Album de Broderies 01

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AVIS
On
trouvera dans
les
Comptoirs de
les
la
Maison Th. de Dillmont, dont
les adresses
sont indiques ci-dessous, toutes

dcrits dans
fournitures ncessaires pour excuter les ouvrages

telles
l'Album de Broderies au Point de Croix,
que
tissus,
cotons de toutes
couleurs et grosseurs^ aiguilles, crochets, miroirs, mtiers broder, etc., etc.
Envoi franco du tarif toute persomie qui en fera
la
demande.
PARIS
Comptoir Alsacien de Broderie
25,
VIENNE
Comptoir Alsacien de Broderie
I,
Faubourg St-Honor
Stefansplatz, 6
All rights are reserved.
oX/rj
ALBUM DE BRODERIES AU POINT DE CROIX
(Album of Cross-stich Embroidery).
32 Plates with 278 Figures and artistic boards.
Price
:
Sh. 1.6
The Text
of the above
Album
consists, for the
most
part, of extracts
from
tlie
Encyclop.edia of Needlework, by Th. de Dillmomt.

I
vol. 8,
55o pp., with about 900 woodcuts.

is
English bound,
gilt
edges and case.
The above work
in the press
and
will be published in three languages.
Price
Sh.
3.
D.M.C
dpos
Par Th. de
Planche N
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les
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D.M.C
DOLLFUS-MIEG &
C'%
D.M.C
dpos
Planche N 3o

Par Th. de
DILLMONT
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24;
excuter avec les

les
les
marquer,
les
cordonnets
et les fils
d'Alsace
D.M.C
DOLLFUS MIEG &
C'%
D.M.C
dpos
Par Th. de
Planche N
3i
DILLMONT
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anHaj!
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244.
les

fils
les
cotons
d'Alsace
D.M.C
DOLLFUS-MIEG &
C'%
MULHOUSE -BELFORT- PARIS
D.M.C
dpos

Par Th. de
Planche N 32
DILLMONT
PAGE DES ENFANTS

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241 a 274
3o petits sujets excuter avec
les
cotons broder,
les
les
cotons tricoter,
et les fils
les
cotons marquer,
les
cotons
pour crochet,
cordonnets
d'Alsace
D.M.C
TREATISE
ON CROSS-STITCH EMBROIDERY
INTRODUCTION.
Visitors to the
Vienna Exhibition of iSyS may hve noticed, amongst the various kinds of
in cross-stitch
needlework exhibited there, some imitations of old embroidery executed

stuffs.
on white
The
and the
revival of this kind of embroidery, once carried to such perfection,

taste for
it
was eagerly welcomed,

in ahiiost every house.
has
now become
so universal that
it
is
to be
met with
As
stitch
a natural consquence the publication of various collections of patterns, suitable for crossail
work, followed, but thse collections,
hitherto
drawn from the same sources, belong
to
one
period only, and are therefore of a local and circumscribed character.

In order to
make
the
"Album
of Cross-Stitch
Embroidery" more varied and comprehensive

it
every design with any originality or beauty to

less
recommend
has been included.

ail tastes
It
contains no
than 278 patterns, systematically arranged, and likely to satisfy
and requirements.
By means
practised hand.
of the
accompanying directions they can be copied by the most unskilled and un-
The
in almost
patterns will be found applicable to
many
to
other kinds of needlework and can be worked
any
stitch.
it
For
this reason
was thought advisable
add some directions

stuflf,
as to the choice
of stuff,
and
the kind of cotton and the colours best suited to the
the adaptation of the pattern to the re-
quired size, and finally a description of various kinds of embroidery-stitches.
STUFFS.
'
'
Most of the old

done merely
Italian
and Persian embroidery
is
done on very
fine linen.
Such
fine
work
as
this requires
more time and
patience than people in thse days are as a rule able to give to
work
the
that
is
for pleasure or pastime.
To meet
the prsent needs therefore, besides the fine
linens, stuffs with stout
round
distinct threads that can be easily
counted are
now made.
On
Cuba, Ceylon and Batavia Linens the Cross-stitch

Russian Linen, Twisted
will be
it
large
and coarse, on the Linen-canvas,

and
fine.
Tammy, and Rhodes Linen
will be small

Besides thse there are any
plush,
ail
number
of fancy-materials, not to mention cloth, satin, velvet and
available for cross-stitch embroidery.
Most of the
linens are either white, unbleached
(')
or cream-coloured
;
{').
Ail three
make good
to look
grounds, but the coloured cottons look softest on the cream-coloured hard and violent, and on the unbleached dull and faded.
on white they are apt
COTTONS AND COLOURS.

The
choice of the cottons and the colours
its
is
quite as important
as that
of the stuff.
Before
beginning a pice of embroidery
intended use and ultimate setting, as well as the colour of the
grounding should be considered.

If the stuff selected
be coarse, a coarse cotton should be chosen, such as Knitting cotton (Coton

(,')
tricoter
D.M.C) N'
6, 8, lo, 12, 14
fils
which
is
good substitute
(*)
for wool, or else Six-cord crochet
cotton (Cordonnet 6
stitch as silk-twist.
D.M.C) N"^
3, 4, 5,
10 and i5
which gives quite
as fuU
and
brillant a
For the
finer stuffs, finer cotton

(')
should be used, such as Embroidery cotton
(Coton broder D.M.C) N"' 16 to 200
or Lace-thread (Fil dentelle
D.M.C) N"" 3o
to
it
i5o
().
Darning cotton (Coton

split or
repriser
D.M.C) N 25 can
also be used, as like the Algerian siik,
can be
is
doubled to
suit the material.
When
the kind of cotton has been decided upon, the colour
next to be considered.
Red
is
is
without doubt the most durable.

red, very
little
Almost
ail
the old embroidery
that has been preserved
in
in blue,
less still in
yellow or black.
This lack of
variety in the colours cannot be ascribed to
want
of taste or to ignorance of the laws of colour, but
simply to the
the secret of
fact that in
those days so few fast dyes had been discovered.
In the prsent century

lost,
how
to obtain perfectly fast dyes even in thse
few colours was temporarily
and
probably on that account this kind of coloured embroidery on linen went out of favour for a time.
When
best.
the taste for

ail
it
revived, the
demand
for cottons that
would not fade
in the
washing created
supply of
kinds, but as regards both quality and dye the
D.M.C
cottons are undoubtedly the
They
are to be
had
in
36o diffrent colours and shades, including the brightest and the gayest,
for imitating the old embroideries.
as well as the
most subdued and faded

that are
left
For patterns
blank and outlined by the grounding, for patterns in stripes, and for
those which do not look well worked in several colours, the
mdium
shades only should be used,
such as Bleu-Indigo 32oor322, Rouge-Cardinal 347, Brun-Caroubier 356, Jaune-Rouille 364, GrisTilleul 393,
and so
forth.
Thus one colour only should be used

210, 227, 240, 242, 243, 244.
for patterns N^ 7, 8, 9, i3 to 24, 28 to 33,
46 to 5i, 80,
81, 83, 84, 85, 87, 88, 89, 91, 92, 143, 144, 145, i52, i58, 191, 197, 207, 208, 212, 2i3, 216, 217,
When
on the contrary a pattern
is
to be
worked
in
two colours
in contrast to
each other, as
for instance blue
and red, blue and brown, brown and yellow, two shades which hve the same
;
value of tone in each scale of colour should be taken
for example Bleu de France 339 with RougeBrun-Caroubier Gris-Tilleul Cardinal 347, 356 with 393, or Violet-Mauve 375 with Jaune vieil-Or 680, and so on.
(')
Unbleached answers
to Gris-Ficelle
N 462 on the colour chart D.M.C.

