Bruno Maderna

SATYRICON
opéra
pour sept voix solistes, chœur mixte
& 18 instrumentistes

livret d'après Petrone

texte français, allemand et latin de Bruno Maderna
avec des extraits de la traduction anglaise du « Satyricon » par William Arrosmith
(New American Library, 1959)

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Salabert
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Bruno Maderna

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9 livret d'après Petrone
9 texte français, allemand et latin de Bruno Maderna
9 avec des extraits de la traduction anglaise du « Satyricon » par William Arrosmith
9 (New American Library; 1959)
9
9
9
9
9
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9 ÉDITIONS SALABERT
ï
 © 1974 Éditions SALABERT

Tous droits réservés p o u r tous pays

A ll rights reserved

é d itio n du 2 0 a o û t 20 1 8

EAS 17091

L e C o d e d e la p r o p r ié t é in t e ll e c t u e l le n 'a u t o r is a n t , a u x t e r m e s d e l'a r t ic le L 1 2 2 - 5 p a r a g r a p h e s 2 e t 3 , d ’u n e
p a r t , q u e « le s c o p ie s o u r e p r o d u c t io n s r é s e r v é e s à l’u s a g e p r iv é d u c o p i s t e e t n o n d e s t in é e s à u n e u t ilis a t io n
c o l le c t iv e » e t , d 'a u t r e p a r t , q u e « le s a n a l y s e s e t c o u r t e s c it a t io n s j u s t if ié e s p a r le c a r a c t è r e c r it i q u e , p o lé m iq u e ,
p é d a g o g iq u e , s c ie n t if iq u e o u d ’ in f o r m a t io n d e l'œ u v r e à la q u e lle e lle s s o n t i n c o r p o r é e s » , « t o u t e r e p r o d u c t io n
in t é g r a le o u p a r t ie lle f a i t e s a n s le c o n s e n t e m e n t d e l'a u t e u r o u d e s e s a y a n t s d r o it o u a y a n t s c a u s e e s t illic it e »
( a r t ic le L 1 2 2 - 4 ) . C e t t e r e p r o d u c t io n , p a r q u e lq u e p r o c é d é q u e c e s o it , c o n s t it u e r a it d o n c u n e c o n t r e f a ç o n
s a n c t i o n n é e p a r le s a r t ic le s 4 2 5 e t s u i v a n t s d u C o d e p é n a l.
 SATYRICON
opéra d'après Petrone
pour sept voix solistes, choeur mixte & 18 instrum entistes

Personnages - Protagonists:

S c in tilla ..................................................................... (colorature)............

C risid e.......................................................................... (soprano). . .

Habinnas...................................................................... (soprano). . .

Fortunata............................................................... (mezzo-soprano)

Trim alchio...................................................................... (ténor).. . .

Niceros......................................................................... (baryton).............. zzi

m

Eumolpus....................................................................... (basse)...............
m

C h œ u r....................................................... (les protagonistes de l'opéra)

N om enclature Instrumentation

Flûte (aussi Petite Flûte) Flute (also Piccolo)

Hautbois (aussi Cor anglais) Oboe (also English horn)
Clarinette en sb Clarinet in B?
Clarinette basse (aussi Clarinette en sb) Bass Clarinet (also Clarinet in By)
Basson Bassoon

Cor en fa French horn in F

Trompette en ut Trumpet in C
Trombone Trombone
Tuba Tuba

Piano (aussi Célesta) Piano (also Celesta)

Harpe Harp

2 Percussionistes : 2 Percussionnists
3 bongos, Cym bales suspendues (aigüe, m oyen, 3 bongos, Suspended Cym bals (high, m e d iu m , low),
grave), 3 Tum bas, Triangle, 2 Cencerros, Cym bales, 3 Tum bas, Triangle, 2 Cencerros, Cym bals, Bass d rum ,
Grosse Caisse, Claves, Caisse claire, Flexaton, M a rim b a Claves, Snare d ru m , Flexaton, M a rim b a

Violon 1 Violin 1
Violon 2 Violin 2
Alto Viola
Violoncelle Cello
Contrebasse Double bass

durée : 52 minutes environ duration: around 52 minutes

partition en ut score in C
 SATYRICON
de Bruno Maderna

Le concept de musique aléatoire est irrémédiablement lié au

Satyricon de Bruno Maderna, tant au niveau de Tordre d'enchaînement
des 21 numéros qu'au niveau du déroulement interne des numéros.
Toutefois, en 1973, après la création de 1972, le compositeur avait
proposé un ordre d'enchaînement que nous avons maintenu dans cette
édition.

L'œuvre, par sa rédaction (indications techniques et scéniques) et

par son livret est foncièrement polyglotte. Les langues utilisées sont
l'italien, le français, l'allemand, plus rarement le latin et très largement
l'anglais. Nous avons cru souhaitable de respecter le caractère idéale­
ment universel, clairement recherché par le compositeur.

Création :
le 16 mars 1972, au Nederlandse Operatichting d'Amsterdam.
Création de la version italienne de Fabio Testi :
le 25 mars 1974 à la Piccola Scala de Milan
 SATYRICON
livret d'après Petrone
texte français, allemand et latin de Bruno Maderna
avec des extraits de la traduction anglaise du « Satyricon » par William Arrosmith
(New American Library, 1959)

ORDRE DES NUMÉROS

(proposition de Bruno Maderna)

I. Introduction: Tape n° 1 .........................................................................................................................page 5

1° Scintilla.............................................................................................................................................................. 5
2° Niceros (perdu - lost) ...................................................................................................................................6
3° Criside................................................................................................................................................................ 6
II. Fortunata............................................................................................................................................................... 7
III. Trimalchio e le flatulenze..............................................................................................................................21
IV. Orchestral improvisation: Food machine....................................................................................................24
V. The money.......................................................................................................................................................... 25
VI. Tape n° 2 (Erotica)..............................................................................................................................................32
VII. Lady Lu ck............................................................................................................................................................. 33
VIII. Trimalchio e le flatulenze (reprise)................................................................................................................ 37
IX. Tape n° 3 (Awakening)...................................................................................................................................... 39
X. La matrona di Efeso .........................................................................................................................................40
XI. Tape n° 4 (Trimalchio and animals)..............................................................................................................65
XII. Carriera di Trimalchio...................................................................................................................................... 66
XII. 1° Criside - Love's ecstasy.............................................................................................................................86
2° Vierzhen Millionen (reprise)...................................................................................................................... 86
3° Love's ecstasy (quartet)..............................................................................................................................87
4° Vierzhen Millionen (exit)........................................................................................................................... 89
XIII. Fortunata e Eumolpus...................................................................................................................................... 90
XIV. Eumolpus fuga.................................................................................................................................................108
XV. Scintilla and Party re-enter........................................................................................................................ 113
XVI. Trimalchio contra Fortunata..................................................................................................................... 114
XVII. Trimalchio e le flatulenze (instrumental)..................................................................................................123
XVIII. Party returns (silent mime)...........................................................................................................................124
XIX. Trimalchio e il monumento.......................................................................................................................... 125
XX. Funeral march.................................................................................................................................................... 141
XXI. Tape n° 5 .............................................................................................................................................................146
SCÈNES INSTRUMENTS
FL Htb Cor a CI 1 CI 2 CIB Bn Cor Trp Trb Tb Pno Cel Hp Pere Mba VI 1 VI 2 Via Vie Cb
Tape n° 1
1.1 Scintilla X X X X
I.2 Niceros (perdu)
I.3 Criside X
II. Fortunata X X X X X X X X X X X X X X X X X
III. Trimalchio e le flatulenze X X X X X X
IV. Orchestral impro.: Food machine X X X X X X X X X X X X X X X X

Nomenclature scène par scène

V. The money X X X X X X X X X X X X X X
VI. Tape n° 2 (Erotica)
VII. Lady Luck X X X X X X
VIII. Trimalchio e le flatulenze (reprise) X X X X X X

SATYRICON
IX. Tape n° 3 (Awakening)
X. La matrona di Efeso X X X X X X X X X X X X X X X X X X
XI. Tape n° 4 (Trimalchio and animals)
XII. Carriera di Trimalchio X X X X X X X X X X X X X X X X X X
XII.1 Criside - Love's ecstasy X
XII.2 Vierzhen Millionen (reprise) X X X X X X X X X X X X X X
XII.3 Love's ecstasy (quartet) X X X
XII.4 Vierzhen Millionen (exit) X X X X X X X X X X X X X X
XIII. Fortunata e Eumolpus X X X X X X X X X X X X X
XIV. Eumolpus fuga X X X X X X
XV. Scintilla and party re-enter X X X X
XVI. Trimalchio contra Fortunata X X X X X X X X X X X X X X
XVII. Trimalchio e le flatulenze (instr.) X X X X X X
XVIII. Party returns (silent mime)
XIX. Trimalchio e il monumento Pie X X X X X X X X X X X X X X X X X X
XX. Funeral march Pie X X X X X X X X X X X X
XXI. Tape n° 5
 OUVRAGE PROTÉGÉ
Toute reproduction (photocopie,
n u m é risa tio n ...) m êm e p artielle
SATYRICON
SANS A U TO R ISA TIO N
con stitu e une contrefaçon

Bruno Maderna

Introduction
Tape n° 1 (17 minutes)
interrupted by:

1.1° - Scintilla
(la bande continue)

j. i n i

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: I*... \>» =

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vW lib itu m m itO b o e , C le r în e t t e n in B

© 1974 Éditions S alab ert Tous droits réservés

Paris, France p o u r tous pays
 Satyricon — I. 3° - Criside

I. 2° - Niceros
(Perdu - Lost)
(la bande continue)

I. 3° - Criside
(la bande continue)

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EAS 17091
Satyricon — Il - Fortunata 7

Il - Fortunata
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E A S 17091
8 Satyricon — Il - Fortunata

EAS 17091
Satyricon — Il - Fortunata

h'ork.
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EAS 17091
 Satyricon — Il - Fortunata

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EAS 17091
Satyricon — Il - Fortunata

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 Satyricon — Il - Fortunata

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EAS 17091
Satyricon — Il - Fortunata

F o rt.

