4
&b 4 .
. 4

? 3 . 4 Gtr.
b 4 4

D
j j
&b . . .
47
. . .
hand, the night grows ev-er cold - er. Take my child, I give her to your
Vb $

Then I will keep you warm.
- . - . - .. - - -
.. ..
.
&b J J J J n
J

J
J J J

?
b
. r j 2 j 3
&b j j . 4 4
50
.
keep - ing, For God's sake, please stay till I am sleep - ing and
2 3
Vb $

4 4
-
Take shel - ter from the storm,
- -
# 2 3
&b J J J J J J 4 4

n
? 2 3
b 4 4

U
(FANTINE): She dies with a smile.
3 4
&b 4
53
4
tell Cos - ette I love her and I'll see her when I wake.
.
3 4 . .
&b 4 4

.. p
? 3 4
b 4 4
rall.
U b
j b bb
Meno mosso JAVERT:
Vb
55

j j U
. www
Val
. . . .
b
& w bbbb
U
. . w
? w
b bbbb
u
E Andante = 80
b b
Vb b j j j . j j
58

jean, at last, we see each o-ther plain, 'M' - sieur le Mayor', you'll wear a dif -'frent chain.

b b
&b b

n

F P
j j j
? b b
b b .
. . .
VALJEAN:
b b $ j
b
V b $
62
Be-fore you say an-oth-er word, Ja -vert,

J
3 3
Be-fore you chain me up like a slave a-gain,
b b b
& b

? b b j . j
b b .

b b
(VALJEAN):
Vb b $
64
Lis - ten to me, there is some - thing I must do.

b b
& b b

n

? b b j
b b . .
b b
Vb b $
66
J J
3 3 3
b b
This wo-man leaves be - hind a suf - fering child. There is none but me who can in - ter-cede.
b
& b
? b b j . j
b b .
b b b $ $
V b
68
In mer - cy's name, three days are all I need.

b b
& b b

n

? b b j .
b b .
J
b b
Vb b $

70
Then I'll re-turn, I pledge my word, Then I'll re - turn.

b b
Vb b
JAVERT:
You must think me mad!
b b
& b b

? b b
pi dolce
j .
b b . . J

b b
(JAVERT):
Vb b $ .
72
I've hun - ted you a - cross the years, Men like you can ne - ver change,
b b
& b b b

? b b bw j
cresc.
b b bw .
.
Ff
b b
.
VALJEAN:
Vb b $
74
F
Be - lieve of me what you will, There is a
b b
V b b
A man such as you. Men like me can ne - ver change.
b b
& b b

f j
? b b . . j

R.H.
b b
. . >>> .
>
F
b b
Vb b

77
f
du - ty that I'm sworn to do. You know no - thing of my life.
b b
Vb b
Men like you can ne - ver change. No, Two four six o
b b
&b b
? b b j j
b b j j
. .
> >

(VALJEAN):
b b
Vb b
79

All I did was steal some bread. You know no - thing of the world.
b b .
Vb b
(JAVERT):
3
one. My du - ty's to the law. You have no rights,
b b
& b b n

? b b j
b b j j

> > >
b b .
Vb b $
81

You would soon - er see me dead. But not be - fore I see this jus - tice
b b
Vb b
Come with me, Two four six o one, Now the wheel has turned a - round.
b b
&b b
? b b j j
b b j j

b b
f
Vb b
83
b b
done.
F I am warn - ing you Ja - vert,
Vb b
Jean Val - jean is no - thing now. Dare you talk to me of crime,
b b
& b b n

? b b j
b b


b b
(VALJEAN):
Vb b
85
I'm a strong - er man by far. There is pow - er in me yet, My
b b
(JAVERT):
Vb b
And the price you had to pay. Ev - 'ry man is born in sin,
b b
&b b
? b b j j
b b

b b
Vb b
87
b b
race is not yet run.
f I am warn - ing you, Ja - vert,
Vb b
Ev - 'ry man must choose his way. You know no - thing of Ja-vert,
b b
& b b n

? b b j j
b b

b b .
Vb b
89
There is no - thing I won't dare. If I have to kill you here, I'll

b b
Vb b
I was born in - side a jail. I was born with scum like you,
b b
&b b
? b b j
b b


b b n nb
(VALJEAN):
Vb b n
91
do what must be done.

(JAVERT):
b b n nb
Vb b . n
I am from the gut - ter too.
b b >> > Poco rall.

n nb
& b b n

. ww
n
b .. w
? b b

b b . w n nb
n
b > > . w

>
=70
G Poco meno mosso VALJEAN:
Vb $
94

And this I swear to you to -
&b w .
w . .
p
? w w
b
Vb $
96

night Your child will live with - in my
Vb $
JAVERT:
.
There is no place for you to hide

&b ww . j
. .

? w
b


(VALJEAN):
Vb . $
98
care. (JAVERT): And I will raise her to the
Vb $ .
Where - ev - er you may hide a - way
&b . . ww
.
?
b
,
U
rall.
12
Vb $
100
w 8
light. I swear to you,
, I will be
U
there.
12
Vb $ w 8
U
I swear to you, I will be there.
12
&b
ww 8
w

? w 12
b w 8
u
n . # . . # . .
JAVERT is knocked out
j . # . . n n . n . .
and VALJEAN escapes
Allegro =130
They fight again
H
12 j # #
n n 6
# 12
& b 8 b b n # #

102
. 8 8
. .
. . . . . . . . .
f cresc.
? 12 j
b 8 J J J J 68 12
8
N
b n w . w.
Uw
12 b b b
&b 8 b b ww
105

b . .. w .. ww ..
? 12 . b . w w.
b 8 . . w. u

6. Little Cosette
LittleCOSETTEis working as a drudge in theTHENARDIER'Sinn at Montfermeil.
Moderato (q=56)
..
b 3 g n gggg gg 4
& b b 4 gggg . ggg
1
gg 4
gg gg gg
ggg P gg gg
g gg
b 3 g gggg gggg
& b b 4 gggg ..
? 4
.. gg .. gg 4
gg g
-A Tempo- - - - - -
b 4 n 3
-
& b b 4 n
n n
n
n n 4

20
#
n
? b 4 n 3
b b 4 nnn 4
[POSS NO REPEAT]
A
nn 3
# 24 3 2
COSETTE:
& n 4 n
23
4 4
There is a cas - tle on a cloud, I like to go there in my
n 3
&nn 4 # n 24 . 43 n

2
4

? n 3 2 3 2
nn 4 4 . 4 4

2 3 2 3
26
&4 4 4 4
sleep, Aren't an - y floors for me to sweep,
2 3 2 . 3
& 4 . 4 # 4 4

? 2 . 3 2 3
4 4 4 . 4

6. Little Cosette page 107.

3 2 4
29
&4 4 4

Not in my cas - tle on a cloud.
3 2 4
&4 4 4
#
.

?3 2 4
4 4 . 4

B
4 !
.
40
&4 . . .
There is a lad - y all in white. Holds me and sings a lul - la - by. She's
4
&4 .. ..
..
. ..

?4
4

rall.
3
& b . . ! ! !
42
4
nice to see and she's soft to touch, She says: "Cos - ette, I love you ve - ry much."
3
& b

.. . .
4
.
# .

? b
. 3
b 4
.
C
3 2 3
&4
44
# 4 4
I know a place where no one's lost.
3 2 . 3
& 4 #
n
4

4

?3 2 3
4 4 . 4


3 2 3 2
&4 n 4
46
4 4
I know a place where no one cries Cry - ing at all is not al -
3 2 3 2
& 4 n 4 . 4 # 4

?3 2 . 3 2
4 4 4 4

2 3 2 4
rall.
&4
49
4 4 4
.
lowed. Not in my cas - tle on a cloud.
2 . 3 2 4
&4 4 4 4

#
.

?2 3 2 4
4 . 4 4 4

MADAME THENARDIER:
E (rushing in,followed by little EPONINE)
4
& 4 . r b ! . r b
55 3
# b n #

4 b j U
Now look who's here. The lit-tle Ma - dam her - self. Pre - tend-ing once a - gain she's been so aw - ful-ly good.
& 4
U
? 4 b
4 b
J
& b
57

U
Bet - ter not let me catch you slack - ing. Bet - ter not catch my eye.
j
& n
U
? #

J

& b b
59

j U
Ten rot - ten francs your mo - ther sends me. What is that gon - na buy?
& b

j
? U
n

r b 3
& . b !
61
4
Now take that pail, My lit - tle Ma - dem - ois - elle,
j j 3
& 4
n

? 3
+ Str.
4

J J
F Moderato pesante = 120
3 r b 2 12
( = )
&4 ! b b
62
b b n 4 8
b b
And go and draw some wat - er from the well!
3 j 2 4
&4 4 4

F
?3 2 b 4
4 4 b 4
J
>
Timp.
12
& 8 .
64
#
We should ne - ver have tak - en you in in the first place, how stu - pid the things that we
4
&4
b . . . . . . . . # # .
. .

.

. .

.

.
F
?4
4 b b

j . .
b .
66
& n
do, like mo - ther like daugh - ter, the scum of the street!
b 12
& 8
n
? 12
b b 8
b . .
>
Pi mosso
. . # # # n #
68
&
E - po - nine, come my dear, E - po - nine let me see you. You
12 j j j j
& 8
#
# # #
F # #
? 12
8 # .
> > . > . > . #> . > . > . > .
#
70
& # #
look ver - y well in that lit - tle blue hat.
j j
2
&
# # # # . #
#
j j
? #
#
# . . . . # . . . .
sim.
# b
& b
72
J
There's some lit - tle girls who know how to be - have and they know what to wear and I'm say-ing 'Thank
& . .
j j j j
b #
? b . .
n . . . . . .

G Recitative
. 4 .# r ! #
74
& n . 4
heav - en for that'. Still there, Cos-ette? Your tears will do you no good.
j j 4 j j
& 4
b # #
# #

? 4
. . . . 4 # j

j
+ Brs.
. r 3
76
& # # # 2
n
3
#
U
I told you, fetch some wat - er from the well in the wood.
j 3
& 2
#
# #
? j U 3
2
#
Moderato
3 3
COSETTE:
C
77
&2 # 2
Please do not send me out a - lone.
3 # C 3
&2

#

2
p
?3 C 3
2 2
H Recitative
3 4
&2
79
4
MADAME THENARDIER:
3 4 ! r b
Not in the dark - ness on my own.
! b
&2 4
E - nough of that, Or I'll for - get to be nice.
3 4
& 2 4 j

b
Sp >
?3 4 >
2 4 b
J

r b 4
& !
83 3
# b # 4
n
U
You heard me ask for some - thing and I nev - er ask twice.
4
& 4
? U 4
4
Allegro
4 2 b 3
n >
84
& 4 b # #> 4 4
> # > > > > > >
f > n # > >
>
? 4 > b > > > # > 2 b b 3
4 4 4
. b . . . b . . . b b .
. . b b .
. U
3 b b
& 4 b b b b
b b J
b b b b
88
J J J
(long
?3
slide)
4

u

Les Misrables - Uk Tour 2010
7. The Innkeepers Song

(Master of the House)
Moderato =144-152
2 b b b b j
1 DRINKER 1:
V4 b
What's the nec - tar of the day?
2 b b b b J
DRINKER 2:
V4
Fetch a bot - tle of your best.
3: r
2 DRINKER
. b b b b J
V4
Come on, you oldpest,
2
& 4 b b b
b b

b b b

b b b

b . . . . . . . .
F
? 2 b . b . b . b
.
b .
.
b b .
.
b
4
b b 4
b b b b b b 43 b b
THENARDIER: (coming in with flask of wine)
J 4
5
j
Here, try this lot, Gua-ran - teed to hit the spot, Or I'm not Then - ar - di - er.
3 j b b j 44
& b b b
.
b
b b

b b b

4 b b
.. . . . . j
? b . .
b b . b
.
b .
.
b 3 b b 4
4 b b b J 4
THENARDIER:
4 j j (to customer)
24
DRINKER 4: (to himself)
V 4 n
9
J
Give's a glass of rum! Right a - way you scum, Right a - way M' - sieur.
j
DRINKER 5
4 2
V4 4
Land - lord, o - ver here!
4 2
&4 .. . .. 4
.. .
.. .
?4
4 . 2
J 4
7. The Innkeeper's Song page 114

2 4
DINER 1:

11
V4 J 4
God this place has gone to hell.
2 4

DINER 2:
V4 4
J
j
So you tell me ev - 'ry year.
2 4
&4

4

?2 44
4

B Poco meno quasi recitative
4 .
V4 "
31 THENARDIER:
R
3
My band of soaks, My den of dis - sol-utes. My dir -ty jokes, my al - ways pissed as newts. My sons of
4 ggg b .. ggg ...

& 4 gg b .. gg ..
gg gg .
J gg J
J J
?4
4
" b 2 4
b .
33
V 4 4
whores spend their lives in my inn. Hom - ing pig - eons hom - ing in They
j j j

b b n b . 2 j 4 j j
& b 4 # b 4 b
b N
? 2 b 4 N
b 4 4

rall.
b . b
(to audience)
2
36
V 4
fly through my doors. And their mon - ey's good as
b .. 2 j
& b 4
b N

? 2
4
J
A Tempo (main tempo)

53
V J
yours.
& j j

? . -
. -

J J
D THENARDIER:
(greeting a new customer)

55
V
Wel - come M' - sieur, Sit your - self down And meet the best inn -
& j j j

p
? J . - . - . -
J J

58
V # #
j # # n j
keep - er in town. As for the rest,
& # #
Jj
.
? J - . -
J J
61
V # # #

j j
All of them crooks. Rook - ing the guests and cook - ing the books.
& # # j

.
- . - . -
? J J J

E

64
V
Sel - dom do you see
#
&
j

? J

V
67
J
Hon - est men like me. A gent of good in -
j
# .

& #

? .
j j ###
rall.
V
70
# # J
.
tent who's con - tent to be
# # . . ###
# N
&
J

J
J
?
.
# . # . ###
J J J # #

A Tempo
F
###
(THENARDIER):
j j j
73
V
Mas-ter of the house, Dol-ing out the charm. Read -y with a hand-shake and an op - en palm.
### .
&
. . J
F . . . . . . . . .
.

? ### j j j j j

j . . J
### j
j j
77
.
Tells a sau - cy tale. Makes a lit - tle stir. Cust - om - ers ap - pre - ci - ate a bon vi - veur.
###
#
& # . J
. . . . . . . . . .
? ### j j j . . .
j j j J

### j
. j . r
81
V
Glad to do a friend a fav - or. Does - n't cost me to be nice. But
### j j
& .

? ### j j j
j J j J

###
j
85
V .
no - thing gets you no - thing, Ev - 'ry - thing has got a lit - tle price.
### j j
& . j
. # # .
? ### j j
j J j

F1 (THENARDIER):
###
j j j
89
.
Mas-ter of the house, Keep - er of the zoo. Read - y to re - lieve them of a sou or two.
###
& . . J
. . . . . . . . .
.
? ### j j j j j j J
. .

###
j j
93
###
Wat - er - ing the wine. Mak-ing up the weight, Pick - ing up their knick - nacks when they
&
. . . . . . . . .
? ### j j j j j j

### j j
.
96
.
can't see straight. Ev - 'ry - bod - y loves a land - lord. Ev - 'ry - bod - y's bos - om friend,
### # j
& . #
# . . J
? ### . . . j j
J j j j
J
###
(pochiss. accel.)
j

100
V J
I do what - ev - er pleas - es, Je - sus! Won't I bleed 'em in the end!
### j
#
&
f
? ### j N
" J
J

poco pi mosso
G
###
(THENARDIER):
j j
104
V
Mas - ter of the house, Quick to catch your eye.
### j j
CHORUS: *
&
Mas - ter of the
J
house, Quick to catch your
J
eye.
* Chorus in two groups
Sopranos & Tenors
###
Altos and Basses
&
. . . . . .
j j
? ###

J J
### j
j
106
V
Nev - er wants a pas - ser - by to pass him by. Ser - vant to the poor,
### j j
&

J J
.
###
+Brass

& . J
. . . . . . .
? ###
j .
j
.
J . J J
### j
j
109
V
But - ler to the great. Com - fort - er, phil - os - o - pher and life - long mate,
### j j
&
J J
.
### #
&
# . . J
. . . . . .
? ###
j j . . j

J J .

###
(THENARDIER):
j .
.
112
V R
Ev - 'ry - bod - y's boon com - pan - ion, Ev - 'ry - bod - y's chap - er - one. But
### j
(CHORUS):
& .. ..
#
J
Ev - 'ry - bod - y's boon com - pan - ion, Ev - 'ry - bod - y's chap - er - one.
### j
& . #

? ### j j j N
J J
# - -
### j nnn
rall.

116 (THENARDIER):
### nnn
lock up your va - lis - es. Je - sus, won't I skin you to the bone.
..
& . . . .
p
? ### . . . nnn
"

J
J
H (to(THENARDIER):
another new customer)
A Tempo Primo

119
V
. En - ter M' - sieur. Lay down your load
& j

j

j

j

? J . -
. -

J J J J J
(taking his bag)
V
123
# #
j # n j
Un - lace your boots and rest from the road. This weighs a ton,
& j # # #
Jj

.
? J - . . -
J J J
. -
(THENARDIER):

127
V # # #
Trav - el's a curse, But here we strive to light - en your purse.
j j j #
& # #

j

? J

J
J
J
I
V
131
J
Here the goose is cooked. Here the fat is fried, And
9
&

?
###
rall.
V #
135
. .
no - thing's ov - er - looked till I'm sat - is - fied.
j # . #
N # ###
& #
# J
J J
.
? j ###
.
# #
A Tempo
J
###
(THENARDIER):
j j j
139
.
Food bey - ond com - pare, Food bey - ond be - lief. Mix it in a min - cer and pre - tend it's beef.
###
& . . J
. . . . . . . . .
F
.
? ### j j j j j J

j . .

### j
j j
143
.
Kid - ney of a horse, Liv - er of a cat, Fil - ling up the sau - sa - ges with this and that.
###
#
& # . . J
. . . . . . . . .
? ### j j j . . .
j j j J

### j j
.
147
V
### j
Res - i - dents are more than wel - come, Bri - dal suite is oc - cu - pied.
& . j

? ### j j j
j J j J

###
j
151
V .
###
Rea - son - a - ble char - ges plus some lit - tle ex - tras on the side.
& j j
. ..
.
? ### j j
j J

j

J1 (THENARDIER):
###
j j j
155
V
Charge 'em for the lice. Ex-tra for the mice. Two per cent for look-ing in the mir - ror twice.
### .
&
. . J
. . . . . . . . .
.
? ### j j j j j j J
. .

### j
j j
159
.
Here a lit-tle slice, There a lit - tle cut. Three per-cent for sleep-ing with the win - dow shut.
###
#
& # . J
. . . . . . . . . .
? ### j j j . . .

j

j

j J
### j
.
163
V
When it comes to fix - ing pric - es, There are lots of tricks he knows.
### j
& . #
#
? ### j j j
j j j N
J
###
(pochiss accel.)
j

167
V
How it all inc - reas - es, All them bits and piec - es, Je - sus it's a - maz-ing how it grows!
### j
&
f
? ###
" " # J
J J > >
>

K (pochiss pi mosso)
###
(THENARDIER):
j j
171
V
### j j
CHORUS:
&
J J
###
&
. . . . . .
j j
? ###

J J
### j
j
173
V
### j j
&

J J
.
###
+Brass

& . J
. . . . . . .
? ###
j .
j
.
J . J J
### j
j
176
V
### j j
&
J J
### .
& #
# . . J
. . . . . .
? ###
j j . . j

J J .

###
(THENARDIER):
j
.
179
V
Ev - 'ry - bod - y's boon com - pan - ion, Give 'em ev - 'ry - thing I've got.
### j
(CHORUS):
& ..
#
J
Ev - 'ry - bod - y's boon com - pan - ion, Gives 'em ev - 'ry - thing he's got.
### j
& #

? ### j j j N
J J
# - -
# # # (THENARDIER):
j rall. #

183
V
Dir - ty bunch of geez - ers, Je - sus, what a sor - ry lit - tle lot.
### j #
&

p
? ### . . . #
" # n #
J
L
#
MADAME THENARDIER:
j
poco meno mosso
"
186
V
# j j j j
I used to dream that I would meet a prince.
& " " " "

?# j j j j
J J J J
#
poco rall. U A Tempo meno mosso
####
" j

190
V
U
But, God Al - might - y, have you seen what's hap - pened since?
# j j ####
& " ggg
ggg #
U j
?# j ####
j . # . # .

M
####
j
193 (MME. THENARDIER):
V j j
. . . . . . . j
'Mas - ter of the house?' Is - n't worth my spit. 'Com-fort -er, phil - os - o - pher' and life - long shit!
####
& #
. . .
? #### j j j j
J
J
J

J
####
j
197
V j j

. . . . . . . j
Cun-ning lit-tle brain, Reg-u-lar Vol-taire. Thinks he's quite a lov-er but there's not much there.
####
& . # #
. .
? #### j j j
J
J
J
j
-
#### (pochiss. accel.)
j
201
# . . . .
What a cru - el trick of na - ture. Land - ed me with such a louse.
####
& #
. .
? #### j j j
J N j j # N

#### ###
subitoTempo primo
j
205
> >
God knows how I've last - ed li - ving with this bas - tard in the house.
#### ###

&
J
f
? #### j ###
> >
> > >

###
N MADAME THENARDIER:
j .
208
V R
###
THENARDIER: Mas - ter and a half! Don't
& j "

Mas - ter of the house. Com - fort - er, phil - o - so - pher
### j
CHORUS:
& "

J
Mas - ter of the house. Com - fort - er, phil - o - so - pher
# # #

&

f P
j P j
? ###
J

J
J J
### j

211
V
###
make me laugh!
& j j
###
Ser - vant to the poor. But - ler to the great.
& j j

J J
.
Ser - vant to the poor. But - ler to the great.
###
&
. . J
f
j j P
? ###

> J J

### j

214
V
###
Hy - po - crite and toad - y and in - e - bri - ate. slide
& .
###
Ev - 'ry - bod - y bless the land - lord,
slide
& ..
.
Ev - 'ry - bod - y bless the land - lord,
### # j
&
# . J J
. -.
. . j
f # -. n -.
? # # # J j
J . j j J
# n

>
Tpts.
###

218
###
&
Ev - 'ry - bod - y bless his spouse. Ev - 'ry - bod - y raise a glass
###
&
#
Ev - 'ry - bod - y bless his spouse.
###
& # #
J . . .
- j
? ### # N .
# -
>

###
MADAME THENARDIER:
"
222

Raise it up the mas - ter's ass! Ev - 'ry - bod - y raise a glass to the mas - ter of the
###
& "
Ev - 'ry - bod - y raise a glass to the mas - ter of the
###
& "
Ev - 'ry - bod - y raise a glass to the mas - ter of the
###
&
.
F
? ### .