()
()
Cream-coloured answers
to
Gris-Amadou
N" 386 on the colour chart D.M.C.
{')
()
()
See
p.
18 the table of the sizes of the
D.M.C
cottons.
The deepest shade

two
diffrent colours
:
of a colour combines very well with the lightest, and produces the effect of
thus Rouge-Grenat 358 and 335 will be found to liarmonise well together,
etc.
Jaune-Rouille 363 and 366, Gris-Noisette 420 and 423, Vert-Mousse 468 and 472,
Quite a peculiar
colour.
frst
effect is
obtained by working a pattern in 4 or
graduated shades of the same
Take
for instance the border
four rows in
N 241, Plate 29, and 5 shades of one colour, and work the the darkest shade, and so on with the second, third, fourth and ffth shades; the
effect will
be found to be very soft and harmonious,
much more
so than
if
a single
shade of one
colour, or several diffrent colours combined, were used.
By varying the stuff, the stitch, the grounding and the distribution of the colours, one and the same pattern is capable of many diffrent treatments, in proof of which 100 ways of working out
pattern N^ 129, Plate 9, are appended to this treatise.
GENERAL DIRECTIONS.
Before beginning a pice of embroidery of any importance
it
is
advisable
to lay
in a
larger
stock of cotton than you are likely even to require to avoid the danger of running short, and having
either to leave the
work unfnished
or finish
it
with cotton that does not exactly match, there

at diffrent times, or, as
being generally a slight diffrence of shade between cottons bought

easily
may
happen, considering the large number of colours
(*),
the buyer or seller
may
mistake the
number.
In order to ascertain that the colour
is
fast,
loosen the skeins, pour boiling water over them
and leave them
in the
water for about a quarter of an hour, then soap and rub them gently with
the hand from end to end, and rinse
them out thoroughly
in several
changes of cold water until the
water remains perfectly clear, when they should be squeezed and dried without exposure to the sun.
In the case of the fast dyes(^) the washing only removes the supertluous colouring matter which
the fibres were not able to absorb, and does not in the least affect the beauty of the colour.
Should
colour run
is
a pice of
in the frst
work happen
washing,
ail
to
hve been donc with cottons not previously washed, and the
is
that
necessary to restore the stuff to
its
original freshness
to rinse
it
out thoroughly in several changes of luke-warm water.
The D.M.C colour-chart numbers 36o shades, half of them fast. See the list of colours p. ig. The colours whose numbers begin with 3 and 4 are the fastest. By fast is meant Cottons that will stand repeated ordinary washing. The only really permanent ones, unafl'ected by any chemical agency whatever, are those which are underlined
(')
{')
in the
colour-chart
amongst thse black
will be
found
to be absolutely indestructible.

Stuffs,
PREPARATORY WORK.
the
threads
of
If
moreover, there
are
if
which cannot be counted,

and which hve to be covered
corners to be worked, or
a
pattern has to be rever-
with
canvas
or
some
sed in the angle of a pice

of embroidery,it isadvisable
to trace a
other auxiUary fabric, to facihtate the counting of the

stitches,
diagonal line, as
the
should be mounted
well,
from
corner to
on an embroider3^frame.
To
the centre.
do this take the middle of

the pice
of stuff
The number
in a pattern
of stitches
and the
seldom corres-
middle of the webbing of

the
ponds with the number contained in the pice of stuff
frame,
and pin them

stuff
together,
stretch the
^
-^
to be
embroidered so that
equally, right
and
left
and
Fig.
i.
patterns hve frequently to
sew
it
firmly (overcasting)
of the frame
to the
webbing
Marking out of the stitches to facilitate THE WORKING OUT OF THE PATTERN.
be reduced, eut, or length-
ened as the case
may
be,
and fasten the other

side in the
and straight lines converted

into
same way.
broken
Before sewing the
ones and so forth.
canvas on to the
stuff,
Thse
altrations,
sodifficult
mark
it
out with a
sometimes
coloured thread into

spaces of ten threads
each, along two sides
at least, in the length
^^^
as to
need the help of
a designer, are greatly

facilitated
by the use
of
unframed looking-
and breadth.
the
Count
of
stit-
^^
glasses, called Pn-
number
them
lope mirrors,
which
as
ches both ways, divide

in
carefuUy
placed,
two
FiG. 2. Conversion of a pattern for a stripe into a square
shown
duce
sults.
If
in Fig. i, pro-
and
starting, in both
PATTERN BY THE AID OF TWO MIRRORS.
wonderful
re-
cases from the middle

stitch, trace
two
lines,
you wish
to use
one horizontal, the other

vertical, right across the
only one part of a pattern, or to
magnify
it
it,
canvas.
The
point
of
or to adapt
to a centre
intersection will dter-
or a corner, you place

the mirror, in the
first
mine the
centre.
This
frame-work or
scale of
two cases,
diagonally
in a straight
nieasurement will greatly facilitate the
line, or in the latter case
working
across
the
out of the pattern and
pattern at the point from
should on
no account
which
it
is
to be either
be puUed out until half

the pattern at least be
finished.
3.
repeated
or
will
reversed,
and
Conversion of a narrow stripe into a grounding See pattern N" i8o of the album.
3'ôu
hve
it
reflected
in the
mirror
as
ed.
it is
to be
work-
The mirrors
further
will
be
found
To compose
square you
use
useful in the case
must
ofpatterns that are

either too wide or
two mirrors,
joiningthem where
the diagonal lines
too
narrow
and
hve to be either
meet, and you hve
made narrower
as the case
or
your
square
as
doubied ortrebled,
seen in Fig.
2.
may
be.
Ail parts of
Fig' 3
and 4 show
N"'
pattern are not e-
pattern
189
qually suitable for

rptition
will hve
and
197
repeated
and you
to
three times, in the

latter case
it
pick
best
will
out the part
be
observed
that
adapted for forming

a
the small tree-bor-
centre
or
Conversion of a narrow stripe into a wide strire. The INNER SUBJECT IS TRIPLED, THE OUTER BORDER IS DOUBLED. SeE pattern N 197 OF THE ALBUM.
der
is
only repeat-
corners.
Fig. 4.
ed once.
STTCHES.
Cross-stitch on auxiliary canvas.
Plain cross-stitch,
led
commonly
cal-
beneath, and a sufficient margin

to facilitate the
left
marking
stitch, is so familiar to
it
it
drawing out
of the
every one that

less to describe
seems almost needhre.
threads of the canvas

is
when
the
work
form-
Yet
it is
as
finished.
well to observe that, where an auxiliary material is used,

it
Gare should also be taken
in
should be
Fig.
5.
ing the stitch to pass the needle in

Cross-stitch on
most carefully tacked following the Une of the thread to the stuff
and draw
first
it
out at the point where
it
auxiliary canvas.
pierces a hole in the stuff.
Two-sided
cross-stitch,
worked
(Fig' 6 to 8.)
in four
rows of
stitches.
Straight rows of cross-stitch, alike on both

sides, can be
the proper place for the
first
cross-stitch. Directit
worked
left
in
two journeys
,
to
and
fro.
ing your needle to the right, you pass

nally across
diago-
Working from
to right
and beginning by
four threads of the canvas, (four

is,
fasteningyourthread,notwithaknot, butbymaking two or three

direction of the
little
threads, that
counted each way upwards from

of,
stitches in the stuff in the

stitch,
the hole your needle cornes out

tally to the hole
and horizonit
first
you bring
it
out at
where you
insert
again) then
inthe same
way underfour
threads and so on, as
right to left,
which compltes the
stitches
begun
shown in Fig. 6, to the end of your row. Having corne to the last stitch, you bring the
thread back to the middle of the same, and drawing
it
by the
first
row. After making the
last stitch
you
again bring the thread back to the right, and start
on your second journey from
left to right, filling

left
out there you
make an
auxiliary diagonal
up with half-crosses the empty spaces

nMBSnaEaBEnBTaHa
by the
'&wfis&ipr+m^^^^ l#fm-R=!Hl:
'l-f:i4l4'l=fl4lH
ffiiS
"-!li'i_Lli|J-'i_L'l_'l_l l_i|
-'-
I-'
_
FjG. 7.
F'iG. 6.
First half of the first journey and auxiliary STITCH FOR RETURNING.
One journey and
first half of the second finished. Auxiliary stitch for the second return.
stitch
downwards
in the
to the
two
In
first
rows of
stitches.
right, bring
your needle
middle
the
auxiliary
stitch
up again
of the
with which you begin the
last
stitch,
it
and
upililJLllLl:
.liJiiiii
second journey back, the

thread will be double on
Fig. 8.
thence, carrying
wards
to the
left
across
both sides. Fig. 8 shows

row
two threads, you begin

the return-journey, from
The two journeys to and
fro, completing one
how you
pass to the next
OF cross-stitch, both sides alike.
row beneath.
Two-sided marking- stitch.

(F]g= 9
and
10.)
The above manner

alike
of
working cross-stitch
gun
cond
ed,
at
B and
the position of the needle for a se;
on both sides
is
not applicable either to
stitch to the right
D, one cross-stitch finish-
letters,
or patterns in broken lines, consisting Fig' 9 and 10
and another begun immediately beneath A.
chiefly of isolated stitches.
show
Letter E, Fig. 10, shows
how
to
make
stitches
how
to
form the
stitches in embroi-
[d J ' rJ-^Âp^^h^^^
,^
^-'l-V4
to the left; F, an
auxiliary stitch to
dery of this kind.