EAS 17091
 Satyricon — Il - Fortunata

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EAS 17091
Satyricon — Il - Fortunata

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EAS 17091
 Satyricon — Il - Fortunata

50

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EAS 17091
Satyricon — Il - Fortunata 17

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 Satyricon — Il - Fortunata

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EAS 17091
Satyricon — Il - Fortunata

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EAS 17091
20 Satyricon — Il - Fortunata

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EAS 17091
 Satyricon — III - Trim alchio e le flatulenze 21

- Trimalchio e le flatulenze

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E A S 17091

»
 Satyricon — III - Trim alchio e le flatulenze

ZZ

(dramitico!)
I know o f some w ho'ye died £rom heù?&
T rini. I -too p o i i t e a n d h o ld in g ìiH r t

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molto rii Wpr. il - tem po

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EAS 17091
Satyricon — III - Trim alchio e le flatulenze 23

30

EAS 17091
 Satyricon — IV - Orchestral improvisation: Food machine

IV - Orchestral improvisation: Food machine

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EAS 17091
Satyricon — V - The money

V - The money

«1=72
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R ic h , you journey well. yp-ur

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Hab. S £ = ?J bi
F
niù...... ..... ngy. ^Ikksthéò^a Yottr winds are fair? /au sa il_at___'will and do iijqìl_

F I.
L =t=Z x~=x

p leg'âto
XM .
.ii> B_.

3 -'' h
^ f = i^ *
t
y '*
ei.B. fe ti r^T
s rO r
. in 0 i ~w
Wr
g— ■

p i\? & citO

T i-

g PPÜ
.ArpaJ immer âvôkî. P
»—3-
£
t e
I P
P

EAS 17091
 Satyricon — V - The money

gÖ) Subito J - iOQ-ÌOh

EAS 17091
Satyricon — V - The money 27

sm poco rail.

J . 100 ca H a ll. . .

Hab -jiust:whisper in her f i

t
fa ther'ô ear w hat h p i te r as à j -din o£ gold descende \/.
cc
__ yoifoe

7 (S1 r ° —\

_ Fi a »r f r k r k W 'U lb » ? Mm » i ÏT V .

-6----- -, é e sp r. e le g a t o
.
F

Ë
ï

Piano */ c/ /egjato
4
et P
7

EAS 17091
28 Satyricon — V - The money

m o lto v i t .
_ |2Ö1 J = 9 S

EAS 17091
Satyricon — V - The money

p staccato

Mow - nothing talks like money. °r be— a J udg£- Qavel down your'^Çiùlty** or
Uà a ________ _ J z 64

EAS 17091
 Satyricon — V - The money

EAS 17091
Satyricon — V - The money

EAS 17091
 Satyricon — V - The money

T em po g :e n e r a Le J= 66 - 72
IMI
9 H abinnas 3— , /---8— .
1*3 £L
H ak é
_ - _____ J i e y .
-Jti-pi.ter __ -iò mone^ in the bank
13A bì 3
FI.

'Lxa'du ut
n
_ 0 b,_ * 1
?
. J li. pi-ter . iò money_____in____ the. bank.
ci r i
iu B

C l.B .
... in B ~
I ^4TSP (?)
-Fg.
rrW ^ îîfj ' T7T-
H r.
in F
H i *r J u ________ pi ter its rno _ ney

Dinamiche ad libitum
in Üicü bank

Tr. HE
wm
i
.p

£ K -<>-
P os.
^ i , Vini
H
4?-2S

gftf.tff,
Ccl.

S ê
Ëf f * =jf
ï
f t

Ad ogni ripeti
r T- zio ne variare
dinàmiche e
=== ” in tensioni **

piZZ.

V ia

^ I #--------- . •»—
= * = J
J

VI - Tape n° 2 (Erotica)
(4 minutes - Flutes and Italian)
EAS 17091
Satyricon — VII - Lady Luck

VII - Lady Luck

S o le m n J * 72

m
(S
Quar f j= y
P i y y
W <2 think
u=
we are
—
J p» f
awful Äinart,_ W<2
dr 'P r
are ris.e,

.Tuba.
i J ... * J

Cou p.let ( n.tir die H maf)

Tuba ä ü 5 -f-^ m f jg n

1 i §
F h 11

VlllL.

2 ......
#- »■—
#■

V ia . É i
m
CB. ¥ É = i

EAS 17091
34 Satyricon — VII - Lady Luck

IS

EAS 17091
 Satyricon — VII - Lady Luck

EAS 17091

«
«
 Satyricon — VII Lady Luck

t p kr -I u
È
------------------------
.Quai i j20
?
- 60 _break_oui the w ine7 And fill your già « sses > i»oys_L

9E
TtiJba z= »
i n
m f Ë ê±=a

C o u p le t

---- 0— ' -
_Tuba T S itfffz hf ......... - ' » F3 —fm-f
b i 1— ---------------- # ï = # = = F # i = r 1f=a
-£ 7 J J ■-
± t = t ì F Ö * d :

i er
fi£
F
É J Ë=j a>—L
V in i

2 i S il »"~g ì
_ . _ _
P

_V la M |H * z z ìt r z ? sé
_Yc..
F ï» f
_CB,
f H J J j|

EAS 17091
Satyricon — V ili - Trim alchio e le flatulenze (reprise)

Vili - Trimalchio e le flatulenze (reprise)

E in le ite n » . ~ [Tj Tempo J = 66 (lir ic o )

GD

S
lì'e c o n iiâ is pâô de

Trim, ibis:g'ranììhSLippliSfi V 'Ir l ì

ìq tte-de se l 'e te irfF r

Aii6li.dk

F I.
V £ k
I
BasKL
in B

F *
« E T$==-Ì=-%
£

T i-, •ft— v-

[>• b
îoa.
—V - h r-
if - K - J L -
£
i £

EAS 17091
 Satyricon — V ili - Trim alchio e le flatulenze (reprise)

R a il JR .Ìpi 'e n d e n d o il te m p o
ò
Trim 1 £ $
W I
i
hat; war G va .iiak apfeU scliate und Pi . nie in _E ssig\ Ich .liof.fe trotzcisni, er be~

t i li
EL

Ü6sB .
in Er

w id t i
F g. 3È 1 1
L
Ti-.. bp » £ 90
g

Po 6.
pa dmmutico !)
ï ? t #

I know o f some who'ye died from b ein g

I» « F f ei i. -_-i .v.'.'— I 1. r
_Tritn. — foo pxnitp and, h a lv in g s it t it
t ir
ô i nlnt sich endlichauLseijie ahds tajidstpÜicIiL^
m o lto r it ripv. il - tem po

F l. ËÉ
ö
Ê3È
Stecca to
m
È ;

legato
iîs s K l,
ut B i
m
j: Â= i f
à
P = ï Steccato
i y i' g
M Ü ft- t;: \
% i ¥ a « = i»
SE B ? S È
w

à C 3
2
i
Cd.

s
* ift Lirs ï

r, .. r ik i
3V-
S
steccalo
tjf f
Poâ. i ï

EAS 17091
Satyricon — V ili - Trim alchio e le flatulenze (reprise)

20

IX - Tape n° 3 (Awakening)
(1 min 5 see - 16 alti)

EAS 17091
 Satyricon — X - La matrona di Efeso

X - La matrona di Efeso

J =■n . 8k ( con il quartetto cl’archi)

h p
HabinnaS y &k*--.
J = 72-8 h
Once u-pLûu a ti nie.
iv— »
v— * 3 3 ., i— 3

A h - f - —4-- ■
■■"......._z.T=.iL-ip" '4 £ — — r=£
lt . 0 \}w-- 0- J J j.J. ....
% - pp
Vi.
V n
.... ■wmmmmm*----
_ 2 . H =
ï ï i ^ J
K .
pp '
V

Via. PA = | R•*—o--------
=
w «
/

Ve. -.. .-.............._-l.S..,

-*------------
m m TT^ ♦ ft *T-------------“
PP

Q u artetto c T a r d ii

EAS 17091
Satyricon — X - La m atrona di Efeso 41

m
-— 3 . ________ , _ m p . ' ---------------- ' * --------------------- ?
H ab. i [. ,U ‘t -f-Hfj- É
u s e d _ . to troop in . to E-
ELphe.suò
phe.suô me - rely to !' stare at tliis
Hit $ pro . di ÿy.

. i_
Y l.

_.S_

-Via

JVc.