> > >
>
### j (no accel.)

226
V
house!
### j
&
house!
# # # j
&
J
>
house!

> >
# # #

J
&
J J
j j
? ### j

> > >

8. The Bargain
g
b g
& b b 4 ggg
2 4 3
1
poco accel.
4 4
n n
F
? b 2 4 n 3
b b 4 gg 4 n 4
gg
g
b 3 rall. n .
2 n . 4 >ww 3
&b b 4
4
n 4 4 w 4
n
f
? b 3 n 2 n 4 w 3
b b 4 4 4 w 4
>
p VALJEAN: "
Adagio
b 3 2 " 3
&b b 4
7
4 4

b 3 " "
Hush now, Do not be a - fraid of me. Dont cry, Show me where you live.
2 3
&b b 4 . 4 4
n ..
? b 3 . "
.. 2 " 3
b b 4 . 4 4

b 3 2 " 3 j n n n b b b 44
rall. COSETTE:
&b b 4
11
4 4
Tell me my child, what is your name? Im called Co
b b 3 j 2 . " 3 n n n n b b b 44
& b 4 n 4 4
n
? b 3 2 " 3 4
b b 4 4 4 nnnbbb 4

8. The Bargain page 131

2
(COSETTE):
4 U 2
rall.
U #
&4
21
4 4

2 4 U U #
(VALJEAN):

2
V4 4 4
U
U

2 #
2
&4
4
4 j 4 # ggg #

# # gg
g
?2 4 # U 2 U u #
4 4 4
J
C Moderato con agitato
# (VALJEAN):
3 2
"
25
V 4 4
I found her wan - d'ring in the wood, this lit - tle child, I found her trem-bling in the
# j 3 j 2

Gtr.
& 4 4

F . #
? # .. 3 . 2
4 4
J J
# 2
V 4 . " 43 24
27
shad-ows. And I am here to help Cos - ette, And I will set-tle an-y debt you may think
# 2 3 2
& 4
J
4 J 4

. j
? # 2 . . 3 ..
2
4 . 4 . 4
J J

# 2 (VALJEAN):
poco rall.
V 4 . 44 j n j j n
30

pro - per: I will pay what I must pay to take Cos-ette a -
# 2 4
& 4 n 4 n n
. . .
.
? # 2 n . 4 n
4 4 n
D A Tempo
# ####

33
V
.
way. 3
# . #### .
& # # .. ww
. w
?# ####
w
####

(VALJEAN):

35
V
There is a du - ty I must heed. 3
#### .
& ww ww
w w
? ####

####

. .
37
V
There is a pro - mise I have made. For I was blind to one in
####
& ... . .. ..

? ####


MADAME
#### nnnn 3
THENARDIER: rall.
&
(THENARDIER):
# n 4
56
V J
Take a glass. Take a chair.
#### nnnn 3
" .
(VALJEAN):
V # n 4
vow. Cos - ette shall have a fa - ther
#### . nnnn 3
& # n 4
J .
J J
? #### .
dim.
nnnn 3

# . n 4
nnnn 3
Alla valse = 170
V n 4 .
58
now.
nnnn 3 # . . # . .
& n 4 # . . # . .
P j j j j
? nnnn 3

n 4

G1
THENARDIER:

62
V # n # n
What to do? What to say?
& j # j n j # j n

?


j
(THENARDIER):
V .
66
# n # n
Shall you car - ry our trea - sure a - way?
& j # n j # j n

?

j j
V b . b .
70

What a gem! What a pearl!
& j b j
j b j
b b b b b b b b
? b b
b b
V b
74
b b b
Be - yond ru - bies is our lit - tle girl!
& j b j
j b j
b b b b b b b b
? b b
b b
H1
V
78
# #
How can we speak of debt?
& j
j
#
j

j#
# # ## # # # #
? # #
# #

(THENARDIER): rall.
j
U
V # .
82
# # #
Let's not hag - gle for darl - ing Cos - ette. U
& j
j#
j
j #
# # # # # # # #
? # # .
# # # .
u
I1 A Tempo

86
V # n # n
Dear Fan - tine, gone to rest,
# . n # . n
& # . n # . n
F # # # . .

.
# # .

.
# # # .

.
# # .

? # # # #
. j
V
90
# n #
. # .
Have we done for her child what is best?
#
& # . .
. . . . . . . .
# # # # # # # # # #
? # # # #
V # # n
94
Shared our bread, shared each bone.
# . n # . n
& # . # # n # # . n #
# # #
J J J J
?
# # # #

n j #
(THENARDIER): rall.
V # # # n
98
# #
Treat - ed her like she's one of our own, Like our own, M' - sieur!
& j # # j# j # # j # j # #
# # #
?
# # # # .
Recitative VALJEAN:
. # r " #
103
V
U U
Your feel - ings do you cred - it, sir, And I will ease the part - ing blow.
& ggg # # ... #

gg . ggg # #
ggg U ggg
? ggg # .. U ggg #
gg g #
j j

105
V # # # # #
U
Let us not talk of bar - gains or bones or
& .. ..
. .
? . .
+ Gtr.
. .
u
j U
" # . .
107
V #
U
greed: Now, may I say, we are a - greed?
& gg # .. ggg # # # ... ggg # # ...

gg . g g
? # . # . .
u

G2 A Tempo
MADAME THENARDIER:

110
& # # n # # n
That would quite fit the bill
& j # j n j # j n

P
?

. j
&
114
# n # # n
If she had - n't so of - ten been ill.
& j # n j # j n

?

j j
& b . b .
118

Lit - tle dear, cost us dear,
& j b j j b j
b b b b b b b b
? b b
b b
b . j
&
122
b b b
Med - i - cines are ex - pen - sive, M' - sieur.
& j b j j b j
b b b b b b b b
? b b
b b

H2
j j
(MME. THENARDIER):
&
126
# . #
Not that we be - grudged a sou,
& j j j
+ E.H.
# j #
# # # # # # # #
? # #
# #
rall.
U U
& # . j
130
# # #
U U
It's no more than we Christ - ians must do!
& j j# # . j j #

# #

# # # # .
# # #
? # #
# # #
u u
A Tempo
I2 (MME. THENARDIER):

134
& # #
One thing more, One small doubt,
V # #
(THENARDIER):
One thing more, One small doubt,

# #
& # #
F # . . . . . . . .
# # # # # # # # #
? # # # #

j
(MME. THENARDIER):
.
138
& # #
There are treach - er - ous peo - ple a - bout.
n .
V # b #
(THENARDIER):
J
- - - .
There are treach - er - ous peo - ple a - bout.
# #
& # # .
. J
# # # . .
# # . .
# # # . .
# # .

? # # # #
& # #
142

No of - fence, Please re - flect:
# #
V
No of - fence, Please re - flect:
# #
& # # # # #
#
J # # #
J J J
?
# # # #
U U
poco rall.
# . j
& # #
146
nU
Your in - ten - tions may not be cor - rect.
# # . #U

V J
U U
Your in - ten - tions may not be cor - rect.
& j # # j # j # # j
# # #
? U U

# # #

J1 A Tempo
VALJEAN:
V
150
# #
No more words, Here's your price.
& j # j j # j

F
?

. j
V
154
# #
Fif - teen hun - dred for your sa - cri - fice.
& j # j # j

?

j
V b .
158
b
Come, Cos - ette, Say good - bye,
& j b j j b j
b b b b b b b b
? b b
b b
V b
162
b b b
Let us seek out some friend - li - er sky.
j
& j b b j b b .
b b b bb b
b b
J J
? b b
b b

V j
166
# . #
Thank you both for Cos - ette.
& j
j
#
j

j
#
# # ## # # ##
? # #
# #
rall.
V # . j
170
# # #
It won't take you too long to for - get.
#
& j j# # .. j #
# # # #
# # # # # 3
? # #
# # #
A Tempo
J2
174
# #
# #

& # #
f # # # # #
# # #
# #

? # # #
# # #
# #
# # . . . # #
.. .

#
.
178
& # #
J
# # #
# #
# # #
# #

? # # #
# # #
# #

rall.
U
V # . j
210
# # #
U
There's a cas - tle just wait - ing for you.
# # .. #
& # # # # # # . # # #
J U
? # # .. # .
# .
# .
# .
#
#
A Tempo
# #
& # #
214
f # #
?

# b # ..
& .
218
# b #
J
# #
?

rall.
# #
222
& # # # #
# #
? # # # # # # # # # # #
# # #
meno mosso
# >
rall.
# > >
# #
# #
&
226
? # . #
# . #>
# . # . > >

9. The Beggars
1832. The teeming squalid streets of Paris.
Beggars, urchins, prostitutes, students etc
Andante = 80 (Ten 1 8va)
b b 4 j j
CHORUS (THE BEGGARS): unis.
&b b 4 j - j . j . j
1

Look down and see the beg - gars at your feet, Look
b b 4
&b b 4

> - - -

? b b 4
pesante
b b 4 w
w > > > > > > > >
b b j j
&b b - j . j - j . j
4

down and show some mer - cy if you can.
Look down and see the
b b
&b b n

? b b
b b
> > > > > >
> > > >
(All at pitch)
b b j j j
X
&b b j - j - j
7
.

sweep-ings of the street, Look down, look down u - pon your fel-low man. Uh-
nasal hum
b b
&b b n

? b b
b b
> >
> > > > > > > >
9. The Beggars page 149

C
b b
GAVROCHE:
j j
&b b
10

'Ow do you do, my name's Gav - roche. These are my peo - ple, Here's my patch.
b b j
&b b j j j
.
(CHORUS): (Ten 1 loco)
. j j
.
huh, Uh - huh, Uh - huh, Uh -
b b
&b b

b b
b b j j
&b b
12

Not much to look at, no - thing posh. No - thing that you'd call up to scratch.
b b j
&b b . j j j
.
.
huh, Uh - huh, Uh - huh, Uh -
b b
&b b n

b b
b b
&b b
14

This is my school, my high so - ci - e - ty. Here in the slums of St. Mi - chel,
j j j
b b
&b b . j j j . j j
. .
huh, Uh - huh, Uh - huh, Uh - huh, Uh -
b b
&b b

? b b j j j j
b b

j

j

j

j

b b
(GAVROCHE):
&b b
16

We live on crumbs of hum - ble pi - e - ty. Tough on the teeth but what the hell.
b b j j j
& b b b .
(CHORUS):
.
huh, Uh - huh,
b b
& b b b

? b b j j j j j
b b b j j j

b b b
&b b n nnb
18
n
Think you're poor? Think you're free? Fol - low me, Fol - low me!
b b b
nnb
(Ten 1 8va)
&b b
n
j
Look
b b b
&b b n nnb
n # n
? b b n b
b b nnb
n
E
b j
&b j . j j
20

down and show some mer - cy if you can. Look
b
&b

? b
b
> > > > > > > >

b j j j bbb
&b j j
22

down, look down u - pon your fel - low man.

b bbb
&b n

? b
b

bbb
> > > > > > > >
b
G

OLD BEGGAR WOMAN:
&b b
28
What d'you think you're at, hang - ing 'round my pitch? If you're new a-round her, girl, you've
b
&b b

? b
b b > >
> > >
bb
YOUNG PROSTITUTE:
& b
31

got a lot to learn. Lis - ten you old bat, Craz - y blood - y witch!
b j
& b b

? b
b b > >
> >
bb
OLD BEGGAR WOMAN:
& b
34

'Least I give my cust - o - mers some plea - sure in re - turn. I know what you give,
b j
&b b

? b
b b >
>
>
bb
(OLD BEGGAR WOMAN)
& b
37
Give 'em all the pox. Spread a - round your poi - son till they end up in a box!
b
&b b

? b
b b >
> >
>
bb
PIMP:
& b
40
J
Leave the poor old cow, Move it Mad-el-eine, She used to be no bet-ter till the clap got to her brain!
b
&b b

? b
b b
>
> > > > >
H
bb
WOMAN 1 WOMAN 2 WOMAN 3
& b
44
When's it going to end? When're we going to live? Some-thing's got to hap-pen now
b
&b b

? b
b b J J

bb
PIMP: THE BEGGARS:
& b
47

Some-thing's got - ta give. It - 'll come, it - 'll come, it - 'll come, it - 'll come, it - 'll
b
&b b j j j

j j

? b
b b

J
bb
MARIUS:
& b
50
J J
(THE BEGGARS): Where are the lead - ers of the land?
b
(whispered)
&b b

come, it - 'll come, it - 'll come, it - 'll come, it - 'll come, it - 'll come, it - 'll
> >j >

& b bb
w

w
Hns.

.
J J
? b
b b

bb
ENJOLRAS:
& b
53
J J J J
Where are the swells who run this show? On - ly one man and
b
&b b

come, it - 'll come, it - 'll come, it - 'll come, it - 'll come, it - 'll come, it - 'll
b
&b b

w
> > >
? b >
j
b b


bb
(ENJOLRAS):
& b
56
J J
that's Lam - arque. Speaks for the peo - ple here be - low.
bb
(THE BEGGARS):
& b

come, it - 'll come, it - 'll come, it - 'll come, it - 'll come, it - 'll come.

& b bb

. J
-

? b
b b j
>
f
bb
SOLO BEGGAR
& b
(THE BEGGARS):

59
See our chil - dren fed. Help us in our shame, Some-thing for a crust of bread, In
b b j
j

& b
> > > > >
>
? b j J j J j J j
b b J J J
SOLO
b
URCHIN: THE BEGGARS:
&b b j
62

Hol - y Jes - sus' name. in the Lord's hol - y name. In his name, in his name, in his
b
& b b j j j j j

sub. p
? b
b b


K A Tempo primo h=q

b
&b b J
65 MARIUS:
J
Lam - arque is ill and fad - ing fast, Won't last the week out, so they say.
bb
(TUTTI):
& b

name.
b
&b b
> > > > > >
f
j j
? b . .
b b - - - . - - . - -
bb 5 4
rall.
ENJOLRAS:
& b
67
J 4 4
With all the an-ger in the land, How long be-fore the judge-ment day, be-fore we cut the fat ones
b 5 n 4
& b b # n 4 4
? b 5 4
b b 4 4
- - - -
b 4 U
"
A tempo
&b b 4
69
down to size? Be-fore the bar - ri - cades a -
b 4 U
&b b 4 n
n
? b 4 U
b b 4


b
bbbb
Tempo primo
&b b
71
rise?
b
&b b . j . j j bbbb

F
? b
b b
N

bbbb
L
b b j j
&b b
73 GAVROCHE:

Watch out for old Then - ar - di - er, All of his fam - ily's on the make.
b b
&b b

b b
b b j j
&b b
75

Once ran a hash - house down the way. Bit of a swine and no mis - take.
b b
&b b n

b b

b b
GAVROCHE:
&b b
77

He's got the gang, the bleed - ing lay - a - bout. E - ven his daugh - ter does her share.
b b
&b b

b b
b b
&b b
79

That's E - pon - ine, she knows her way a - bout. Onl - y a kid, but hard to scare.
b b
& b b b

? b b j j j j j
b b b j j j

THE BEGGARS:
b b j
&b b j .
(Ten 1 8va)
j j
81

Do we care? Not a cuss! Long live us, Long live us! Look down and show some
b b
& b b

? b b
b b

> > > >
=
b b j j nn
&b b j j j j nn
84

mer-cy if you can, Look down, look down u - pon your fel-low man.

b b j nn
&b b n n n

? b b nnnn
b b
> > > > > > > > > >

11. Stars
Larghetto
1
# # # # 12

& 8
P
# # # # 12 ?
& 8 .. .. .. ..
A
####
j
JAVERT:
. . .
3
V J
There, out in the dark - ness, A fug - i - tive
####
&
? #### . . . .
####
. j .
5
V .
J . .
run - ning, Fal-len from God, fal - len from
####

&

? #### .
. . .
#### j j
. . .
7
j
grace. God be my wit-ness, I nev - er shall
#### . . j . .
&

? #### . . . .
11. Stars page 173

####

9 (JAVERT):
V . . .
j
.
yield Till we come face to face. Till we come face to
####
. . .
& . .

? #### .
. . . .
.
B
####
! .
11
V . .
####
face. He knows his way in the dark, mine is the way of the
&
.

p j
? #### . . .
.
#### j j
(very slight accel.)
. . . .
13
####
Lord, those who fol - low the path of the right - eous Shall have their re -
&

? #### . .
. J .
#### j
. . n . 68
15
V J
ward. And if they fall as Lu - ci - fer fell, the
#### n .. n . 6
&
n . n .. n 8

J
? #### . . .. 6
. n . 8
. .
11. Stars page 174

#### 6
(JAVERT): poco rall.
n 12 . .
8
17
V 8
> > >.

flame, the sword!
#### 6
& 8 n n n 128 . ..
a
f
? #### 6 n . 12 .
8 n . 8 . . &
. . .
A1
####
A Tempo
. .
4
. .
19
V

Stars

In

your mul - ti - tudes

Scarce to be
####
&
#### . . .
& .
. . . .
####
. j j
21
V .
J . .
count-ed. Fil - ling the dark-ness

With or - der and

####
&
#### ?
.
& . . . &
. .
####
. . . .
23
V

light.
You
are the
sen - tin - els,

Sil - ent and
####
&
p poco sim.
####

& - - - - - - - - - - -
. . . .
11. Stars page 175

####
.
25 (JAVERT):
V . .

####
sure. Keep - ing watch in the night, Keeping watch in the

&
####
. ?
.
& .
. . .
B1
####
! !
27
V . .
####
night. You know your place in the sky, You hold your course and your
&

p
? #### j
cresc. poco a poco
. . . . .
. .
####
pochiss. accel.
. . . . .
29
V J
####
aim, And each in your sea - son re - turns and re - turns, And is al - ways the
&

? #### .
. . . .
#### j
(no accel. from here)
. . n . 68
31
V J
same. And if you fall as Lu - ci - fer fell, you
#### . 6
& n n .. . 8
n .
n .

? #### . . nF
. n . . 6
. 8
. .
11. Stars page 176

#### 6
(JAVERT): Rall.
n 12 .
8
33
V 8 J
- - -
fall in flames! And so it must
#### 6 12
& 8 n n 8 #

? #### 6 n . 12
8 n . 8
.
C
#### A Tempo
n

35 4
V J J J J
be, for so it is writ - ten on the door - way to Par - a - dise. That those who
# # # # n

&
J J
f
? #### . . n . .
. . n . .
#### j n
n n#
. j 68 . j 12 .
37
V 8 .
fal - ter and those who fall must pay the price.
n .. .. . . j
#### n . 6 . 12 . n n n #
& 8 # 8
J J
? #### n . 6 . 12 n
n n#
. 8 . 8 . . . .
n . - . - .
D#
. .
40
V
.
# .. . . .
Lord, let me
&
f
?# . . . .
. . . .
11. Stars page 177
#
(JAVERT):
. . j .
.
42
V J .
j
find him That I may see him Safe be - hind
# .
&
?# . .
.
. . .
# . . j
. .
44
j .
bars. I will nev - er rest. Till
. . .
#

&
?# .
. . . .
.
#
Rall. ,
46
. . .
V
then
j
This I swear, This I swear by the

# . .

&

?#
cresc.
. . .
A Tempo
# " ## 2
Rall. molto
w. w.
48
V & 2
stars.
> > > > U>
# . . . ..
.. " ## 2

& 2
> > >
U
?# . . .. " ## 2
2
. . .
11. Stars page 178 > > > >
E
# # Andante
2
h = 70 GAVROCHE:

50
& 2 # #
#
## 2
That In - spec - tor thinks he's some - thing but it's
& 2 #
#
. . . . . .
F
? ## 2
2 . . . . . . . .
#
& #
54
# # n
## j
me who runs this town, And my thea - tre nev - er clos - es and the
j n
& # #

. .
? ##
. . . . # . . N . .
##

58
&

##
cur - tain's nev - er down. Trust Gav - roche, Have no
&
. . . .
# . . . # . . # .
? ## . . . .
. .
. , U U
EPONINE:
##
j
Rall.

63
&

#
fear, You can al - ways find me
. here.
U
Cos
& #
#

. # . . #
p
? ## . . U
. . .
11. Stars page 179

poco accel.
(MARIUS): poco rall
j . r
86
V

j
care - ful how you go, Don't let your fa - ther know. 'Pon -
j j b j
& #

J J J J J J J J
? # b
J J J J J J J J
Poco pi mosso
poco accel. (MARIUS leaves.)
2 ! r 44 j
88 EPONINE:
& 4

You see, I told you so, There's
. . 2 4
(MARIUS):
V 4 4
R
j
ine, I'm lost un - til she's found.
.. 2 . 4 j j j
& . 4 4

#
..
.
J J J
? J . 2 4
J J 4 4
rall Rit. (non troppo)

U
j ! j
91
& .
w
U
lots of things I know. 'Po - nine, she knows her way a - round.
U
& j j j
b j
. ww
w
? b U
w

w
11. Stars page 183

12. The ABC Caf

Where THE STUDENTS, led by ENJOLRAS, meet to discuss their revolutionary plans.
4 2 .. 4
! !
3
& 4 . - 4 . 4
. - . . . .
f. -
? 4 . - . . . - 2 .
4 . - . . ! ! 4 4
4
4 2 7
& 4 ! ! ! ..
5
. - . . - 4 . 8
. - . . .
. -
. - . . . . -
?4
4 ! ! . ! 2
4
. 7
8
7 . j j
& 8 .. ..
7
> > .
> > . > > .
> > > . > . > >
? 7 . .
8 J J J J
COMBFERRE (shouted): Enjolras!
. j .. j 4
& ..
9
> > 4
> . > . > > .
> > > . > . > >
? . . 4
J J 4
A
4 7
COMBEFERRE: FEUILLY:
V4 ! ! ! ! !!
11
8
At Not-re Dame, the sec - tions are pre - pared. At Rue du Bac they're strain - ing at the leash.
4 7
& 4 ! ! ! ! ! ! 8

F
?4 ! ! ! ! !! 7
4 8
12. The ABC Caf page 184

7 . j . j
COURFEYRAC:

13
V8 J J
Stud - ents, work - ers, ev - 'ry - one, There's a riv - er on the run,
j j
7 . j .. j
+ WW
& 8 ..
> > > . > . >

> .
> > > > . > >
? 7 . J
.
.
j
8 J J
. j 3 4
4 .
15
V J J 4
Like the flow - ing of a tide, Par - is com - ing to our
j j
. j 3 4
& .. 4 ... 4
> >
.
> >
? .

J
.
3 . . 4
J 4 J R 4
poco pi mosso = 132 - 138
B
4 j j
ENJOLRAS:

. j . j
17
V4

side. The time is near. So, near, it's
4
&4
. . .
P j
?4
cresc. poco a poco
4 w w
w . >
> > w
. j
3

20 3
V J
stir - ring the blood in their veins. And yet, be - ware,
j j j j j j j j
&

.
? j . .