Letter A,
Fig.
t#:gbMgptt^^tap|fc
MJ
ppfppfe^^W
uii-iQpi-iipppTZ!
ittLiiry^L
'
the right
liary
G, auxi
be-
stitches
shows the
duction
of
intro-
or'*^
1;
tween two isolated

D
in
the
B
Fig. 9. Various positions of the
G
needle
marking.
cross-stitches
and
thread and the position of the needle
H, a second and
last auxiliary stitch
for the first
and
lBlMffl!3?J5pSi7!!Sifl=nll
se-
PlÛpIppSjdJlj^^yididl^pIlpp
|g!pLK'=''=''=''-''=''='=''-'--''-'-''-^
laf
lddddP
to
complte
the
cond
the
stitches-,
B,
stit-
cross.
It
is
first
two
|p||i|
only
by
be-
ches as corapleted,
iplpl
practise
and care-
with an auxihary
stitch to the right,
feMSidHsfeSSSSSlb^
E
Fig.
10.
ful calculation,
F
Various positions
oi'
G
the needle
in
H
marking.
forebeginningeach
cross-stitch,
that
the
thread
as
it
should come out on the right, and the position of

the needle for the
cross
;
this
stuff
two-sided marking can be done without the

being disfigured by unnecessary auxiliary
fifth stitch
that compltes the
G shows
the completion of the stitch be-
stitches.
Cross-stitch forming a square at the back.

(Fig^
1
1
and
12).
We
find
many
beautiful alphabets in the old

in
cross-stitch
on the right
side,
and the second

as
samplers worked
a cross-stitch
that forms a
It
is
side of the square on the wrong,
shown
in
square or check on the reverse side.

difficult to
not
Fig. 12, letter A.

cross-stitch
Letter B, Fig.
11,
shows the
do and each cross-stitch

is
is
completed
finished,
and the position of the

seen in
before the next
begun.
If
you follow care-
needle for the third side of the square at the back,

as
fully the course of
Fig.
the
stitches
and
1
12, B. Letter C,
in
compare Fig^
and
12,
both Fig=
12,
whichrethe
presenting
two
sides,
you
soon master the

secret of this
FiG. II.
way
ofmarking. Letter
A, Fig.
the
of
1,
shows
introduction
the
thread,
and the position

of the needle for
forming half the
Fig. 12.
ABC ABC
'fp^
and
shows
on
a
is
stitch
which
double
D
right
at the
the
Right side of the cross-stitch showing a square at the back.
side,
and
back com-
pltes the fourth side of the square,
whilst
letter
D,
also in both
Fig%
to
shows
D
pass
how
on
to
the
Square stitch forming the back of the cross-stitch.
next stitch.
Two-sided
Italian stitch.
(Fig^ i3 to 16).
The
alike
Italian stitch
consists of cross-stitches
right to
left,
for the first stitch
F'ig. 14,
the posi-
on both
sides, separated
from each other by
tion of the needle
from
left to
right to
form the
horizontal
tical
and ver-
stitches.
The
^pigm
rJft
cross at the back and the vertical stitch
to the
left
at the
iJdEbidbdBdsdsi
l'i. Introduction ok the thread and position of the needle for the first stitch.
rlKMiTjJtfj
oI'-
iHifflUii
Fig.
i().
Hi^
Return
whlch completes
cross-stitch.
tuf.
Fig.
Fig. 14. Position
journ'f.v
Fig. i5.
the needle for tue 2. and ?. stitches.
Position of the needle for 4. and 5. STITCHES.
tiii;
upper and underneath
stitches
must
in
ail
lean the
right side; Fig. i5, the

for
position of the needle

stitch,
_\-ou
same way
as in plain cross-stitch.
is
making the lower horizontal two-sided

the bottom
of
The
to
Italian stitch
fro.
worked
one journey
at
the
cross,
ili.
after
which
i(>,
and
Fig. i3
shows the introduction of
proceed as shown
in Fig.
Fig.
cxplains
the thread and the position of the needle, from
the return-journey completing the double-crosses
10
and
the lines between.

first
The
horizontal
filled in
lines
before passing ted in Fig. i6.

stitch, if the
it
under the
vertical stitch indica-
omitted on the
journey are
a final
on the
the
bot-
On
the thinner kinds of stuff this
way
tom
back.
To make
left to
row you pass

and under the
thread be tightly drawn in the wor-
needle from
right over
king, produces a transparent effect
which
is
ex-
threads, beginning at the last cross-stitch,
ceedingly pretty.
Two-sided Slavonic or Montngrin

(Fig' 17 to 19).
Stitch.
The Slavonic
of E. Europe,
tribes of the southern countries
(in
height and
breadth),
of the material, then

left,
and especially the inhabitants of

for the
bringing your needle
back from right to

it
Montngro, hve a great prdilection

stitch represented in Fig.
ig,
underneath four threads, you draw

carrying
insert
it it
out and
and which,
as far
over the
first
long slanting stitch, you

right underneath the
as
we know,
It is
has not yet been described in any
again from
left to
book on needlework.
com-
ffl^î^^^
firstfourthreads
of the canvas.
posed of crossstitches, separa-
Thse
stitches
four
finish-
ted
as
in
the
ed,
you
to
pass
fifth
Italian stitch
just
we
LHLfJ
on
the
described,
and
tical
sixth, (ver-
by
vertical stit-
A
Fig. 17.
ones, back
front)
Fig.
18.
ches,
the
but hre
cross -stit-
I., 2., 3., 4. and 5. stitches AND TRANSVERSAL STITCH.
Back of the stitches.
and
letter
see
B, which
ches are
side, over
worked on the
right
cross the
first
four, after
at
which
first
two oblique threads,

back prsents only
Fig. 19. Stitches finished.
you
begin
again
the
whilst the
stitch.
ordinary cross-stitches with vertical stitches
The
this kind of
threads forming the
stit
al-
between.
ches on the
wrong
side are
Coarse cotton should be used for
ways opposed
to each other, the resuit
being that
left,
embroidery
it
produces a richer
effect,
covers the
one cross leans to the right, the other to the

as seen in Fig. 18.
threads of the stuff better, as also the underneath

stitch,
which
in the Slavonic
embroideriesiscom-
The
is
regular change
of inclination
of
the
pletely hidden
by the cross-stitches.
threads, counted a fault in the plain cross-stitch,

17,
You
begin, as
shown
in letter
A, Fig.
by
a merit in this stitch, giving as
it
does a par-
one long slanting
stitch across
4 and 8 threads,
ticular
charm
to the reverse side.
Greek
The
the
stitch,
Stitch.
needle back from right to
tical
left
known by
and
this
name,
differs
from
underneath the verfirst stitch,
common
it.
cross-stitch in the oblique inclinain the
threads counted for the
carry
to
it
tion of the threads
manner
of begin-
downwards, and then from
right to
left,
ning
distance of four threads beyond the
first
stitch.
Instead of taking on your needle
the
two
threads that follow the
first stitch,
you bring the
The next stitch is like the first. You can join each succeeding row
to the fore-
going one,
either
by the short
BMIlfflPlSBRHpflfflRflRflffllli
lljiTii-Aiiiiiiiiai-f^-'iiiiii
we
usually find the short stitches
or by the long stitches; but one
niade to encounter the lon ones.
way must be followed throughout. In many Slavonic districts

this stitch is
Coarse cotton should be used,

for this stitch,
and
for the
is
Monif
used for the dcoraFiG. 20.
tngrin, as the effect

Greek Stitch.
poor
tion of linen garments, and there
the stuff be not well covered.
Plaited Algerian Stitch.