13^1 (p a rla to , tono quasi dcu/'oj

E A S 17091
42 Satyricon — X - La matrona di Efeso

Finding the normal £iidton of £oUtfwing'

H ab.
the cortege with hair unbound and beating*
her breast in public quite inadequate to
e x p re ss her gWef, • —im bhe la d y inaistcd on follow ing the corpse into the tomb and
there •> »»» 5 e t l i e r a e l f to g 't i a r d the body, w e e p i n g '

and w a ilin g n ig h t and day.

(pi22.^ ( J=60 ca.)

a rco

V i. (p ii* .) i jf arco
2

I (pizz.)
arco
VU I I

Ml
I ( p' « 0 l L /

Ve •
mif

CI. in B , M r b j Hi', in F j P o s .

A l t h o u g h in her extre mes of gfrief she w a s c l e a r l y c o u r t i n g d e a t h

Hab.
Were utterly unable to persuade her to leave.

52 ca
(on condvctovô cue)

Oboe

Fj..Vos.—(Pause •sempre__plu lunghe ^ ____ ____ -tino._____ <3__ _____.'Sparire )

EAS 17091
Satyricon — X - La m atrona di Efeso

inp
E

m
- man,
?
IL

a ll
m { 1;
the inorò since the .. L a .d y *w«aô now, p as__ _

EAS 17091
44 Satyricon — X - La m atrona di Efeso

R a il. _ - _ _ _ _ _ _ _ _ _ |Ï3 ] Tempo (J =66-7S)

p espr.
s h a r in g ..lier m istresa ' g r i e f __ ì____ 5-
Hab. m aztuj.-fgl i ffht i n gf llia lA tTtp- s L ì / ì C - f
whenever it flickered out. \
The wkole.ci.

p dolce

EAS 17091
 Satyricon — X - La matrona di Efeso 45

V ■0--- —i
i
■& y 4 : H * *■ i » 1" */-•» -1 — k f- — " / J y / — — ■ — -■ -— • -i
Hall. to I -- *■ $ ^i=4=*J
------a-------------- 1—79 V * ---- (l&J---------------H----------------- SJK------ 12-------- 1
bL - l J 11 id ------ 1---------------------------- ^ - — - ... ................... '■ ‘ ................ 1
Here at tast, all ..classa a J like ....a __ gYeed, ̣ U S L ____ g 1

JV L i 3 ------*
—» ■■■■■ 1
_i----------------C —------- 4
TT“ ----- • “ 11 ■• ,1
. . . 2 _
■
u j — r . y j .r C-----gl-----
R H IT
T ~ - ^ ^..........1 • --------- ?
i mp

_V k àzìjt irra^Vf it —---- —. , mp

é*"^’S j .

— tU
f — ... \H

b*-

m
h' - I
Ve. m m ttK
wp

He.
Ui F_ I jbpL*

EAS 17091

m
m
 Satyricon — X - La m atrona di Efeso

46
119 bis

i
is s a n o

? i n ijfià re in s te me o unx? dopQ^L'&Ltra^

T em p o ad l i b i t u m u à ca

J2BaSôû 1
...........- ................................... V 3 Piccoli -tf-
-t+-
Bong*os
tem p re P P
( F in g e r s ) p o c o j" , s e c c o

r t § P
f

"ÙtL JlML
tU H '

É
I n t e r p o l a r e i f r a m m e n t i d i v i s i d e lle p a u s e C^l) <sd
o g n i r i p e t i z i o n e . Xe p a u se v a r ia n o fra un
m in im o d i S ,f <3 un m a xim o d ì 3 ” ,

H a b .. _Li the ineanti irie; h ow ev e r. Hiß û o v e r n o r of the P ro v ili ce__g a v e a r d erà that s e v ei^iL .thieves s h o u l d J i g
.a spot close by the v a u l t w h e r e the L a d y w a s iiioumiintf her d e ad h u s b a n d ’ s corp,si2. £o.,. on the.
j i i g h t , the S o ldie r wh<? had been a s s i g n e d , to keep, w a t c h 011 the c ro sse s so that no b o d y c o u l d rem ove the
^bodies- f o r b . i i r i al* suddenly- ilot lc e d a tig h t blayin ff an io iig1 f:he tombs an,
A n d p ro m p te d to k n o w w h o or w h a t w a s m a k in g 'I h o s e s o u nds^ he d e sce n d e d in ta H-u? vault-.

(CB.+Bongos)

Hab. : But

EAS 17091
 Satyricon — X - La m atrona di Efeso

EAS 17091

t
48 Satyricon — X - La m atrona di Efeso

In Tempo, (J . caj_ina libgram g n.te

/ st3cc fp o
ik II
E r
Ke ..stopp^d short m terror, Some.

(Jä 60 ca)
p lega to
Q
f l
È
V w =
-giia5ily ap^a^Liion oui of hsll . TIhen. ù ii^ g JT .v in ff tlig corpse and see-ing thè

|21blg J=looC<3.
O c
cue .... - - J
Æ —à....... —f ,
4ff- . .cj=
!* !----1—--- 1--3
J pp •J* J - - 4 é = t=
E
A d o g n i r i p e t i z i o n e a u m e n ta re i l v a lo re d ella p a u s a
A i w e n t v u h ig ' » tfgW s tr u m e n to in d ip e n d e n t e

EAS 17091
Satyricon — X - La m atrona di Efeso

,-----! ---- 1 r -9 ---- 3 <----

«---- ,<
r- «— , F------
Jkb. "i "1 il -—i - 1— L,
y v' ■ ijJ - » ■ - 1
=s— = V ir----
■ M -» r.:" ______g.fT.j--- L ----- Ui.„U----- +--- !

tears on the__ La.dyV face a n d ____ Ihe S c r a t c h e s „her fin ..g e r .n a iL s had gnashed iti h er ch eek s^ .

is ] 128 A d ajrio J= 60ca.

Lung'd---- 0 -
O^ mp espr.

n j f esp r.

EAS 17091
 Satyricon — X - La m atrona di Efeso

(J = 6 0 ca.)

.La - dy
I
not to—pgr4.si si: Ln. ligr gor .. . row A ll the men a
É
likz.
É
have hligfiamg
É
i
end;_____ tJi£_

"if
ï
p ä
F*. 1
>
p shiiile

Ir.
cu p mute
H Ï1 .D 3
Ir- . —. #
IT -

P
$irr?i!e
Hr. x
in î1 1 i
fl

PosJ çj
Syi'.M Ë

È m
i? canta bi le

?
\>± t. L_
CB.
Î Simile

<3 p o c o <3 p o c o r«f?//. _ _ _ » _

« L as ca.

EAS 17091
Satyricon — X - La m atrona di Efeso 51

[39 bis
771p

H a k H i * r.fltiAo(flfcip n S ) b g i t i g ' t m w g l e o m e , o n l y e x a s p e r a t e d t h è — jv st L c i ë j w

creso.

HaJx - more j tno than e v e r she

f sem pre cresc.

-a«4- -trer -fratta fcs. ^ü-al-fcg {.^g—-dgadL ni4n-5 —I I
„Hab. te
an<

Pots. Accel.
£*//<?/?e
> r-3 —
JL 3 intite
b#- ti
Vinai a
I f ?P P
Dt ïr
«/* T f
\einpve^f

EAS 17091
52 Satyricon — X - La m atrona di Efeso

HàÌ3---- Un dis ma ygd^-tltg iieLV.to tA k £ _soni<s fo o d } n n h 'l tlig l i t t l é

qui te overeo ni g by...Hie .sm^LL of the -wine, AncgLimbg^ A n d stretche d_out her hAnd, tp her tempter. Then.
restored by Hie lo o d L ....A n d jw ü u ..e ,_.sh £ ...b ô g a ii k srselt to. a s s a il ker m istress "Obstinate r efu sa l

J = 66

w nw
p iZ Z .

v i m .y r - J ------------------------

Via N
t j
N
- i
1 9 - --------------

«i

rSempve
PP -(f£ - _fc c

¥ t=»
T W

Ve. Suona Solo Ì (ra m ­ -fc— I

me n ti in ah /'ave dt ËÉ
Basso
piSZ. p ia . û.
kwà ---- »=■ '...." ~ * 3
m ------------------------- 4

a rc o h i n t e r m s t e g
ôenipre con ôordina
t a * = j ff -----------------------------
---------------------------- il
----------------- z ----------- J ----------------------- X
_ «
S f
eccetto il V ioloncello
9p '*

Î
t||)*/ ■■
■■■ ■i1f- ■
HO..:! ...■»J».::
r?i . , . ,
*.... ._..

[Ml J = 52 ca.
P
Hab.
r T f F N ............. as
* F p=
"A quoi teser.vi. ra-fc-.il., d.<s te laisser mourir___de fai m,______ d e

leg& to

Fl

^l.Itaasat
iii-B
? s

»? ... -- i>
PP

Hr.
in J*'
I
P pp
mm Ü
legato

:p
P
É
a.

Arpa é

EAS 17091
 Satyricon — X - La m atrona di Efeso

EAS 17091

t
t
54 Satyricon — X - La matrona di Efeso

EAS 17091
Satyricon — X - La m atrona di Efeso

n i f espr. p m
__ 3-

üâk T~j' £===£ f a i i ä

'Ne véuxitu._ .pas. re .yè. nir a la vie ? Ne ve ux * tu pas pro. fi . te vf a lis . s i longtemps sfili

legs to
EL
poco Cl'âàC. f
P
tnp

E IL h f s“ ° >r -..v J .............. 1 jT.... ..... .........~ ff; -t?*1"'- ;• "— —

b l p K-
. — .. — — —%à---- =..... - 7 — U - ..... - - -.... i
** nh - T $4—

letfato
CL
.ln B
~T*
p* espr.

e ia
[u.B.
m I
leg'dto
w
Fg. 1

Hr.
;nP- É
PP

Ti\
PP
legato

ïos. g É
l|f ■fr I
P Cänt.