. . .

rall.
. j
(ENJOLRAS):
V
23
J
Don't let the wine go to your brains.
j j j j j j j j w
&
# ww

j j j
? .
. J
- . - - -
C Tempo primo ( = 116)
2 4
V
26
4 4
3 3 3 3
For the ar - my we fight is a dang - er - ous foe.
2 j j 4
& j

j

j

j 4 4
> > > >
>f >
? j j 2 j 4
4 4
> > >
4 2 4
V4
28
4 4
3 3 3 3
With the men and the arms that we nev - er can match.
4 2 ! 4
& 4 j

j

j

j 4 4
> > >
> J
> >J
?4 j j 2 j ! 44
4 4
> > > > >
4 # 2 4
30
V4 4 4
3 3 3 3
It is eas - y to sit here and swat 'em like flies.
4 2 . 4
& 4 # .. .. .. .. 4 . .. 4
. . . . . .
fl fl fl fl
fl fl fl fl fl fl fl fl
?4 j j 2 j 4
4 4 4
> > >
4 2
(ENJOLRAS):
#
32
V4 4
3 3 3 3
But the Nat - ion - al Guard will be hard - er to catch!
4 2
& 4 # .. .. .. .. 4 .. ..
. . . . . .
fl fl fl fl fl fl fl fl fl fl fl fl
?4 j j 2 j j
4 4
> > > >
4
rall. Meno mosso = 88 - 92
V .
34
J 4 J
3 3
We need a sign to ral - ly the
. 4
& 4 #
>
F
? j 4
3 3 3 3
4 #
> #

poco rall.
U. U ####
#
36
V
3 3 3
3
#U
peo - ple, to call them to arms, to bring them in line.
# .. # .. U ####
3 3
# .
& # n # .. #
? # # # U ####
.
# # . #
# u
F Moderato - Recitative
####
ENJOLRAS:
. 3

GRANTAIRE:
#
38
V R J 4
Mar - i - us, you're late! Some
####
! . 3
JOLY:
V # 4
What's wrong to - day? You look as if you'veseen a ghost.
#### 3
& # 4
ggg ww ggg www
ggg F ggg
? # # # ggg w
# ggg w 3
# gw gg w 4
Tempo primo Les Misrables - UK Tour 2010
recit.
#### 3 4 ! . . 3
(GRANTAIRE):
2 .

MARIUS:
# 4
40
V 4 4 4
wine and say what's go - ing on. A ghost you say, a ghost may-be, She
#### 3 j 2 4 3
& # 4 g
gg 4 4 ww 4
ggg ww
g .j
? # # # # 3 ggg 24 4 3
# 4 ggg 4 w 4
g . < <
,
# # # # (MARIUS): ###
A tempo
# 43 4
43
V 4
was just like a ghost to me, One min - ute there,then she was gone.
#### 3 j 4 ###
& # 4 4

-j -
j ..
? #### 3 4 # .. ###
# 4
4
J .
Andante
= 88 - 92 - -
G# Meno mosso
## 2
! 44
46 GRANTAIRE:
V 4
3
I am a - gog, I am ag - hast, Is Mar-i - us in love at last? I've
# # # j
j j

j j j j

j
24 j j 4
& 4

P
? ### J 2 4
J 4 4
### 4 . j

49
V 4
nev - er heard him 'ooh and aah'.
### 4 j j j j j j

& 4
- -

? ### 4 #
4
- # -

###
(GRANTAIRE):
2
! .
51
V 4
3
You talk of bat - tles to be won And here hecomes, like Don Ju -
# # # j
j j

j j

j j

j
2
& 4
? ### . j 2
4
.
### 2 . #### #
44 #
53
V 4 J
an. It is bet - ter than an o - per - a!
### 2 j j 4 . j #### #
& 4
4 w #
ww
? ### 2 4 #### #
4 4 #
Poco meno mosso = 80

H
#### # . . . 2 . 4 . . ... ..
# 4
56
& 4 ..

? #### # 2 4 .
# 4 4

# # # # # I1
#
ENJOLRAS:

60
V
It is time for us all to dec-ide who we are.
#### # j
& #
.
. .. .. ..
? # # # # # .. . . .
#

#### #
ENJOLRAS:
#
62
V
Do we fight for the right to a night at the o - per - a now?
#### # j
& # w .
. . .
? # # # # # .. .. .. ..
# . . . .
#### #
#
64
V
Have you asked of your - selves what's the price you might pay?
#### #
& # .

. .. .. ..
? # # # # # w .. .
. .

#
#### # j
# . !
66
V J
Is this sim - ply a game for rich young boys to play? The col-ors of the
#### # j
& # .
.. . .
Jj
? # # # # # .. .. .. .
# . . .
#### # j
Accel.
# .
68
V J
world are chang - ing day by day.
#### #
& # ! !
# .
? #### # ! ! .
# .

Poco pi mosso = 84
# # # # # (ENJOLRAS):
J1
# . . . 2 . 4
70
V 4 4
Red, the blood of an - gry men.
#### # 2 4
& # 4 4
r
... ... ! .
? #### # 2 .. 4
# 4 4
#### # 4 . . . 2 . 4
# 4
72
V 4 4
Black, the dark of ag - es past.
#### # 4 2 4
& # 4 4 4
.. r
.. ..
! 2 ...
? #### # 4 . 4
# 4 4 4
#### # 4 . . . 2 . 4
# 4
74
V 4 4
Red, a world a - bout to dawn,
#### # 4 2 4
& # 4 4 4
r
... ...
! 2 ..
? #### # 4 . 4
# 4 4 4
#### # 4 . . . .
# 4
76
V
Black the night that ends at last.
#### # 4
& # 4
.. .. ..
? #### # 4 . . ..
# 4
.
I2 Subito A Tempo = 80
#### #
#
MARIUS:

78
V
Had you been there to - night you might know how it feels
# # # # # j
j

j

j j j j j
& #

. . . .
? #### # . . . .
#
#### #
#
80
V
To bestruck to the bone in a mo-ment of breath-less de-light.
j
#### # j j j .
& #
..
. .. ...
? #### # .
# . .
#### #
#
82
V
Had you been there to-night, you might al - so have known
#### # j j j j j j j
#
&

. . . .
? #### # . . . .
#
#### # j
# . J
84
V
How the world may be changed, in just one burst of light, And what was right seems
#### #
& # w
. .
J J J Jj
? #### # . . .. .
# . . .

#### #
Accel.
# .
86
V J
wrong, And what was wrong seems right.
#### #
& # ! !
#
? #### # ! !
#

Poco pi mosso = 84
J2
#### # 2 . 4 .
. . . . R . 2 . 44
MARIUS:
#
88
V R 4 4 4
I feel my soul on fire, My world if she's not there.
# # # # # GRANTAIRE: 2 4 . 2 4
V # . 4 4 4 4
Red! Black!
#### # 2 4 2 4
& # 4 4 4 4
r .. r
... ...
! 2 .. .. ..
! 2 ...
? #### # . 4 . 4
# 4 4 4 4
#### # 4 . . . 24 . 44 . . . .
# 4
92
V
Red, The col - our of de - sire, Black The col - our of des - pair.
# # # # # 4 STUDENTS: 2 4 .
V # 4 . 4 4
Red! Black!
#### # 4 2 4
& # 4 4 4
r
... ...
! 2 .. .. .. ..
..
? #### # 4 . 4 . .
# 4 4 4 .

K Recitative
#### # n !
j 43
ENJOLRAS:
#
96
V J R
Mar - i - us, you're no long - er a child. I do not doubt you mean it well, But
#### # 3
& # gg 4
gg ww gg gg n
ggg g
gg gg
gg gg
? # # # # ggg
# w gg gg n 3
# g w 4
#### # 3 2
Tempo primo
! n !
rall.
4
recit.
#
98
V 4 4 4 J R
now there is a high-er call. Who cares a-bout your lone - ly soul, We
#### # 3 2 4
& # 4 4 4 g ww
gg w
ggg
? #### # 3 2 4 ggg w
# 4 4 - - 4 gg w
#### #
A tempo
n .
# 64 4
101
V 4
strive to - ward a larg - er goal, Our lit - tle lives don't count at all.
#### # 6 4
& #
gg g n
ggg
4
n
.. 4
ggg ggg
? # # # # # gggg ggg n 6 . 4
# 4 . 4
L STUDENTS:
Meno mosso = 84
#### # 4 .. .. .. 2 4
# 4
103
V . . . 4 4
Red, the blood of an - gry men.
#### # 4 .. 2 4
& # 4 .. 4 4
f
? #### # 4 2 4
# 4 4 4
(STUDENTS):
#### # 4 .. .. ... 2 4
# 4
105
V . . 4 4
Black, the dark of ag - es past.
#### # 4 ... 2 .. 4
& # 4 . 4 .. ( ) 4

? #### # 4 2 > > 4
# 4 4 4

#### # 4 .. .. .. 2 4
# 4
107
V - . . . 4 4
Red, a world a - bout to dawn.
#### # 4 .. 2 . . 4
& # 4 .. 4 . 4
J
? #### # 4 2 4
# 4 4 4
U U
rall. molto
#### # 4 .. .. .
.. nnnn n
# 4 n
109
V . .
Black, the night that ends at last.
#### # 4 U . U nnnn n
# 4 .. .. n
& .. .
U
? #### # 4 . nnnn n
# 4 n
u.
Allegro (q=124)
nnnn n
M ENJOLRAS:

V n ! ! !
111

Well, Cour - fey-rac, do we have all the guns?
nnnn n
& n ! ! ! ! ! !
- . . . . . . . . - . . . . . .
. . . .
F
? n n n n n . . . - . . . . .
. ! ! !
P
. . ! . ! . ! .
.
n . . . -

GAVROCHE: (rushing in - shouting) Listen!
7 . j
(ENJOLRAS):

! ! !
113
V 8 J
Feuil-ly, Combe-ferre, our time is run - ing short. Grant - aire, put the bot - tle down!
j
7 .. j
&
! ! ! 8 .
> . >
.
>
7 . . >
? ! ! ! 8 J R .
Listen to me! Listen,
. j 3
V . j
115 GRANTAIRE:
J J 4
Do we have the guns we need? Give me bran - dy on my breath
j j
.. j 3
& ... j 4
> . >
. > . . > .
? > . . > .
> . . >
3
J R J 4
J
General Lamarque is dead!
Andante = 96
3
N U
j " . r .
44
ENJOLRAS:
V 4 . J
123

and I'll breath them all to death! Lam - arque is dead.
3 . j 4 j "
& 4 .. 4
> . >
>
? 3 > . . > . 4
j
"
4 J R 4
>

accel. poco a poco
V j j . j
3

126
J
Lam-arque, His death is the ho - ur of fate. The peo - ple's man.
&

?
cresc.
j j J j j
. .

Meno mosso

(ENJOLRAS):
V
130 3 3
J
His death is the sign we a - wait.
- - - -
-

3
& # J J J
.
J 3

? j j j j j J J J
. .
O = 116
2 4 2
Allegro moderato
V
133
4 4 4
3 3 3 3 3 3 3 3
On his fun-er - al day theywill hon-or his name. Withthe light of re - bel-lion a - blaze in their
j 2 j 4 j 2
& 4 4 4

f
? 2 j 4 2
J 4 J
. # 4 . 4
2 4 # 2 4
V4
136
4 4 4
3 3 3 3
eyes. From their can-dles of grief we will kin - dle our flame.
2 j 4 j j
&4 4 # 24 4
4

?2 j # 44 #
# 2 j # 44
4 4

4 # 2
rall.
! . 5
V4
139
4 R 4
3 3 3 3
On the tomb of La-marque shall our bar - ri - cade rise. The time is
4 . r
.
&4
# # 24
5
4

L.H. J J
?4 2 j 5
4 J 4 4
P Maestoso = 88 - 92
5 3
(ENJOLRAS):
142
V4 4
3 3 3 3 3 3 3 3
here, Let us wel-come it glad - ly with cour-age and cheer, Let us take to the streets with no doubt in our
5 3
& 4 # n b 4
3 3 3 3
?5 3
3 3 3 33
b
3 3 3
4 4
3 3 3 3
3
144
2 4
V4 4 4
3 3 3
hearts. But a ju - bil - ant shout, They will come one and
3
3 2 n 4
& 4 # 4 # # 4
?3 2 # 4
3 3
4 4 4

U
3
4 .
rall.
# # 2 # .
b 128
146
V4 4
U .
all. They will come when we call.
j j
4 .. # .. # #
2 ...
& 4 # .. # .. # 4 # b 128
- - # -
j
?4 # . 2 . 12
4 # # - . - 4 . b 8
-
u SEGUE

13. The Peoples Song

Alla marcia, grandioso ( . = 80) A
12 . . j j .
Vb 8
ENJOLRAS:

1
J
Do you hear the peo - ple sing, sing-ing the
12
& b 8 .. .. .. .. .. .. .. .. .. .. .. ..
.
. . . . . . . . . . .
P
? 12 j j
b 8 .
. .. . w.
. . . w.
j j j
Vb j j # j j n j j
4
.

song of an - gry men? It is the mus - ic of a peo - ple who will not be slaves a-gain! When the
&b . . .. .. .. .. .. .. .. ..
.. .. . . . . n ... ..
. . . . .
? . w.
b w. .
w.
j . j
Vb j
7
J .
beat - ing of your heart ech - oes the beat - ing of the drums, There is a
&b .. .. .. .. . . .. ..
. . . . .. .. . .
?
b w. . .
j j
poco accel.
Vb . . j n
COMBEFERRE:
j #
9

.
life a - bout to start when to - mor - row comes! Will you
& b .. .. .. .. .. .. .. ..
n
. . . . .. .. .. n
# .
?
b . ..
. .
.
.
. n ... n

13. The Peoples Song page 199
poco pi mosso ( . = 84)
B
j j
(COMBFERRE):
j
V n # J . J
11
J J J J J J
join in our cru-sade? Who will be strong and stand with me? Bey - ond the bar-ri-cade is there a
& n .. ... ... ... .. .. .. .. .. .. .. ..

. .. .. .. .. . . . .
F
? . . .
n .
. . . .
j .
V . . .
14 COURFEYRAC:
J
Then join in the fight that will give you the right to be free! Do you
V J J . . . .
(COMBFERRE):

STUDENTS:
J
world you long to see? Do you
& .. ... ... ... .. .. .. .. .. .. ..

. . . .. .. .. .. ..
f
.
?
. . .. . .
. . . . .
C
J j
j # j
(STUDENTS):

17
V J J J J
hear the peo - ple sing, sing-ing the song of an - gry men?
j
It is the mus - ic of a peo - ple who will
.. j
.. . . - . - . # ...
.. . . ... .. .
& .... ... . . ..
..
..
.. # ... .

j - . - . .
? .
. . . .


.
V n J J J
20
J J J
not be slaves a - gain! When the beat - ing of your heart e - choes the
..

.
. .. .

& J J .. ... J

? . . .
. J . . .
.
j j # n .
. j
FEUILLY:

22
V J J J
j j
beat - ing of the drums, There is a life a - bout to start when to - mor - row comes. Will you
. . #
.. .. .
& . . .. .. .. ..
. . . .
. . .
J
F
? . . . .
. . . . .
. . . .
. .
D j j j
V # n .
25
J J J
give all you can give so that our ban - ner may ad - vance? Some will
F
P
CHORUS:
& ww .. .. .. .
w ..
S
w
S
. .
A A.T
T
B
B
Ah
&

? . . . .


j
.
(FEUILLY):

27
V J J J J J J
fall and some will live, Will you stand up and take your chance? The
pP
(CHORUS): F P
w. . . .
/
& AS ww .. ... ...

T w.
B
Ah

&

? . .
J - . - .

.
V .
29
J
j
blood of the mart - yrs will wat - er the mead-ows of France! Do you
.. .
S.T.
& .. .. .
. .. . J
A. B.
Ah Do you
. .
& .
. . .
f
? . .
. . > > > >
.
( . = 88) .
j
E (FEUILLY + CHORUS): j j

j

31
& J
J J J
hear the peo - ple sing, sing - ing the song of an - gry men, It is the
j j
. . . . .
. . . .. ..
& .
. .
? j .
.


j j j j
j # j j n j j ..
& #
33
J
J
J J J J J J J
mus - ic of a peo - ple who will not be slaves a - gain. When the beat-ing of your heart ech - oes the
... .
. .. # .. .

& ... .. # .. J J

? . .
. . .
. . . J
. .
j j j
j j # 5
&
36
J 4
J J
J
J
beat - ing
j
of
j
the drums, There is a - life a - bout to start when to - mor - row
. . # 5
& . . .. .
4
J
j
?
5
4

Maestoso
(q=q.)
5 . b 44
& 4 n .
38
comes.
.. b
5 .. . b b 44
&4 J b ...

dim.
>
N
?5 4
4 b 4
>
>

Moderato ( = 88)
14. Rue Plumet

43 44
3 3
4 . j 24
3
& b 4 .
3 3
1

F P
3
3 3
? b 44
3 3
4 44 24

Recitative
# # 4 COSETTE:
& b 24 4 j 2
. 4
j 4
4
5
U
How strange, this feel-ing that my life's be - gun at last. This
# # 4 www
rall.
2
&b 4
4 w 24 # # 44

U
w #

? b 24 # # 44 24 44
J
# j " # 3
3 (slow)
& # 44 j 24 44
8

change: Can peo-ple real - ly fall in love so fast? What's the mat - ter with
# # 4 NUww U
24 # # " 44
& 4 N ww
NUw
? # # 44 24 #U " 44
A Tempo ( = 76)
# # 4(COSETTE): # . r
rall.
& 4
10
. #
you, Cos -ette? Have you been too much on your own? So man - y things un -
## 4 j j j j j j j
& 4 # # #

? # # 44
14. Rue Plumet page 204
##
A Tempo rall.
& j
12
#
clear, So man - y things un - known In my
## j j
& #
j
n

#
? ##
n
A
#
A Tempo
& # 43 44
3 3

14 3 3
3
j j jThere are
# # ..
life so man - y ques - tions and ans - wers that some - how seem

& 43 44
P
? ## 43 44
## 4
43
3 3
& 4
16 3

j j j j
wrong. In my life There are times when I catch in the
# . ...
& # 44
43

? # # 44 43
## 3 24 44
(COSETTE):
& 4
18 3 3 3
sil - ence the sigh of a far a - way song. And it
# # 3
24 44
& 4

? # # 43 24 44

## 4
poco accel.
& 4 n 24 n 44
3

20 3 3 3
sings of a world that I long to see, Out of
## 4 24 n 44
& 4 n

? # # 44 24 44

# . .
& # 44 #
22 3 3
j
reach, just a whis - per a - way, wait - ing for me?
## 4 ...
& 4 # n .
? # # 44 .

B Poco pi mosso ( = 84)
# # P" n 24 n . 44
&
24 3
Does he know I'm a - live? Do I know if he's real?
## n b 2 n n 44
& n . 4 n
p j .. .. n
? # # b 2
4 n 44
## 4 " n b
rall.
24 44
(COSETTE):
& 4
26 3
Did he see what I see? Does he feel what I feel? In my
#
& # 44 n b n 24 a 44
j
..
? # # 44 bn 24 44

## 4 43 44
Tempo primo 3
& 4
28 3 3 3 3
life I'm no long -er a - lone now the love in my life is so
## 4 j
& 4 j j j 43 j
j

44
? # # 44
34 44

## 4
rall.
j
& 4
30
. .
near, Find me now, find me
## 4 . j j
& 4 . ...
# . N
? # # 44 w
w N
## ###
A Tempo rall. A Tempo rall.
&
32

## ###
here. Dear Cos -
& . . . . .
- . . . . . . . - . .
-
? ## . . . . . . . ###
J
J
C
###
Poco Pi mosso ( = 84)
V j . . 24 44
34

ette, you're such a lone - ly child, How
&
### j j 24 44

. . . # . . .
j
? ### 24 44


b
V b b b b 24 44
A Tempo poco accel.

70
b
turn. 3 3
b bbb 2
& b 4
44

? b b b 24 44 b w
bb
poco rall.
bbbb
MARIUS:
##
V b # n
72
j
b . n n
n## nn n
3 3 In my
3
b ##
& b bbb
f n

cresc.
# n
? bb b n ##
bb w w
F A Tempo =80
# # (MARIUS):
43 44
3
V
74 3 3 3
j
life She has burst like the mus - ic of an - gels, the light of the
## 3 44
& . 4 ..

F
? ## w 43 44
w
## 4 43
3
V 4
76 3
sun, And my life seems to stop as if some-thing is
# # 4
& 4 .. 43
J
J
? # # 44 43
3

## 3 24 4
V 4 4
78 3 3 3
ov
j- er and some - thing has scarce - ly be - gun. E - pon -
## 3 . 24 44
& 4
J J J J
? # # 43 24 44

## 4
poco accel.
n 24 n 44
3
V 4
80 3 3
# # 4 n . . n
ine, You're the friend who has brought me here, Thanks to
& 4 . . 24
J
44
n
? # # 44 w 24 44

# # 4 (MARIUS): #
V 4
82 3
3 3
J
3
j
you I am one with the gods, and heav - en is near.
..
3 3
# # 4 # .
& 4 J J J J
N ..
? # # 44 # .
w
G Pi mosso =88-92
## n 3

3

3

3
24 n 44
V
84
And I soar through a world that is new, that is free.
# # n b 24 n .. 44
& n n . n
f
.
? ## n
n .

J 24 n . n
J 44

A Tempo ma poco meno
## 4
EPONINE: (aside) rall.
n b 24 44
3
& 4
86 3 3 3 3 3
Ev-'ry word that he says is a dag-ger in me. In my life there's been no-one like
# # 4 b 2 44
& 4 n 4 #
F
.
? # # 44 n n . . 24 44
#
& # . 24
3
.
89 3

him an - y - where, An - y - where where he is, If he asked I'd be
## w
& #

24
N
? ## w 24
N
U ###
A Tempo rall.
## 2 "
& 4 44 n
poco rall.
n
92 3 3 3
J
his. In my life, There is some-one who touch -es my life Wait-ing
# # 2 MARIUS:
44 n n U " ###
V 4
3 3
In my life, There is some-one who touch-es my life Wait-ing near
## 2 44 j j j j j j U ###
& 4 n "

j jj j U
? # # 24 44 n w
" ###


15. A Heart Full of Love

MARIUS goes into COSETTE leaving EPONINE outside.
Moderato
### 4 Poco Rall. A Tempo Rall.
2 3

1 EPONINE:
& 4 w 4 4
U
here.

### 4
2 U 3
& 4 4 . R 4
P w w F
? ### 4 2 U 3
4 w 4 4
w
u
A
### 3
Allegretto pochiss. rall.
j
6 MARIUS:
V 4
. .. . ... ..
A
# # # 3 .. .
4 . .
& .