This
stitch is of the
samc
geits
^^^jUJ^^^^p^pp
ir|l|l|l{lf J|l|l|^J^l{^^
of vertical
threads.
For
this
nus as the preceding one,
stitch likewise coarse cotton is
distinguishing characteristic be-
l^ffl^^^^^^^^Pttl^^W^
.
to
be preferred and the rows
ing
that
you
never
advance
at a time,
^Jj^^^^^^^^pf^HH
|]îri^^p^^^^^^]^^^^Mi
may
touch each other, either
at
more than one thread

so that
it is
the top or at the bottom of the

stitch,
best to begin your
AWjfi^^^
f,g. 2..
but the same system must
rows with an uneven number
Plmted Algerian
St.tch.
be followed throughout.
Two-sided Plaited Spanish

(Fig' 22
Stitch.
and
23).
This
effective
stitch has the
advantage of being very

It is
itselfconsists ofslanting stitches, 3 threads apart,

alike
and very quickly done.

can be worked
worked
in
on both
sides,
and
it
advances three threads
two rows forward and backward.

stitch patterns
AU
the cross-
at a time, as
shown
in Fig' 22
and
23.
We
find
in
the Spanish
the
same kind
of stitch, alike on both sides,

JnUzrpLga
em-
stitch.Thespaces
left
ployed in certain
lp3ip3EEpL
by the
stitches
filled
ll_!Lil|JL|^
'i|J_|J_:|_L|_L;,
oriental
,
long
carpets
only
must be
in
the threads are
with shorter
much
than
in
FlG. 2
FiG. 2?.
doser
the
ones.
The
stitch
Second row.
Spanish
stitch.
Two-sided Line-Stitch.
(Fig" 24
and
25).
The
stitch,
four-sided
the
are
of
the
same
yct
a
Holthe
Lil
il
I I
genus and easy of

excution,
il
II
I
bein- Stitch,
two-sided
stitch,
strokeset-
novice to the kind

of
and the
work
to
will
re-
ting-stitch, are ail
quire a
little
prac-
worked upon the
rh
|]iT|mfI|T|^^^
l'IG.
tise
master the
stit-
same
principles.
ail
course of the
FiG.
Although ^
two-sided
thse
24.
ches.
25.
stitches
Forward row.
Backward row.
Fig. 24cxplains
12
work
of this kind, to begin
how
the needle passes alternately, step by step,
by studying the course
over and under the threads of the stuff; Fig. 25,
the thread should take, so as to avoid double or

slanting stitches on the
shows how the threads
first left
blank on both
wrong
side.
When
you
sides are covered in returning.
pass obliquely across the stuff, as you hve to

is
The
great difficulty in the line-stitch

first
so to
do
in patterns
N^ 82, 96, i53, 232, 233, 237,
place your
stitches as to insure
It
is
an unbro-
240 and 243, you take the same course as in

covering the straight threads of a fabric.
ken course back.
best on
undertaking a
Triangular Turkish Stitch,

(Fig^ 26 to 29).
Amongst
is
the
many
pretty stitches for
which
cal threads, insert the
needle behind them, and

vertical
it
the Turkish embroideries are distinguished,there
backwards under the two

upper
and the two

once more
the
one
in particular,
is
which, though apparently

extremely easy of excution.
horizontal threads, bringing

vertical stitch
out again at the

it
puzzling,
in reality
and inserting
Itresembles
the line-stitch
immmE BfflBrJ
nnQjaBa
oidbdqp^^
||ijlj||iJJT^^^
upon
the
.
straight
^tiMi^M
at
lower
;
vertical stitch
pass
the
it
under
threads,
i_
_
only
1
.
^ Orientais
work
diagonal
torWltt
Lll
same and
to
illillJXQOJdSH
out
begin
generally
it
again with the

back-stitch up-
in
Unes, each row

requiring two
wards.
Four
every
threads should
journeystoand
fro to
ikffimmifflmfflB
'HxMtiflflTif^^^^
FiG. 26. First journey to and fro, for-
meet
in
complte
Fig. 27.
it.At first start-
MING A HALF
ROW
OF STITCHES.
Two journeys two and fro, forming the complete row.

raa^BPSpi
hole the needle
makes. Fig.
ing,toworkout
Fig.
27 exhibitstwo
|HNrlîflfl^l-^l]^lfl-|l|l^l-[:1fpf;ifl
26
carry
first
such rows
stitches
of
the needle
work-
over, then un-
ed in two colours that are a
derneath
two
jaSEEESEEEHl
Fig. 28.
FiG. 29. First journey to
threads in dia-
good contrast
and fro and
ail
gonal line, and

so
cross-stitch-
on to
the
end ofthe row.
First half of the first journey for the triangular turklsh stitch.
FIRST HALF OF THE SECOND COMPLETED.
ThE
patterns can be
second RETURN
in
COURSE OF EXECUTION.
worked
in this
Corning back, you pass
the
needle
under
way, but
in straight not diagonal
rows of stitches.
the stuff and the stitch, on the right side, and
out at the bottom of the stitch

a back-stitch over
then you make two horizontal and two verti;
The darker shade in Fig 29. shows the first row of stitches, the lighter, the second, or rather
the
3*^
and
4^^, as
four rows of stitches are re-
cal threads, lay the
thread across the two verti-
quired to make one row of cross-stitch.

Smyrna
Stitch
i3
worked with
(Fig= 3o to 33).
crochet-needle.
Should
an}^
of
_iilLi
hook, seize the ends

ot
the patterns in this
the
it
cotton
and
album be chosen
the
for
draw
through the
is
making of a
car-
loop which
on the
pet or
mat they can

a
needle, as indicated
be
worked with
needle
a
by the
little
arrow
in
crochet
.
in-
Fig. 3i.
The
be
tassels
stead of
needle.
Take
a very coarse
aaaitwc
^m.
FiG. 3o. Introduction of the LENGTHS OF THREAD BY MEANS OF THE CROCHET-NEEDLE.
iiLiidI &OE
''-
Il"-II ri
should
two or
three threads apart.
cotton, for instance
6,
8, or
10 of
Fig. 3i.
As each rowis finished, you comb the

ends of the tassels
carefuUy out with a
fine
Knitting cotton (Coton tricoterD. M. C)

eut
it
KnOTTING of THE THREADS.
into lengths
mtal comb.
of 8
cm., fold
to-
Whenthe whole
iimuuniyLiiJLiJL
is
two lengths
gether in
finished
you
half,
shear the entire

surface
pair
for each tassel,

stick the crdchet-
with
of
sharp
needle
in
up-
scissors. Fig. 33
wards
under
shows
of the
a square
two threads of
the canvas, take
work com-
pleted, presentf""^-
hold of the loop
32.
FiG. 33.
ApPEARANCE of the WORK
The knots are seen from beneath.
ing
that
warm
WHEN
FINISHED.
With the hook,

see Fig. 3o, and
velvety appear-
draw
it
in; then
push out the
ance which distinguishes the Smyrna carpets.
Chain-Stitch.
Generally
stitch
is
speaking, this
for the
Many-coloured
gain
patterns
only used
immensely
in
by
stitch
being
,
ornamentation of under-linen
or
worked
this
the
small articles
,
of
fancy-
colours blend better and even

the shapc of the stitch contributes to soften a contrast
work
but
it
can
perfectly
well be cmployed in the re-
production
patterns. In
of
cross -stitch old collect-
of colours.
many
Chain-stitch
cannot
be
ions
we
meet
with
most
worked forwards and backwards as other

nor can
stitchcs can,
ail
original pices of needlework,
such as hangings and screens

with figure-subjects, executed
in chain-stitch.
FiG.. 34.
you
tinish
the
stitchcs that are to be in one

Chain-Stitch.
colour
first,
as
you generally
14
lower down.
can in cross-stitch work; you must begin every
The
loop formed by the
thread
row
separately,
and always from the same
side,
must remain under the point of the needle.
and you must hve a needle for every colour as

the cotton has often to be changed.
The
thread must not be

a
drawn
tightly,
as
it
The
stitch is
should form
round and rather loose loop. For
worked
as
foUows
after
fixing
your thread,
it
the second stitch

at
you must
thread
insert
your needle
out of
draw the needle out and

same hole and bring
it
insert
again at the
the
side of the
that
cornes
out again two threads
the loop.
Two-sided
Insertion
We
conclude
of the
needle for
this sries of stit-
the
'J3p
seventh
and
ches by the descrippEpa

tion of
the eighth; Fig. 38
an extreme-
shows
the
ninth
ly pretty insertion
and lower horizontal

FiG. 35.
FiG. 36.
4.
that can be used to
stitch
across
connect broad pati .
Fig
6.
37.
6 threads, as also
the
terns with narrow.
The
old
handsome
and 3. stitches. Position of the needle FOR THE 4.

2.
STITCHES FINISHED
stitch finished and
AND POSITION OF THE NEEDLE FOR THE 6.
position of the needle
return- stitch
3
for the
7.
and
8.
under
threads;
stitch
many-coloured
patterns
Fig.
39, the tenth
are ften intersected by a
finished,
to
and the next step and the

Fig. 40
band of stitching or open-
the
eleventh
sthches.
a
work
this
and
for
such
twelfth
insertion
supplies a
shows
Fig.
s.
row
of stitches
,
worthy and
stitute.
suitable subFiG. 39
i
completed and Fig. 41 the

back of the work which
prsents quite a diffrent
pattern from the right side.
Stitch finished and POSITION OFTHE NEEDLE FOR THE g. AND 10.
o.
stitch finished
Fig.
first
35.
explains
the
stitch
and the course
AND POSITION OF THE NEEDLE FOR THE I. AND 12.