-4 --
Arpa
?

EAS 17091
56 Satyricon — X - La matrona di Efeso

E AS 17091
Satyricon — X - La m atrona di Efeso

EAS 17091
 Satyricon — X - La matrona di Efeso

Hab. - W e ll^ y a u k im w w J ia t teinjpiatiiîLiâ ,arg_JK>rmally a roti a g d in a man

on à full s t o m a c ì i * Scl_ t li£_ ìnualei'ingf all tho-se ...bland j.sh iniJ-nts
by m eans o f w h i c h he h ad persuaded the Lady

IMI

§ -aJ>

' E - - ■P ' *

W ----- *••
--1-V. - _ .l==r------------- ^ ~ ----
ì\ .y ..: ri

f= -k
4p tj |p &at

i I!

3T É
w
g as»
F? ?
-p-f 3E ..y—
i
fr- -V— F<
g f - "" Tj
b a i idi
F

Ü ? = ?
ì^ m
m
a
f t
□pp
g m
f
m

EAS 17091
Satyricon — X - La matrona di Efeso

Hab. - tì o w _Jaid. L e g e t e i i ë i v v ir. tue..*. And ch arte tkejjLgJiä li & w a s ,

the Lady f o u n d h im s i n g u l a r l y a t t r a c t i v e and. h i s a rg u m en ts p ersu asi ve.

PL ft± = : ._ i — j ---- ^ = = f ^ à - ; £ « .• - -
N I P h E ^ I i

ÖL ^ d-I---------jj:e-----z _
:— "*T~ —1------------1--- vt— __l S' ■^------
«/"” -
in B P - .1
! ------------- □— 7----- ■*---------- p — *?— ri -3—
i »
= t k r = ^
?=±H j :

G1.B, ! !w
" */ rj....... -.. 1fS 4T....... t;- ......... IJJ ■~€t~ 1:r :v y — : i S■ */" -irt«1 w /
in B. 4 -----------y u — 1 . ii f r = -----:
-■ --------- f -
= r ^ R _ - y _ ...." ■ ■■
•— —•1
K
■if - • f> - 1 != f 4 v - t — i. ■■-••••■- -~
F#- Blit!—
W =! ----------- K— i-----
q i ........ r i ' ... ..........................■ - = ^
y p ^ I

Hr. •.............. ■ 1 *7 tm. -------------1—^----- .. I b .i .....

- = = = = =
in.P fN t .^Ji . m
P i r ■ * r _ i
r = i f— ¥

i f ---------k| f ..... ■-"■—v

J^ -j4 .ir ii f — * f -=jz _ . -— :*— \f -(■#—— fa# -rem ■" s
» ---------- ft" - - , —;------------ n = it =
p # • = 1 t - ■ ' } ■ - -

j
L î - i 4 . ! L -..:: j» 4 i , ---- -w >— — H
4 ----s? y4pi %^=F=P :b ~ j ; ■j---- --------- r r r W " —
-—2------ --4 -Æ P---------- X----1-----
r 9. ^ <M 4 _ y v b£ ------- :— <
; r ÿ ^ T. .¥
_V 1 . p
i ^
-----------r S----------1- ■f-----------f- "tr - 'i
r ~v —r r r \ "W
----- .. s? '! ■—tK—=7— ^ : 7„; ?
-=— à ? . ... t j > 7 jh 1 ..il
$= * !.
f t P._____ _jf1 ï f- ^____ .. i jfi îï. Ì H:
>
tî-4 --------- b "V bl _•--- B----b-»-----------f*----*f--- r+ "1 k Lf ""njt---------- ■- ----- b-^—r
.... - / “>a _ z £ j -
^ = t + = ^ = 1 = 4
..........M
rf— %— , _ - 3 -----
■cH-i - 4 p ■j--- ^ » y
..Vs, ;-rS » 1 ^ 1 ■-I - -y — >
1 ■
= H é & = i t r * "i

E A S 17091
 Satyricon — X - La m atrona di Efeso

H a b . - [A s for the m aid , she did all she cpuld .help the s o ld ie r ' s danse.
(Tono p i ù a c u t o ) .^.Combattras - tu longtemps n«..dnijQjj.aL_qtii..J:&. pl aî t ?
»9 Kec ------4
v e n i .t in.
.v. ---- •__ quari -
m en tem
]

(6 0 l T)in iiiiuendo - - - _ // n o

FL JE .ï
i m

CL
m m Î*
ÜL _ J * J.
C 1.B .
y— p>?if —-p.»
C e l,

m . <3* «sopra \o II
g
A rp a

d
P i pp B E

Vu.

J2_
m Vk_

V là B— v v ,r^s Se s
f
s=*f

Yc. i mm p r 1 t p
/
g p ÉÜF
?np cantabile
)>i»V

H a L — To make the matter short, the Lady's m gave up the s t r u c k '

and _^_

(T)
Jup i
V c. §
nip

EAS 17091
Satyricon — X - La m atrona di Efeso

H a b . — Que tiiglit^iiöw ev-er a llie parents c f one oi the c ru c ifie d thieves^ .,noticing' that the watch w a ô being" b a d ly ik e p l,
lo o k a d v A n ta g g ai o u r h e r o ’ s ab sen ce to re m o v e b heir Sari's b o d y ^nd b u ry i t . T lig n e x t m û riiin g '^ o f
crtnv-g/--»; Ht<>. A o ld ig i* w A ft h o r r o r - s i r u c k to d is c o ve-v One o£ l-L^ -kadiea,. m i s s i . n -cj ^oæa, a n d
i-an TcT fcg 1j lit s m T ä lre g 9 o f the h o r r ib le Punishnnenb which-cLWaîfcëd him fo r neglect:nig' h is d u t y .

62 bis

J=s;

3 P ic c o li * — it ‘ s è y ,F --------------5=----------- il--^ t 1 l l .-J,j 11

Bongos B---------- -Z— ì i_2._4k _I 1 ^
<------# — --------------JF--------------------------------- i - J ------------------- S ------------- -------
1p
+ 2
sem pre p

A d og‘n i r i p e t i z i o n e i n t e r p o l a r e . ! tl I r a k Pause?

E A S 17091
 Satyricon — X - La m atrona di Efeso

. ÏÏ&ta. - In the. . . a i i - g u i n a hg hold h a r, hg w o u ld not w a ib to be Irried and. AeiLtrenccd, hut w o u ld , pun ia h

him -süijL ± k£ n a u d th e re w it h hia awn s w o r d . A l l J i e aske<d_„-QLJiei*jwas th a t a U p uta Ap ro om î n r
another corpse and allo w the -sam e.g lo o m y to m b to e n c lo s e huôband c?ncî l o v e r t e g e khc?i*.

B on g o t

ly .C L B .

CBasso
^ ■
■ ■ — »■
■
■------ — ■- ■"■
■... ■ .............. .................. »

f 62 M à iI e d im in u e n d o .

#=53

T* - ^ | I
F

J -5 2
T f • * — f*) V
Hr • ^....- ... */'" r
in F_ :2?.m ' / 7 -5 .......... i - ../ f-f tfr'■ f — 1------ — 5-1 1------ f
 £ .................. "■ ~ ,j ^ ••--*•-;— ~ _ M. It j

J = 52

p, s - ^ | e= 1 - ♦/ p' r jjt-

Hab. - Our L ad y’ô h e a r t , liow ^vgi^ na lass lrender..J:hfli3_jmrg-^_ft he c r ie d :

E A S 17091
Satyricon — X - La m atrona di Efeso

Hal).

LhlF

Ik-
cupM □E É
é
r - Y -V f r

r= 3
L jr ^ - u i
Arpa^ ir £
g m m £
«— a.
$
>
#-L* >
::P £
£ &- 0s- b i JL
1 £

AZI. >

2 m
?
7 tTfffr
mf.
^ 6 r~~*

Z .'

Yla I M H--- 1- P
i 3È
4=V

«f w
r— i— a.

Ve, I T - f -
/
I f f i m i Él y ff TC
ÊÈ

EAS 17091
 Satyricon — X - La matrona di Efeso

EAS 17091
Satyricon — X - La m atrona di Efeso 65

T ra n q u illo J=60
; !
P
fa
Hai: -,----------- ■ rrf lP# * -è ....... - iJ — - - ....
f _
W ith tìi^ ^ e rd ^ sk ^ a y e .o L ^ . _ckrs that heriui&ban^? kodyshsulci b? taken fromits bier and strung up an the

70

XI - Tape n° 4 (Trimalchio and animals)

(music à la Webern with pigs - cut somewhat)

EAS 17091
 Satyricon — XII - Carriera di Trimalchio

XII - Carriera di Trimalchio

J= 92 Hall. L n ©
Trini
J

Fi'iendà,
i j f j ^ \i te m
make yoiu-s€lv<2Siomfoi* „ table..
r ii f r
üuc£_I_iiäßd_ta__-
c r p - g

F i.

Ob.
J ? sta cc .

ï h -H -v /P P * f &■*
Cl. PP
inB
(f stacc.
2 r T y *1 ffip y -y V f y ï
✓ StdCC. pp

n if stecc.