? ### 3 . . . .
4 . . . .
B
###
A Tempo pochiss. rall.
. . j
10
V
heart full of love, A
### .. ..
& .. . .
. J . . .
J
? ### . . . .
.
. . .
###
A Tempo
. #
14
-
heart full of song, I'm do - ing
###
& . .
.
#
. J J
J j
? ### . . .
. . .
15. A Heart Full of Love page 215
### . # . . bb
17 (MARIUS):
V J J
ev - ry - thing all wrong! Oh God, for
### j
& #

.. . bb
.
. . .
? ### .
. bb
C
b . .
(non rall.)
.
Vb
20
J J J
>
shame, I do not ev - en know your name, Dear Mad - moi -
j
bb .. . .. .
.
& .. .. .
. .
? b .. .
. .
b .
j # #
bb
Rall. COSETTE:
#
24
&
A
###
bb .
(MARIUS):
V n
selle, Wont you say?
.j
Will you
b . ###
& b n ..
n .
..

J J.
. .
? b . . . . ###
b .

A Tempo
D
###
(COSETTE): pochiss. rall.
. . j
28
&
heart full of love, No
# # # (MARIUS):
V .
tell?
### ..
& .. . . ..
.
. . . .
? ### . . . .
. . . .
###
A Tempo
.
32
&
fear, no re - gret.
### #
V
J
-
My name is
###
& . . .
. #

. .
? ### . . .
. . .
###
. bb
35
& J
And mine's Cos -
###
V

J
. # . bb
Mar - ius Pont - mer - cy.
### j j
& #
.
..
. bb
.
. . .
? ### .
. bb

E
b
b
(non rall.)
.
38 (COSETTE):
& J
ette. Then make no
bb J
(MARIUS):
V .
Cos - ette, I dont know what to say.
j
bb .. . .. . .
& .. .. .
. .
? b .. .
. .
b .
###
Rall.
b
&b
42
sound. I am
b j ###
Vb n
. .
I am lost. A
j
bb n ... n . r # # #
& J
. j
. .
? b . . . ###
b .
F
###
A Tempo (non rall.)
j
46
&
found. A
###
V . . j

heart full of light, A
### j
& . .
.

..
..
.
.

? # # # . . .
. . .

###
(COSETTE):
. .
50
&
night bright as day.
### (MARIUS):
V . . #
J
night bright as day. And you must
###
& . .
.
# ...
.

? ### .
. . .
### n # . bb
53
V J
nev - er go a - way. Cos - ette, Cos -
### j
& #
.

j .. . bb
.
. .
? ### #
. . bb
G
b J
&b
56

This is a chain we'll nev - er break.
b
Vb
ette.
j
bb .. . . . .
& .. ..
. .
? b .. .
. .
b .

j ###
bb .
Rall. (COSETTE):

60
&
I'm a -
j ###
bb n
(MARIUS):
V
Do I dream? A
b . j ###
& b n ..
n .. .
.
n .
? b . . ###
b . .
H
###
Tempo primo
j
64
&
###
wake!
F A
j
EPONINE:
& . j
.
###
He was nev - er mine to
V . j

heart full of love, A
### .. .
& .. . .. ...
. .
F
? ### . . . .
. . . .
###
.
68
&
###
heart full of you,
& j
.
###
lose, Why re -
V . . #
J
heart full of you, A sing - le
###
& . . .
.
#

.
? ### . . .
. . .

###
. bb
71 (COSETTE):
& J
###
bb
I knew it
(EPONINE):
&
.
gret what could not be.
### . . bb
(MARIUS):
V J #
look and then I knew.
### j
.. . b
& # .. .
.
b
? ### . .

. bb
I
bb
(COSETTE):

74
&
too.
bb j
(EPONINE):
& .
.
These are words he'll nev - er say.
j
& bb ..
..
.
.
..
. .
.
. .
? b .. .
. .
b .
bb
Pochiss rall.

78 EPONINE:
&

Not to me, not to me, not for
b
MARIUS:
Vb n
.j .j
From to - day,
b . .j
n
& b n ..

J
J
J
. .
? b . . . .
b .
Poco meno mosso

b
&b j
(COSETTE):
.
82

Ev - 'ry day. For it is - n't a dream,
b
&b
(EPONINE):
.

me. His heart full of love.
b .
MARIUS:
Vb J
For it is - nt a dream,
b . .
j .. . j
&b

.
J
? b . . . .

b
U.
Ancora meno mosso
.
A Tempo

Rall. Rall.
b
&b
86
not a dream af - ter all.
b . U.
&b

U.
He will nev - er feel this way.
b .
Vb
U
Not a dream af - ter all.
..
b ..
& b

.. ..

U
? b . . .
b . .

16. The Attack on Rue Plumet

D Allegro
( = 164)
21
#### 4
& 4
# # #
S1
p
? #### 4
4 # # #
> > > > > > >

####

24
&

f
? # # # # # # #
cresc.
# # #
# # # #E MONTPARNASSE:
j
27
V

####
This is his lair I've seen the old fox a - round,
j
BABET:
V

He keeps him -
####
&
> > > > > >
p
? #### j j j j j j

####
J
29 THENARDIER:
V J J
####
I smell pro - fit here.
(BABET):
V
J
self to him - self he's stay - ing close to the ground.
####
&

> > > > > > # > # >
>
? # # # # j j
j

j

j j

> > >
16. The Attack on Rue Plumet page 223

# # # #(THENARDIER):

32
V

####
Ten years a - go he came and paid for Cos - ette. I let her
&
#
j j j j j j j
? ####

####
35
####
go for a song. It's time we set - tled the debt. This - 'll cost him dear.
&
# #
> > >
? # # # # j j j

j j

j
> > >
####

38 BRUJON: 3
V
What do I care, Who you should rob? Give me my
####
& j
# ..
n # n
? ####
n #
####

THENARDIER:

41
####
You shut your mouth. You'll get what's yours.

(BRUJON):
. . . . . . . .
share. Fin - ish the job.
#### n
& ?
n >
? ####
n # n
j

j
>
. . . .
# # # # (THENARDIER):

44 3
####
(catching sight Who is this

of EPONINE)

(BRUJON):
. . . . . . . . . . . . . . . .
What have we here?
? ####
&
? #### j

> >
F non pi mosso
# # # # (THENARDIER):
BABET:
.
46 3 3 3 3
V J &
#### >
hus-sy? It's your brat Ep - on - ine. Don't you know your own

&

3

? #### w
>w w w
####
(BABET):
.
49 3 3
& J
####
kid? Why's she hang - ing a - bout you?

&
j j
> >
? #### J

J w .
. > > >

####
THENARDIER:

52 3 3 3 3 3
V
Ep - on - ine, get on home. You're not need - ed in this. We're e - nough here with -
####
&
j .

? # # # # j J J J
w w . > >
>
#### f
.
EPONINE:

55
V J & J
out you. I
####
& # #
.
? #### #
w .
>
G
#### . j j j j
.
57
&
know this house, I tell you, there's no-thing here for you.
####
&

? #### . j j j .
. .
. J
. . .
#### . j j
. .
61
&
####
Just the old man and the girl, They live or - din - ar - y
&
n
? #### # . # . . .
J . J
# . J # . J .

G2
#### #

65 THENARDIER:
& V
####
lives.
> > > > > > > > Don't in - ter - fere,
#
you've got

& #

#> > > >
? #### #
> > > > > > > > > > > >
#### # 2 4
# n
(THENARDIER):

68
V J J 4 4
####
some gall. Take care, young miss. You'vegot a lot to say.
# # n 2 4
& J J J J 4 4

> >
? #### j j j
# # j n 2
4 4
4

> >
#### 4 # 24 # 3
#
BRUJON: MONTPARNASSE:

71
V 4 J J 8
#### 4
She's go - ing soft. Go home, 'Pon - ine. Go home.

CLAQUESOUS:
# 2 3
V 4 4 8
Hap-pens to all.
#### 4 # # 24 # 38
& 4 J J J J
? #### 4 j j j j
4 # # 24 # 38
# # # # (MONTPARNASSE):
3 # n 4 #
EPONINE:
3 # 4

74
V 8 4 & 4 J 4
#### 3
You're in the way. I'm gon-na scream, I'm gon - na warn them here.
& 8 # n 44 w 43 44
#
#
? #### 3 4
43 44
8 # n 4 #

#### 4 # 2 # b b b b b b 44
THENARDIER:

78
V 4 4
One lit - tle scream and you'll re - gret it for a
#### 4
& 4 2
4 b b b b b b 44
# #
? #### 4 2 4
4 4 bbbbbb 4
b b 4
(She screams.)
& b b bb 4
88
Ah!
b b 4
V b b bb 4 b
^j ^j ^j
year.
^j ^j
b b 4 n n
& b b bb 4 n
n n

n

? b b b 4
b b b 4
> . . . . . . . . . . . . . . .
(EPONINE):
b b
& b b bb
90
(scream)
b b
V b b bb
THENARDIER:

> > > >
n n n
Make for the sewers
b b
& b b bb 3

j
>
3
? b b b
b b b > > >
. . . . . . . . > > > > >

I
b b
(THENARDIER):
V b b bb
92
Get und - er - ground. Leave her to me.
b b
& b b bb
. . . . . . . . . . . . .
. .
? b b b
b b b j j
> >
> >
b b
V b b bb
94
Don't wait a - round You wait my girl, You'll rue this night
b b
& b b bb
. . . . . . . . . . . . . . . . . . . . . . .
.
? b b b j
b b b j j

>
> >
The gang scatters, followed by EPONINE and THENARDIER, as MARIUS and COSETTE run back into the garden
b b
& b b bb
97 MARIUS:
V
It was your cry,
b b
V b b bb
(THENARDIER):

I'll make you scream. You'll scream al - right.
b b
& b b bb n
. . . . . . . . . . . .
. . . .
? b b b
b b b j j j
> >
> > >
b b
V b b bb
(MARIUS):

100
Sent them a - way. Once more "Pon - ine, Sav - ing the day!
b b
& b b bb
n n

n
? b b b
b b b j j j
> > > > > >
b b
(MARIUS):

V b b bb
103
Dear - est Cos-ette, My friend 'Pon - ine Brought me to you,
b b j j j j
& b b bb
.
n . . .
? b b b j .
b b b
. . . . .
>
> > >
b b
V b b bb
106
Showed me the way. Some-one is near, Let's not be seen.
. .
j j
b b j .
& b b bb n
.
. . J J J
? b b b
b b b
w . w
>
b b
V b b bb
109
3
Some - bod - y's here!
b b . .
& b b bb
J J J J
cresc.
. .
? b b b
b b b

>
> > > > > > > > > > > > > > >
MARIUS leaves quickly as VALJEAN arrives back home
b b b > > > > nn n n

&b b b nn
111
> > > > > > > >

cresc. molto
? b b b n
b b b n nnnn
> > > > > > > > > > > > > > >
J Recitative
nn 3
V n n nn .
VALJEAN: 3
r #
(if poss.)

114
# # 4
U
My God, Cos - ette. I heard a cry in the dark.
nn 3
& n n nn 4
# b ww

? nnn w 3
nnn w 4
u
3
V 4 # # # # 2 b b b 22
115
n 4
#
U
I heard the shout of an - gry voic - es in the
3 2 b b b 22
street.
&4 4
?3 U 2 2
4 4 bbb 2
Allegro ( = 124)
b 2 j j j
COSETTE:
&b b 2 .
.
117
.
That was my cry you heard, Pa - pa. I was a - fraid of
b
b b 2
& 2
pw
w
? b 2 w
b b 2
j
bb
& b . . b . . j
(VALJEAN):

120
J J J V
b
what they'd do. They ran a - way when they heard my cry. Cos -
b b
&b b
F
? b b
b b & ?
b
b j j
poco rall.
3
(VALJEAN):
V b b .
123
2
ette my child, what will be - come of you?
b 3
& b b ww 2
nw
? b w 3
b b w & 2
A tempo
b 3 2 3
&b b 2
COSETTE:
n
125
2 2
Three men I saw bey - ond the wall,
n w
b 3 2 w 3
&b b 2 2 2

b 3 n 2 ww 3
&b b 2 . n 2 2
w w
b 3 2 3 2
(COSETTE):
&b b 2
127
2 2 2
b 3
Three men in shad - ow mov - ing fast. (VALJEAN):
2 3 2
Vb b 2 2 2 2
A
This is a warn - ing to us

b 3 2 ww 3 2
&b b 2 2 2 2

P
j
b 3 2 3 2
&b b 2 n .
?
2 w 2 2
w.
U
rall.
b 2 n n n 44
Vb b 2
130

all, These are the shad - ows of the past.
b 2 n n n 44
&b b 2
j U
? b 2 . 4
b b 2
n
nnn 4
w

Recitative Optional 8va higher

n 4
Vnn 4 . r # # 45 # r # # 6
133 3 3
#
# n b b b 4
n 4 U 5 jU
Must be Ja-vert. He'sfoundmy cov-er at last. I've got to get Cos-ette a-way be-forethey re-turn.
n
& n 4 # w 4 # 64
# w # >
> f>U

>w
? n 4 5 64
nn 4 w 4
u J
6 j
V4
loco
b
135
n
We must get a - way from shad - ows that will nev - er let us be.
6
& 4 n ww ..
>
p>
? 6 bw .
4 bw .
V # r b b 4
136
J 4
To - mor - row to Cal - ais and then a ship a - cross the sea.
? 4
& w. 4
>w .
? w. 4
4
>w .
Moderato (not too fast) ( = 80)
K accel poco a poco
4 3 24
(VALJEAN):
b 4 b .
137
V4
Hur - ry Cos-ette, Pre-pare to leave and say no more: To-mor-row we'll a -
? 4 # 3 # 2
4 4 4
F
?4 j j j j 3 j j j 2
4 b 4 b 4
> > > > > > >

2 b b b 3
139
V4 4
way. Hur - ry Cos - ette, It's time to
b b
?2 b b 3
4 4
?2 j j j j 3
4 b b 4
b b
3 b b b . b 2 b . 4
141
V4 4 4
close a - noth - er door and live a - noth - er day.
b
?3 b 2 # n n 4
4 4 & 4
r
?3 j j j 2 . #
4
4 b 4 n 4
b n
4
poco rall.
###

143
V4
# #
4 ###
&4
# . . . . . . # # ww
?4 ###
4


17. One Day More

Moderato (q=76)
1
### 4
& 4

### 4
& 4
### A
"
VALJEAN:

4
V
One day more, A - noth - er day, a - noth - er
###
sim.
&
p
###
&

### r
" .
6
V .

###
des-tin - y, This nev-er end-ing road to Cal-var-y, These

&
### ?
&
###

8
V
men who seem to know my crime Will sure - ly come a sec - ond time. One day
###
sim.

&
? ###

17. One Day More page 235

###
(VALJEAN):

9
###
more.
r
MARIUS:
V . . . .
I did not live un - til to - day.
###

& J

j j j j j J j j Jj
.
? ###
J
.
J
###

(VALJEAN):

11
###
One day
j
(MARIUS): 3
V .
How can I live when we are part - ed?
###

& .
.
J J J
j j j j j j

? # # # .

J
.
J
### r
(COSETTE):
. . . .
13
&
###
To - mor - row you'll be world's a - way.

(VALJEAN):
V
###
more.
.
(MARIUS):
. . .
V R
To - mor - row you'll be world's a - way.
###

& .
j j j j j j j Jj
.
? ###
J .
J
# # #(COSETTE):
. r j
. . .
15
&
And yet with you my world has start - ed.
# # #(MARIUS): j
V . . .
.
R
###

& .

j j j j j j j j

? ### .
J
.
J
B
###
EPONINE:
# . . . # . . .
17
&
One more day all on my own. One more day with him not
###
. . .
(COSETTE):
&
Will we ev - er meet a - gain?
### . . .
(MARIUS):
V
Will we ev - er meet a - gain?
### j j j j j
#
. #
&
J J J
J J J J J
? ### #

###
j . . . .
20
& # n
car - ing. What a life I might have known.
###
& # . . . n . . .
I was born to be with you. And I swear I will be
### . # . . . n . .
V
I was born to be with you. And I swear I will be
### j j j j j j j j j
& j n j
j
# n n
? ###

poco pi mosso =84 (non accel.)

###
. bbb
cresc.
. . w w
23
&
But he ne - ver saw me there.
###
& bbb
###
true.
V
bbb
true.
### j j j j
.. .. b b b
& .. ..
. . . .
? ### j j j j
cresc.
bbb
w
w

C
b
MARIUS:
Vb b . . .
26
Do I fol - low where she goes?
b b n . . .
ENJOLRAS:
n .
. .

V b
One more day be - fore the storm. At the bar - ri - cades of
n - - - - .
bb
& b n
.
n
- - - -
f
? b n . n
b b .
n n
b
Vb b . . . . . .
29
Shall I join my bro - thers there? Do I stay, and do I
b j . . .
V b b n . b
free - dom. When our ranks be - gin to form
n .. . .. .
b .
bb
& b n . .. . b

? b w
b b w w
w

b
(MARIUS):
Vb b
32
.
dare?
b . . w
Vb b
(ENJOLRAS):
Will you take your place with me?

r j r
b .
&b b .
CHORUS:
.
S
A R J R
r j r
The time is
..
? b .
T
b b R J R
B
r r
bb
.. ..
& b
? b

cresc.
b b
- - -
n # ###
bb
VALJEAN:
V b
34
###
(ENJOLRAS): One day
b w n
Vb b

j r
. # ###
& b bb .
J R
now, the day is here!
. n n
? b .
###
b b
r j
b .. . n # ###
&b b n J
f
? b n - ###
b b
- - n - -

D =84-88
###
(VALJEAN):

36
V
more.
### JAVERT:

V

One more day to re - vol - u - tion, We will nip it in the
###
&
F
? ### ? ? ? ?
J & J & J & J &

###
(VALJEAN):

38
V
One day
###
(JAVERT):

V
bud, We'll be read - y for these school - boys. They will wet them - selves with
###

&
? ### ? j ? j ? ?
&
J & &

J &


(VALJEAN):
###
40
V
more.
###
(JAVERT):
V
blood. THENARDIER &
###
MME. THENARDIER:
&

Watch em run a - muck. Catch em as they
###
& . . .
? ### ? ?
J & J &

+ Tbn.
### (THENARDIERS):

41
&
fall. Nev - er know your luck when theres a free for
###
&
? ### ? ?
J &
J &

###

42
&
all. Here a lit - tle dip. There a lit - tle
###

&
? ### ? j ?
& &
J

### (THENARDIERS):

43
&
'touch'. Most of them are gon - ers so they won't miss
###

&

? ### j

? . #
& . #

E
###
(MME. THENARDIER):

44
&
much.
(THENARDIER):
###
V
much.
###
. . .
Sopr., Tenors
&
CHORUS (2 GROUPS): Raise the flag of free - dom high,
###
Altos, Basses+ENJOLRAS:
V # . . . j . # . . .

One day to a new beg - in - ning Ev - 'ry man will be a
### .. .. ..
& # . # .
# ..
? ### #
# . #

###
# . . . n
3
.
47
&
###
(CHORUS): Ev - 'ry man will be a king! There's a new world to be
.
V n j .
3
king, There's a new world for the win - ning,
### . .. .
# .. . ..
. n .. .. ..
& # . . n ..
r
? ###
. # n ..

R
### r
. .
50 MARIUS:
V
My place is
###
& . .
###
(CHORUS): won. Do you hear the peo - ple sing?
V . .
.
. . . r r
Do you hear the peo - ple sing?
### .. . . .. .. ...
& . .
p
? ###
cresc.


### n n nnn
rall.
. .
(MARIUS):

52 VALJEAN:
V R
n ~~~~~~~~
here, I fight with you! One day
r r j
.. .. nn
ten.
### .. .. n nnn
. . J
&
f
? ### n j nnn
n .
n > > .
F A Tempo =84-88
nnn EPONINE:

54
&
One more day all on my
nnn r
& . .. .. ..
R
I did not live un - til to - day,
nnn . . .
.
MARIUS:
V R
I did not live un - til to - day,
nnn w
(VALJEAN):
V
more!
nnn JAVERT:

V
I will join these peo - ple's her - oes, I will fol - low where they
nnn THENARDIERS:

&
Watch 'em run a - muck, Catch 'em as they fall,

nnn
&

? nnn

&
56 (EPONINE):
own,
.. j
& .
. j
V .
(MARIUS):

(VALJEAN):
V
One day

V
(JAVERT):

go, I will learn their lit - tle se - crets I will know the things they
&
(THENARDIERS):

Here a lit - tle 'dip', There a lit - tle 'touch',

&

?


58

EPONINE:

&
r
What a life I might have

& . .. .. ..

R

. R . . .
To-mor - row you'll be worlds a - way,

(MARIUS):
V
w
To - mor - row you'll be worlds a - way,
(VALJEAN):
V
more!

(JAVERT):

V
know. One more day to re - vol - u - tion, We will nip it in the

(THENARDIERS):

&
Watch em run a - muck. Catch em as they fall. Nev-er know your luck when theres a free - for -

&

?


r5
poco rall.
& .
60 (EPONINE):
8
r
j
known. To -
.. r5
& . R
.. .. .
. 8
. . . j r5
. . .
(MARIUS):
V R 8
And yet with you my world has start - ed. To -
V . r 5
(VALJEAN):
8
To - mor-row we'll be far a-way, To-mor - row is the judge - ment day, To -
r 5
V .
(JAVERT):
8
bud: We'll be read - y for these school boys. To-mor-row is the judge-ment day. To -
5
&
(THENARDIERS):
8
all.

CHORUS:
.
S, T
r5
& 8
5
To -
? .
A, B
V R 8
To -

&

5
8

? 5
8


molto rall. A tempo
5 2 U 4

(EPONINE):

62
&8 4 J 4
mor - row we'll dis - cov - er what our God in heav - en has in store, One more
5 2 U 4

(COSETTE):
&8 4 4
J
5 2 U 4

(MARIUS):
V8 4 4
J
5
(VALJEAN):
2
U 4
V8 4 4
J
5
(JAVERT):
2
U 4
V8 4 4
J
5 2
U 4
&8 4 4
J
U

?5 2 J 4
8 4 4
U
5 2 4
& 8 #

4

4
? 5 # . 2 n # 4
8 # . 4 n # 4
u

A tempo
4 U- U- ,

64 (EPONINE):
&4 w
dawn, One more day, One day more.
U- U- ,
4
(COSETTE):
w
&4
U- U- ,
4
(MARIUS):
w
V4
U- U- , w
4
(VALJEAN):

V4
4 U- U- , w

(JAVERT):
V4
U- U-
4 ,
&4 ww
- -
U- U-
, w
w
?4
4
dawn, One more day,
- -
One day
more.
U

"
4
& 4

J
. r
. . .
?4 U
4


w w

67
&

w w
&

w w
V

w w w
V

w w
V

ww ww
w w
&
S1
S2
A
w T ww ww
w w
T1
?B
T2, B1
B2
ww ww ^
ww ww
J
&

?
w w
j

w w
v
17. One Day More page 251 END OF ACT ONE

ACT II
18. Building the Barricade
Moderato, pesante ( = 74)
! .. ! .. .
. .. b ! ..
5 ! .. ! .. b ! ..