I
of ,he second, from

left
to right, under-
^HftÛlffll^g
Thse insertions
can be worked on
neath three vertical
any
but
sort
of
stuff,
and three horizontal

threads, likewise the
third
left,
the
stitches
must be done both

ways on
Fig. 40.
stitch
to
the
number
which
is
over 6 threads,
position
of the
Row
of stitches finished.
of threads
divisible
and the
needle for the fourth stitch.

Fig' 36 and 37
i>t^H^fctaiJ3f
TTTTSSlirai
by
3.
Thus you
stitch to
may make your
show
fifth
the
fourth
stitch
completed,
^
iEDii yî
_,|-Jlp'
cover 6, 9 or 12 threads, but you will never succeed

if
the course of the
and
li li ijJd li li li Uj J_ li li i^ i il A! iJd J?^ Fig. 41. Back view of insertion fig. 40.
I
you attempt
it
over 8,
J.I
the sixth and the position
10 or 14.
of
Hundred
diffrent
ways
of
working one pattern
the
Album and
directions as to the materials, cottons

(Pattern
and colours
9).
to be used.
129, Sheet
ON TOILE D'ESPAGNE
over
2
(Spanish Linen) W I. Cross-stitch D.M.C (Lace thread) N 5o. Cross-stitch over 2 threads. Rouge-Turc 32 1. N 2. Coton broder D.M.C (Embroidery Cotton) N 40. RougeTurc 321 and Bleu-Indigo 3 12. One horizontal row of palms in blue, one in red. W" 3. Cross-stitch over 2 threads. Coton a broder D.M.C (Embroidery Cotton) N4o. Brun-Caroubier 3o3 and Rouge-Granium 352. Every diagonal row of palms in one colour. N 4. Cross-stitch over 2 threads. Coton broder D.M.C (Embroidery Cotton) N 40. Gris-Tilleul Sgi and 33o. N 5. Half cross-stitch over 3 threads. Coton repriser D.M.C (Darning Cotton) N 25. Violet-Mauve 376. N 6. Half cross-stitch over 3 threads. Coton repriser D.M.C (Darning Cotton). BrunHavane 456 and Bleu cendr 448, Or fin D.M.C pour la broderie (Washing Gold) N" 3o. You count from the top
:
threads. Fil dentelle
stroke-stitch. Coton broder D.M.C (Embroidery Cotton) N i6 for the palms, and Fil dentelle D.M.C (Lace thread) N" 70 for the grounding. Bleu cendr 448.
and
N 20.
Cross-stitch and Sand-stitch.
Coton repriser
D.M.C (Darning Cotton) N 25 for the palms in cross-stitch, and Fil dentelle D.M.C (Lace thread) N" 60 for the
grounding. Jaune-Rouille 363.
ON TOILE COLBERT,
Stroke-stitch over
2
Linen): W''2L and N" 22. Coton broder D.M.C (Embroidery Cotton) N" 16. Violet-Mauve 376 forN 21, Bronze N 23 Cross-stitch and stroke-stitch. dor 585 for N" 22. Coton broder D.M.C (Embroidery Cotton) N 16. BrunCachou 435 for the cross-stitch and Jaune-vieil-Or 680 for N 24. Cross-stitch. Coton broder the stroke stitch. D.M.C (Embroidery Cotton) N 16. Bleu-Indigo 334 and Jaune d'Or 667.
(Colbert
threads.
down-wards 8 horizontal rows of stitches in Brun-Havane, the five lower rows in washing gold the 4 stitches between the eighth and the twelfth row in Bleu cendr. ON GAZE DE LIN (Linen Gauze): N" 7. Two-sided crossstitch over 3 threads. Coton repriser D.M.C (Darning Cotton) N 25. Jaune-Rouille 365 and Or fin D.M.C pour la broderie (Washing gold) N 3o. The pattern left blank
;
ON TOILE RUSSE
(Russian Linen)
N 25.
Cross-stitch.
and outlined with gold. N 8. Cross-stitch and strokestitch over 3 threads. Coton broder D.M.C (Embroidery Cotton) N 25 and 100. Bleu-Indigo 322. The palms in cross-stitch in N" 25, the grounding in N 100. ON TOILE DE RHODES N (Rhodes Linen): N 9. Plaited Slavonic stitch over 2 threads. Cordonnet 6 fils D.M.C
i
(Six cord crochet-cotton) N

N 10.
20
Rouge-Granium
is
340.
Coton broder D.M.C (Embroidery Cotton) N 16. RougeGrenat 326 and 335, a dark and a Hght stitch alternately. N 26. Cross-stitch. Coton broder D.M.C (Embroidery Cotton) N 16, and Fil dentelle D.M.C (Lace thread) N" 80. Brun-Cachou 435. The palm with the Lace thread, N 27. Crossthe grounding with the Embroidery Cotton. stitch; Coton broder D.M.C (Embroidery Cotton) N 16. Vert mtallique 465 and 467. Four palms light and four N 28. Cross-stitch. Cordonnet 6 fils D.M.C dark green. (Six cord crochet cotton) N" i5. Rouge-Grenat 326 and Bleu-Indigo 3i2. One diagonal row of palms light and one dark blue.
ON TOILE BATAVIA
Bleu-Indigo
3 12.
(Batavian Linen)
N 29.
Point au pass
1
Plaited Slavonic stitch, the pattern