Hr.
in F
F
Illi f stacc.
P
P

Tr. £ .... -1\

/fri
P
rr^*stacc. P

ÎÛ6. t B È
f
/ïi^* stacc. P

OeL
t o

J=92 R.alL

irt Rilievo
CBs&> g
im //a/7/e /??/>

EAS 17091
Satyricon — XII - Carriera di Trim alchio 67

?f :. ::yi —--I 1
-t---------- ---------- «---------- r

1 B Ü
_rose to tlie tap-- .by my e. 6uts arß_^y.liat wake the m an) the. U .■gadaagSL

# Lé
à îè
PL £ ê=^r f •y

>
4-
M lit h
Ok ê ÏE E E ^ i $=?=£

>
* +++- -p~

C i,
i X— ï 3È i m é ; lu ï

ft?
iti
ii*
A h ? h m *F =+ =£

% E^£-g- ?"P*y D»

H iv
in f */ • f~ ~ r ^=i ï

Tr.
pp ^ 3= 2= 3 V .- A ,& :.t

fei £ w y pf
Po<5. 1
?
» "V -> y : ^ - ? i y 3È l^ .y . î y

t )U
Cd.

spiccato

EAS 17091
68 Satyricon — XII - Carriera di Trimalchio

im
K all ______ Tempo
P »Jf
Trim, mm
.I hiD/ w e 11- i
in = t
sell w d L
¥ %
Q
• d fjf

liavö
é ï-
diff^rgnbno . bton* But
I—

lijsfi I was

PL

Ob.
P leggevo, sem pre sh i (|s e c c o p

1 1 4
te: gr. «=
1 ¥ m h k tf r i
ä t aB i
CI. P ìeggerot jse tnpre stài \ ^eccoj)

Fg-.
PP
Matt ------------- Tempo

H r.
pp
m
T r. -4------------- u

E
pp

Pos. i ■■ g
p ì>

EAS 17091
Satyricon — XII - Carriera di Trim alchio

Rati____ ______ Ho) J-=5o

)
m. ~l?r
nni-
Tri
P
f r i 6 il dò , : it’s throughmybusiness sense that I. §hot up.

C à w îjiâ p r e s t e IV

i
C/a v. Basso in B

Eg. S i £ I
dim.

O
Hc t ~ ..... fy— \ t S

Tr. 1
? p pu?. 'f
dim .
I I
Pàs. B ë3 = e = Éë ë I
- X --------- 1------------------------------ i-------------- 1 _ jy - f fr
w'nJ,

H a ll. *.=50

I n /T?P

Via

/77p

EAS 17091
70 Satyricon — XII - Carriera di Trimalchio

EAS 17091
Satyricon — XII - Carriera di Trim alchio 71

E A S 17091
72 Satyricon — XII - Carriera di Trimalchio

45

EAS 17091

t
t
Satyricon — XII - Carriera di Trim alchio

EAS 17091
 Satyricon — XII - Carriera di Trimalchio

(6ÖJ

E AS 17091
Satyricon — XII - Carriera di Trim alchio

EAS 17091
76 Satyricon — XII - Carriera di Trimalchio

75

EAS 17091
Satyricon — XII - Carriera di Trim alchio

E A S 17091
78 Satyricon — XII - Carriera di Trimalchio

Trim.fezz/ .We never liayg enuLi^ i- —a-mi Ï -wanted to try my.:AgaTti r.al:—bnarmgs-s.
But

To cut it short, I had five ships built. Then I stocked

Trliu.
§
I I m
S3 bis
(J=i92.ihk)

EH.
Sf secca p tegg'ero, sta cc.

Cl.B.
.. irvB
-ÿ secco
f
k
mr m j
P
mle$&er°, stecc. f"

T f. É ifip l t
'secco
Y fb
J
i .f ----------1
, _ 7 n " 4 --------- 2 --------
----- fr ï h
4 * y p
4
Piano p le & 8
e r o , StdC c. i

_—
» - --- ! N j 1— id Ì----- 1 --M- - - - - - - - - X ___ -1 2 ,= 4 t--------- i
• I— i '< p f

T r i m .- —f c i i f i iiu a t it h m n £ L - w o rth J t s w e ig h t in g*old a t. th e tim e — a n d sh ip p e d them of£ to R o m e . «4*

I m i g'ht <36 "well have to ld th e m to £0 ftink__th e m a e lve s sin o g th at * s w h a t t h e y d i d . ï

EAS 17091
Satyricon — XII - Carriera di Trim alchio 79

Vu _ i

--------- 1^- f - —/V-H—FJ\y&—rrf—i»1i;jni — \&l*) If i Hi4 in O*— 1/n 'On^ / ^ v n izi—Wg wti him—5sw â 11 d—d o w » a
coo 1 m illio n !

Tritn. - Was I licked £ Hell, No! T h a t lo ss j u s t -w h etted tny a p p e t i t e a s th o u g h n o th in g h ad

h ap p eiicd at a ll . Slö _I_bjui.it _£ßui£ m ^re^sJiips> .b i gge r and.
bettei* a n d a damn sig h t lu ck te i*. No on«? c o u ld s a y I dichtet
_ lnave g u t s .
I H m w

r 1i *
' 1

secco P leggero, stacc.

ܱr kj
ü
E.H. £ 2 E U p ¥
Secco i * .....
P le g g e r o , stdcc.

#1 4 JL
te
C l- È
in B- Ü
secco
■5f P le g g e ro , $tacc

C l.B .
in B - i P i 3
r f
1> w = *
secco Ifp le g g e r o j sta cc .

E H I le g n i p o sso n o in trodu rre.., &d. lib itu m j

pi 3u«s<s d i d u r a ta vói '/&bile. d$ JL <s Jt_
a /f

EAS 17091
 Satyricon — XII - Carriera di Trim alchio

( solenne e e r o i c o )

. ______ \1
(ggquatei-
I
* JsSò^Eroico**
Hr.
in P?
)ììp Scieìi ne

fez

mp solenne

Poi g b P f' fj
mp solenn e

^ (m aestoso)
Tri ui. — w in e f b a c o n , beans } p erfu m e... and. .«slaves . t That was the yeast of my..w ealth

' J > = ii3 (j= 5 6 )

Hr. ao
in F ÎÉ § î= 3 = l3 :
* EmC maestoso

Tr. »
nij? mae
m a e sto so

. ■I K ,

m a e sto so
F l ., E . H ., Cl., Cl.B.j Fg.
P ia n o |NB

[ N B ! II P ia n o fo r te può i n t r o d u r r e , <3cf libitum ^ pause - r e s p i r o d i durata variabile da A. a £.

* ó S

E A S 17091
Satyricon — XII - Carriera di Trim alchio 81

(g lo rio so )
JBe si/déa^. when the g'ods.watifc som ething* d o n e , it grefcs d o n e in a...j i f f y .
!
I
I
I
m ;
I J)=112(J=56)

T r im . - On that o n e v o y a g ' e a l o n e ^ I...c l e a r e d ..a b o u t fiv e h u n d r e d t h o u s a n d , Right away

I
quhyuies

F l., E.H. , C l-, Cl-B., Fs~.

P iano

1
* V I. i?

Via

* V c,

v {NB.] A d lib itu m , g’li A r c h i possono in tro d u rre pause - re sp iro : Vi. If, di , Via. di J L y Vc. di J_

E A S 17091
 Satyricon — XII - Carriera di Trimalchio

Trim. - I bought up all my old ma ô t e r a s p ro p erty . a ho use, 1 went into slave -

"Vino 2?
m \
E -E -g

F i . , B.H., Cl. j CLB.,

_Piano
V in o 1? , V ia , V c .

[ggéext'cs

T r im .- -trading* and c a t t le - b u y in g . | E v e ryth in g ’ I to u c h e d ju st g re w and: g r e w

I C l.B . ca m b ia iti C l. 2 ?
Stop. E . H - cambfa im Oboe

J = iòZ-ikk
i lì y iTif tj J MJtS
j |i
e

/7?' poco cre&c.

JPiano
"V io lin i, V i a , Ve.
d poco «? poco cre sce n d o
à p oco a p o c o c ce s cencio

II
J = 132- m

Hr. V —- i f 32±
iti F
? ar
T rim .- lik e hoiiéyco«nb. ! *j*r
s “ b;
Trim.- M o r e ___ ani!

Pos . f f i
mp

.P ia n o
V ln i.j V ia j Ve.

EAS 17091
Satyricon — XII - Carriera di Trim alchio

Y ln i, Via, Vcv Piano sem p re g r a d u a lm e n t e zvçsc.

V i ni^ V ia , V c . ,. Piano.

(ii =132-i/Wt)

Trini. - ..One million l .