1
&4 . . .

?5 j j j
4
. . .
. . .
..
w ..
4
& ! . !
4
. 4

? j 4 p
4
. w
.
D
- .
Pi Mosso
j j ! r
& .. .. .
13
.
> > > > . . .
f >. . - .
> > .. . . .
? > .

!
.

J J R
. - .
> > .. > > .. . . . ..
. . !
15
&
J J R - .
> > . > > . . . . .
.
? . . ! !
J J R

18. Building The Barricades page 252

(slow)
2 4
V
ENJOLRAS:

17
4 4
Here up - on these stones we will build our bar - ri - cade,
2 4
&

4 4

f
? 2 j 4
. . 4 4
.
4 2 4
V4
19
4 4
in the heart of the cit - y we claim as our own.
4 2 4
&4 4 4
?4 2 4
4 . . 4 # 4
.
4 # 2 4
V4
(shout)

21
4 J 4
Each man to his du - ty and don't be a - fraid. Wait!
4 # 2 4
&4 # 4 4
?4 . 2 j 4
4 4 4
.
JAVERT:
####
4 #
(disguised as a rebel)
V4
23
I will need a re-port on the strength of the foe. I can find out the
4 ####
& 4 # #

j
?4 . . ####
4
.
# # # # (JAVERT):
.
.
25
V J
truth, I know their ways, fought their
####

&

? ####
####
.
27
V
wars, served my time, in the
####
&
? ####

.
#### .
b b bbbbb
PROUVAIRE:

29
V
days of my youth. Now the peo - ple will
####
& # . n b bbbbb
. b
j

..
? ####
bbbbb
E ( = 108)
b b .
GRANTAIRE:
.
Vb b b
31
J
fight. And so they might. Dogs will

b b
&b b b

J
. .
? b b
b b b
J J J J J J J J
LESGLES:
b b . . nnnnn
(GRANTAIRE): 3 rall.
Vb b b
33
bark, fleas will bite. They will do what is right.
b b - - .
&b b b

n nnnnn
j j j j
? b b
b b b . nnnnn
Andante ( = 100)
F MARIUS spots EPONINE whoisdressedasaboy.
MARIUS:
# #
36
V # # # # &
Hey, lit - tle boy, what's this I see? God. E - po-nine, the things you do.
j j j j j j j j
& # # #
. . . . # # . . .
.
? # . # #w
# . J #w
1 4
EPONINE:
# # # #
38
& # # 4 V 4
. .
I know this is no place for me. Still I would rath - er be with you.
j j j j j j j j 1 # # # 4
& # #
# # 4 4
. . . . . . . .
? # . # #w 1 4
# . J 4 4
4 j
MARIUS:

41
V4 J &
Get out be - fore the trou - ble starts. Get out, 'Po - nine, you might get shot!
4 j j j j j j j
&4
N - . . . . . . .
?4 .
4 .

j
41 4
EPONINE:
& J
43
V 4
. .
I've got you wor - ried now, I have. That shows you like me quite a lot.
j j j j j j j j #

&
# 41 4
4
. . . . . . . .
? w 1 4
. 4 4
4
MARIUS:

46
V4 J
There is a way that you can help. You are the ans - wer to a prayer.
4 j j j j
&4

pi p
?4 . w
4 w
2
48
V & 4
Please take this let - ter to Co - sette. And pray to God that she's still there.
j j j j j j
2
& # 4
? 2
4

A Tempo ( = 100)
rall.
2 4
&4 #
EPONINE: 3 She walks to the Rue Plumet

50
4
Lit - tle you know, lit - tle you care.
j j
2 4 j j
! N
&4 4 #
?2 4
4 4 . J

poco meno mosso = 92
& ! ! # #
53 54 56
#
# #

? . . # # #
3
# . #
# . #

G Meno Mosso = 76-80

Rall.

& ?
59 60 61
b b w
# ww
? . b . . w
.
3
EPONINE:

63
&

I have a let - ter, M' - sieur. It's ad - dressed to your daugh - ter Co - sette.
?
& .b

? #

65
& b

V

It's from a boy at the bar - ri - cade, sir, in the rue de Vil - lette.
& b
.
? N

w
w

Recitative
A Tempo = 80
r .
V .
EPONINE:
&!
VALJEAN:
#
67
V
# .
Give me that let - ter here, my boy. He said to give it to Co - sette.
U U
& # ww
w # .. b
? U
w
.
.
w u
VALJEAN:
V b
69

You have my word that my daugh-ter will know what this let - ter con - tains.
& b .b b #

? #
He gives her a coin.

rall.
V b
71

Tell the young man she will read it to-mor - row, and here's for your pains.
& b . b

? N
A Tempo
poco rall.
2 ! 4
Recitative He opens the letter
! ! .
73
V 4 # . 4

Go care-ful now, stay out of sight: There's dan-ger in the streets to - night.
U U
2 4
& 4 # 4 #
Nw
U U F
? ww 2 4 . .
4 4 . .
J J

A Tempo poco rall. A Tempo poco rall.

and reads it.
# #
76
& # #
F F
# . .. #
? # # .. . #
J J J J J J
Recitative
(VALJEAN):

78
V # . #
"Dear - est Co - sette, you have en - tered my soul, and soon you will be gone:
U
& # # ww
w
P
U
? #w
#w

79
V # N
Can it be on - ly a day since we met and the world was re - born?
U
& n # ww
N w
? #U
w
#w
r
(VALJEAN):
V . . #
80
If I should fall in the bat - tle to come, let this be my good - bye.
U
& ww
w
? #Uw
#w

V
81

Now that I know that you love me as well it is hard - er to die.
U
& www
w
U
? w
w
. . . - - w b
82
V R R
I praythatGodwillbringme home,to bewithyou. Pray for your Ma - ri - us, he prays for you!"
U U U U
..
&

# .. .
b
U U2 U U
? # .
# b

Moderato ( = 67)
H

He goes in, leaving EPONINE alone.

b
&b
87
p w b

?
b w
b
#
&b b 2 4
89
4 4
j j
. . .
? ww 2 # .. 4
b 4 4

4 j
EPONINE:
&b 4 !
91
.
And now I'm all a - lone a - gain, no - where to turn, no - one to go to,

4 b
&b 4
. b
? 4
b 4 w
&b !
93

with - out a home, with - out a friend, with - out a face to say hel -

b
&b
b
?
b w
j . r
& b b . !
94

lo to. And now the night is near, now I can make be - lieve he's
b
#
&b b
# .
? w ! .
b w w
&b !
96

here. Some-times I walk a-lone at night when ev-'ry-bo-dy else is

&b
j
.
? . w n
b w
&b j !
98
.
sleep - ing. I think of him and then I'm hap-py with the com-pa-ny I'm

&b

? w w
b
r rall.
##
&b j . !
100
.
keep - ing. The cit - y goes to bed and I can live in - side my
##
#
&b
.
w #
? ##
b
Andante = 60-63
#
& #
102 (EPONINE):

head. On my
## . . . .
&
p
? ##
## .
I
& . . j
104
. .
.
own, pre - tend - ing he's be - side me. All a -
rain, the pave - ment shines like sil - ver. All the
## . . . . .
& .

? # # ..

##
j
106
& . . j
. .
lone, I walk with him till morn - ing. With -
lights are mist - y in the riv - er. In the
## . . #
&
w
? ## #

## 2 3
j j j
108
& j 4 4

out him, I feel his arms a - round me. And
dark - ness, the trees are full of star - light. And
## 2 . 3
& . . #
4 4
? ## n 2 3
4 4
## 3 (EPONINE):
4 .. b

110
& 4 4 j
. .
when I lose my way, I close my eyes and he has found me. In the
all I see is him and me for - ev - er and for - ev - er. And I
## 3 . .
& 4
..
4
4 ggg .. b
gg J
.
? ## 3 4 w
Strings
4 4 .. b
J Pi Mosso = 80
&b j
120
. b . . .
.
know it's on - ly in my mind, that I'm talk - ing to my - self and not to him. And al -
&b . . w b w
bb
F
j rj j
? r r jj j j ..
b .. .. . . . ..
.. .. . . .
j
pochiss. rall.
j
&b . . # . n # .
124
#
though I know that he is blind, still I say there's a way for us. I
&b .
. # # n w #
n N n A
? . . j j jj j
b J J n . . . .
K = 80
j
& b n .
128
.
love him, but when the night is ov - er, he is
. .
&b
F
?
b
j
&b . j j
130
. .
gone, the ri - ver's just a ri - ver. With -
. .n .
&b
.
n
?
b n
j 2 j j 3
&b j
132
. 4 4
out him, the world a - round me chan - ges. The
. # . 2 . 3
&b 4 4
A
? 2 3
b A 4 4

f
pochiss. rall.
Tornando al tempo
3 4
&b 4 j
134
4 .
trees are bare and ev - 'ry - where the streets are full of stran - gers. I
..
..
3
&b 4
4
4

5
? 3 4
b 4 4 .
.
j
A Tempo
j n .
&b . .
136

love him, but ev - 'ry day I'm learn - ing. All my life I've on - ly been pre -
. .. . . . ..
&b .. . .. .. .. n .

f .
?
b

& b n . j j j . 2 j j 3
139
4 4

tend - ing. With - out me, his world will go on turn - ing. The
. A # . 2 .. 3
&b . 4 . .
4
n A
? 2 3
b n A 4 4

U U
rall. Tempo primo ( = 63)
3 44
&b 4
142
.
world is full of hap-pi-ness that I have nev-er known. I love him. I
. . U . .
3 4 .
&b 4 .. 4 .
U pw
? 3 . 4
b 4 . 4


U
b b b 45
rall.
j
&b w
145
. V
love him. I love him, but on - ly on my own.
U
. Uw
. .
. .b
&b . . w
b b b 45
J
bw b Uw
? 5
b bbb 4

! !
Maestoso
b 5
&b b 4 ! !
152

j j
? b 5 j j
b b 4 .
.
. .
rall.
U
! ! .. n ! ...

b bb ! b ! .
.
n ! n ... b 44
154
& b .. .
j U
? b j j 4
b b . . . b 4

. . .
4 .. .. .. 24 .. 4 .. .. .. 2 4
& b 4 ..
157
.. .. 4 . 4 .. 4

f
? 4 2 . 4 2 . 4
b 4 4 . 4 4 . 4
U
4 .. .. 24 .. 44 .. .. ! 2 b b 44
& b 4 ..
161
.. .. .. 4
R
? 4 2 . 44 2 4
b 4 4 . ! 4 bb 4
u

N Allegro = 96-100 COMBEFERRE, FEUILLY,
b 4
COURFEYRAC & PROUVAIRE
Vb 4 b . 24
165
Now we pledge our - selves to hold this bar - ri -
b b 4 b b
24
& 4
f . . 2
? b 4
b 4 . . . . 4
b 2 4 b
MARIUS:
2 4
Vb 4
167
4 4 4
cade! Let them comein their le-gionsand they will be met.
b b 2 b b 4 b 2 b b 4
& 4 b 4 4 b 4
? b 2 . 4 . . 2 . 4
b 4 . 4 . . . 4 . 4
b 4 n . 2 4
V b 4 .
ENJOLRAS:

170
R 4 4
Have faith in your - selves and do not be a - fraid.
b 4 b
b
& 4 n 2
4 b 44
.
? b 4 . . 2 . 4
b 4 4 4
. .

b 4
COMBEFERRE:
V b 4 . R
GRANTAIRE:
b
172
Let's give 'em a screw-ing they'll nev - er for - get! This is where it be -
b 4

b
& 4 b .
. b
> - .

? b 4 . .
b 4 b
. . > > > >
2 4
COURFEIRAC:
Vb J
174
4 4
3 3 3 3
gins. And if I should die in the fight to be
2 4
&b 4 4
3
3 3
? 2 4
b 4 4

(COURFEIRAC)
4 2 4
Vb 4
176
4 4
3 3 3 3
free, where the fight - ing is hard - est, there will I
4 n # ... 2 N 4
b
& 4 # . 4 N 4
n
n #
3 3
? 4 2 N 4
b 4 nw 4 N 4
>

r U
4 .
b b 128
ossia:
rall.
2
FEUILLY:
b
178
V 4 4
3 3
be. Let them come if they dare, We'll be there!
U
4 N ... .. 2
& b 4 # N .
. 4 b b 128
U
? 4 . 2 12
b 4 . 4 bb 8

3
. . U . U. . U U
P Allegro Molto. = 126
. . .
b 12
& b 8 b n . . b n b . ..
181
. . . . J - . . . .
f . . . . b . . . U-4 U . b . . .
? b 12 b . . U .
U.
. . .
b 8 J
4
.
ARMY OFFICER:
b .
(off-stage with a loud-hailer)
V b . . .
185
You at the bar - ri - cade, lis - ten to this!
b j j j j
& b

? b
b


b 6 . 12 . . . .
(ARMY OFFICER):
V b .
187
8 8
No - one is com - ing to help you to fight! You're on your
.
bb j j 6 12 .

& 8 8

J J J
? b 6 12
b

8 8

b . . . 6 . . 9 . 12
Vb .
190
8 8 8
own. You have no friends. Give
b j j 6 j 9 j 12
&b 8 8 8

? b . 6
b 8 98 128

193
b b 12 . . . 6 . . 2 b b b 44
V 8 8 4
up your guns or die!
b b 12 . 6 2 b 4
& 8 8 j 4 b b 4
-
J
J >- >
? b 12 6 2 b 4
b 8

8 j 4 b bbb 4
-

Q Maestoso ( = 85)
b 4 . . 2 4 . . . 24
ENJOLRAS:
Vb b 4
196
J 4 4 J
Damn their warn - ings, damn their lies. They will see the peo - ple
b 4 ... 2 .. 4 .. 24
&b b 4

. 4 .. 4 .

f
? b 4 2 . 4 . 2
b b 4 4 4 . 4
.
b 2 4 . . 2
TUTTI:
Vb b 4
199
& 4 J 4
rise! Damn their warn - ings, damn their
.. ..
b 2 4 .. .. 2
& b b 4 4 4

? b 2 4 2
b b 4 4 4

b 2 4
rall. molto
2
U
&b b 4 . .
201
4 J 4
U
lies. They will see the peo - ple rise!
.. ..
b 2 . 4 .. 2
& b b 4 . 4 4
U
? b 2 . 4 . 24
b b 4 4 .
.

19. Javert at the Barricade

Allegro ( = 168 -176)
JAVERT climbs over the barricade JOLY(The Sentry): (shouted)"He'sback!"
# 4
4
1
& . . . . >
. . . . > > > > > > > > >
F f > >
?# 4 j j j
4

A
#
JAVERT:
V J J J J
Lis - ten, my friends. I have done as I said. I have
#
&
> > > >
> > > >
> > > >
F
?# j j j

#

6
V J J J J
been to their lines. I have count - ed each man. I will
#
&
> > > >
> > > >
> > > >
?# j j j

#

8
V
tell what I can.
#
&
> > > >
> > > >
> > > >
?# j j j

19. Javert at the Barricade page 272

# 2 4

10
V 4 4
> >
# 2 # 4
& 4 4
> > > >
> > > >
> > > > > >
> > > >
?# j j j 2 4
4 4
# (JAVERT):
4
V 4
13
J J J J
Bet - ter be warned, they have ar - mies to spare, And our
# 4
& 4 # #
> > > >
> > > > > > > >
?# 4 ww ww
4
w w
#

15
V J J J J
dan - ger is real. We will need all our cun - ning to bring them to heel.
#
& n #
# > > #

> > > > > > > >
> > > > > >
> >
?# w w
w #w
w # w
#
j
18 ENJOLRAS:
V
Have
#
& # # #
#> >
# > > > > # > > # > > #> >
# > > > >
>r >> >
?# w . # # .. .
w .
w # #
J J

B
# j j
(ENJOLRAS): 3
#
3 3
#
21
V # #
faith! If you know what their move - ments are, we'll spoil their
#
& # # . # # #
. # . . # . . . . . . # . . #
? # # # ww ww .. #
sim.
#w w . #
J
# # # #
. # #
24
V J
game. There are ways that a peo - ple can fight. We shall
# #
&
# # #
ww ..
sim.
?# j
w . #w
#w
# # # # .

27
V J
o - ver - come their pow - er.
#
& # # # #
# > #> > > > > > >
?# w .
# . #
w #w #
Recitative
#
JAVERT:
# #
3
# # # #
30
V #
# #U U
I have o - ver - heard their plans. There will be no at - tack to - night: They in -
w # # www
& # # www #w
F U
?# #w
#w
u

#
# # # #
32 3
# #U U
tend to starve us out Be - fore they start a pro - per fight, Con-cen - trate their force,
& w # ww # www
#w
U U
?# w w
U
(JAVERT):
# r n
b .
34 GAVROCHE:
V n n &
U
Hit us from the right. Liar! Good
# n
&
b
U
?# n n
n
( = 120)
C Allegretto
2 4
(GAVROCHE):
& . . . .
35
. 4 . 4 R
.
.
. J
eve - ning,dear In - spec - tor, love - ly eve - ning, my dear. I
2 4 . R
& 4 .. 4
. . . . . .
P
? 2 4
. . 4 . . . 4
.
. . . . 2 . . 4 .
38
& 4 4 R
know thisman, my friends. His name's In - spec - tor Ja - vert. So
.
2 4 . . J
& 4 # .. 4 R
. . . . . .
? 2 4
. . 4 # . . . 4
.

& . . . . 2 . . 4 . r
41
4 4
.
don't be-lieve a word he says, 'cause none of it's true. This
2 4 . J
&
. 4 .. 4 .
R
. . . . .
. . .
? . . 2 . 4
4 4
#
(GAVROCHE):
& . . .
44
. . V
.
on - ly goes to show what lit - tle peo - ple can do.
#
&
. . ..
. . . .
?
. . . . #
. .
mosso = 160 -168)
Pi mosso(
D GRANTAIRE: PROUVAIRE:
# j

56
V
Bra - vo lit - tle Gav - roche, you're the top of the class! So
#
& n n

F
?# j
J
#
3

58
V
what are we gon - na do with this snake in the grass?
#
& n n

?# .
J -

# j
ENJOLRAS:

60
V
Tie this man and take him to the tav - ern in there. The
#
& n
n
j j
? # . .
.
Molto Allegro
( = 176 - 185)
# (ENJOLRAS):
2 4

JAVERT:

62
V 4 4
> >
peo - ple will de - cide your fate, In - spec - tor Ja - vert. Shoot me
# 2 4
& n
# 4 4
j f
?# . 2 4
4 4

E
# 4
# # #
65
V 4
> > > >

now or shoot me lat - er. Ev - 'ry school - boy to his
# 4
sim.

& 4
> > > > >
?# 4
4
#
# N
68
V
sport. Death to each and ev - 'ry trai - tor! I re -
#

&
> #> n> >
?# # n

Molto meno mosso

#

71
V
nounce your peo - ple's court!
# ENJOLRAS:
j
V

. . . . . .
Take this man, Bring him
# # #
&
> > > > j j
?#
J J
# U

90
U
JAVERT is bundled out
# (ENJOLRAS): as the first shots ring out.
V j
j
# . . . . . . . . U
through. There is work we have to do.
#
&
J
j U
?#
j . . . .
J .
= 108
# Moderato j
b
MARIUS:
b
92
V
EPONINE returns, wounded, to the barricade. Good
JOLY shouts: "There's a boy climbing the barricade!"
#
& n b b n b b b
b b
?# n . j
n b

H Les Misrables - UK Tour 2010
j
3
" b b
(MARIUS):
Vb
94

God, what are you do - ing, 'Po - nine, have you no fear?
& b n b b n b b

p
? . j
b . J
j
3
3 4
(MARIUS):
V b b b
96
J 4 & 4
Have you seen my be - lov - ed? Why have you come back here?
3 4
& b n b b 4 b n 4
n
? 3 4
b . J 4 4
4
&b 4
EPONINE:

98

Took the let - ter, like you said, I met her fath - er at the door.
4 j j j j j j j j
&b 4

? 4 w w
b 4
rall.
She collapses in his arms
&b
100
. V
He said he would give it, I don't think I can stand an - y - more.
j j j j

b
&
J J J J J
? w .
b

Poco pi mosso ( = 112) Les Misrables - UK Tour 2010
MARIUS: There is blood on his hands.
b
V b b b
102
J
Ep - o - nine, what's wrong? there's some - thing wet up - on your hair.
-j - -j -j - -j -j - -j - -
& b b b b b j
b b b
F
? b . b
b b . b
U
rall.
. b .
V b b
104
&
U
Ep - o - nine, you're hurt! Youneed some help. Oh God, it's ev' - ry - where!
j j j j j j
b b b
b .
& b - - - n
- - - b - - -
u
. b b
?
b . b b
u
I Adagio = 56-60
EPONINE:
&b . . .
106
r

Don't you fret, M' - sieur Mar - ius. I don't feel an - y pain. A
&b
p

?
b

&b .
108
r . j
. .
lit - tle fall of rain can hard - ly hurt me now. You're
&b
# b
?
b # b


j
&b
j
. 2 44 j
110
4
.
here, that's all I need to know. And you will keep me safe. And
2 4
&b 4 4

? 2 4
b 4 4

j j
poco accel.
" 2 4
(EPONINE):
&b
113
. 4 V 4
you will keep me close. And rain will make the flow - ers grow.
2 4
&b 4 4

?
b b
2
4 ggg 4
4
gg
J Pi mosso =92-96
4 . r . 2
Vb 4
MARIUS:
. b
116
. J 4
But you will live, 'Po - nine. Dear God a - bove,
4 2
& b 4 b b

b
b 4
b b
P
j b .
? 4 2
b 4 b b
b . 4
b b
poco rall.
2 j 3 4
Vb 4 b
118
. 4 4
if I could close your wounds with words of
2 3 .. n 4
& b 4 b 4 .. b
b
..
.

. 4
? 2 3 4
b 4 b 4 b 4
b b

Tempo primo = 63-66
j
EPONINE:
4
Vb 4
120
&

.
love. Just hold me now and let it be. Shel - ter me.

4
&b 4

? 4
b 4

(EPONINE): poco rall. K MARIUS:
& b . . .
122
V

You would live a hun - dred years, if
-j - -j -
Com - fort me.

& b . .

J J
p
?
b

. r
(MARIUS): EPONINE:
Vb .
124
& j

-j - -
I could show you how. I won't de-sert you now.
-j - -
The
- -
.. j j
& b ..
. j .
#
J J J
? #
b
j 2
(EPONINE): accel.
&b .
126 3
j 4
.
j
rain can't hurt me now. This rain will wash a - way what's
.
j 2
&b .