;
left
blank,
(Six
1
(Satin stitch) Soutache
outlined by the grounding
Cordonnet 6
fils
D.M.C
cord crochet cotton) N 20. Violet-Evque 451. M 1. Straight Gobelin stitch (*) over 3 threads Cordonnet 6 fils D.M.C (Six cord crochet-cotton) N 25. Rouge-Cor;
Rouge-Turc 32 and One horizontal row red and the next
D.M.C N"
2.
blue and so on. Soutache D.M.C N"
2.
N 30.
Point au pass (Satin-stitch)
nouille 449. N 12. Greek stitch over 3 threads. Coton broder D.M.C (Embroidery Cotton) N" 16. Rouge-Grenat 326. N TOILE ALGRIENNE (Algerian Linen) N" 13. Crossstitch and setting-stitch over 3 threads. Draw out every fourth thread of the material both ways, to make it more transparent. Coton broder D.M.C (Embroidery Cotton) N 16 and 40. N 16 for the cross-stitches in Jaune-Rouille 3o8, N 40 in white for the setting-stitch. W U. Triangular Turkish stitch, over 4 threads. Chin d'or D.M.C (Coloured gold) N" 3o; Rouge et or and Vert et or. The horizontal rows are alternately green and red. N (5. Triangular Turkish stitch. Chin d'or D.M.C (Coloured gold) N3o; Rouge et or and Vert et or. The pattern is left blank, outlined by the grounding. N 16. Draw out every fourth thread as in N i3. Cross-stitch and cut-work-stitch. Fil pointer D.M.C (Knotting Cotton) N" 3o, white for the palms and Fil dentelle D.M.C (Lace thread) N 60 white, for the cut-work.
:
Bleu-Indigo 3i2. N 3L HalfCrossstitch. Coton repriser D.M.C (Darning Cotton) N" 25.
Bleu-Indigo 334. M" 32. Half Cross-stitch. Coton repriser D.M.C (Darning Cotton) N" 25. Vert-Pistache 320. ON TOILE DES VOSGES (Vosges Linen) N 33. Point coup (Cut Work, Punto tirato). Fil dentelle D.M.C (Lace thread)
:
N 60. Rouge-Turc 32i for the little bars. Coton repriser D.M.C (Darning Cotton) N 80, white for the centre of the palms. N 34. Bar-stitch. Fil dentelle D.M.C (Lace
N 35. Cross-stitch on thread) N 60. Rouge-Grenat 326. auxiliary canvas N 3o. Coton broder D.M.C (Embroidery
Cotton N
tagliato).
35). Rouge-Turc 32 i. Cordonnet 6 fils D.M.C
36- Cut-stitch
(Punto
(Six cord crochet cotton)
N 5o. Bleu ple 668.
ON CANEVAS PNLOPE
N 37. Cross-stitch.
ON TOILE DE RHODES
stitch
N" 2 (Rhodes Linen): N 17. Crossand darning-stitch. Coton broder D.M.C (Embroidery Cotton) N 16 for the cross-stitch, and N" 40 for the darning stitch. Rouge-Cardinal 3o5. N 18. Cross-stitch. Coton broder D.M.C (Embroidery Cotton) N 16 for the palms, and Fil dentelle D.M.C (Lace thread) N 70 for the grounding. Rouge-Cardinal 346. N 19. Cross-siitch
and Vert-Mousse 46g for the grounding. N" 40. Cross-stitch. Coton tricoter D.M.C (Knitting Cotton) N" 14. RougeTurc 32 for one row of palms and Jaune-Rnuille 3oS for
r
(Pnlope Canevas) N" 5o or 60. Coton tricoter D.M.C (Knitting Cotton) N 14. Bleu cendr 448 for the grounding; Gris-Amadou Jaune d'Ocre 676 for the four stitches 329 for the palm N" 38. Crossbetween the eighth and the twelfth rows.' stitch, Coton tricoter D.M.C (Knitting Cotton) N" 14. Jaune-Rouille 364 Vert-Pistache 319 for the grounding for the palm and Rouge-Cardinal 347 for the four inside stitches. N" 39. Cross-stitch. Coton tricoter D.M.C (Knitting Cotton) N- 14. Rouge-Cornouille 449 for the palm
;
(*)
For the stitches not described
in this treatisc sec
Encyclopdia of \ecdlcu'ork'' by
Tii.
dic
Dii.i.mont.
i6
the next and so on alternately. Bleu-Indigo 3ii for the grounding. N 41. Minute-stitch and Cross-stitch. Coton tricoter D.M.C (Knitting Cotton) N" 16. Jaune d'Ocre 677 for the palm in minute-stitch and Brun-Caroubier 3o3 for
cross-stitch. N 42. Spanish plaited Coton repriser D.M.C (Darning Cotton) N 25. Rouge-Groseille 606 for the palm and Gris-Amadou 3o5 for the grounding. W 43. Chain-stitch. Coton tricoter D.M.C (Knitting Cotton") N 14. Rouge-Cardinal 346 and 3o5 for the palm Gris-Tilleul 33o for the grounding. N" 44. Oblique chain-stitch. Cordonnet 6 fils D.M.C (Six cord crochet cotton) N 10. Bleu ple 668 and Rouge-
(Knitting Cotton) N 8. Smyrna-stitch for the palms and cross-stitch for the grounding. Brun-Caroubier 3o3. ON TRICOT (Stocking net) N 67. Plain Knitting and Crossstitch. Fil pointer D.M.C (Knotting Cotton) N" 3o. BleuIndigo 3ii and Rouge-Granium 34g. The palms are to be knitted in the blue grounding in red. N 68. Plain knitting and cross-stitch. Fil pointer D.M.C (Knotting Cotton) N 3o. Brun-Havane 455 for the knitting and BrunCuir 325 for the palm in cross-stitch. ON CROCHET GROUND N" 69. Tunisian Crochet and Crossstitch. Coton tricoter D.M.C (Knitting Cotton) N" 8. White cotton for the crochet. Bleu-Indigo 334 ^^r the palms in cross-stitch. N 70. Tunisian crochet and cross-stitch. Coton tricoter D.M.C (Knitting Cotton) N 8. Bleu-Indigo 334 for the grounding and white for the palms. N 7L Tunisian Crochet. Fil pointer D.M.C (Knotting Cotton) N" 3o. Bleu-cendr 448 for the grounding and Jaune-vieilOr 679 for the palms which work in crochet. N 72. Tunisian Crochet. Fil pointer D.M.C (Knotting Cotton) N 36. Gris-Ficelle 461 for the grounding and Rouge-Turc 321 for the palms in cross-stitch. ON FILET (Net) N 73. For the net. Fil dentelle D.M.C (Lace thread) N 60. Rouge-Cardinal 347; Cordonnet 6 fils D.M.C (Six cord crochet Cotton) N 25. Jaune-vieil-Or 680 for the palms in point d'esprit. N 74. Fil dentelle D.M.C (Lace thread) N 60. Rouge-Cardinal 347 for the net Cordonnet 6 fils D.M.C (Six cord crochet cotton) N. 3o Bronze dor 588 for the palms in the Spider-stitch.
;
D.M.C
the grounding in
cross-stitch.
and
Granium 352
grounding.
for the palms, Jaune-vieil-Or
680 for the
ON CANEVAS UNI
stitch
canvas) W 45. Spanish plaited Coton repriser D.M.C (Darning Cotton) N 25. Rouge-Cardinal 347, Violet-Lie-de-Vin 873, Jaune-vieil-Or 680 for the palms, one slanting row in each colour, and Bronze dor 585 for the grounding. W 46. Oblique Gobelin-stitch over 3 threads. Coton repriser D.M.C (Darning Cotton) N" 25. Gris-Tilleul 33o for the palms, Vert-Mousse 468 for the grounding. N 47. Smyrna-stitch. Coton repriser D.M.C (Darning Cotton) N" 25. Rouge-Grenat 359 for the palms, Gris-Tilleul 33o for the inside stitches. Bronze dor 586 for the grounding. W 48. Star and cross-stitch. Coton tricoter D.M.C (Knitting Cotton) N 14. Rouge-Cornouille 450. Bleu-Indigo 3i and 322 for the palms worked in star-stitch in 3 colours alternately. Brun-Havane 458 for the grounding in cross(Plain
:
over
threads.
N 75. Fil dentelle
stitch.
the
net.
D.M.C (Lace thread) N 5o, white, for Cordonnet 6 fils D.M.C N 25. (Six cord crochet
ON CANEVAS FICELLE (Hemp
Montenegrinstitch. Coton tricoter D.M.C (Knitting Cotton) N 8. RougeTurc 321. N 50. Astrachan or plush-stitch. Coton tricoter D.M.C (Knitting Cotton) N 6. Rouge-Grenat 358. W 51. Plush-stitch (called also Cut-Smyrna-stitch). Coton tricoter D.M.C (Knitting Cotton) N 6. Rouge-Grenat 358. N 52. Plush-stitch. Coton tricoter D.M.C (Knitting Cotton) N" 6. Bronze dor 585 and Rouge-Turc 32i in
Canvas)
:
N 49.
Cotton) Ecru, for the palms in double point d'esprit. W 76. Fil dentelle D.M.C N 5o. white for the net. Or fin
D.M.C pour la broderie (Washing palms in cross-stitch.
gold)
N 3o for the
alternate horizontal Unes.
ON CANEVAS DE LIN
Tilleul 392.
(Flax Canvas)
N 53.
Star-stitch.
25.
Coton repriser D.M.C (Darning Cotton) N
Gris-
54.
Damask-stitch. Coton repriser D.M.C
(Darning Cotton) N 25. Gris-Tilleul 392. N 55. Long over 2 threads in width and 4 threads in height. Coton repriser D.M.C (Darning Cotton) N 25. Rouge-Cardinal 847. The pattern is left blank and outlined by the grounding. N 56 Long cross-stitch over 2 threads in width and 4 in height. Coton repriser D.M.C (Darning Cotton) N" 25. Rouge-Granium 35 1. ON CANEVAS FILET (Net Canvas): N 57. Darning-stitch. Coton broder D.M.C (Embroidery Cotton) N 25. BrunCaroubier 356. 58. Two-sided cross-stitch. Coton repriser D.M.C (Darning Cotton) N 25. Brun-Caroubier. The pattern is left blank outlined by the grounding. N 59. Cross-stitch. Coton repriser D.M.C (Darning-Cotton) N" 25. Rouge-Cornouille 449. The palm is embroidered. N 60. Two-sided Italian-stitch. Coton broder D.M.C (Embroidery Cotton) N 16. Brun-Caroubier 357. ON TOILE CEYLAN (Ceylon Linen) 6L Square or Holbein-stitch. Coton tricoter D.M.C (Knitting Cotton) N 12. Vert-de-Gris 474. N" 62. Square-stitch. Coton tricoter
cross-stitch
l\l
on auxiliary canvas Coton broder D.M.C (Embroidery cotton) N 16. Rouge-Turc 32i. Setting of the palms with Soutache D.M.C N" 2. N 78. Cross-stitch on auxiliary canvas (plain canvas N 3o) Coton broder D.M.C (Embroidery cotton) N 16; Rouge-Turc 32i. When the palms are finished the rows of stitches are to be edged with Soutache D.M.C N" 1V2. Vert-Mousse 470. ON ETAMINE MAILLE (Stitch-Tammy): W 79. Tuft-stitch. Coton repriser D.M.C (Darning cotton) N 25. VioletMauve 376, Jaune d'Ocre 676. One diagonal row in one colour and the other in the other and so on. N 80. Gobelin-stitch. Coton repriser D.M.C (Darning Cotton) N 25. Vert-de-Gris 474. The pattern is left blank and outlined by the grounding. ON ETAMINE CBLE (Twisted Tammy) N 81. Two-sided Bulgarian-stitch. Coton repriser D.M.C (Darning Cotton) N" 25. Rouge-Grenat 335. N 82. Castilian-stitch. Coton broder D.M.C (Embroidery Cotton) N" 25; Rouge-Cornouille 45o and Vert-Pistache 320. W 83. Athenian-stitch forming a square at the back. Fil dentelle D.M.C (Lace
(Piquet)
:
ON PIQU
N 77. Cross-stitch
;
(plain canvas N 3o)
thread) N 3o. Bleu-Indigo 322.
ON SATIN ANGLAIS (English