Hi*.
m
s
'..rii à:~4

I E »> f
----- More .... and !>»■—: "l>y
Ir.
Wp
move again
.LA.
Pas. E g BÉ w
/777
/i

y Ini, V ia, V e ., Piano

( J= 138-ifrjO

/Tip

EAS 17091
 Satyricon — XII - Carriera di Trimalchio

Vierzehn Millionen
m) 85

EAS 17091
Satyricon — XII - Carriera di Trim alchio 85

95

EAS 17091
86 Satyricon — XII. 1° - Criside - Love's ecstasy

XII. 1° - Criside - Love's ecstasy

66 ca
leg'a t o

C r is id £
9I
Lcve *$ e c » , sta - J_JjQY€aλ

(T)
E n g l. t.
*
H r. * WÊ
P leg ato

O >>

Engl.
H ü. i, j- — t |t t

XII. 2° Vierszehn Millionen (reprise)

Die lezte 16 takte von « Carriera di Trimalchio » (takte 84-89)
werden 2 mal wiederholt (« Vierszehn Millionen »...)

f
EAS 17091
Satyricon — XII. 3° - Love's ecstasy

XII. 3° - Love's ecstasy

Quartet

J = 52 ca

E A S 17091
 Satyricon — XII. 3° - Love's ecstasy

Ôc i nt . £

.Cris. g 2Z

Lo.ye'$ ec__ ec s ta

VM-
.N ie. % t 35E5

_ sy Lovtf o 2C . _ 5 lâ . _ sy + Lave ’3 zc *

k f r f .... K
I
. E Litn P I
£

£c - sta - . sy €c„_sta

Pl
i
I
I
ï s
iî
Vs
#• rs
e i..
in B *F-W=&-
I iF Ï &*■

JBsskl
S > < tà P
in B
f i i
I-#1’

E A S 17091
Satyricon — XII. 3° - Love's ecstasy 89

XII. 4° Vierszehn Millionen (exit)

Jede Gesang und Instrumentalpartie hat seine eigenen Wiederholung,
dirigent lässt jede Partie frei. Am Ende Dirigent gibt Einsatz zu Trimalchio für « Vierszehn Millionen »

E A S 17091
 Satyricon — XIII - Fortunata e Eumolpus

XIII - Fortunata e Eumolpus

E
Uip -Çbewilsihing)

EAS 17091
Satyricon — XIII - Fortunata e Eumolpus 91

inB
£ m I
f
p

_C1 B , 4 p I
in B

TiV ? üf - y r -t £ ¥
ht
j. n
Pos.. m £ ï t e
*
jj" V : * y
mp P

Mri). m IS P B
à*_:z.

_ 1 Ï J > ~ ? ..... i r-itf 5 i------r

Vini
:—1---- r

P
t
,2 Ï

Y k

VL ■?—
§§ ? ...j ti. t *
f * i

_C B . m i ?
iE
? iji i n t

EAS 17091
 Satyricon — XIII - Fortunata e Eumolpus

m o l t o 1 e s p i* .
m
-E ùjcI. i 1 I, i- —r è — -+ à
pas. A tyiöi tendent ces die v e u x ___ ö u . du . L&s_ au pei-----gnc.

QL

j§ l P f £
1
Tr. V r ÿ'~kj» ...ff 3Ë
« mif
H~ 1
Po s . m ï----h 1
nip

Jyirb. -h é Pi H >
arco legno bat.

- i
» f* 7 ^
V I ui

ggïm\
arco lgffno b a t .
_...s

drco Jeg'no bat -

V ia H----------- h
I
Ht >i fjs ; à reo i ^ -,a ; piaa.
_Y L £ t£ ( f f

«3l‘Co ! P 'fr
. CB.
in t - + 1 d l Sil

EAS 17091
Satyricon — XIII - Fortunata e Eumolpus 93

EAS 17091
 Satyricon — XIII - Fortunata e Eumolpus

EAS 17091
Satyricon — XIII - Fortunata e Eumolpus 95

(M
l
(W h is t le )

E A S 17091
96 Satyricon — XIII - Fortunata e Eumolpus

( r i p re n d re i l Qâvto)

E A S 17091
Satyricon — XIII - Fortunata e Eumolpus 97

I *
rien aux at;g'iirê5,je ne m’occupe pas «ics c a l. cu ls..d es ä s . h u . lognos, m àis . ___ J'à . près..... les v i .

CL E lä=rS= t : r = y ...=r

e i.B . m e

é é
Tr. ÏE 3É

li
F o s. -9 : --»— ....- - I p - p - y » . .... £ ^ -j :ì

. i ■
♦/ ■ - » - i: I ?..y y .......... ËËjj ¥
ff f T r n
Jiij“ $ ta c c
Vini

. 2 y -
f h -y-> fe
\m f sta c c .

v u J i y . K. . . £ ï
mj* stacc

Vc._ " T »' □c

f f
, mj s tace.

CB r —f-rsr-f-
i
s tace. A--------- _ L

EAS 17091
 Satyricon — XIII - Fortunata e Eumolpus

IM]

EAS 17091
Satyricon — XIII - Fortunata e Eumolpus 99

I
ÄO
= 113-42(0)

F o rt.
i 3È■GIIj zm É J~ J
S i;doi.iC^tuiYe«K me ■yen. dire. c£ q u e s t e de . man. dé.

_Û L r ? =ï :~ î
in B

Sv
_CLB.
in B
ft*-*-* *&
ä-
z i

Fg.
g
? E T ? ...... ti

H l-,
3E (É g
in F

P
? 1 i

Ti-, f’ bk t x H f SE EE m

_ ïû â - 'T’ '~i i ï f r f - 3È ï
s
Ft e f e

.M rb. m p f ^=. 3È S Ö If- [ h ' ¥

p p

m Ê £ -f* f--fr ) .. jj
P É
.A rp a //( f

S F= F^ s 35t *> ■
♦/ v
=S ?
(arco}

i y. -r/
.1 ■f l ... îi ...
5 r~ y i w Bj .

"2. "9
V in i T p P
" tf
pizz. 3reo ; pl?2. ;<areo
. a.. à .... y.., $ m É r r T p u
W ! I
p iZ Z . $reo ; 5 pi««. dreo gsi
.Via S É > ■
» ? j> — ^ - fe S É b--~y.. y ii»
p
(arco)

i £ = * -■
= .t «

ip
I F
_CB.
» P
■
f J pÿ
*
S sE
l e

EAS 17091
100 Satyricon — XIII - Fortunata e Eumolpus

"Fort:.

_ j'aÎLina . chekem.* tctiJL prêt,mais, si tu ââkktLgfi k dort - gr.

11

.Etnnolpus : Orbem iam _totum*<

_.CL ?

Cl.B. ^ n iiL

-F * s fr~ f.
g
P

Hr.
¥
i i

T& l j * jp

P05. ^=|- pM f J__________ L

È -i-------- 1-
Mrb. Ü Ü

Arpa.

m
f

_Ylui.
ÉP ÿ ...ÿ ~ ?

„Via. f r j t ^ j
'w- ;
!

_V e ,. :;>i i i i
_£ B . 2 U . 1 1 . . . I
■
{............f-

EAS 17091
Satyricon — XIII - Fortunata e Eumolpus

l*äl

F o r t. £ 9 -v..m ü s
fa t's Sl£uk iii&iUüSûriëque Je soiö tou ö - bli

Eumol; Ì » » # *
fje ne. . .s u i s ____q u 'u n .. Jiujui--Jak___ pJii .JLq

C i. m 3E
in B

ei.B. 'V ! j y y......... t = Ü 3= i

in B

~*fr
- T fc 3E

. H r. S £
i
in F PP
p ~ ca n ta h tls

Tr. £ E
P

Pos.
f
^ ff t ...t

Mrb. I m $ i
if
77?

.A r pa. w
p
m
m
pi ZZ.

m
* = »= & i
Vini
pi??
. 2 g
iïî. ".y”
pi2£
.V U m
¥
_V c. y ü g E3 ® 23= 5
i
^CB. p ? f V ÿ JB É lT -I 1 tg p P 4— Y‘
s

EAS 17091
102 Satyricon — XIII - Fortunata e Eumolpus

EAS 17091
Satyricon — XIII - Fortunata e Eumolpus

E A S 17091
104 Satyricon — XIII - Fortunata e Eumolpus

60

E A S 17091
Satyricon — XIII - Fortunata e Eumolpus 105

EAS 17091
106 Satyricon — XIII - Fortunata e Eumolpus

m
Satyricon — XIII - Fortunata e Eumolpus 107

EAS 17091
108 Satyricon — XIV - Eumolpus fuga

XIV - Eumolpus fuga

J= 30 ca
ni
l o ____
Eum ùl.
¥ $
Or - bem_Lam to tu iii

StàCC.

A - | i l i ------ y
/Tip
. V in i
stacc.

.2 __ t e s
----r -
j <77#
S^adc.
—V ia
mjp
stacc
Ve. i= F
e C B ,... ü l r
J77p
/

Eumol.

Vini.
1
-*——i i ?J-.k I
. 2_
m j- g p lp i
T

Via. I « F f
1

J2,
Ve.
_e C’B, i i

EAS 17091
Satyricon — XIV - Eumolpus fuga 109

io

"Eu mol.
-&•

ü p p
È i i i ü
f
„tcr.rae, qua s i . d us cuv ...r i t ... il - tru m c|u e_____ Nëc

EEÈÌ
Fagotto
P

.1 j! J
VI ni

S ï P ^ i
* tt

V ia
P
V c,
c CB. mm
15

ü iim o L
? p r T T fe g

sa „ tia..* tu s rat: ira - tâ

to

Fg. m

*9 p i
f r *
VI LU

2 .._
IÜ |N^ iy
3= 2=

.V ia . j- -VÜ Jé =' ,_ÿ £*

V c_ -W
j b .C B *. 1. iP J^....

E A S 17091
110 Satyricon — XIV - Eumolpus fuga

20

E u mpl.
d p
IM ms tarn pe ra La ui .