4
J J J J
? b 2
b 4

j j
rall.
2 4
A tempo
&b 4
128
4
past. And you will keep me safe. And

b 2 4
& 4 4

? 2 4
b 4 4
&b j . j 2 4
accel.

130
4 4
3
j j
you will keep me close. I'll sleep in your em-brace at last.
j

2
b .
& 4 4
4
J J
? 2 4
b 4 4
L Pi mosso
4 2 . r . 43
&b 4 b
133
J 4
The rain that brings you here is heav-en blessed. The skies be -
4 j j j j j j j 2 j j 3
& b 4 b b . . b b . b .. 4 b b 4
J J J
Fj j \ j j j \
? 4 bb . . bb . b . 2 b b 3
b 4 J J J b 4 J J 4

j
rall. Tempo primo
3 . 4
& b 4 . b n
136
4
gin to clear and I'm at rest. A breath a - way from

3 - 4 -
& b 4 b b
b
- 4

j
dim.
? 3 b b j 4
b 4 b - 4
b -
&b bbbbbb
138
.

where you are, I've come home from so far.

& b b bbbbbb

b b
?
b b bbbbbb
Pi lento = 54
(EPONINE):
b b
& b b bb " . .
140
j j

So don't you fret, M'-sieur Mar-ius. I don't feel an - y pain. A
b b j
V b b bb . r
MARIUS:
. J
Hush-a - bye, dear Ep - o - nine. You won't feel an - y pain. A
b b
& b b b b gg

g
gggg
? b b b gggg

b b b gw w

b b
& b b bb
142
. j

b b j
lit - tle fall of rain can hard - ly hurt me now.
V b b bb .
J
lit - tle fall of rain can hard - ly hurt you now. I'm
b b n b
& b b bb . n
. .
b .
? b b b
n
b
b b b
b b j 2 4
& b b bb .
144
4 J 4
That's all I need to know. And
b b 2 4
V b b bb 4 4
here.

b b 2 . 4
& b b bb . . 4 4

? b b b 2 4
b b b 4 4
b b 4 j j

(EPONINE):
& b b bb 4
146

you will keep me safe. And you will keep me close. And
b b 4
V b b bb 4
(MARIUS):
. .
I will stay with you till you are sleep - ing.
b b b 4 j j
b .. .. .. .
& b b 4 . . .
J J
. .
? b b b 4 J J
b b b 4

j U
She dies.
b b "
rall. A tempo
& b b bb
148
U
rain will make the flow - ers
b b "
V b b bb " " w
And rain will make the flow - ers grow.
. " .
b b
& b b bb .
3

J
.

? b b b J

b b b
b b U
bbbb
rall.
& b b bb
MARIUS kisses her then lays her body on the ground.

150
V
U
b b j j U
& b b bb

. bbbb

U
? b b b
b b b bbbb

M Lento (q=60)
b b 3 4
ENJOLRAS:
Vb b 4
153

She is the
b b 3
&b b " " ?
4 4
4
p
? b b 3 4
b b w w 4 . 4
w w .
b b 4 2 3
Vb b 4
156
4 J 4
first to fall. The first of us to fall up - on this bar - ri - cade.

? b b 4 2 3
b b 4 4 J 4
? b b 4 2 43
b b 4 w w 4 .
w w .
b b 3 MARIUS:
4
Vb b 4
159
J 4
Her name was Ep - o - nine. Her life was

? b b 3 4
b b 4 J 4
? b b 3 4
b b 4 . 4 w
. w
b b 2 3 COMBEFERRE:
4
Vb b 4
161
4 J J 4
cold and dark, yet she was un - a - fraid. We fight here

? b b n 2 n 3 4
b b 4 J 4 n
J
4
? b b 2 43 4
b b w 4 . . 4
w . .
b b 4
rall.
3 4
(COMBEFERRE): PROUVAIRE: LESGLES:
Vb b 4 4 b
164
4 J
in her name. She will not die in vain. She will not be be-trayed.

? b b 4A 3 4 n b
b b 4 4 4 &
? b b 4 w 3 . 4 . b
b b 4 w 4 . 4 . &
Harp
&b
167

p
j j
&b .
. .

&b
170

w
w
& b . j ?
w

U "?
w 2
&b .
174
w w n 4
.
U
? w w 2
b w w w n 4
w w
VALJEAN, dressed as a soldier,
(q=90)
climbs over the barricade.
accel. poco a poco
Moderato O
2 r
. b b b
JOLY:
b
177
V4
b . . b . .
Here comes a man in un - i - form.
b
?2 n b b b
4
F
?2
sim.
4 j j j j j j
b b b
b b b
v v v
v
r j r
. b b b b . b b b
180 VALJEAN:
V
b b b
What brings you to this place? I come here as a vol - un - teer.
? b b b n b
? j j j j j j
b b b
b b b
r j r
. b b b . N N N
JOLY: PROUVAIRE:
b b
183
b b n
Ap-proach and show your face. You wear an ar - my un - i - form.
? n b b b # n
+ Vlns., Gtr., S2
? j j j j j j
b b n
b b n
r r
V . . #
VALJEAN: JOLY:

186
#
That's why they let me through. You've got some years be - hind you, sir.
? # #
? j j j j j j

r
V . # . b b
VALJEAN:
b
189 JOLY:
R
# b> .
There's much that I can do. You see that pris' - ner o - ver there?
? # n

? j j j j

b
v v
V . b b b b . b b
192 GRANTAIRE: COMBEFERRE:
R R
b> . b> . b> .
A vol - un - teer like you! A spy who calls him - self Ja - vert!

? b
? j j j j j j
b
b b b
SENTRY:
V . b b b . n #
COURFEYRAC: (shouted)
b
195
R R
. . .
He's going to get it, too. They're get - ting read - y to at - tack!
b> b> n>

? b # #
? j j j j j j
b #
b b n
ENJOLRAS:
# #
(givingVALJEAN a gun)
V . .
198
R R
. . .
Take this and use it well. But if you shoot us in the back,
> > #>
? # # # #
? j j j j j j
# b b
n
# U
V .
201
R
#> . #>
you'll nev - er live to tell.
? # # n
u
U
? j j j
b b


20. The First Attack

Recit.Molto Allegro
4 . . . " U
SENTRY 1:

1
V4 R
3 3
U U
Pla-toon of sap-pers ad - vanc-ing to - wards the bar - ri-cade.
4 .
SENTRY 2:

V4
U
.. U U
Troops be-hind them,
4 # .. #

&4

?4 ..
4 .
u u u
U "
Allegro, Marcato ( = 112)

3
U "
V J
U U
Fif - ty men or more.
" j - .
& # .
. .. " .
f >> >> > > > > >
f > > > > - ..
? " > > .. > > .. " >
J
u u
U 12

6 ENJOLRAS:
V J 8
> > > - .
> > .. > > .. > > .. U
Fire!
. 12
& . " 8
J
> > . > > . > > > > > - .
. U
? . . " 12
J 8
20. The First Attack page 291

k
Allegro(q =135)Gunfire: a few casualties.
A j j
12 . .
& 8
8
. J
J
f
? 12 j j
8 w.
w.
11
. .
FEUILLY:
.
V
j j
Snip - ers!
. . j . j j j
& J . b ..
.
.
J J
? j j j j j j

j . j j j j . .
VALJEAN shootsasniperwhoisaimingatENJOLRAS.
.
6 12 . . ..
& . . 8 b ..
14
8
J
- - -
? j j 6 128
j

j j

j
8

j j
j j
j .. j . j j .. U#
" # 22
& .. . b .. .. . .
18
.
- -
? j j j j j ## 2
2

( = 96)
# 2 B
Pi Mosso
V # 2
21 LESGLES:
Look how they turn and run.
## 2
& 2 #
#
P j j j j
? ## 2
2 w w

##
GRANTAIRE: ENJOLRAS:

24
V
And so the war was won. They will be back a - gain, Make an at - tack a - gain.
#
& # # #
j j j j j j

? ## w

. w
##

(to VALJEAN)

27
V
For your pres - ence of mind, For the deed you have done, I will
##
& # # #
j j j j j j
? ##
w w w
##
30
V
thank you, M' - sieur, when our bat - tle is won.
##
&
j j j j
n
? ## nw
w
## VALJEAN:

32
> .
Give me no thanks, M' - sieur.
##
? #
&
j j F
? ##

w
w
## (VALJEAN):
nn

36 ENJOLRAS:
V J
> There's
some - thing you
.
can do.

If it is in my

power.

? ## # nn
sim.
? ## nn

w w w
VALJEAN:
b b
V
39
b b b
Give me the spy Ja - vert. Let me take care of him.
? # # b
?

w w w

Accel.
N
42 JAVERT:
V J

The law is in - side out. The world is up - side down.
n
? # # n b &
?
b
w w bw
J J
ENJOLRAS:
V
45
Do what you have to do. The man be - longs to you.

& #

#

w
? w w w

Recit.Molto Allegro
(ENJOLRAS):
.
V .
(to the others)

48
R
3 3
>w #>ww
The en - e - my may be re-group - ing: Hold your - selves in read - i - ness.
& # ww w
f
? w w
>w >w
U "
V . "
50
R J
U U "
Come on, my friends, back to your po - si - tions. The night is fall - ing fast.

& #
U U
?

C RecitativeLento
r
V . b
51 VALJEAN:
#
We meet a - gain.
r
JAVERT: 3
V " b
3
# #
U
You've hun - gered for this all your life.
& # ww
w

Uw
?
w
(JAVERT):
r
3
V " b " b
52
# # #
U
Take your re - venge. How right you should kill with a knife.
&
? U


r
VALJEAN:
b n b
(cutting JAVERT'S bonds)

V . " "
53
U You talk too much. Your life is safe in my hands.
& b www

? bUw
w
Andante Maestoso
# 2
( = 72)
b # j 4
(VALJEAN):
V b #
54
4 4
Get out of here. Clear out of here.
# 2
JAVERT:
V " # b b n b a j 4 4
4
J
U U # 2
Don't un-der-stand. Val-jean, take care. I'm warn-ing you.
4
& 4 4
b
P
U U
? b # 2 4
4 4

D Colla Voce
# 4 JAVERT: quasi
V 4 # .
recitative (sung)
#
56
j
3
Once a thief, for - ev - er a thief. What you want, you al - ways steal. You would
# 4 j j
& 4

p
?# 4 w w
4
w w
#
# #
58
V J
j
trade your life for mine? Yes, Val - jean, you want a deal. Shoot me
#
& j j j j j j

?# w w
w w

Accel.
#

60 (JAVERT):
V
now for all I care. If you let me go, be - ware. You'll still
# j j j j j j
&
.. ..
. .
F j j j j
?# . . . .
. . . .
# ###
Rall. VALJEAN:

62
V
#
an - swer to Ja - vert. You are
# j j j ###
& .. #
. # .
#
.

.

.

.

.

.
j j j
? # n . . # . . . . ###
n . . #
E
###
Andante ( = 90)
j j j
64
V

wrong, and al - ways have been wrong. I'm a man, no worse than an - y
### j j j j j j j j j j
&

p
? ### N w
#
### j

67
V J

###
man. You are free, and there are no con -
j j j j j j
&

? ###
#

###
(VALJEAN):
. . 2

69
V J J J 4
di - tions, no bar - gains or pe - ti - tions. There's no - thing that I
### j j j j j j j j
n 2
& 4

? ### 2
4
### 2 j 4 j
. .
71
V 4 4 J
blame you for: You've done your du - ty, no - thing more.
### 2 j j j j j
& 4 j 44 j n

j j

j

? ### 2 4 w
4 4 w
###
RecitativeLento
" j " r
74
### U U
If I come out of this a - live, You'll find me at num - ber fif - ty five Rue Plu -
&
n n
U U
? ### n

VALJEAN fires his gun in the air.
JAVERT goes quickly.
### j U #
" .
75
V .
U U
met. No doubt our paths will cross a - gain. (Go!)
### U #
&
# # n
U U U
? ### #


Muted applause from the students who think JAVERT has been shot.
Adagio ( = 72)
F
#
gg gg gg gg g gg
77 3
& gg
p
g g g g gg gg g g
?# w .
#
gg gg gg gg gg gg gg gg gg gg gg gg
79
& gg gg gg gg
gg # gg . gg gg gg N gg gg gg
j
w w
3
?# w
w w
# ENJOLRAS:
"
82
V
Cour - fey - rac, you take the watch. They won't at -
#
& ggg # ggg ggg ggg ggg ggg ggg ggg
g g g g
?# w
w w
#
"
84
V

tack un - til it's light. Ev' - ry - bo - dy keep the faith for cer - tain
#
& ggg # ggg ggg ggg ggg N ggg ggg ggg
g g g g
?# w
w
# U
(spoken)
b b b b 43
Poco Rall.
"
86
V # # #
U
as the ea - gle flies we are not a - lone the peo - ple too must rise. Marius, rest.
#
& b b b b 43
ggg ggg ggg ggg ggg # # ...
g U
?# 3
. # . bbbb 4
# .
21. The Night
The defenders settle down for the night with wine and a song.
A Andante Pi mosso
b b 3 j .. b 44
& b b 4 .. .. ..
1
.. .
p .
? b b 3 . .. . . . 4
b b 4 J . . . b 4
Moderato (q=97)
4
B1 j
Vb 4
FEUILLY:

8

Drink with me to
4
& b 4 ..
.
p
? 4 n j
b 4 .
w
Vb . j
10
. .
days gone by, Sing with me the
&b
j
? j

b w w
w
21. The Night page 300

Vb .
13 (FEUILLY):
.
songs
we knew.
b
Vb
PROUVAIRE:

Here's to pret - ty girls who
&b
b www
P
b
? w b
b w w
Vb b b
JOLY:

16
b J J
Here's to wit - ty girls who went to our beds. Here's to
b b
Vb
FEUILLY & PROUVAIRE:
J J
went to our heads. Here's to
&b . .

b ww bw
w

? j b b b j
b w
w
j j
GRANTAIRE:
Vb
19
..
them and here's to you! Drink with
Vb j j
..
them and here's to you!
&b w w .

j
? w

b w
B2
Vb j
(GRANTAIRE):
.
22
.
me to days gone by, Can it
&b w
w

? j j
b w w
w
Vb j

b
25
.
be you fear to die? Will the world re - mem - ber
. b b
&b .

.

? j
b w w bw
w w
b b b b
Vb J
29
J b J J
j
you when you fall? Can it be your death means no-thing at all? Is your
b b b b .
&b b b bw b
b

.
? w w w
b w w w
bw w
V b .
32
.
life just one more lie?
CHORUS (MEN):
Vb
Drink with
&b .
j
?

b w w
C1
&b j
GIRLS:

35

Drink with me to days gone by,
Vb j
(MEN):

me to days gone by, to the
.
&b
P
? j j
b w w
w

,
&b j
38

to the life that used to be. At the
Vb j
.

life that used to be.
.
&b

? j
b w w
w
f
b b b b
&b
41
J J b
f
shrine of friend - ship nev - er say die. Let the wine of friend - ship
b
Vb
b
Let the wine of friend - ship
b b ..
&b b b

b
b

b
? b
b w
b

C2
b j
(GIRLS):
&b J
44
J
nev - er run dry. Here's to you and here's
b
Vb J j
(MEN):
.
J
j
nev - er run dry. Here's to you and here's to me.

b
& b .
. j
?
b w

w w
Vb
47 MARIUS:
Do I care if I should die, now she goes a - cross the
&b
to me.
Vb

&b

..
? . .
b .
b b b
Vb
50
J J
sea? Life with - out Co - sette means no - thing at all. Would you
&b .
b b
b
(hum) (hum)
Vb
.
(hum) (hum)
b b
&b .
. b

? . b . ..
b .
. .
b b
V b b
(MARIUS):

53
J J .
weep, Co - sette, should Ma - ri - us fall? Will you weep, Co -
&b
(GIRLS):
b .
(hum) (hum)

(MEN):
Vb .

(hum) (hum)
b b .
&b
p
. ..

?
b b .
w
(Dead segue)
U.
Poco Rall.They settle down to sleep.
###
V b .
56 (MARIUS):
w
U.
sette, for me?
###
&b

U
? w w ###
b . &
w .
D = 90
VALJEAN:
U
U
Andante, molto rubato
###
"
Standing over MARIUS.

59
V
U
God on
# # #
&
J

J J .
J J Ju
p J JJ J J J J J J
w . w .
# # U
& #

Molto rubato
### p w
E (VALJEAN):
. w .
63
V J J
high, hear my prayer. In my
###
&
J J J J J J J J J J J J J J J J
. .
### J
&
###
F
.
3
w
67
V J . J
need you have al - ways been there. He is
### .
&
J J
J .

J J J J
w w
### w
.
w
& ?
F #
## w . w .
71
V J J
young, he's a - fraid. Let him
###

&
P
? ###
J
J

### w f
. w . J
75
V J
rest hea - ven blessed. Bring him
###
& #
#

j
. . j
cresc.
w .
? ### . w

P .
Pi mosso
### w . w
Pi mosso

(VALJEAN): rall.

79
V J J
home, bring him home, bring him home.
### w
& .
J
p
F
.
sub.
? ###
w J
J
G
### j
j w
84
V
He's like the son I might have known, if God had grant - ed me a
### w j .. j
& .. .. .. .. .. .
J J J J J J
j j
. . . .
? ### J J J w
J
f
rall.
### . .

A Tempo
j
87
V J J
son. The sum-mers die one by one, how soon they fly on and
j j .
### j . j .
& j . . J .

? ###
w . w w
w w w
P p U
###
rit.
j j U
.
rall.
.
91
V
on. And I am old and will be gone. Bring him
### . U
&
. . w
#
n

J J J
J p
w U
dim.
? ### w j
. .
A Tempo Primo
H
### w . w .
(VALJEAN):

95
V J J
peace, bring him joy. He is
### j
. .
&

p

? ###
w . w .
###
F
.
(cresc.)
w
99
V J . J
young, he is on - ly a boy. You can
### w
&

. J

.
? ### w

I
### w . w .
103
V J J
j

take, you can give. Let him
### w . w
&

? ###
w . w .
f
### w .
cresc.
w . J
107
V J
be, let him live. If I
# # # . .
& #

#
w . w ww
? ### w
cresc.
.
w
>
Pi mosso
### w .
rall.
w .
(VALJEAN):

111
V J J
j
die, let me die, let him
w .
# # #

&
w ww w .
? # # # ww w J
dim.
w w
A Tempo
115
### w .
ten.
w
V J
live. Bring him home,
j
### w . w
ten.
&

p
? ###
J

U U
### . w
rall. molto
6 4
ten.
118
V J 4 4
bring him home, bring him
### ..
ten.
6 4
&
4 4
U U
? ### J
dim.
6 4
&
4 4

w w U
w
### 4
A Tempo rall.
bbbb
121
V 4
home.
U

### 4 ggg wwww
& 4 ggg bbbb
ggg
ggg
### 4 ggg U
dim.
bbbb
?
& 4 w w w

J Andante (q=70)
b b 3 4
Vb b 4 J
Dawn breaks.

124 ENJOLRAS:
b b .. .
The peo - ple have not stirred. We are a -
3 4
...
+ WWs
b
& b .. 4 4
j j j
. ..
? b b . 3 4
b b w w 4 . 4 .
w w . .
b b 2 3 4
Vb b 4
128
4 J J 4
ban - doned by those who still live in fear. The peo - ple
b b 2 3 4
&b b 4 4 4
j j

? b b 2 3 4
b b w 4 . 4 . 4

w . .
b b 4 2 3
Vb b 4
131
4 J 4
have not heard, yet we will not a - ban - don those who can - not hear.
b b 4 2 3
&b b 4 4 4
j j j

? b b 4 n 2 n 3
b b 4 . w 4 . 4

. w .
b b b 3 4 " 3 3 b b 128
V b 4
134
J 4
Let us not wastelives, let allthewo-menandfath-ers of chil-dren go fromhere.
b b 3 4 b b 128
&b b 4 4
j j U
.. n
? b b 3 n 4 b . 12
b b 4 . 4 .
w bb 8

. . w

23. The Final Battle

Maestoso
(q=70)
b b 5
! !
&b b 4 !
1

? b b 5 j j j
b b 4 .
. .
. . .
b b j U
&b b ! b b 68
4 3

psubito
? b b j U U 6
b b .

w

w
bb 8

. w w
B ( . = 126) ARMY OFFICER:
b 6 12 . . .
(with loud-hailer, as before.)
Vb 8
10
8
You at the bar - ri - cade list - en to this.
> > > > > >
b 6 12
&b 8 8
J J
> > > > > >

? b 6 12
b 8 8
b 6 . 12
(ARMY OFFICER):
Vb
12
J J 8 8

The peo - ple of Par - is sleep in their beds.
b b 6 12
& 8 J 8
J J
j .. .. . .
? b 6 . 12
b 8 8

23. The Final Battle page 316

b 12 . . . . . . 6
V b 8 .
14

You have no chance, no
b
12
&b 8 6
8
J J J J
? b 12

. . . . 6
b 8 8
. . . .
b 6 . . 9 . . . 12
Vb 8
16
8 8
chance at all. Why
b 6 9 12
&b 8
J
8 8
J
? b 6 . . 9 . . . 12
b 8 8 8
. . . . .
b 12 . . . . . .
Vb 8
18
throw your lives a - way?
b 12 ..
&b 8 .
J J J
? b 12 . . . . . . .
b 8 . . . . . . .
(non pi mosso)
b . . .
V b .
20 ENJOLRAS:
J J
> > > >

Let us die fac - ing our foes. Make them bleed while we
b
&b
> > > > J J

? b
b

b . . .
Vb
22
can.
bb . . .
COMBEFERRE: COURFEYRAC:
V J J J J J
Make them pay through the nose. Make them pay for ev - 'ry

& bb
J J J J
j . . .. .
.. .. .
? b
b
. .
bb . . . . 6
ENJOLRAS:
.
24
V 8
Let oth - ers rise to
b . . . 6
Vb 8
man!

& bb 68
J J J
? b 6
b . . . . 8
. . . .
b 6 . . 9 . . . 12
(ENJOLRAS):
Vb 8
26
8 8
take our place un -
b b 6

9 12
& 8 J 8 8
J
? b 6 . . 9 . . . 12
b 8 8 8
. . . . .

. .
28
b b 12 . . . . . .
V 8
til the earth is free!
b 12 ...
& b 8 .
J J J

? b 12 . . . . . . .
b 8 . . . . . . .
j
(non pi mosso)
C j .
j .. j . . .
Increasinglyheavygunfire.

bb
. .

30
& . J J J
? b b
b J J b J J J J
> > > > > >
j j MARIUSisshot.
b . . . .
b . .. . . .
33
& J J J .
J .
J
? b
b J J J J b J J
> > > > > >
j
AllonthebarricadearekilledexceptMARIUS,
.. .
whoiswoundedandunconscious,and VALJEAN.
b j
. b b ..