Satin Bleu-Indigo 322.
(Plain canvas N" 3o)
;
cotton-backed satin): N 84.
On
Cross-stitch on auxiliary canvas
l\l
12. Brun-Acajou 3oi. N" 63. and cross-stitch. Coton tricoter D.M.C (Knitting Cotton) N" 12. Bleu de France 338 and 341. The palm in 338 set with 841 N" 64. Cross-stitch and setting
D.M.C (Knitting Cotton) N"

Setting-stitch
Coton broder D.M.C (Embroidery Bleu ple 668. N 85. On Black satin. Cross-stitch on auxiliary canvas (Pnlope canvas N 60) ; Coton broder D.M.C (Embroidery Cotton) N" 3o. GrisCotton) N 3o.
Ficelle 462.
W 86.
On
violet satin 452.
Cross-stitch on
fin
auxiliary canvas. (Double twisted
Tammy) Or
Coton tricoter D.M.C (Knitting Cotton) N 12. Bleu de France 338 and 341. The pattern is left blank and outlined with Bleu 338. ON TOILE MATELAS (Java Linen) W 65. Chenille-stitch. Coton tricoter D.M.C (Knitting Cotton) N" 6. Brun-Caroubier 356 and Jaune-Rouille 364 for the palms. GrisCoutil 323 for the grounding. M" 66. Coton tricoter
stitch.
:
broderie (Washing gold) N 3o. N 87. On red satin 346. Star and setting-stitch on auxiliary canvas (Twisted-Tammy). The stitch is done on 3 threads; Coton broder D.M.C. (Embroidery Cotton) N 40. Bleu-Indigo
pour
la
D.M.C
334 for the palms in star-stitch and Jaune-Citron 307 for the setting of each star. N" 88. On black satin. Crossand setting-stitch on auxiliary canvas (Plain canvas N" 3o)
Coton broder D.M.C (Embroidery Cotton) N
25.
Rouge-

Grenat 326 for the palms in cross-stitch and Or fin D.M.C pour la broderie (Washing gold) N 40 for the outline in setting-stitch. N 89. On Red satin 32 1. Cross- and setting-stitch on auxiliary canvas (Linen gauze). The stitch is done on 2 threads. Coton broder D.M C (Embroidery Cotton) N" 35. Bronze dor 586 for the palms in cross-stitch and Noir 3 10 for the outlining in setting-stitch. N 90On Gold-coloured satin. Cross-stitch on atixillary canvas (Plain canvas N" 3o); Coton broder D.M.C (Embroidery cotton) N 16. Rouge-Cardinal 347. N 91- Olive-green satin 3g3. Holbein-stitch on auxiliary canvas (Plain canvas N" 3o). Coton broder D.M.C (Embroidery Cotton) N 20. Rouge-Grenat 359. N 92. On Ivory-white satin. Crossstitch on auxiliary canvas (Plain canvas N 3o). Coton broder D.M.C (Embroidery Cotton) N" 20. Bleu-Indigo 334 for the palms and Rouge-Cardinal 347 for the four inside stitches. N 93. On grey satin 393. Cross-stitch on auxiliary canvas (Double -tvsîsted Tammy) Ganse turque D.M.C (Turkish gold cord) N 12. N 94. On Blue satin 322. Minute-stitch on auxiliary canvas (Twisted-Tammy) Coton broder D.M.C (Embroidery Cotton) N 3o. Jaune-
17
vieil-Or 680
liary
95.
On Yellow
satin. Cross-stitch
;
on auxi-
canvas (Twisted-Tammy) Coton broder D.M.C (Embroidery Cotton) N" 3o. Bleu-Indigo 3 12. N 96. On white satin. Cross-stitch on auxiliary canvas. Coton broder D.M.C (Embroidery Cotton) N 35. Rouge-Turc 32i. ON SATIN DE SOIE (Silk-satin): N 97. Pium-coloured silksatin. Cross-stitch on auxiliary canvas (Twisted-Tanimy) Coton broder D.M.C (Embroidery Cotton) N 35. Vert-
'
Pistache 369.
(Cloth) W 98- Black cloth. Gobelin-stitch on auxicanvas (Double-twisted-Tammy). Cordonnet 6 fils D.M.C (Six cord crochet cotton) N 2 and N" 3o the first for stuffing, the second for the stitches. Jaune-vieil-Or 680 ON VELOURS (Velvet) N 99- On black velvet. Cross-stitch on auxiliary canvas (Twisted-Tammy). Cordonnet 6 fils D.M.C (Six cord crochet cotton) N i5. Gris-Cendre 40.
:
ON DRAP
liary
ON PELUCHE
(Plush):
100-
On
red plush.
Weaving
stitch
on auxiliary canvas (Double-twisted-Tammy). Cordonnet 6 fils D.M.C (Six cord crochet cotton) N i5 and Chin d'or D.M.C (Coloured gold) N 3o. The first thread Vert-Mousse 472, the second Bleu et or.
Table giving the length of lo
stitches of
embroidery on
stufs,
named
below, the threads of which can be counted.
NAMES OF THE STUFFS

Toile d'Espagne
Length of lo Stitches
(Spanish or Antique Linen)

(Algerian Linen)
10
12
92
Toile algrienne
84
62
61
Gaze de
Toile de
lin
(Linen Gauze)
i
.
16
i)
Rhodes N
Rhodes N
(Rhodes Linen N
(Colbert Linen)
16
18
Toile Colbert
57
Toile de
(Rhodes Linen N
,
2)
20
21
21
5o
Etamine cble
Toile Batavia Toile russe
(Twisted
Tammy)
5o
(Batavia n Linen)
48
43
41
(Russian Linen)
23
.
Canevas Pnlope N 60
Toile matelas
(Pnlope Canvas N 60)

(Java Linen)
,
24
26
28
37
Canevas de
lin
(Flax Canvas)
37
Etamine renforce Etamine maille

Canevas uni Canevas Pnlope N
Toile Ceylan
Toile
50.
(Double Twisted
(Stitch
Tammy)
28 28
34 36
35
Tammy)
. .
(Plain Canvas)
28 29
33
33
(Pnlope Canvas N 50) (Ceylon Linen)
34
o
1
Cuba
filet
(Cuba Linen)
(Net Canvas)
29
Canevas Canevas
42
24
23
ficelle
(Hemp Canvas)
Album
of Cross-stitch
43
i5
Pattern in the
Embroidery
7-
I-
67
Table of the Sizes of the
D-M-C
Cottons and the Widths of the Braids and Soutaches
Thse
r3
articles will
be found useful in the excution of every kind of fancy-work
cB
150
DMC
SO MET.
DMC
40 mtres.
FIL D'ALSACE
30 36 40 50 60 70 80 90
100
I
COTON A MARQUER COTON A BRODER

(Embroidery Cotton)
(Marking Cotton)
COTON A REPRISER
(Darning Cotton)
16
18
^ o
IJ
'^
10
P aj S _ 5-2 c <u^ M " c .id i:.SZ 2 c

r
120 130 140 150 160 180
E_ o s I :^î
.53
><
200 250 300 400 500 600 700

200
t" il
^ ~
20 22 25 30 35 40 45 50 55 60 65 70 75 80 90
100 120 150
COTON SPCIAL
pour
la
8
10
12
12
16
14
16
20 24 30 35 40 45 50 60 70 80 90
100 120 150
18
T3
20 25 30 35 40 45 50 60 70 80 90
100
200
broderie anglaise
DMC
FIL A
(Madeira Embroidery Cotton)
DENTELLE
(Lace Thread)
25 30 35
40 50 60
'
^ o o.N
COTON A BRODER SURFIN