F«. m i £
p
_ .l
4 •> *
V ini

.2 .
tJJ
-J—....'EÉ:*=^S
V ia m m pp

V c.
e CB... m
f e i r - i

E n mol
£ ïam
f
p e-> Ia in i*a __ gb b a n . tu r,

F*
m
Z2I
i I f- r b
P
i_

.V in i

9.

Via 1
Va,,
e CB. fi Kf- i ...J^g___ ..Â
ê
£ -S

EAS 17091
Satyricon — XIV - Eumolpus fuga

25

JEiUlttoL
_ ban . tur,___lam..

±
F*.
f

EAS 17091
112 Satyricon — XIV - Eumolpus fuga

30

Eu uiq L Ü È
Si qua. fo -
i
re t
£
tel - lus______quag lui .vum met . te -
i

% m m m

_Vlni-

s_
f ?

. V ia i P ^ i ..SJ £ J l?J

. Vc.
<2 CB m JLi
i *= T i T

35

Eum ol. m EQ=

ret au * rum j Ho stia c _ rat,

Pg. Ê
j.
i hS*

A/lm-

. s_ id ......*
N p f s#

Y la £ J -. f
W-.......

Vc. _
_e C B . _
m m È É 4e

EAS 17091
Satyricon — XV - Scintilla and Party re-enter

XV - Scintilla and Party re-enter

b-
J L JÊ. JLJLSL fl±

± H h
■ b. :

#£ ié f
i .M t

Ad lib i tum ni it F t 6 te^ O b o e , Clarinette/? in B

EAS 17091
114 Satyricon — XVI - Trim alchio contra Fortunata

XVI - Trimalchio contra Fortunata

j = iOO ca
é
Trim -/4-
) :i . y É m
Doesn’t that siut re By Gm.Lf_

Ht
à 4

?
...;y

5
in E_ r f -o i t

i
t/ s te c c .

*i
-3-

.Tt
* </* stecc
r - 3-
4*-- j_ | .; - t >g

Püs . y ft ./ J ) I I j p J ) t/

i f stâcc.

Piano. f
s
S - - 1 - - ..-.. 1 Êta
g f <r if V 'f *f

n j— i n ^— i“
K
JEr:im □a
r -—1 it

I took her off _ tlm„uaalfi. plalform and made her an

s.

Hr. ? t ■/[?•/ >/ y / it

?P H
*--- r-
T a
5
PL
-*-1 i—Ä-
Tr.

.3 ___ ,— 3.
ü f ^
s
4
Pos. ■=£* I?» 1 r *3

£
ar~#:
3È
Piano.

1 fc**£ t - PQ

EAS 17091
Satyricon — XVI - Trim alchio contra Fortunata

n
# 0 -==F tjf bfVjf
8 “f M I f if y 1 ifc

But sh e b lo w s her up li ke f,_ iik & a__ lmlL.

Hr.
in F

m
=tk*=
i ■ Ï
m

■W
P os.

\t-Y k
p l l j l i j ä l p i 'y y ~ T
H ü p w
Piana-
S y te %
(p r if jji .. f M
" if y

t i
U T.
é
-Trim. - I ---------------- 1------- 1 ___ I---------------- u
Ì P ?» -- l, Ï 3É I

ôhe’ô £01! __ $c>t JiûW__ lu e - ky_..slid.

Hr.

J
2£
t e

Tr
8
j}A:.7_b
Po s. V 1 > [J É ÿfep ^ J*»

H---- -----1-

:iano

t ? £
£

E A S 17091
116 Satyricon — XVI - Trim alchio contra Fortunata

20
3— I

Tri
niTL » f ? *•/ * [TT~
¥
dream <j£___ pa_laces^ I sa y . _By_Ged,- iL lain*? jJia l struttingCassandra

fa.7,yfil
? M b* br~-—
n J -r—
a=Lb-:--bJ
Hr

e/ 7 P

Tr.
* Ù h * r r
y *
bX
P<?s. ËÉ x i g - o r ?. if f
;/ P —

Et am
by..... . Il

EAS 17091
Satyricon — XVI - Trim alchio contra Fortunata 117

25

EAS 17091
118 Satyricon — XVI - Trim alchio contra Fortunata

„Trim. —A n d t h a t ’s no l i e !____ Old Agfatho, w h o ô e l l s pei*Tu 111 e to t l i e l a d y n e x t d o o f,

S lip p e d me the w o r d :

Mrb. dpt
J
J .= 50

T rnut
i s
Sentimentale
s E — H '" X j

aJe, ,
I <?n_ prie,
,
j e ren pne; ne U is .s e pas éteindre U i*a_ *

tv.
M rtt

0 11 tu 11 El 0 0
..H iv
.in. Ft Jk l P ! ZW

I P cantehi le
legate

pit t .

i l 0 É
P
W—9 m m W-- 9
St
V I.
piZZ

.2Ï
a ■* T T
i i w i ê

[27l <Lna
ôâl'Câô tl CO

Triiu. aIT] fr * I. If Eft * ^ vt M

|i ftjf fri-iff Ï
jblmì .n o t m e. Oh wo} I w as a little good b o y -,

( c o m e una I n v e n z i o n e )

liâüô^

EAS 17091
Satyricon — XVI - Trim alchio contra Fortunata 119

na . thing fic k le . a_.kau l

s e m p re s te c c .

H r_ àM
Jn

P P 1
Tu ,
t= k
à t- L f .*.>1
PoSl.
p
+.--Jl
m £
T=^l '' n t .- t

tSm
79 2m . » i - ;
f - ^ d h r 't t n
JPiaiioJ

1 t ~ !
tihr trblr-I

EAS 17091
120 Satyricon — XVI - Trimalchio contra Fortunata

Tr i m . - Bui' samed a y , st ut, you* II c a i n e s c r a t c h i n g

w h a t you've done^ H i reinoyg your statue from my tomb* T h ai's an Nicgl'OS !

13 6 bi ä

I L D i r e t t o r e d e c i d e r à in quale o r d in e
e s e g u ir e i f r a m m e n t i ( i . 2 . ò . k opp 3 . 2 A . k ) ec

X {inanimenti possono esser®..riLpjetuti

ed eseguiti anche s i m u lt a n e i /'{ ^ e e.
IM 'sJ
(1 '
Tr.
H arm o ns M

n v ---0 _ _ + _ _ o ) !
> > >>

- lì
Pos. .....
^
Ha r mon s M ï
f7 ir ir f i l i * - /
•y j J f d i ta llo n e

IA rresto
.»H i m p m ^
<ff a l tallone'

V la f g É g jg
S g P
tallone

v.ttfrtfT
TfrT
a l tallo n e

EAS 17091
Satyricon — XVI - Trim alchio contra Fortunata 121

=lj:# - -- -t
Tritìi.
$
_nlü r e . „.da M i ^ ± j c. s^iîaiiliks in my. gl'dV^ A nd \v hat's more 1—

t
Fl. ■
■
■
■- .... i u
i
H“
Ok * jU ■- ...... - fff - b*

FgL i m ï t o i

~i
T r. ^ "1 " ■? jl- T — J-

Pos. ^ p r n n ^ £ b- fr J>

EAS 17091
122 Satyricon — XVI - Trim alchio contra Fortunata

T riin .

£ 1.

Oh..

Fg.

Tc^

P l'S.

JTn iri.

.F I .

Qk.

Tr.

_Pcs,

E A S 17091
Satyricon — XVII - Trim alchio e le flatulenze (Instrum ental) 123

XVII - Trimalchio e le flatulenze (Instrumental)

E i u l e i U u ______ (3]. Tempo V=66

EAS 17091
124 Satyricon — XVII - Trim alchio e le flatulenze (Instrum ental)

XVIII - Party returns (silent mime)

E A S 17091
Satyricon — XIX - Trim alchio e il monumento 125

XIX - Trimalchio e il monumento

J =■72 ca. Solenne

<*resc.
J”S
e-

My friends^
3E nw
5 1aves ä re .. Im . ma n too
*
They driiik„Jhe__s a me

E .H .

Cl„_
r ? "if

in B. $
* f
* ni!f
Cl. B ,
in B \'t *f
inf
p_
A
1 H = É
P in1if

H r.
iir F
m
I77<
r

..Tr..
f
m f
P

Eos. ? y eE S I
P
nif

EAS 17091
126 Satyricon — XIX - Trim alchio e il monumento

E A S 17091
Satyricon — XIX - Trim alchio e il monumento 127

EAS 17091
128 Satyricon — XIX - Trim alchio e il monumento

JÎ51 Motto r it. J= 66-72

K (T) m p dolce
r m
Triun.

_w iJJL Ikave <a far in andhis wo . maiL

CL
in B
■*- ▼ #
Tp lessee
legato

Cl. E
in B O
P
- - (?)
% É
L U I “W
P

.Tt.
»—»—*
----'3‘— .
Fos.
t ì *

_Iri.ni.
r - \=
-
bff r rjr ^PEJ CJT"
f
flamandUietdYüf liia free_ doni
-
and his hcdandhedd ingt*.
Cd.rio inJier.its_ a black of

.C horus
tilfixl
ì-pteseuti)
~ny~l•pn n »
— 4- 1—
j 3 j
— -

Farm and w<?..... jiMJtu

i= = H
fe -ft
-e- v____ hSh

—i------------------------------
.. 0I.B. _Z----------
/ .... . . . -1---- — -----------------------
w T5“

F*- ::: 1 "" ' "— ■

■--• "- ------- -m-- - ..: ■
■
■:-----:--- — -------- --------------------------- -

EAS 17091
Satyricon — XIX - Trim alchio e il monumento 129

25

Trim. S'X T T 1
To my dear F o r tu n a ta 1 leave_______e^evyiiiing' 1 ha - .

r>
l
ï & iS £
Chorus 1
W *_7
..Block o£fiate, jaiidJìdLdliiig*

Ö-
Cl.
o
7 ▼__

CI.B.
% 4
Fg\

EAS 17091
 Satyricon — XIX - Trim alchio e il monumento

M l J sio A - m
(S p re ch g e sa n g ) u\f

Trim.

