Académique Documents
Professionnel Documents
Culture Documents
Helena Ferreira
1)Renaissance – the man (and the look) is in the center of the world
2) Late 19th century – decentralization of the subject (proto-cubism, cinema);
3) Mid-20th century – annulment of the space between audience and art
• The spectatorship acquires another dimension when integrated within the white cube gallery.
• Movie theater (black cube) — GAZE — a lengthy attention (fixed look)
• Gallery (white cube) — GLANCE — briefly attention (what, for how long, and how)
I. Bi-directional Projection
II. Reflective gaze
III. Visual dialog
I. Projection bidirectionnel
II. Regard réfléchissant
III. Dialogue visuel
I. Bi-directional Projection
I. Projection bidirectionnel
VALIE EXPORT, Adjungierte Dislokationen, 1973
Dan Graham, Helix/Spiral, 1973
Michael Snow. Two Sides to Every Story, 1974.
Peter Campus. Shadow Projection, 1974
II. Reflexive Gaze
II. Regard réfléchissant
Joan Jonas, Left Side Right Side, 1974
Joan Jonas, Mirror Piece, 1969. de Loeb Student Center of New York University
Joan Jonas, Mirror Piece I Reconfigured, 1969-2010. Kulturhuset Stadsteatern.
Bruce Nauman, Live Tape Video Corridor, 1970
III. Visual Dialogue
III. Dialogue visuel
Vito Acconci, Centers, 1971
Trisha Brown. If You Couldn't See Me, 2008. Performer: Leah Morrison
MarinaAbramovic. The Artist is Present, 2010.
The Performativity of the Returning Gaze
La performativité du regard retour
Merci beaucoup!
Helena Ferreira