(Embroidery Cotton for Monograms
QJ (U
COTON A TRICOTER
(Kniiting Cotton)
-oc
LACETS SUPERFINS D'ALSACE
(Braids)
40
50
o
and for Cambric)
60 70 80 90
100 120 150
OJ
jD_t.--
100 120 50
I
8
10
12
Width
in millimeters
I
14
16
l'A
l'A
OR FIN A BRODER
3o Mtres N 3o
18
200
OR FIN POUR LA BRODERIE
(Washing Gold)
20 25 30 35 40 50
l'A
2
2'/?
B-i
4
5
.S
.t:
'^
6
7
3>A
'Z.b
o
>H
20 30 40
-T3
8 9
^;
T3
i'A
I
'A
50 2o^ _ V o
13 TS T3 T3
10
12
6
7
" PU
ccn
CORDONNET
6 FILS
(Six-Cord Crochet cotton)
CHIN D'OR POUR LA BRODERIE

(Washing Coloured Gold)
a~ 3^ u ^ w
t-
14 16 18
9
10
T3 13 T3 T3 TJ
C C C C C
^3 l-.S
G M
SB
COTON A FEUTRER
(Felting Cotton)
OC
U
13
16 1
30
2
2 'A
~
I
C3
25
GANSE TURQUE
(Washing Turkish Gold Cord)
20 24 28 32
22
4
5
10
15
12
a-i^â
20
25 30
^CROCHET 4 FILS
(Four-cord Crochet Cotton)
DM
6
i"
40 50 60 70 80 90
100 120 150
lOi 15'
8
10 12
FIL A
SOUTACHE D.M.C
(Narrow Brald)
POINTER
14
16 18
N'
I
Width
in
millimeters
1
(Knotting Thread)
20.
200
30.
20 24 30 40
Z'^c
l'A
l'/s
2
2 'A
2
'/.
.-
Alphabetical
list
of the
names and the numbers
of the
360 shades contained
in the
D.M.C colour-chart, in any of which shades

etc.
the D.M.C Alsace Thread, Sewing and Embroidery Cottons, Knitting Gotton, Soutaches and Braids
Couleurs
Culoiu-s
are to be bad.
Clair Trs-clair
\cr.v
li,-l,t
Trs-fonc
Very dark
Fonc
Dnrk
Moyen
Mdium
Clair
Light
Trs- clair
Vcry
light
Couleurs
Coloiirs
Trs-fonc
Vory dark
Fonc
Dark
Moyen
Mdium
Bleu cendr Bleu de Ciel Bleu de FranceBleu-Indigo Bleu -Lapis Bleu-Marin Bleu-Outremer Bleu ple Bleu vert Bleu violac
448
515. 337336
516
-.
338311 333
517. 339.
312 343
518.. 340..
322
519341
334
-
342
505525-
506-. 682.526--. 674--. 586--.
507.. 683
527
344.. 508.668
345-.
509-
Jaune- Citron- - Jaune- Mas --Jaune d'Ocre-. Jaune- Orange-. Jaune- Rouille-. Jaune d'Or Jaune- vieil-Or
Lilas gris-
307
575
..576..
.445..577.. 676 --
363
364
679
443 308
446 578 677 444 365
579
366
-667-678--313
810
-
...
680
528
588.--
529
398
--314
328"
399
675 587
301
Noir grand Teint589-Noir-Jais Noir vert
681
--.
Bronze dorBrun- Acajou Brun -Cachou
585-.
300
473---
400
401
---
402437--
Rose-Eglantine.
570--
433660
354416430-615 -454 438
434-..
Brun -Cannelle Brun -Caroubier Brun Chamois Brun Cuir Brun feuille-morteBrun -Havane Brun -Loutre Brun -Marron Brun -Myrthe Brun -Puce
Gris- Acier Gris- Amadou
Gris- Bleu Gris- Bois GrisGris-
403
--
661 ... 355.. 417. 431 .. 616-455. 439.. 404..

.
435 662
.-. ...
303
324. 302. 617-456
440405 463
..
436--663--356--418--432--618-.457--441
664357419 325.. 619-. 458..
Rose
vif
565-
571. 566.. 306..

347
572-..
567361 304447-. 450-464351

-
573 568--
574 569
362
348
Rouge-Aurore
- .
Rouge-CardinalRouge-Corinthe -.
360 346
332-305.
Rouge-CornouiUe Rouge-Ecarlate
449
-
406 -"
442 407
-.
-.
Rouge-Granium Rouge-Grenat ---Rouge-Groseille
349-.
358
..
- -
605--
350359606--
352
309
353 609
326
335
607
666
-.
608-
459
650
--
Rouge-Turc
651 .. 383.591 -611..
409
321
-
329.
590
- -
--
Brun
Gris- Castor
610-408-645--
652-384 592-. 612.-
653-385-593-613 411
410
646..
317
647--
648-318
Cendre
413
--
414
--
Gris- Coutil Gris- Deuil
Gris de Fer
Gris-
387-655-600 --
Feutre
635520 -. 640 620 420 625-378-.

-
Gris- Ficelle
Gris Foin
Gris- Fume
388.. 656-601 -636.. 460.. 521 ..
323
657-602-637461
641"
621. 421 .. 626-. 379. 631.. 426.. 392. 596--
Gris neutre
Gris- -Noisette
Gris- Perle
Gris-
Plomb
Gris- -Poussire
Gris- Souris
630425391
Gris- Tilleul
Gris verdtre
595"
522-. 642.. 622.. 422.. 627.. 380.. 632.. 427. 393.. 597-.
389658-603 638-462523--
654386594614412649415390659604639
Rouge-Vermillon
Vert-Bronze Vert-Canard Vert-Corbeau Vert dor
Vert-de-gris

- -
669
545
670 -. 546581 474 556 501 .-561 ... 466.. 469... 536... 511 -367--452-.
671
547
672 548
583
673 549
665
580
-,
582
584
559 504 564
472
475
Vert-EmeraudeVert-Lierre Vert-Malachite Vert mtallique
555--500-.560-465
557 502
562 467
470
-
558 503 563

471 538 513 368
Vert-Mousse
- - - -
468
643
623423-628-381633-428-330
598--
524 644 624 424 629 382 634 429 331 599
Vert-Myrthe---Vert-Olive Vert -Pistache- --
535---
537--
539--
510 319
512
-.
320 453
514 369
Violet-Evque
----
Violet-Lie-de-vin-
Violet-Mauve Violet-de-Parme
Violet-Pense Violet-Prune Violet-Scabieuse
451 370--375--540--530---
371
...
315--
550-.
-
541 .-531 ... 551...

327
394---
372 376 542 532 552 395
373-316543
-
374 377
533553-.
396
544-534-554-397--
The
The above names only
colours whose
give an approximate idea of the colours. given by this table, and without rfrence to the colour-chart.
numbers begin with 3 or 4 are the fastest. As howewer the classification has been made with
"
great care, orders can safely be
The names marked or figure in the chart of 102 colours those marked figure only in the reduced chart of 54 colours appended below. It will be found safer to choose the numbers marked", or better still, those marked ""j as thse being in much greater request than the others, are more likely to be kept in stock.
336
346
347
31
312
322
348
321
334
333
360
358 326 309
335
343
668 448
MM. DoLLFus-MiEG &

for the
same by
10 francs.
letter,
C agents wijl forward post-free a colour-chart containing one hundred of the colours most in demand, to any person applying postage paid. The shades are taken from D.M.C's comp'lete colour-chart, a pretty little volume elegantly bound in morocco,
319 320
Price
'i
n.
1'^
ns^
IMPRIMERIE BRUSTLEIN & C"

Mulhouse
(AlsaceJ
JT
IJ'
ii;iiM^:v-
.ja
s g
JK^1

Album de Broderies 01

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Album de Broderies 01

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P^^^ S ^m

". a3a n aga

Maison Th. de Dillmont, dont

sont indiques ci-dessous, toutes

fournitures ncessaires pour excuter les ouvrages

l'Album de Broderies au Point de Croix,

couleurs et grosseurs^ aiguilles, crochets, miroirs, mtiers broder, etc., etc.

Envoi franco du tarif toute persomie qui en fera

All rights are reserved.

consists, for the

Encyclop.edia of Needlework, by Th. de Dillmomt.

55o pp., with about 900 woodcuts.

edges and case.

The above work

will be published in three languages.

Patrons de broderies de couleur excuter avec

cotons pour crochet,

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ynn aa y aa a aa a aa a aa aa y nnn nnnnn

y y y'A y y'A'A y 'A'A

y"\J ^'A'\'V'A'^ y'A'A'A'A'A'A'A'A'A

y'A'A sra 'A'A'A^y'A^A'A

y aaaaT non y ' no

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y-JA'A'A'A'A ' 'AA 'A'A'A'AA

ALBUM DE BRODERIES AU POINT DE CROIX

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Patrons de broderies de couleur excuter avec

cotons pour crochet,

DOLLFUS-MIEG & 0% MULHOUSE- BELFORT- PARIS

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