Piane»

35
c/\?erc.
_ Trim.

Piano.

o- .--i« bf T f f 17r sr H

E A S 17091
Satyricon — XIX - Trim alchio e il monumento 131

T ri i n . - H ere my private
tuba mirtini!

(attacca)
kO

f ) - .........y 4 t
£
CL
in B
é
£ m k

5—» r-i
r-3- r-r r*
C1.B. g i S ÜÜ J W .it
in B
jr/eff'cito P? I f W

r. r"
3 - ^
4-
%
g P? S ü m i

Pere.
?

C eL

b?1
il t*
« î j t

.Avpâ S
J
£
arpetf.

a s a
W 3 ï
3
-

."Vi ni
.1 - 2_
Ä ig è
A*

i
JL*
*

/
A -w~
Via
</
P i— #■
£ i

Vc. V: - y rgf
é
i i £

Sciolte

1
a
CB. ^ h p
/
S

EAS 17091
132 Satyricon — XIX - Trim alchio e il monumento

I^Qbjs J~ö/*ca. Ma lib era m en te

rail.

/Tuba f J w-—.
-h V_B*— C l D iJ ’ ë m fl *
> r > “ > - >
p W ^ = t creö c,
/
J > >
(T) r?)
ju» r?r ‘Tof
>

r p
jT )_______ (So l a n g 'w ie m ö g lic h )

F otr

-Trim. t^WelLi aid frie nd. Ni ce r o s , w ill you ma ke me .my tomb e x a c tly as I order it ?

Ml J=6£

_ Trinu- Pi rôt, oL course.,.. 1^w_aiiL._a-Status_of-jaiyajg.lf ; -- £ s ±t

I want a ___ stàtue of my .

Open
Hr.. n
in F
æ
le g a to
I

EAS 17091
Satyricon — XIX - Trim alchio e il monumento 133

AcceL - - £ - c r e s c . _ _ [50

b r~ V f Mi t *
Trim. p u
.i :s l ___o£ _ p e r i.um e __ and_ _£...«___.__ very £i#lit ........ of He r . cu . tea! ..ca—

Accel - - e
«/'177ile
— * k f ------- k
V ia i n i £ 3Ê 3E ï
£
S im ite

V c. £ i s= É i

OB. £c: f jp £ Sf = = *

J.:Si 10A 55
(e n fa tic o j q u a s i c a n t a n d o )

Trim.
& lEben^ l l i f l n k tt: 'te y m tigûpd. offic gft, F it Bve ott fong —afog-r- I* | ti ï

( l e g g e r e s e m p re una 6- s o tt o )
J =104
S ,— 3. .3 ___ . ____3 ____
rry
Hr. Ü N ^ m£ ï ics:
P
é
P tUL_ I 4-
</

fiMe Trinupel)
-0~P- * »
V ia Ï

Vc. li y.irp
:':.|

CB. Se
“ter
«*F

EAS 17091
134 Satyricon — XIX - Trim alchio e il monumento

Trtm. - In front,; I w a n i. my tomb one hun d r e d ( e e t Iong, but tw o hundred.

feet deep. A ro u n d i t

EAS 17091
Satyricon — XIX - Trim alchio e il monumento 135

T r iiix -I want an orchard with every known v a r ie t y o£ fru it t r g e .- __ ■» You?d bßUer throw in
^ ..v in e y a r d t o o . 7c>r Uis

EAS 17091
136 Satyricon — XIX - Trim alchio e il monumento

6 6 bi 9

T rim . “ I ...think, that a man should con cern..himself. AYith-JJhß h a u s e v/h a re he. liv e s . his Life but give
n o tho u g lit t o the liom e_„_ h e 9 II h a ve f o r e v e t\

Cm.Tr. II—#
ê

Trim.. — - Eut above all I w a n t you to carve this notice : ^ T liis _m o n u m en t- doe6 not pass

ca

ßvvTl‘.|f- Tr. H ë p
nip
i _____i
m
Tr i i nto the p o s s e s s i o n o f my iieira .!*_

! A tta c c a

u n p o c o e r e sc
Tr
¥

ï
EAS 17091 *
ft
9
Satyricon — XIX - Trim alchio e il monumento 137

IZSi

E A S 17091
138 Satyricon — XIX - Trim alchio e il monumento

Stesso tem po

EAS 17091
Satyricon — XIX - Trim alchio e il monumento 139

„Trim.

Jjencli inoffici a1 dress w i th .1m l . g'old r in g s Q iim y £in g e rì and^haji di logouts sack o£ co iiisto the peo . p Le

Mrb, fi
$

Tuba 1 è 32: *

*pa

i n ^

V IJ
s p i u g '. C O I ' d <3

T r i m jl^ For...Lt ;s a f a c t , and my w itness that I gava a free meal to fclig whole town and a
cas K- han d o ut to g v a r y o n e , .

8 7 bi a

bj. >
jpz: » r
M rb .
in n n f ? i^ S
un p o co c r e s c . "if
p

EAS 17091
140 Satyricon — XIX - Trim alchio e il monumento

fòfl] J r i O O c a .

(ÙtuOLló)
Trim. %
A l . 60 make nie .„a.... di . m n # room , bu t liö w u . v e r yen

_2 Bongos

C = ^ “ F
H- “l

n r

£
,_Clav<2* »ff

\ r
-t 1 I ?
_ Gr.Tk

90

EAS 17091
Satyricon — XX - Funeral march 141

XX - Funeral march

Tempo di Marcia i =112

E A S 17091
142 Satyricon — XX - Funeral march

95
.

it
f
L’J J U l .

dove Kaiid. A ud -^ - oh . yea, be àure to -liavg iie r , pet dog

è hf
-OtL

Ob.

legato
Cl­

mm
in B
. 2 r T *r ff ft
P1 ÉÉÉ

TV-
ta
I y p i
f e
p =E a I ÉÉI
Cel

»f* F t ...tT W » *
É
y,*— 7# p *
Ht
I % p
I*
&
Tr. jL _JL jL - fe-T F#
* - - b:
? É Ê ?..ip ... -f-.~ i

. Bos.
i =F=*^
i ÄL
i
Tuba g É fe~

B t i «— *-
Gassai--- i*- p ~ r .......t ~ i

EAS 17091
Satyricon — XX - Funeral march 143

Eö ö l

j i
J_____!____T
è J y p

to d ta -lii^r g ird le And jfln t Ja r jg£Ì. my pet ó la v e .

i. bj
O il . U fa
~£ b i i . bi

Ü b.
¥ ü m i

01-

_2._ r-iu
| ^ = = = i..f_ <-{?
Üu
—---- ------ i

'

V t
% ài
-Fg . 1ft fr j/~ . V ' f £ i = z - £ t f v

V fa#: b
b.t •: e. ir
fc=fe t= = k
c - r ^ 4 - - - - 4 : s ¥ f t

CeL

¥=% i t i $
w m
b*

K .- E=fe £
P
ÿ-j-ft L
PE
?-i._J> ..j . r~".: L ':.: J
___ 3k_ > i t Ê
s p

fe
lb s . g £ ~o

J u l* m M i- l- w M t e

...Etti liH t
..Gaasa Q

</*«?ecco

EAS 17091
144 Satyricon — XX - Funeral march

jûdlex)
( s u d d e n ly <Sédly)
k,
Tüim E
m L J L J f
huge so bh<2 wine woiVt aiû.6h out.

JJn poco vaIL

.Oit

ûb.

legate
CL
inB
J2
m legato
W ?*W Ë

-i— r
% m
t

* 1

C el J

É m r

H r. m # ü f= g i
iti F

Jx -ft
£ g É Ï A------U

PJL

Pc 9 ;bM ' i

à*
Tu ha y P n i^ WW-

PitL «-
C assa *H-
ir

s secco
\

EAS 17091
Satyricon — XX - Funeral march 145

( T v im a cJuQ è *sg p ra p e n sie ro )

EAS 17091
 Satyricon — XX - Funeral march

Trim , j Day w ill have to read t my navire . • A n d how w ill tliis do .2

n S . .(71

H e could haveJieen r e g is te r e d in a n y c a te g o ry Pio u a a n d couragfecus, a lo y a l f r i e n d , he d ied a m illt f naire^

Trim . of the c iv il s e rv ic e at'Rom e but chose o th e rw ise . th o u g h he s t a r t e d lif e w i t k noffcng-.

m
Tuba i

rn . » JuetJl.be sa id to his _etern aL ci'ßdit tliaL Peace to him F a r e w e ll.

^llra | he never Listened to philosophers.

A 1 ____ C L ? r>

XXI - Tape n° 5
(7 min - birds, etc.)
EAS 17091