& b
b
b b b .
36
J J J J
J
J
? b J j
b J J b b
> > > > b> J >
J
j j b ..
b b b b . b . b b ...
b
& b b .. J b
b b .
39
J
J
J
? b b b b b j
b
b> J >
J J b
> b >

b > > > > > >

41
b b b n b > > " 4
& J 4
? b j j j j j
> > > > > > " 4
j
b 4

. -
L'istesso Tempo
. b b . b
D
j
.
ENJOLRAS iskilledatthesummitofthebarricade.
b 4 b . .
& b 4 b .. b b ..
b
43
>
f >> > . >> . . -
> > . . b .
? b 4 J
b 4
j . . b . -
.
poco rall.
b b . .
b b ..

b bb ###
& b b ..
47

>> >> -
. b . .
>>
? b b .. b> > . . ###
b
b .
J

Poco Meno Mosso,
... ... ... # ..

# # .... # .. .. .
(as for Red & Black)
.. 2 # ..
# # # # . . .
# 2 # .. ..
44 # 4 . 4
51
& 4 4

? ### 2 4 2 4
4 4 4 4
U
lunga

Poco Allargando
... ... ... # # # .... # .. .. .. #
# # # 4 # . . .
# 2 # 4 # .. .. ..

55
& 4 4 4
U
? ### 4 2 4
4 4 4

25. Javert's Suicide

A Andante ( = 77)
# # # 4 VALJEAN:
4 !
1
V
It's you Ja - vert. I knew you would - n't wait too long.
### 4
& 4

f -
-

-

-
? ### 4
4 .
.
###
!
2
V
3
The faith - ful ser - vant at his post once more.
###
&
- - - -
? ###

###

3
V
This man's done no wrong and he needs a doc - tor's care.
###
& #
- - - - - - - -
? ###
.
. > > > > >
25.Javerts Suicide page 330

###
!
5 (VALJEAN):
V
3
An - oth - er hour yet,
###
JAVERT:
V ! J
3 3
I warned you I would not give in. I won't be swayed.
###
&

? ###
.
.
### .
(VALJEAN):
!
7
V
and then I'm yours and all our debts are paid.
###
& #

? ###
.
.
### 2

9 (VALJEAN):
V 4
Come, time is run-ning short.
### 2
(JAVERT):
V !

J
! 4
The man of mer -cy comes a - gain, And talks of jus - tice.
### 2
& 4

? ### j 2
. 4

.

Molto rall.
### 2 n
A Tempo
(VALJEAN):
4 . . n bbbb
4
11
V J 4 J J J
Look down, Ja-vert, he's stand-ing in his grave. Give
### 2
& 4
4
4 bbbb

n n
? ### 2 n 4 w
4 4 bbbb

.
b b
(VALJEAN):
Vb b
14
J J
way, Ja - vert, there is a life to save.
b b
(JAVERT):

Vb b ! !
3 3
Take him Val - jean, be - fore I change my mind. I will be
b b
&b b

>
? b b
b b .
.
>
poco rall.
b b . U
n n n n 43
(JAVERT):
Vb b
16
wait - ing 2 4 6 0 1.
b b U
&b b n n n n 43
w
n n www

? b b U 3
b b . w nnnn 4

. w

Lento VALJEAN carries MARIUS off. accel. rit.

3 4
18
& 4 b 4
b b b
F
?3 4
4 4
JAVERT walks the deserted streets 'till he
b
comes to a bridge over the river Seine

Pi mosso ( = 95)
b b b b b
20
4 b b b b
&4
p p p b p

b b b
?4 b b b
4 b b b
b - - b b
C ( = 95)
22 JAVERT:
V
Who is this man? What sort of Dev - il is he? To have me
j
& b
>
j
?
>
V b
23
caught in a trap And choose to let me go free? It was his
j
b
& b
b>
j
? b
b>

(JAVERT):
V b
24
hour at last to put a seal on my fate,
j
b
&
b>

? j
>

V b
25
Wipe out the past and wash me clean off the slate.
& w
b ww

? w
w

b
V b
26
All it would take was a flick of his knife.
& w
bw
? w
w

V b bbbbb
27
Ven - gence was his and he gave me back my life.
bbbbb
& b b ..

? w
w bbbbb


(non pi)
D
b b
(JAVERT):

Vb b b !
28
Damned if I'll live in the debt of a thief.
b b
& b b b

? b b
b b b > > .
>. > >
b b
Vb b b !
30
Damned if I'll yield at the end of the chase.
b b
&b b b
? b b !
b b b
. >
b b
Vb b b !
31
I am the Law and the Law is not mocked.
b b
&b b b
? b b
b b b >
>. >
b b 3 2 n 4
Vb b b !
32
4 4
3 3
I'll spit his pit - y right back in his face. There is noth - ing on earth that we
b b -
& b b b 24 n 4
4
-
? b b . ! ! 2 4
b b b > 4 > > 4
>

b b 4
(JAVERT):
Vb b b 4 n
34
3 3
share. It is ei - ther Val - jean or Ja -
b b 4 -
&b b b 4 n
-
-
? b b 4
b b b 4
- -
b b U
Vb b b b
35
j >> U
vert.
b b ! n n n n n n
&b b b b
? b b . U
b b b . ! n n w b
J n> > n w
Andante ( = 104) E
Vb
37

How can I now al - low this
&b j j j
b b b

F
? w w w
sim.
b w w w
Vb . . .
40
b
man To hold do - min - ion ov - er me?
&b j
b
j
b
j

? w w
b w w

j
# . j
(JAVERT):
V b N
43
J
This des - p'rate man whom I have hunt - ed. He gave me my life. He
&b j

j

# j
j
? . w

b w w
w
w
Vb
46

gave me free -dom. I should have per - ished by his hand.

. .
&b J
j j j
? w

b w w w
Vb .
49

It was his right. It was my right to die as

&b j j
j

j
? w w
b w w
Vb .
52

well. In - stead I live, but live in hell.
&b j j
?
b w
w
? w w j
b w

F Pi mosso ( = 126)
(JAVERT):
Vb b b
55
b
And my thoughts fly a - part. Can this man be be -
b> b > > b > b > b > >

?
b b b

b b &
F
? j
b j j j j j j
b b b .. b
b > > b > b > > b > >
Vb
58
b
lieved? Shall his sins be for -

&b b b b . . . .
b > > > .
> b > >
? w
b b
w
b
j
Vb
60
.
giv - en? Shall his crimes be re -
n . . > . > . >

& b # n . .
#

.
. > > . >
? j j
b
. .
.
.
w w w w
rall.
Vb
62
prieved?
j j j b ..
& b .
j b .. b .. .. ..
# n .
?
.. ..
J
b n ..
J J J
cresc. f
? w w
b w w w w
w w

G A Tempo ma poco pi mosso ( = 120)
Vb
66 (JAVERT):
b
And must I now be - gin to doubt, who nev - er doubt - ed all these
? b b b b
misterioso
b b J J
J
F sim.
? j j j
b . . .
j
Vb # .
69
N J
years? My heart is stone and still it trem - bles. The
? j j
b b #
&
J
. j
?
b . j
.
.
j
3
.
Vb
72

world I have known is lost in shad - ow. Is he from heav - en or from
&b j j j

? w. . j
b b
w
j
Vb
75
. J
hell? And does he know
&b j j j

j
?
b b n
w
w

(JAVERT): rall.
Vb .
78

that grant - ing me my life to - day this man has killed me ev - en
j j
&b b ww
w
f
? j b
j
b b w
b . . w
Lento recitative
Vb # # #
81
so? I am reach -ing but I fall. And the stars are black and cold as I
&b
p
? ww ww ww
b
w . w
w . w
Vb #
84
#
stare in - to the void of a world that can - not hold. I'll es -
&b
? ww w
b w
. w
. w
Vb # #
86
cape now from that world, from the world of Jean Val - jean. There is
# #
b
&b . .
J J
? w w
b w w

He throws himself into
the swollen river.
4 #w ##
rall.
2
Vb # #
88
4 4
no - where I can turn. There is no way to go on!
n n # n n n # #w
b b # b
2 b b #
4 #w ##
& b J . 4 J . 4

? 2 4 # j ##
b bw 4 4
bw #
H Allegro ( = 138)
## w w

91

w w
## w w
&

? ##

poco rall.
w . j
## w U
3
95
w .. b n www b
& w bw
U
3
? ##
3
w w b
w w
w w
I Moderato ( = 100) b

&b
100
b N b
p
? b b
b bw w

b b .

&b
104

? b b
b
J 8 WOMEN
WOMAN 2:
&b
WOMAN 1:

106

Did you see them go - ing off to fight? Chil - dren of the bar - ri - cade who
& b w w w
? w w w
b
&b b
WOMAN 7:

109 120
b b
did - n't last the night. They were school - boys, Nev - er held a gun,
bw w
& b w
b b w w
? w bw w
b
&b b b
122
b
Fight - ing for a new world that would rise up like the sun.
bw w
& b b b w w
? bw w
b

b b
rall.

WOMAN 3:
&b
124
Where's that new world, Now the fight - ing's done?
w w
&b ww w .

J

?
b
Meno mosso ( = 84)

WOMAN 7:

WOMAN 4:
&b
126
w w
Noth - ing chan - ges, noth - ing ev - er will.
&b w w
b

b

?
b b .. bw
b bw
WOMAN 8:
&b b b
128

Ev' - ry year an - oth - er brat, An - oth - er mouth to fill.
w
&b w
b b
?
b b . bw
b . bw
WOMAN 7:
& b N
130

Same old stor - y, what's the use of tears?
w w
&b w w

? . w
b
. w
WOMAN 6:
&b
132

What's the use of pray - ing if there's no - bod - y who hears?
w w
&b w

w

?
b . w
. w
rall.
" 2
TUTTI:
&b .
134
2
Turn - ing, turn - ing, turn - ing, turn - ing, turn - ing through the years.
" 2
& b ww . 2
ww # ..
? w . " 2
b w w . 2
Allegretto
K
2
WOMEN 1 - 4:
&b 2
137

Turn - ing, turn - ing,
2
&b 2
WOMEN 5 - 8:

Turn - ing, turn - ing,
2
& b 2

? 2

b 2

&b
140

turn - ing through the years. Min - utes in - to hours and the
&b
Turn - ing, turn - ing through the years.
&b

?
b

&b
142
b
hours in - to years. Noth - ing chan - ges,
&b b
b
Min - utes, hours, hours in - to years.
b b
&b

?
b b b
b
&b b b
144
b
noth - ing ev - er can. Round and round the round - a - bout and
div.
b b b
&b
b

b
Noth - ing chan - ges, noth - ing ev - er can. Round and
b b b
& b

b b
? b b b
b b b


rall.
b b
U

&b b
146
b
U
back where you be - gan. Round and round and back where you be - gan.
b N b b
&b b b
round the round - a - bout, round and round and back where you be - gan.
b b
&b b b
n
? b
b b

Dead Segue

26. Cafe Song

(Empty Chairs at Empty Tables)
MARIUS, recoveringfromhiswounds,imaginesheisbackintheABCCaf.
Moderato ( = 93)
b b 4
MARIUS:
Vb b b 4
1

p
There's a grief that can't be
b b 4
&b b b 4
p
? b b 4 >

b b b 4
A1
b b j j
V b b b . .
4
spo - ken There's a pain goes on and on Emp - ty chairs at emp - ty
b b
&b b b

? b b
b b b
b b j j
V b b b . . j
8
.
F
tab - les Now my friends are dead and gone. Here theytalked of rev-o-
b b
&b b b n .

? b b
b b b
26. The Caf Song page 347

A2
b b j j
V b b b . .
12
lu - tion Here it was they lit the flame. Here they sang a -bout 'to -
b b -j -j
&b b b w ww w .
w w .

? b b
b b b w w w w
b b j j
Vb b b j
16
. . .
w
mor -row' And to - mor-row nev - er came. From the
b b -j
&b b b j
w . . ww

n .

? b b w w
b b b w w
B Pi mosso = 112-120
b b j j j
V b b b j . j j .
20
. . n . .
tab-le in the cor-ner Theycould see a world re - born And they
b b j
&b b b j
. b . b .

F
b b
? b b w
b b b
b b b w bw

poco rall. A Tempo
b b j j j . .
J J
rall.
. n
V b b b . .
24

- -
rose with voic - es ring - ing And I can hear them now, The ver-y
- j j
b b b j b n n . .
& b b
.

J J
? b b w w
b b b . bw w

.
A Tempo
.
rall.
. j
b b
Vb b b J J J .
28
J
words that they had sung Be - came their last com - mun-ion
w .
b b b b w b J .
&b b b
f
b

dim.
? b b w
b b b b w w
b b b
Poco meno rall. Tempo primo
Vb b b . .
32

On the lone - ly bar -ri - cade at dawn. Oh my friends, my friends, for -
b b w
& b b b w w .
. ww ww
p
w
? b b w w
b b b w w
The ghosts of those who died on the barricade appear.
C
b b j j
Vb b b .
36
.
give me. That I live and you are gone.
b b ww
&b b b ww
ww w

? b b
b b b
b b j j
Pi mosso
Vb b b . j b
39
. . w
There's a griefthatcan't be spo - ken There's a pain goes on and on.
b b
& b b b ww ww n ... b
n n
n
F appassionato
? b b nw
b b b b
nw

D

Vb .
43
J
Phan-tom fac - es at the win-dow. Phan-tom shad - ows on the
j
.
&b w
? w w
b ww w w
w w
j j
Vb . .
46
floor, Emp - ty chairs at emp - ty tab - les Wheremy
w
j
. j
&b .

w w
? w
b w
U .
sub. A Tempo
j ten.

rall.

Vb
accel.
. w
49
U
friends will meet no more. Oh my friends, my friends don't

&b w
# .
w
? w
b w

w

E
j
A Tempo

The ghosts fade away.
V b J . .
52
ask me What your sac - ri - fice was for.
j
j

&b

f

?
b

molto rall.
j j
poco rall.
j
Vb . . .
55

Emp - ty chairs at emp - ty tab - les Where my friends will sing no
j
j w .
b
& J . ?
J J w # ..
.
dim. molto
? w
b
Tempo primo = 96-100 rall.

Vb
58
w
more.
j
.
n ww U
? w w
b &
p

? w w
b
w

27. Marius & Cosette

COSETTE arrivestohelp MARIUSinhisrecovery.
Andante = 76
#### 2

1
& 4

P

? #### 2
4
####
COSETTE:
. ! !
5
& .
Ev - 'ry day you walk with strong - er step. You walk with long - er step. The worst is o - ver.
####
&

!
. .
? #### R
####
! r
9 COSETTE:
&
Don't
####
MARIUS:
V ! !

Ev - ery day I won - der ev - ery day Who was it brought me here from the bar - ri - cade?
####
&

j j j j j - j j
? # # # # .

27. Marius & Cosette page 352

####
(COSETTE): poco rall.

13
&
think a - bout it, Mar - i - us. With all the years a - head of us. I will nev - er go a - way,And
####
n
& n #

? #### n

#### A tempo
j

16
& # .
#
we will be to-geth - er ev - ery day. Ev - 'ry
####
! ! !
&
# # # # # # #
? #### ! j . ! j . ! j .

#### # #
poco meno mosso rall.
j # # # 43
20
&
3 3 3
# # #
day We'll re - mem - ber that night, and the vow that we made. A
#### #### 3
ten.
!
& # # ten.

# 4
#
j
! .
? #### #### 3
# 4

C
#### 3 = 156
. j
A Tempo
# 4 .
42
&
heart full of love. A
#### 3 .
VALJEAN:
V # 4 J
She was nev - er mine to
#### 3
& # 4 .
. . j

? #### 3 . . .
# 4 . .
.
#### .
# .
46
& J
night full of you, the words are
####
V #
keep. She is
# # # # + WW .
& #

# .

? #### . . .
# . . .

#### . a # nnnn
# n
49
& J
old but al - ways true.
#### . . nnnn

MARIUS:
V # J J n
youth - ful. she is free Co - sette, Co -
j
#### . . nnnn
& # # . n

. .
? #### .
. . nnnn
# . n
D
n n n n (COSETTE): - -
& n J .
52
I saw you wait - ing and I knew
nnnn
(MARIUS):
.
V n J
n n n n (VALJEAN): >
sette! Wait - ing for

V n .
- -
Love is the gar - den of the young.
j
nnnn . .
& n .

.
? nnnn . .
n n . .
n .

(COSETTE):
poco rall.

56
&
At your call.
.
(MARIUS):
#
V
you, At your feet,
(VALJEAN):

V
Let it be, let it be.
. j .
& # # . J J
J
. j . j
# . # .
.
? . .
. .
Poco meno mosso = 108 poco rall.

& .
60

And it was - n't a dream. Not a

V .
And it was - nt a dream, Not a
V j . .
A heart full of love This I
&

p .
? .
. . .
.

. .
rall. molto A tempo
J U
4
65
& 4
dream af - ter all.
. . U 4
V J 4
dream af - ter all.
. . U
4
V J 4
gggU
..
give you this day.

& gg gg .. 4
4
ggg .
ggg
? ggg .
. . 4
gg . 4
E Andante = 80-84
4 . r . 2 4
MARIUS:

70
V4 4 4
M'-sieur, this is a day I nev-er can for - get.
4 2 4
& 4 ! ! ! ! 4 ! 4

P
?4 w w 2 4
4 4 4
w w

4 .
(MARIUS):
r 2 4
.
73
V4 b 4 4
Is grat - i - tude e-nough for giv - ing me Co - sette?
4 2 ! b 4
& 4 b ! b ! 4 b 4
? 4 bw 2 b 4
4 4 4
bw b
4 2 b 4
V 4 . b . b
75
R 4 4
Your home shall be with us and not a day shall pass
4 2 b 4
& 4 b 4 4
b . .
?4 2 4
4 w 4 4
77
4 . b .
V4 R
But we will prove our love to you whom we shall
4 b
&4 ! b !
b
?4 ! b
4 b .
b . b
COSETTE leaves
V .
78
. b ww b
call a fa - ther to us both, a fa - ther to us all.
b
& ! b ! .
! !
b b !
? b b
w bw
Recit
#### #
!
VALJEAN:
# # #
80
V
# # # # .
U U #### #
Not an - oth - er word, my son, There's some - thing now that must be
& j #
#
n
# wwww
p
? fj # w U

#### #
#
# &
# #w
u
#### #
A tempo ( = 80-84)
2 4
rall.
#
90
V 4 4
#### # 2
done.
# 4 4
& 4
#### #
ww ? 2 4
& # ww 4 4

G #
# # # # 4 A Tempo 3
# 4
93
#### # 4
There lived a man whose name was Jean Val - jean.
& # 4
.

? #### # 4 ! !

# 4
#### #
3
#
95
V
He stole some bread to save his sis - ter's son.
#### #
& #

? #### # . . r
#

# # # # # poco accel.
# . .
97
V R
For nine - teen win-ters served his time,
#### #
& #
j . !
. !
? #### #
#
#### # . . bbbbb
rall.
# #
99
V R
#
In sweat he washed a-way his crime, years a -
#### #
& # # # bbbbb

? #### # n #
# n bbbbb
H A Tempo ( = 80-84)
b b
Vb b b ! . !
101

go. He broke pa - role and lived a life a-part. How could he tell Co-sette and

b b
&b b b
.
. .
? b b
b b b

b b

poco rall.
Vb b b .
103
. R
break her heart? It's for Co-sette this must be faced, if he is caught she is dis-graced. The

b b
&b b b

? b b
.

b b b

2 U
"
Colla Voce
b b 4
Vb b b
105
4 4
time has come to jour - ney on, and from this day he must be gone. Who am
U j
b b
n
.. 2 " 4
&b b b .. 4 n 4
u
? b b n b 2 n " 4
b b b n b 4 n 4
u u
poco rall.
A Tempo ( = 80-84)
j
A Tempo poco rall.
b b 4 n n n n n 43
Vb b b 4
107 MARIUS:

You're Jean Val - jean.
b b 4
n n n n n 43
(VALJEAN):
Vb b b 4

I? Who am I?
b b 4
- - -
b
& b b 4 .. n n n n n 43

. - - - ( )
? b b 4 ... 3
b b b 4 . J nnnnn 4
. J

A Tempo ( = 80-84)
nn n 3 MARIUS: 3 j 4
V nn 4 .
110 3 3
4
What can I do that would turn you from this? M' - sieur, you can - not leave.
nn 3 4
& n n n 4 4

? n n 3 . . 4
nnn 4 4
. .
4 r 3 2 3
V 4 .
112 3 3 3
b 4 4
What - ev - er I tell my be - lov - ed Co - sette she will nev - er be - lieve.
4 2 3
& 4 b 4 b 4

.
? 4 J ( .) 2 3
4 4 4
3 2 b 3
VALJEAN: 3 3 3
V4 b
114
4 4
Make her be - lieve I have gone on a jour - ney, A long way a - way.
3 2 3
& 4 b 4 b 4
b b
? 3 b .. 2 3
4 J 4 4
3 b b
liberamente
V4
116
- -
3 3 3 3 3
U
Tell her my heart was too full for fare - wells. It is bet - ter this
3
& 4 b b

U
? 3 b . colla voce
4 b .

117

MARIUS:
b 4
V 4
3
I give my word.
" b 4
V 4
- -
3 3 3 3
U
way. Prom - ise me M' - sieur, Co - sette will nev - er know.
4
& b b
4
? . 4
. 4
u
4
118

(MARIUS): 3
!
}U }bU
V4
3
For the sake of Co - sette, it must be
4 b
(VALJEAN):
!
}U }U
V4 R
3 3
- - U
What I have spok - en, Why I must go.
4 b
& 4 b b

b
?4 . b
4 b
u.

J Andante = 80-84
(MARIUS):
119
b .
V
so.
j j
b b .
& b
b .
b .

? bw w w
dim.
w w
j
A Tempo rall. molto
U U
rall.
b bb w . w
& b .b b w b b ww

122
U
bw w
? bw bw w
bw

28. The Wedding
CHORUS
Allegro vivo ( = 125) A
4
unis. WEDDING GUESTS:

1
&4
Ring out the bells up - on
4
& 4
f
?4
4 w
w w w
w w
4

&
this day of days, May all the

&

? w w w
w w w

&
7

an - gels of the Lord a - bove

&

? w
w w
w w w
28. The Wedding page 365

B

&
S, T

10

In ju - bi - la - tion sing their songs of

&
A, B
In ju - bi - la In ju - bi - la - tion

&

? w
w

w

w w w
. 2 4

13
& 4 4
.
praise And crown this bles - sed time with peace and
2 4
& 4 4
sing their songs of praise And crown this bles - sed
24 4
& 4

? w 2 4
w w 4 4
w w w
17
4 w w w 3
&4 4
love.
4 w w 3
&4 4
time with peace and love.
4 3
&4 4

?4 3
4 w w w 4
w w w

3
20
&4
3
&4

3
gliss.
&4 J

gliss.
?3 .
4
.
Allegro, alla valse ( = 85)

C The Wedding Guests dance a waltz.
# n # n

21
& # n # n
f # n .. # n ..
? . .

b b

25
& b b
b . b .
? b b b b b .. b b b b ..
b b b
# n # n

29
& # n # n
# n .. # n ..
? n n . .

# . n # . n
& # . .
33
n # n
J J
# # n ..
? .


D MAJOR DOMO: (spoken) The Baron and Baroness de Thenard wish to pay their respects to the groom.
b b

37
& b b
b . b .
? b b b b b .. b b b b ..
b b b
b . b b .
b b .
b .
41
& b
J J
b b b

.
b b ..
b
b b

.
b b ..
? b b
b b
45
# #
& # #
# # # # # #
? # # # # #
# # #
j # . j
. # # #
& # .
49
. # #
# #
# # #
# #

# # #

? # #
# #
E1
j
THENARDIER:
# .
53
V # n n
I for - get where we met,
& # n # n
. . . . . . . .
P
? . .
. .

j
(THENARDIER):
V .
57
# n n # n
Was it not at the Ch - teau La - farge,
& # n # n
. .
? . .
sim.
. .

61
V b b
Where the Duke did that puke.
&
b b b
b b
b b b
b b

? b . b .
b . b .
b . j
V
65
b b b
Down the Duch - ess - 's de - col - le - tage?
& b b

b b b
b b b b b
? b . b .
b . b .
MARIUS:
j
69
V # #
No, 'Bar - on de Then - ard'. The
&
# # n
# # #
# #

# # #
? # # .
. # . # .

j
(MARIUS):
# .
73
V # #
#
cir - cles I move in are hum - bler by far.
&

# # # # # # # # # # ...
? # # .
. # . # .
F1 j j j
V b . b .
77
n n
Go a - way, Then - ar - di - er,
b . b .
& # . . .
# . # . . .
# .
# # # #
P
? # # # #
. j
V b
81
# n &
Do you think I don't know who you are?
j # . #
& # #
# n # # . . . n # # . #
# . . . #
.
? # # # #
MME. THENARDIER:
& # n # n #
85
He's not fooled, Told you so. Show M' -
b . b .
& # # # # # j # #
# # # #
J J J J
? # .
#
# # # # #
j
rall.
4
(MME. THENARDIER):
& n # # . n n # # n .
90
n 4
sieur what you've come here to show, Tell the boy what you know!
4
& j n n j # # jn n j # # j
# # 4
# #
#
? . # . . # . 4
# # .
# # # # 4
Recitative
4 . r
THENARDIER:
#
141 3
&4
3
U U U
Pi - ty to dis - turb you at a feast like this, But five hun-dred francs sure-ly would-n't come a-
4
& 4 gg n # ww # # ggg n #
g
ggg ggg
g U ggg U ggg U
g
? 4 gg n ww
n ggg # g n
4 gg g # ggg n
g
U U
MME. THENARDIER:
j . # r # . 3
143
& # V 4
j U
miss. But first, you pay.
3
MARIUS:
V # # # 4

U U
In God's name say what you have to say.
3
ggg # #
& g # # ww ggg # gg # 4
ggg # w ggg n #
ggg
ggg gg gg ggg
? ggg # w ggg ggg # ggg U 3
ggg #u
w g # g ggg 4
G Alla valse
3
&4
145
j # j n j # j n

p
? 3 . .
4 . .

THENARDIER:

149
V # n # n
What I saw, clear as light,
& j # j n j # j n

? . .
. .
p
. j
V
153
# n n # n
Jean Val - jean in the sew - ers that night.
& j # n j # j n

? . .
. .

157
V b b
Had this corpse on his back,
& j b j j b j
b b b b b b b b
? b . b .
b . b .
V b
161
b b b
Hang - ing there like a blood - y great sack.
& j b j
j b j

b b b b b b b b
? b . b .
b . b .

165 (THENARDIER):
V j
. # #
I was there, ne - ver fear,
& j
j
#
j

j
#
# # # # # # # #
? # # .
. # . # .
THENARDIER shows
MARIUS a ring.
V
169
# # #
#
E - ven found me this fine sou - ve - nir.
& j
j #
j

j #
# # # # # # # #
? # # .
. # . # .
I MARIUS:
V
173
# n # n
I know this! This was mine!
& j # j n j # j n

? . .
. .
. j
V
177
# n n # n
This is sure - ly some heav - en - ly sign!
& j # n j # j n

? . .
. .

THENARDIER:
V
181
b b
One thing more, Mark this well,
& j b j

j b j

b b b b b b b b
? b . b .
b . b .
b
185
V b b b
It was the night that the bar - ri - cades fell.
& j b j
j b j
b b b b b b b b
? b . b .
b . b .
V
189 MARIUS:
n # #
Then it's true, then I'm right,
& j
j
#
j

j
#
# # # # # # # #
? # # .
. # . # .

193
V # # #
#
Jean Val - jean was my sav - iour that night!
& j
j #
j

j #
# # # # # # # #
? # # .
. # . # .

J LIstesso MARIUS punches THENARDIER
(MARIUS): then throws money at him.

197
V # n # n
As for you, take this too,
# # n # # # # n
& # #
# # # #
? # #
# #
V
201
# n n # n
God for - give us the things that we do!
# # n # #
& # # #
# # # #
? # #
# #
j
V # n # . n
205
Come, my love, Come, Cos - ette.
# # #

n
# # #

n
& J
J

J

J

? # # # #
# # # #
rall.
j U
V # n # # . n
209
. . .
This day's bles - sings are not o - ver yet.
j
# # n # # # . n # # U
# #
& J J
? # # # . # . # .
# # #
The THENARDIERS begin to dance MARIUS and COSETTE leave
A Tempo
&
213
n
.

. - . . . - .
?

L THENARDIER:
. j . j
217
V
Ain't it a laugh, ain't it a treat
&

. . - . . . - .
?

. j # . j
221
V #
Hob - nob - bing here a - mong the - lite?
&

# #
. . - . . . . .
?

# . j
225
V #
j
Here comes a Prince,
. # n
& # # # #
. . - .
.
.
. - .
?


(THENARDIER):
# . j # . j
229
V # #
There goes a Jew, This one's a queer, but
& # # # #
. - . . . - .
.
?
# . # .
.
poco rall.
4
233
V # 4

what can you do?
4
&
. #
j
. 4

? . 4
. . 4

M Recitative
4 j
V4
237

Pa - ris at my feet, Pa - ris in the dust, And

4
& 4 g ..
gg ....
ggg . ggg
gg
ggg
gg ww
?4 w
4
ggg w
gw
Moderato = 152
### 2
A Tempo As for Master of the House

239
V # # 4
. .
.
here's me break - ing bread with the up - per crust.
j # ### 2
& # 4
# # > J J J
> P F
? j ### 2
4
J . # . # .

N1
### 2
(THENARDIER):
4 j j
241
# # # 2
Beg - gar at the feast, Mas - ter of the dance, Life is eas - y pick - ings if you

& 4
F
? ### 2 j j j j j j
4

### j
j j
244
V
grab

your chance.
Ev - 'ry - where you go Law a - bid - ing folk

### J
&
-
? ### j j j j

### j

247
V
Do - ing what is de - cent but they're most - ly

broke. Sing-ing to the Lord on Sun -
# # #
# J
&
? ### j j
j
J
### r
.
MME. THENARDIER:
.
250
V &
### r
days, But
V .

# #
Pray - ing for the gifts He'll send. But
#
&
J
? ### j j j
J J

J

###
(MME. THENARDIER):
j
253
&
we're the ones who take it, We're the ones who make it in the end.
# # # (THENARDIER):
V j

. . . . j - .
we're the ones who take it, We're the ones who make it in the end.
### ..
&
-
? ### j
J
J J J

> > >
N2
### j
j
257
&
### j j
Watch the bug - gers dance, Watch 'em till they drop, Keep your wits a - bout you and you
V
Watch the bug - gers dance, Watch 'em till they drop, Keep your wits a - bout you and you
###
&
? ### j j j j j j

### j
j j
260
&
### j j j
stand on top. Mas - ters of the land, Al - ways get our share,

stand on top. Mas - ters of the land, Al - ways get our share,

###
& J
-
? ### j j j j


### j

263
&
### j
Clear a - way the bar - ri - cades and we're still there. We know where the wind is blow -

there.

Clear a - way the bar - ri - cades and we're still We know where the wind is blow -
### # J
&
-
? ### j j j
J

### j
.
266 (to audience)
& . # R
### j
ing, Mon - ey is the stuff we smell. And
V . .
R
# # #
ing, Mon - ey is the stuff we smell. And

&
J #
j
? ### j # n
J - # - n
###
269
&
###
when we're rich as Croe - sus, Je - sus won't we see you all in hell!

V
.

when we're rich as Croe - sus, Je - sus won't we see you all in hell!
###
&
? ###

. . .
.
# # #
(no accel.)

272
&
. .
? ###
.

J J
29. Epilogue
A Tempo ( = 84-88)
4 ... ..
.
.. j
...
9
&4 .
J J
p
.
?4 . .
4 w w
w w
j
b ..
rall.
. # ww
A Tempo
###
poco rall.
. .. b
& b J w
13
J

j
.
? b #
###
b w
w
Meno mosso ( = 63-66)
###
A

. R .
VALJEAN:
. .
16
V J
A - lone I wait in the shad - ows, I count the hours till I can sleep.
### sim.
& ggg ggg

n

g g sim.
? ### w n w .
.
29. Epilogue page 381

### .

(VALJEAN):
.
19
V J
I dreamed a dream Cos-ette stood by, It made her weep to know I die.
###
&

? # # # w .

. "
. > .
.
### n
J .
22
V R
A - lone at the end of the day, U - pon this wed - ding night I pray.
###
&

? ### . .
nw
#w
U
rall. A Tempo rall.
### .
J

24
V .
3
Take these child-ren, my Lord, to thy em-brace. And show them grace. Godon
U
###

g gg U
& g

j P
? # # # w . w j j U. U
w
w J J
B Poco pi mosso, rubato ( = 100)

### w . w

28
V J
high hear my prayer, Take me
### j j
j j
&
.
.
J J J J
J J J J J J J J
p
? ### w w w w

### w .
w . J
32
V J
now to thy care. Where you
### w #
& #
#

? ### w

w w
w
Poco pi mosso ( = 104)

### w .
rall.
w .

36
V J J
are let me be, Take me
### w w
&

? ###

w w w .
A Tempo ( = 100)
### w . w .

40
V J J
now, take me there, Bring me
### j j .
&
. .
. . .
J J J J J J J J
? ###
w w w w
###
Fantines ghost has appeared
w
A Tempo rall.

rall.
w b
44
V
home, bring me home.
### >
& .. b
.
. . .. w
J J J J

dim.
? ###
w
w b

A Tempo primo( = 84)
C
V b . j j
47 FANTINE:
. j
.
M-'sieur, I bless your name. M-'sieur, lay down your bur-den.
ten.
ten.

Vb
VALJEAN:
3 3 3 3
I am read - y, Fan - tine. At the end of my days.
b .. ..
.
.
j
..
+ WW
& J J

?
b . .
w w
bb
rall. molto rall. A Tempo rall.
Vb j
51
j
.
}
}

You raised my child in
love And you will be with God.
Vb bb
3 3
She's the best of my life.

& b
.. # www b
b
J

.
?
b w
# bb

w
Poco pi mosso ( = 96)
b 3 . r 4
Vb 4
56 COSETTE:
& 4
Pa -
b 3 4
&b " 4 " 4
j j j j
P ma
energico
? b 3 4
b 4 4

b 4 3 4
& b 4 . . 4 " .
58
4
pa, Pa-pa, I do not un-der-stand, Are you al - right? They said you'd gone a -
b 4 3 4
& b 4 4 4
? b 4 3 4
b 4 . 4 . 4
b 4 j n n 24 4
&b 4
60
4
way.
b 4 r
n n 24 4
VALJEAN:
Vb 4 . 4
Co -
b 4 n n 24 4
&b 4

4

? b 4
b 4 . 2 j
n n 4 -
4
4
- .
4 3 24
V 4 . . . . .
62
4
sette, my child, am I for - giv - en now? Thank God, thank God, I've lived to see this
4 3 2
& 4 4

4

?4 " 3 2
4 4 4


2 . # # # n .
V4
64 MARIUS:
R R
It's you who must for - give a thought-less fool, It's
2 j
(VALJEAN):
V4
day.
2 n
&4 #
#
#
# #
?2
4 # #

V # # n
(MARIUS):
#
67
you who must for - give a thank - less man.
n
& #
#

#
# #

?
# #
j
V . b . . b b
70
R
It's thanks to you that I am liv - ing,
b
& b

b
b b b .
b
? b


3 4
(MARIUS):
b
3
V b # 4 b b
73
4
And a - gain I lay down my life at your feet. Co - sette, your
3 4
& n b b
b 4 b b 4
b
? 3 4
4 b 4
( = 88)
4 b b b
V4 b b
76

3
fa - ther is a saint. When they wound - ed me, He took me
4 b b b b
&4
b b . b b
b b
? 4 b b
4 b b
V b b b b
3
b
3
b
78 3
b b b
from the bar - ri - cade, Car - ried like a babe And brought me
b b
& b b b bb b b b n b b bb b
b b n
? b b
b
b
b b
bbbb
rall.
V b b
80
J b .
home to you.
j
b b b b b . b ..
& bw b . bbbb
b - - - b - - - -
j j j
b b j b
? j b j b b - - - bbbb
bw b . b - - - -
E Meno mosso ( = 63-66)
b b r
Vb b b b . b . j
VALJEAN:
b .
83
Now you are here A - gain be - side me.
b b b j j j j j j j j
& b b b
b b
b ( ) . r b b j
? b b

b
Fl.
b b

Poco pi mosso
b b j 2 j 3
3
Vb b .
87
b b 4 . 4
Now I can die in peace, For
b b " " "

&b b b 24 b b 3
4
b b
J J

J

J

J
J j j j j j
A b
? b b b 2 3
b b b 4 4
non accel.
b b 3
rall. A Tempo
4
COSETTE:
Vb b 4
89
4
.
You will
b b 3 4
Vb b 4 4
b
now my life is blessed.
b b 3 j j 4
5
& b b 4 b 4 ..
b ..
j
4
5
? b b 3 b
b b 4 b . 4 .

Poco pi mosso ( =76)
G
b b
(COSETTE):
j
V b b . b . .
91
.
live Pa - pa, you're going to live, It's too
b b
& b b b . ww

? b b bw
b b
bw
b b . j
Vb b b
93
. .
soon, too soon to say good - bye.
b b
VALJEAN:
Vb b
.
b
Yes, Cos -
b b
&b b

. w
b
b w
? b b
b b bw b
.
rall.
Vb . . .
95
J
ette, for - bid me now to die, I'll o - bey, I will try. On this
b . .. w
& n w #
b . n w
? w w
b nw . w w

Larghetto ( =58)
H1
j j
(VALJEAN):
Vb
. . . . .
99
. . .
page I write my last con - fes - sion, Read it well when I at last am
simplice
&b . . . . . .
n
p
?
b
j 2 j j 3
Vb j j
102
. . 4 4
.
sleep - ing. It's a stor - y of those who al - ways loved you, Your
2 3
&b . . # 4 . 4

? 2 3
b n b 4 4
3 4
Vb 4
105 FANTINE:
4
.
&
Theotherghosts,includingEPONINE, appearattheback. Come to
3 4
Vb 4 4 j
.

mo - ther gave her life for you, Then gave you to my keep-ing.
3 4 g
& b 4 . . 4 gg

g
? 3 4 .
b 4 4

H2 (FANTINE):
j j
& b . . . . .
107
. . .
me where chains will ne - ver bind you. All your grief at last, at last be-
& b . . . . . .
n
P
?
b
j 2 j 43
& b j . j . 4
110
. .
hind you. Lord in hea - ven, look down on him in mer - cy.
2 j 43
&b
VALJEAN:
V 4
For -
j
. . . # 2 3
&b 4 4

? 2 3
b n b 4 4
3 4
&b 4
113 EPONINE:
4

Take my
3 4
Vb 4
FANTINE:
& 4

Take my
3 4 j
Vb 4 4
.
give me all my tres - pas - ses, And take me to your glo - ry.
. .
3 4
&b 4 4

? 3 4 .
b 4 4
H3 (EPONINE):
j j j
& b . . . . .
115
.
hand I'll lead you to sal - va-tion, Take my love, for love is e - ver-
j
&b
(FANTINE):
j j
. . . . n . .
hand I'll lead you to sal - va-tion, Take my love, for love is e - ver-
. . . . . .

&b n
p
?
b
,
" r . 24 j j 3
,
& b j . j .
118
. 4
last - ing And re - mem - ber the truth that once was spo - ken, To
,
2 j j 3
,
& b j . j " r 4 4
. . # .
last - ing And re - mem - ber the truth that once was spo - ken, To
,
" r . 24 j j 3
,
Vb j .
(VALJEAN):
. 4
And re - mem - ber the truth that once was spo - ken, To
# .
.
2 . 3
&b J J 4 4
n
? 2 3
b 4 & 4

Lento ( = 72-76)
4 U
poco rall.
3
&b 4 4 w bbbb
121
love an - oth - er per - son is to see the face of God.
3 4 U bbbb
&b 4 4
w
3 4 U bbbb
Vb 4 4 w
U p .
CHORUS:
3
&b 4 4
4 bbbb

Do you
w
b 3 4 w bbbb
& 4 4
3
&b 4 4
4 w bbbb
I
b b
&b b
123
b b
&b b j

b b
Vb b J

b b .
&b b . . .
3 3
()
hear the peo - ple sing? Lost in the val - ley of the night? It is the

b b
&b b
b b
&b b
b b .
&b b . n . b . . .
125
. J
mu - sic of a peo - ple who are climb - ing to the light. For the
b b
&b b
b b
&b b ?
b b .
&b b . . .
127
3
wret - ched of the earth there is a flame that nev - er dies, Ev - en the
b b
&b b

? b b j j j
b b - -
p
b b n .
&b b
3
.
129

. .
dark - est night will end and the sun will rise. They will
b b
&b b
3
? b b
b b j -
-
J
Poco pi mosso ( = 80) (non accel.)
J
b b
& b b .
3
. .
131
n . . .
live a - gain in free - dom in the gar - den of the Lord, They will
b b
&b b
pj cresc. j j j j j j j
.
? b b
b b

J J J J
b b . . . r
&b b
3
. .
133
.
walk be - hind the plough - share, They will put a - way the sword. The
b b
&b b
j j j j j j j j

. .
? b b
b b
J J
J

- -
f + PRINCIPALS:
b b
cresc.
&b b .
135 3 3 3 3
- -
chain will be bro - ken and all men will have their re - ward!! Will you
b b j j j j
&b b .

J J J J
? b b F
b b .
.
- -
K
b b .
& b b . . .
137

3
join in our cru-sade? Who will be strong and stand with me? Some-where be -
b b
&b b

cresc. poco a poco al fine
? b b

b b
b b .
&b b . n . . . .
139
. J
yond the bar - ri - cade is there a world you long to see? Do you
b b n
&b b . .

? b b
b b

b b .
&b b . .
141

3
hear the peo - ple sing, Say, do you hear the dis - tant drums? It is the
b b .. ..
&b b

? b b
b b
b b n . ..
&b b
3 S, B, T2
.
143

. A, T1 (8va)
fu - ture that they bring when to - mor - row comes.
3
..
> . > > Will you
b b n ..
& b b . .

f
? b b
b b

( = 84)
b b ..
3
& b b .. .. ..
145 3

3 3
join in our cru-sade? Who will be strong and stand with me? Some - where be -

3
b b
&b b

? b b

b b
b b j
&b b . n . ..
.. .. ..
147
.. n . .
J
yond the bar - ri - cade is there a world you long to see? Do you
b b n
&b b . .

? b b
b b
b b ..
3
&b b . .. ..
149 3
.

3 3
hear the peo - ple sing? Say, do you hear the dis - tant drums? It is the
b b .. ..
&b b

? b b
b b
b b ..
3
n ..
&b b ..
151
..
3
fut - ure that they bring when to - mor - row comes.
..
> . > >
b b n ..
3
& b b . .

? b b
b b

rall. molto
, Uw
b b ww ww
& b b b ww
S

153
[
, U
Ah! To - mor - row comes!
b b w b [ www
ww
Vb b
T
w
B
Ah! To - mor - row comes!
> .. > > > . > >

> >>
b .. . . , U
w
b b b .
&b b .. . ww
w
? b b
> > > U
b b
w
> > > w

Les Miserables Full Canto-Pian - MODIFICATA

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Les Misrables

English Text by Editing and Piano Reduction by

b> - .. b> > > > >

b n b b . . b> > > > b U

> > >

When I get free, you wont see me 'ere for dust.

b b > > >

Allegro Molto .=138-144 Taking the silver cup,

A Tempo The CONSTABLES leave.

If theres a - noth - er way to go I missed it twen - ty long years a - go.

> > >

1. At the End of the Day

1. At The End Of The Day page 30

1. At The End Of The Day page 31

1. At The End Of The Day page 32

1. At The End Of The Day page 33

b> . > . > . > .

1. At The End Of The Day page 34

f At the end of the day!

At the end of the day you get no -thing for no-thing.

1. At The End Of The Day page 35

1. At The End Of The Day page 36

1. At The End Of The Day page 37

1. At The End Of The Day page 38

C2 CHORUS (The Workers):

b> . > . > . > .

1. At The End Of The Day page 39

1. At The End Of The Day page 40

D FACTORY GIRL: (grabbing a letter from FANTINE)

1. At The End Of The Day page 41

15 b b > > > > > >

1. At The End Of The Day page 43

1. At The End Of The Day page 44

1. At The End Of The Day page 45

b> . > . > . > .

1. At The End Of The Day page 46

cause, I had no doubt, Of an - y trou - ble here - a -

1. At The End Of The Day page 48

She's been laugh-ing at you while she's hav-ing her men.

1. At The End Of The Day page 49

Right, my girl. On your way!

1. At The End Of The Day page 50

2. I Dreamed A Dream (E b maj) page 52

2. I Dreamed A Dream (E b maj) page 53

2. I Dreamed A Dream (E b maj) page 54

2. I Dreamed A Dream (E b maj) page 55

2. I Dreamed A Dream (E b maj) page 57

&b " " " "

&b " b " b " b " " b " b "

&b " " " " " b " b " b "

&b . r b b " " . r "

That would - n't pay for the chain.

&b " b n . " b . 2

2 4 " " " "

" " " "

&b . r b "" . r ""

Don't touch me, leave me a-lone.

& b . # " . r b "" b

&b " b n . " b 24

&b " " " " " b " b " b "

? " # # # " " " " " #

3. The Docks page 62

? " " " " " " &